Relevant bibliographies by topics / Agnes Martin

Academic literature on the topic 'Agnes Martin'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Agnes Martin.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Agnes Martin"

1

Cotter, Holland. "Agnes Martin." Art Journal 57, no. 3 (1998): 77. http://dx.doi.org/10.2307/777974.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Cotter, Holland. "Agnes Martin." Art Journal 57, no. 3 (September 1998): 77–80. http://dx.doi.org/10.1080/00043249.1998.10791896.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Dyckman, Susanne, and Elizabeth Robinson. "Agnes Martin: Four Paintings." Colorado Review 45, no. 3 (2018): 143–46. http://dx.doi.org/10.1353/col.2018.0096.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Buckley, Peter J. "Agnes Martin, 1912–2004." American Journal of Psychiatry 174, no. 2 (February 2017): 100–101. http://dx.doi.org/10.1176/appi.ajp.2016.16101111.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Rembert, Virginia Pitts, Arne Glimcher, and Agnes Martin. "Agnes Martin/Paintings and Writings." Woman's Art Journal 24, no. 1 (2003): 53. http://dx.doi.org/10.2307/1358813.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Montross, Sarah. "The Wildly Mutable Agnes Martin." Art Journal 77, no. 4 (October 2, 2018): 133–35. http://dx.doi.org/10.1080/00043249.2018.1549885.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

O'Neill, Desmond. "Agnes Martin: the fragility of innocence." Lancet 386, no. 9996 (August 2015): 846. http://dx.doi.org/10.1016/s0140-6736(15)00051-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Belsey, Alex. "Drawing the Line: The Early Work of Agnes Martin." Life Writing 15, no. 4 (June 19, 2017): 621–24. http://dx.doi.org/10.1080/14484528.2017.1339345.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ward, Andrew Robert. "Liminality on the Slip: Agnes Martin in New York." Australian and New Zealand Journal of Art 18, no. 2 (July 3, 2018): 179–92. http://dx.doi.org/10.1080/14434318.2018.1516492.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Waldrep, G. C. "The Paintings of Agnes Martin as Loaves of Bread." Ploughshares 46, no. 1 (2020): 157. http://dx.doi.org/10.1353/plo.2020.0094.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Agnes Martin"

1

Lo, Siwin. "Work and the work of art : Agnes Martin, 1959–1964." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54533.

Full text
Abstract:
Agnes Martin's grids confound easy classification. Each is a six-foot square consisting only of horizontal and vertical lines arranged in stable, rhythmic patterns that emphasize no one portion of the canvas over another. In 1960, the grid emerges from the wall, from the canvas, and from Martin’s own hair and clothing. The artist herself retreats, sheathing herself in the very same graphic strategy that she commits to in the decades of painting to come. Yet, there is ample visual evidence that she was already exploring aspects of this final form in two 1959 works, both Untitled, that demonstrate Martin’s exploration of detail’s relationship to viewing distance and an awareness of the grapheme’s ability to testify to the labour of artwork. An examination of this rigorous disciplinary process offers a means of considering artistic labour as a form of resistance to the elision of human labour time inherent in capitalist modes of production. By addressing abstract labour under capital through an analysis of the painterly abstraction of Martin’s artistic practice, this study aims to demonstrate the critical potential of formal analysis by means of two major interventions into recent Marxist theory. The first addresses a lacuna within Marx’s own definition of the work of art. The second involves a repurposing of Italian feminist theory on housework to address the slippages of meaning within artwork that can act as potential moments of resistance to the logic of industrial capitalist production.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
APA, Harvard, Vancouver, ISO, and other styles
2

Hardman, Andrew. "Studio habits : Francis Bacon, Lee Krasner, Jackson Pollock and Agnes Martin." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/studio-habits-francis-bacon-lee-krasner-jackson-pollock-and-agnes-martin(972d3759-4ecf-48d5-9995-beae9229348c).html.

Full text
Abstract:
This thesis is about studio habits. Specifically, it considers what happens in practice in the artist's studio and ways in which creative acts have been visualised and disseminated. The chapters of this thesis are organised around views of the studios of four twentieth century painters: Francis Bacon (1908-1994), Lee Krasner (1909-1984), Jackson Pollock (1912-1956) and Agnes Martin (1913-2005). Each of these artists' studio habits has been fundamental to their respective mythologies and the studios they occupied in their lifetimes have inflected discussion of their work. Drawing on critical theories of sexuality, gender and space, this thesis argues that the idea of the artist as a master continues to dominate as an explanation of art-making but that this characterisation is called into question by these four artist's specific practices in the studio. Close readings of the studio habits in these case studies, considered here as a situated negotiation between artist and studio, challenges the idea of mastery that studio-view exhibits and images tend to promote. Notions of mastery are inclined to construct practice as a paradigm between an active artist and passive studio materials and these, in turn, are apt to be read in terms of masculinity and femininity, respectively. Thus, the role of studio artist has tended to privilege a male lead. Therefore, analysing particular performances of masculinity by these artists provides a means to contest reading studio-view images as statements of mastery and the damaging and inequitable connotations this designation implies. Furthermore, this thesis argues that the recent trend to preserve studio material, or to otherwise encompass traces of practice in exhibits, films and photographs, may be correlated with theoretical shifts which took place in latter half of the twentieth century as a response to philosophical losses entailed in the critique of authority and objecthood and the rise of performance and conceptual art practices.
APA, Harvard, Vancouver, ISO, and other styles
3

Phelps, Sharon. "Agnes Martin : painting as making and its relation to contemporary practice." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12401/.

Full text
Abstract:
Can nuances of surface – by drawing the viewer close – offer contemplative experience, and enable art-making methods to be better understood? I investigate Agnes Martin’s methods, which are available to those looking carefully at her paintings, focusing on the late 1950s and early 60s. Her constructions of materials found near her New York studio have received little critical attention in existing writing, despite their pivotal role in the development of her grid paintings. I re-enacted some of her methods, and adopted some of the elements that I observed in her artworks from this period, in order to better understand the relationship between found objects in these works and the marks and lines within later paintings and drawings. I focused on the particular quality of attention Martin devoted to marks, materials and surfaces, both in her work and in her working environment; this involved analysing and attempting to follow her ‘contemplative’ approach (see Chapter 2). A practical analysis extended the understanding of Martin’s methods and the effects of local North American influences, and resulted in a new body of layered and two-sided artworks, described throughout this thesis. This investigation of her meditative methods and how the field of painting can include objects and sculpture relates for the first-time Martin’s attitude toward making with some artists who are working today (see Chapters 7 and 8). It also adds to existing scholarship on Martin by comparing her surfaces’ demand for closeness (see Chapter 9) with the participatory practices of Lygia Clark and Gego in South America (see Chapter 10). Mondrian’s influence is thereby traced in separate but parallel lines of abstraction. This thesis’ main contribution is a new workshop methodology (see Chapter 12) as a guide for those who wish to research an artist and their methods. The methodology offers a discursive structure within which to investigate art practice through new practice. The presentation of new artworks in participatory workshops in an exhibition setting invites discussion about art-making methods, emphasising the role of practice in the artistic research process. New artworks were offered to be hand-held by the viewer, and this invitation to attend closely was accompanied by art-making and dialogue around practice. The responses I gathered from participants indicate that this type of active engagement can disseminate tacit knowledge and offer experience of a contemplative approach.
APA, Harvard, Vancouver, ISO, and other styles
4

Cseh, Agnes [Verfasser], Martin [Akademischer Betreuer] Skutella, Martin [Gutachter] Skutella, and Gerhard J. [Gutachter] Woeginger. "Complexity and algorithms in matching problems under preferences / Agnes Cseh ; Gutachter: Martin Skutella, Gerhard J. Woeginger ; Betreuer: Martin Skutella." Berlin : Technische Universität Berlin, 2016. http://d-nb.info/115601204X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Beermann, Agnes Verfasser], William F. [Akademischer Betreuer] [Martin, and Simeon [Akademischer Betreuer] Santourlidis. "Epigenetische Biomarker für die Diagnose und Prognose des Harnblasenkarzinoms / Agnes Beermann. Gutachter: William Martin ; Simeon Santourlidis." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2015. http://d-nb.info/1074999010/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Beermann, Agnes [Verfasser], William F. [Akademischer Betreuer] Martin, and Simeon [Akademischer Betreuer] Santourlidis. "Epigenetische Biomarker für die Diagnose und Prognose des Harnblasenkarzinoms / Agnes Beermann. Gutachter: William Martin ; Simeon Santourlidis." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2015. http://d-nb.info/1074999010/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Isaeus-Berlin, Dina. "EN FORTGÅENDE UNDERSÖKNING AV KONSTNÄRLIGT GÖRANDE OCH DESS FÖRUTSÄTTNINGAR." Thesis, Konstfack, Institutionen för Konst (K), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5674.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Friend, Zoe L. "Normal What." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1305.

Full text
Abstract:
The title Normal What refers to a group of paintings that emerged from my Masters of Visual Arts 2004/05 studio project. Individual paintings are chronological self portrait reflecting upon my own experiences and those in the wider community who at some point in their lives have had to endure the struggles, and negative stigma that is so often attached to those who have become marginalised and detached from mainstream society. People found in this category include the disabled, homeless, unemployed, and those with addiction problems. Each painting bears a close connection with techniques associated with abstract expressionist painting. This radiates through the vast expanse of drips, stains and explosions which appear to suffocate the paintings delicate monochrome surface. Strong references to Kristeva’s theory on Abjection arrive through the aggressive and violent outbursts of paint that evoke an atmosphere of symbolic horror, personal dysfunction and social oppression. This emerges out of the shadows and private spaces of the painting’s domestic interior. Deep emotional, psychological, sociological sensitivities are raised throughout my studio practice. Combined with a series of unresolved tensions, and questions surrounding normality run deep a consequence of society’s push for normality are being felt most acutely by those effected by this form of sociology. The ideas raised through my studio project had a profound influence on the research being conducted for the dissertation. Kristeva’s theory on Abjection, along side the practices of Eva Hesse, Barnett Newman, Agnes Martin emerged from a group of highly emotional abstract paintings. This strengthened the connection between the studio project and the dissertation. Aimed at deepening a personal understanding an commitment to researching the subject of normality and how it could be successfully articulated through a visual narrative.
APA, Harvard, Vancouver, ISO, and other styles
9

Friend, Zoe L. "Normal What." University of Sydney, 2005. http://hdl.handle.net/2123/1305.

Full text
Abstract:
Master of Visual Arts
The title Normal What refers to a group of paintings that emerged from my Masters of Visual Arts 2004/05 studio project. Individual paintings are chronological self portrait reflecting upon my own experiences and those in the wider community who at some point in their lives have had to endure the struggles, and negative stigma that is so often attached to those who have become marginalised and detached from mainstream society. People found in this category include the disabled, homeless, unemployed, and those with addiction problems. Each painting bears a close connection with techniques associated with abstract expressionist painting. This radiates through the vast expanse of drips, stains and explosions which appear to suffocate the paintings delicate monochrome surface. Strong references to Kristeva’s theory on Abjection arrive through the aggressive and violent outbursts of paint that evoke an atmosphere of symbolic horror, personal dysfunction and social oppression. This emerges out of the shadows and private spaces of the painting’s domestic interior. Deep emotional, psychological, sociological sensitivities are raised throughout my studio practice. Combined with a series of unresolved tensions, and questions surrounding normality run deep a consequence of society’s push for normality are being felt most acutely by those effected by this form of sociology. The ideas raised through my studio project had a profound influence on the research being conducted for the dissertation. Kristeva’s theory on Abjection, along side the practices of Eva Hesse, Barnett Newman, Agnes Martin emerged from a group of highly emotional abstract paintings. This strengthened the connection between the studio project and the dissertation. Aimed at deepening a personal understanding an commitment to researching the subject of normality and how it could be successfully articulated through a visual narrative.
APA, Harvard, Vancouver, ISO, and other styles
10

Hayek, Dayana [Verfasser], Agnes [Akademischer Betreuer] Flöel, Alfons [Akademischer Betreuer] Hamm, Agnes [Gutachter] Flöel, Alfons [Gutachter] Hamm, Martin [Gutachter] Lotze, and Michael [Gutachter] Nitsche. "Association of cognitive performance with hippocampal network integrity of healthy adults and its modulation through non-invasive brain stimulation / Dayana Hayek ; Gutachter: Agnes Flöel, Alfons Hamm, Martin Lotze, Michael Nitsche ; Agnes Flöel, Alfons Hamm." Greifswald : Universität Greifswald, 2019. http://d-nb.info/1193177782/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Agnes Martin"

1

1969-, Schröder Barbara, ed. Agnes Martin. New York: Dia Art Foundation, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Martin, Agnes. Agnes Martin. London: Waddington Galleries, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Haskell, Barbara. Agnes Martin. New York: Whitney Museum of American Art, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Martin, Agnes. Agnes Martin. Madrid: Museo Nacional Centro de Arte Reina Sofía, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Modern Art Museum of Fort Worth. and Site Santa Fe (Gallery), eds. Agnes Martin, Richard Tuttle. Fort Worth, TX: Modern Art Museum of Fort Worth, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Matta-Clark, Gordon. Gordon Matta-Clark/Agnes Martin. London: Serpentine Gallery, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Martin, Agnes. Agnes Martin: Paintings and drawings 1977-1991. London: Serpentine Gallery, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Basha, Régine. Diary of a human hand: Betty Goodwin, Brice Marden, Agnes Martin, Susan Rothenberg. Edited by Goodwin Betty 1923- and Centre Saidye Bronfman. Galerie d'art. Montréal: Gallery of the Saidye Bronfman Centre for the Arts, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Martin, Agnes. Agnes Martin: [catalogue of an exhibition at the] Waddington Galleries, [5 February -1 March] 1986. London: Waddington Galleries, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Martin, Agnes. Agnes Martin: Paintings and drawings = peintures et dessins = schilderijen en tekeningen = Gemälde und Zeichnungen : 1974-1990. Amsterdam: Stedelijk Museum, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Agnes Martin"

1

Rivera, José Luis. "Martin of Dacia." In A Companion to Philosophy in the Middle Ages, 421–22. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996669.ch80.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Nyquist, L. E., D. D. Bogard, C. Y. Shih, A. Greshake, D. Stöffler, and O. Eugster. "Ages and Geologic Histories of Martian Meteorites." In Space Sciences Series of ISSI, 105–64. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-017-1035-0_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Dickin, Alan P. "Model Ages (Sm–Nd)." In Encyclopedia of Marine Geosciences, 573–76. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-007-6304-3_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cossar, Roisin. "The marginality of clerics’ concubines in the Middle Ages." In Rethinking Medieval Margins and Marginality, 129–45. Abingdon, Oxon; New York, NY : Routledge, 2020.|: Routledge, 2020. http://dx.doi.org/10.4324/9781003006725-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Cubitt, Catherine. "The Impact of the Lateran Council of 649 in Francia: the Martyrdom of Pope Martin and the Life of St Eligius." In Studies in the Early Middle Ages, 71–103. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.sem-eb.5.119623.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Kwakkel, Erik. "The Margin as Editorial Space: Upgrading Dioscorides alphabeticus in Eleventh-Century Monte Cassino." In The Annotated Book in the Early Middle Ages, 323–41. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.usml-eb.5.115026.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

O’Brien, Alana. "Developments in Servite Marian Spirituality and the Use of Saint Filippo Benizi in Promoting Servite Miraculous Madonnas *." In Marian Devotion in the Late Middle Ages, 126–43. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003179054-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sobieczky, Elisabeth. "Throne of Gold and Dress of Stars." In Marian Devotion in the Late Middle Ages, 6–30. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003179054-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mihail, Mihnea A. "Diagrammatic Devotion and the Defensorium Mariae in the Funerary Chapel of Hărman Parish Church 1." In Marian Devotion in the Late Middle Ages, 65–86. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003179054-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Veress, Ferenc. "“Mulier amicta sole”." In Marian Devotion in the Late Middle Ages, 165–81. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003179054-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Agnes Martin"

1

Helou, C., B. Wathen, Ryan T. Deasy, R. P. Wintsch, and Keewook Yi. "CRYSTALLINE AND DEFORMATION AGES IN THE PROSPECT GNIESS ALONG THE PERI-LAURENTIAN MARGIN." In 51st Annual Northeastern GSA Section Meeting. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016ne-272734.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Warren, Vicki. "Condition-Based Assessment of Marine Air-Cooled Medium Voltage Generators." In SNAME Maritime Convention. SNAME, 2013. http://dx.doi.org/10.5957/smc-2013-t23.

Full text
Abstract:
The generators in a marine vessel are reliable and require minimal maintenance; however, as the generator ages and because of the harsh operating and ambient environments shipboard generators will develop problems. Ship maintenance personnel need reliable advanced notice of when and where problems develop within the stator or rotor winding insulation system. Unfortunately, traditional off-line testing does not provide this, as tests are done as a part of planned maintenance and under abnormal operating conditions of mechanical, thermal, ambient and electrical stresses. Advances in on-line monitoring have proven effective in meeting the need of maintenance personnel with a Condition-Based Maintenance program for air-cooled generators in marine vessels.
APA, Harvard, Vancouver, ISO, and other styles
3

Hartmann, A., M. Orfanoudaki, P. Blanchard, S. Derbre, A. Schinkovitz, P. Richomme, M. Ganzera, and H. Stuppner. "Secondary metabolites from marine sources as inhibitors of advanced glycation end products (AGEs) and collagenase." In 67th International Congress and Annual Meeting of the Society for Medicinal Plant and Natural Product Research (GA) in cooperation with the French Society of Pharmacognosy AFERP. © Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-3400086.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Andronicos, Christopher L., Ruth F. Aronoff, Christopher G. Daniel, Michael F. Doe, Robert Hunter, James V. Jones, and Jeff D. Vervoort. "MESOPROTEROZOIC FORMATION OF THE SOUTHERN MARGIN OF NORTH AMERICA VIEWED FROM THE PERSPECTIVE OF DETRITAL AND MINERAL GROWTH AGES." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-287074.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Simoneau, Michael, Gary M. Fleeger, Frank J. Pazzaglia, Lee B. Corbett, Paul R. Bierman, Michelle S. Nelson, Tammy M. Rittenour, and Marc W. Caffee. "PLEISTOCENE DRAINAGE REVERSALS AND GORGE CUTTING AT THE LAURENTIDE ICE MARGIN IN NORTHWESTERN PENNSYLVANIA INTERPRETED FROM NEW COSMOGENIC EXPOSURE AND LUMINESCENCE AGES." In Joint 69th Annual Southeastern / 55th Annual Northeastern GSA Section Meeting - 2020. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020se-344623.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ludvigson, Greg, Andreas Möller, Robert Joeckel, Mike D. Blum, and Noah McLean. "URANIUM-LEAD AGES OF CRETACEOUS (ALBIAN-CENOMANIAN) STRATA FROM THE ROSE CREEK ESCARPMENT OF THE CRATONIC MARGIN OF THE WESTERN INTERIOR BASIN." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-304010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Cobbett, Rose, Maurice Colpron, Maurice Colpron, Luke Beranek, Luke Beranek, Stephen J. Piercey, and Stephen J. Piercey. "IMPROVED AGES, GEOCHEMISTRY AND STRATIGRAPHIC CONTEXT OF LOWER PALEOZOIC VOLCANIC ROCKS WITHIN THE WESTERN LAURENTIAN CONTINENTAL MARGIN IN THE NORTHERN CANADIAN CORDILLERA." In GSA Connects 2022 meeting in Denver, Colorado. Geological Society of America, 2022. http://dx.doi.org/10.1130/abs/2022am-383608.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Todd, Erin, James V. Jones, and Andrew Kylander-Clark. "ZIRCON AGES AND COMPOSITIONS CONSTRAIN CHANGES IN MELT SOURCES DURING AND AFTER PROGRESSIVE ACCRETION OF THE WRANGELLIA COMPOSITE TERRANE TO THE SOUTHERN ALASKA MARGIN." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-280368.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pérez-Pereiro, Alberto, and Jorge López Cortina. "Cham Language Literacy in Cambodia: From the Margins Towards the Mainstream." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.15-3.

Full text
Abstract:
The Cham language has been written since at least the 4th Century. As such it is the oldest attested language of all of the Austronesian languages. This literary heritage was transmitted using locally modified forms of Indian scripts which were also used to write Sanskrit. With the loss of Cham territories to the Vietnamese, many Cham became displaced and the literary culture was disrupted. In addition, the adoption of Islam by the majority of Cham led many of those who continued to write to do so in variations of the Arabic script. However, the literary potential of the language in Cambodia has not been fully realized in either script – with village scholars using it almost exclusively for religious tracts and for very limited local audiences. In 2011, the United States Embassy initiated a program to encourage the protection of Cham culture and heritage. This Cham Heritage Expansion Program ran from 2011 to 2017 and resulted in the operation of 13 schools in which over 2,500 students of different ages were taught the traditional Cham script. This effort was accompanied by the development of a now significant number of local Cham intellectuals throughout the country who are dedicating themselves to the expansion of the use of Cham as a written language in all aspects of daily life. This presentation documents the way in which interest in this long-neglected writing system was rekindled, and the new avenues for personal and communitarian expression that are being opened by the propagation of Cham literacy. It also presents current developments in the formalization of Cham language education in the country, including the possibilities of bringing the language into the school system.
APA, Harvard, Vancouver, ISO, and other styles
10

Hood, R. Lyle, Tobias Ecker, John Rossmeisl, John Robertson, and Christopher G. Rylander. "Improving Convection-Enhanced Delivery Through Photothermal Augmentation of Fluid Dispersal." In ASME 2012 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/sbc2012-80720.

Full text
Abstract:
Malignant tumors of the central nervous system are the third leading cause of cancer-related deaths in adolescents and adults between the ages of 15 and 34; in children, brain tumors are the leading cause of cancer death. Convection-enhanced delivery (CED) has emerged as a promising method for the transport of high concentrations of chemotherapeutic macromolecules to brain tumors. CED is a minimally-invasive surgical procedure wherein a stereotactically-guided small-caliber catheter is inserted into the brain parenchyma, to a tumor site, for low flowrate infusion of chemotherapy [1]. This direct-delivery method bypasses obstacles to systemic chemotherapy caused by the selective impermeability of the blood-brain barrier. Although preliminary studies were favorable, CED recently failed Phase III FDA trials because clinical goals for tumor regression were not met [2]. This was primarily attributed to insufficient diffuse delivery of the drug throughout tumor masses and their surrounding margins.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Agnes Martin"

1

McNeely, R., A. S. Dyke, and J. R. Southon. Canadian marine reservoir ages, preliminary data assessment. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2006. http://dx.doi.org/10.4095/221564.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hervet, M., O. van Breemen, and M. D. Higgins. U-Pb igneous crystallization ages of intrusive rocks near the southeastern margin of the Lac-St-Jean Anorthosite Complex, Grenville Province, Quebec. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1994. http://dx.doi.org/10.4095/195177.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Agnes Martin' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography