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Relevant bibliographies by topics / Afrikaans Novel And Short Story

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Academic literature on the topic 'Afrikaans Novel And Short Story'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Journal articles on the topic "Afrikaans Novel And Short Story"

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Morgan, N. "Van Tempeltronk tot katedraal: die kruisweg van Lodewyk XVII." Literator 28, no. 1 (July 30, 2007): 47–70. http://dx.doi.org/10.4102/lit.v28i1.150.

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From the Temple to the cathedral: the calvary of Louis XVII In 2004, more than 200 years after his death in the Temple prison, the heart of Louis XVII, the successor to France’s last king of the Ancien Régime, Louis XVI, was buried in the royal necropolis of Saint-Denis. Despite numerous publications on the destiny of the Little Prince, the chronology of his short life was not determined by historians and biographers, but by scientists who, in 2000, performed DNA tests on the petrified organ, which was miraculously preserved. Before this date, the biographies of the many pretenders to Louis XVII’s throne (that of Naundorff in particular) were better-known than the lifehistory of Marie Antoinette’s youngest son. Since then, various publications have changed this state of affairs, including an historical novel by one of France’s most knowledgeable authors on the monarchy of the 17th and 18th centuries and a biographical novel by a member of the Bourbon family. Antonia Fraser’s (2001) biography on Marie Antoinette and Sofia Coppola’s (2006) film on her life have rekindled interest in the events of the French revolution. The story of Louis XVII, who was used as a pawn by the revolutionaries, is one the most tragic of that period in the country’s history. This article provides an overview of key events gleaned from various sources, translated into Afrikaans for the first time.

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Lombard, J. "Mitisiteit as basis vir vergelykende literatuurstudie, met verwysing na waterslangsimboliek." Literator 25, no. 1 (July 31, 2004): 91–112. http://dx.doi.org/10.4102/lit.v25i1.247.

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Mythicity as basis for comparative literature, with reference to water snake symbolism Mythicity can be defined as the deliberate intention of probing the numinous dimensions of human existence by means of literature, i.e. mainly narrative forms. In this article the water snake is chosen as prominent archetypal symbol in order to investigate the functioning of mythicity. The water snake is an important symbol in the Southern African context, with its origins in Khoesan ritual and mythology. Recently several stories about water snakes and related mythological creatures have been published in Afrikaans novels and short stories. The water snake has also assimilated influences, inter alia from European, Asian and other African cultures. In this article the potential of mythicity is specifically investigated insofar as it can be utilised as basis for comparative literature. For this purpose the numinous dimensions of a mythic story are treated as equally important as the narrative dimensions. This dialectical balance is therefore used as the main criterion for the comparison of mythic texts. Other related aspects are discussed, namely the importance of the historical context, Jung’s theory of archetypes and the unconscious, and the role of interpretational devices such as metaphor, metonymy, symbolism and allegory. If the balance between numinosity and narrativity is not maintained, the mythic potential of a text is usually reduced. When writers succeed in utilising mythicity as an “open”, dynamic interpretational process, mythic relevance can still be guaranteed within a present-day, postmodern context.

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Glorie, I. "Sterke vrouwen! De institutionele positie van de eerste Afrikaanse schrijfsters." Literator 26, no. 2 (July 31, 2005): 39–58. http://dx.doi.org/10.4102/lit.v26i2.227.

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Strong women! The institutional position of the first women writers in Afrikaans In the early 1990s several Afrikaans literary scholars suggested that the work of the first Afrikaans women writers had been marginalised, because it supposedly went against the hegemonic Afrikaner-nationalist discourse. Since then research in the field of social history has indicated that during the first half of the 20th century, Afrikaner women were not as powerless as has often been assumed. In this article, the biographical details of women writers from 1902-1930 are provided, with special reference to their involvement in Afrikaans women’s organisations. The short story “Prente” (“Pictures”) by Mabel Jansen is used to illustrate the interrelatedness of literature and social work within the framework of this type of organisations. In the concluding paragraph an attempt is made to explain the marginalisation of these women writers’ work from an international perspective, with special reference to the interference between the Dutch and the Afrikaans literary systems.

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Hollingshead, Greg. "Short Story vs Novel." University of Toronto Quarterly 68, no. 4 (September 1999): 878–79. http://dx.doi.org/10.3138/utq.68.4.878.

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Bosman, Nerina, and Jan Stander. "Vanden vos Reynaerde se transformasie tot Reinaard die Jakkals." Tydskrif vir Letterkunde 59, no. 3 (September 18, 2022): 148–64. http://dx.doi.org/10.17159/tl.v59i3.13286.

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The legacy of the Middle Dutch epic Vanden vos Reynaerde and the many ways in which we still see traces of Reynaert the fox and his companion, Iesegrim the wolf, in Afrikaans, are discussed in this article. The indestructible fox gets a second life under the Southern Cross, perhaps most notably in the many tales about Jackal and Wolf which are well known as part of a shared oral heritage by white and Khoi speakers of Afrikaans. Our focus is not these stories, however, but rather the following question: does the Reynaert of the epic indeed live on in Afrikaans literature? We argue that the epic itself and its literary heritage has not received as much attention as did the stories of the sly jackal and the gullible, even dim-witted, wolf. These extremely short stories do not exhibit the carefully planned structure, sharp social commentary and ruthless exposing of human weaknesses as does the epic. In our opinion, the only text in which the medieval epic itself functions as intertext, is in the brilliant adaptation by Eitemal. Eitemal created a story which is in many ways so different from the Dutch Reinaert, that it truly is a story written on African soil. In the Eitemal text, the sly fox becomes a typical Afrikaans crook—and what’s more, he is a villain who is not foreign to modern readers due to his essentially human character. In Reinaard die Jakkals the intrepid, extremely cruel but also clever fox lives on.

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Marais, J. L. "’n Kort herbetragting van Uys Krige se prosa met verwysing na 'The dream' as sleutelteks." Literator 9, no. 3 (May 7, 1988): 19–28. http://dx.doi.org/10.4102/lit.v9i3.852.

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Uys Krigc’s prose has always received less attention from scholars of the Afrikaans literature than his poetry, translations and plays, Krige was never awarded any Afrikaans literary prize for his prose, which evoked comparatively little interest from Afrikaans scholars. This article discusses possible reasons for the above situation regarding Krige’s prose, followed by a critical discussion of several factors that were decisive in the canonization of Krige as a poet, translator and playwright rather than as a prose writer. These include factors such as the reception of Krige’s prose in comparison with the other genres that he practised, and the compilation of anthologies, a practice by which texts are published in a context that differs from the original. The short story “The dream” (from The dream and the desert, 1953) is then discussed briefly, indicating several key features of Krige’s prose as contained in this text. The article concludes with a view that a reassessment of Krige’s work will probably show him to have been a better prose writer than a poet, contrary to past and, to a large extent, present assumptions.

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Van Eeden, A., and D. H. Steenberg. "Collage in Volmink." Literator 12, no. 2 (May 6, 1991): 1–22. http://dx.doi.org/10.4102/lit.v12i2.755.

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Hennie Aucamp has established himself as an avant garde short story-writer in Afrikaans and as such his work is experimental. In this article his shorter prose, more specifically the volume Volmink, is analysed from the point of view of ‘collage in literature’. A brief explication of the term collage and its occurrences in literature is given after which the use of collage in Volmink is discussed. The article concludes with a discussion of the function of collage in Aucamp’s shorter prose.

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Karrouri, Rabie, and Yassine Otheman. "The Antidepressants Short Story." Scholars Journal of Applied Medical Sciences 9, no. 9 (October 27, 2021): 1466–69. http://dx.doi.org/10.36347/sjams.2021.v09i09.029.

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The number of individuals suffered from depression is constantly increasing worldwide. The antidepressant monoaminergic hypothesis has dominated the pathophysiology of mood disorders and the development of novel treatment strategies for long years, but the discovery of the antidepressant action of ketamine and these metabolites has opened a new way for discovering a fast antidepressant but without reducing side effects. The target of fast and best tolerated antidepressant appears difficult but close.

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Erasmus, M. "Literêre vertaling as kruiskulturele kommunikasie: Kortonnen dozen van Tom Lanoye in Afrikaans." Literator 19, no. 3 (April 30, 1998): 29–52. http://dx.doi.org/10.4102/lit.v19i3.556.

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Literary translation as cross-cultural communication: Kartonnen dozen by Tom Lanoye in Afrikaans Literary texts are more frequently translated from Afrikaans into Dutch than vice versa. The translation of the popular Flemish writer Tom Lanoye's short novel Kartonnen dozen by Daniel Hugo is indeed one of the very few examples of the latter. In this article I explore, inter alia, the politics of translation which may underlie this imbalance; literary translation as a way of "opening up" a foreign culture; the ideology of translatability. To establish whether Hugo's translation may be seen as adequate, and thus as functioning effectively within the Afrikaans (target) literary system, a comparative analysis is made of the two texts (i.e. Kartonnen dozen and Kartondose) in respect of certain textemes which I regard as imperative for the target text to convey the intention of the source text. In conclusion, I voice my opinion on a literary translation such as Kartondose and its role in the endeavour of decolonisation to resist globalisation.

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Botha, E. "Die boek Job as bron van intertekste vir ‘Wie weet?' (Die waarheid gelieg, 1984)." Literator 16, no. 3 (May 2, 1995): 17–22. http://dx.doi.org/10.4102/lit.v16i3.636.

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The Book of Job as a source of intertexts for T.T. Cloete’s short story ‘Wie weet?’ (Die waarheid gelieg, 1984) T.T. Cloete’s account of a woman's physical and spiritual agony in the short story “Wie weet?” ffrom Die waarheid gelieg, 1984), read within the South African/Afrikaans cultural context, presents several indicators that the Book of Job is its intertext, the most explicit pointer being the role of the sufferer’s sister-in-law. Intertextuality in Cloete’s oeuvre often takes the form of a creative reworking or rereading of texts (cf Scholtz, 1984; Botha, 1984; Roos, 1986). Roos comments on the caricatural treatment of theme in Cloete’s “Veg om te verloor” (Cloete, 1984), highlighted by the rereading imposed on the reader of Van Melle’s well-known story "Die joiner”, creating distrust in the implicit author of the Cloete text. The argument in this essay is that the explicit engagement of the intertext, as in "Wie weet?”, also serves as an affirmative complement to the negative incompleteness of the rereading. Thus the desperate questioning of "Wie weet?” becomes an integral part of a reading of Cloete’s oeuvre as a hymn to God’s omnipotence and mercy, epitomized in the poem "Van Horn en my” (Jukstaposisie, 1982).

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Dissertations / Theses on the topic "Afrikaans Novel And Short Story"

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Smit, Helena. "Postkoloniale terugskrywing : verset teen of verbond met kolonialisme ; Tweespoor (Kortprosa)." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/239.

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Halpen, A. "The novel and the short story in Ireland : readership, society and fiction, 1922-1965." Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3003406/.

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This thesis considers the novel and the short story in the decades following the achievement of Irish independence from Britain in 1922. During these years, many Irish practitioners of the short story achieved both national and international acclaim, such that 'the Irish Short Story' was recognised as virtually a discrete genre. Writers and critics debated why Irish fiction-writers could have such success in the short story, but not similar success with their novels. Henry James had noticed a similar situation in the United |States of America in the early nineteenth century. James decided the problem was that America's society was still forming - that the society was too 'thin' to support successful novel-writing. Irish writers and critics applied his arguments to the newly-independent Ireland, concluding that Irish society was indeed the explanation. Irish society was depicted as so unstructured and fragmented that it was inimical to the novel but nurtured the short story. Ireland was described variously: "broken and insecure" (Colm Tóibín), "often bigoted, cowardly, philistine and spiritually crippled" (John McGahern) and marked by "inward-looking stagnation" (Dermot Bolger). This study examines the validity of these assertions about Irish society, considering whether day-to-day life in Ireland was so exceptionally different to other contemporary states where the novel did prosper. The conclusion from the evidence is that Ireland was different but not unique. One chapter examines literacy and the reading traditions in Ireland, and it is clear that there was a skilled audience for the novels and an effective book trade. The novel in Ireland is discussed and three case studies (Elizabeth Bowen, Kate O'Brien and Liam O'Flaherty) are discussed. The study concludes with the confirmation, through two case studies (Séan O'Faolain and Frank O'Connor), that the short story continued to be widely acclaimed and widely practised by many Irish writers. The conclusion reached is that Irish society was not as popularly depicted nor was it exceptional. It was a matter of writers' talents not society's failings.

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Rose, Caroline. "Closure and the short story: with readings oftexts by Elizabeth Gaskell and Angela Carter." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213571.

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Rose, Caroline. "Closure and the short story : with readings of texts by Elizabeth Gaskell and Angela Carter /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17506207.

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Grant, Bernard. "All Hours." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1617105424447492.

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Slatter, Angela Gaye. "Sourdough & other stories : a story told in parts (a mosaic novel and exegesis)." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50910/1/Angela_Slatter_Thesis.pdf.

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The mosaic novel - with its independent 'story-tiles' linking together to form a complete narrative - has the potential to act as a reflection on the periodic resurfacing of unconscious memories in the conscious lives of fictional characters. This project is an exploration of the mosaic text as a fictional analogue of involuntary memory. These concepts are investigated as they appear in traditional fairy tales and engaged with in this thesis's creative component, Sourdough and Other Stories (approximately 80,000 words), a mosaic novel comprising sixteen interconnected 'story-tiles'. Traditional fairy tales are non-reflective and conducive to forgetting (i.e. anti-memory); fairy tale characters are frequently portrayed as psychologically two-dimensional, in that there is no examination of the mental and emotional distress caused when children are stolen/ abandoned/ lost and when adults are exiled. Sourdough and Other Stories is a creative examination of, and attempted to remedy, this lack of psychological depth. This creative work is at once something more than a short story collection, and something that is not a traditional novel, but instead a culmination of two modes of writing. It employs the fairy tale form to explore James' 'thorns in the spirit' (1898, p.199) in fiction; the anxiety caused by separation from familial and community groups. The exegesis, A Story Told in Parts - Sourdough and Other Stories is a critical essay (approximately 20,000 words in length), a companion piece to the mosaic novel, which analyses how my research question proceeded from my creative work, and considers the theoretical underpinnings of the creative work and how it enacts the research question: 'Can a writer use the structural possibilities of the mosaic text to create a fictional work that is an analogue of an involuntary memory?' The cumulative effect of the creative and exegetical works should be that of a dialogue between the two components - each text informing the other and providing alternate but complementary lenses with which to view the research question.

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Smit, Susanna Johanna. ""Placing" the farm novel : space and place in female identity formation in Olive Schreiner's The story of an African farm and J.M. Coetzee's Disgrace / S.J. Smit." Thesis, North-West University, 2005. http://hdl.handle.net/10394/873.

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Jansen, Zero. "What We Know: Queer Displacement and Reimagining Notions of Home." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556115428029259.

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Martins, Eunice Barreto Dos Santos. "La fantasy, phénomène littéraire, éditorial et social en littérature jeunesse." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0009.

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Si l’on peut faire remonter la naissance de la fantasy aux récits mythologiques et la rattacher aux contes populaires, la fantasy moderne n’a été reconnue qu’au début du XXe siècle. Venu de l’anglais imagination, le genre appartient au domaine de la littérature d ‘évasion, car il propose un « réenchantement » de notre monde.Marquée par de grands titres, tels que la trilogie du Seigneur des anneaux de J. R. R. Tolkien, la fantasy s’est ouverte à la littérature de jeunesse, notamment avec Harry Potter. Notre étude porte sur un corpus d’oeuvres marquantes de S. Audouin-Mamikonian, P. Bottero, B. Bottet, S. De Mari, N. Farmer, C. Paolini, M. Paver et E. Rodda, qui ont été publiées en France entre 2000 et 2006. Après avoir esquissé une typologie des sous-genres de la fantasy en la caractérisant par rapport aux autres littératures de l’imaginaire, il s’agit d’interroger les œuvres du corpus au niveau de la construction du héros et du monde dans lequel il évolue, d’étudier les phénomènes intertextuels et, notamment, comment le schéma narratif du conte est utilisé pour offrir à son lecteur un parcours quasi initiatique de l’adolescence et, enfin,de montrer comment la fantasy jeunesse en France est devenue un phénomène social et éditorial par l’intermédiaire des nouveaux outils de commercialisation
Although fantasy dates back to mythological tales and may be associated with folktales, modern fantasy has only been recognized since the beginning of the 20thcentury. According to its definition as “imaginative fiction”, the genre belongs to thefield of escapist literature since it provides a “re-enchantment” of our world.Highlighted by best-sellers, such as The Lord of the Rings trilogy by J. R. R. Tolkien,fantasy flourished in children’s literature especially with Harry Potter. Our study relieson a significant body of works written by S. Audouin-Mamikonian, P. Bottero,B. Bottet, S. Mari, N. Farmer, C. Paolini, M. Paver and E. Rodda and published in France between 2000 and 2006. After outlining a typology of the subgenres of fantasy by characterizing it in relation to the other types of speculative fiction, the study focuses on the works themselves, especially with regard to the construction of the hero and of the world he lives in with a view to analyzing intertextual phenomena, grasping notably how the narrative scheme of the tale is used to offer the reader some sort of initiation journey through adolescence and, lastly, to showing how youth fantasy in France has become a social and editorial phenomenon through innovative marketing tools

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Abbas, Reina. "Le genre de la nouvelle en Egypte ; traditions et emprunts au XX e siècle : l'exemple de Naguib Mahfouz." Thesis, Cergy-Pontoise, 2010. http://www.theses.fr/2010CERG0492.

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Notre étude consiste à retracer l'histoire du genre narratif arabe et plus précisément la nouvelle arabe de la fin du XIXème siècle jusqu'à 1969. Dans un premier temps, nous faisons un rappel historique et littéraire incluant la floraison du genre narratif en Egypte. Dans un second temps, nous analysons, à travers les préfaces de Mahmoud Taymour, l'évolution et les changements que le genre narratif arabe a subis dans la première moitié du XXème siècle. Enfin, la troisième partie illustre le gain en maturité du genre romanesque et plus précisément la nouvelle, à travers les oeuvres de Naguib Mahfouz, dans lesquelles nous trouvons un tableau complet de la société égyptienne et arabe de l'époque
Our study consists on tracking the history of the arab narrative type, more precisely the arab novel since end of nineteenth century till 1969. First, we start in the first chapter by a litterature and historical reminder of the birth of the narrative type in Egypt. Then, we analyze in the second chapter, through the Mahmoud Taymour introductions, the changes and evolutions that occur on this arab narrative type in the first half of the twentieth century. Finaly, the third chapter is the occasion to illustrate the gain in maturity of the narrative litterature and more specificaly the novel. This illustration is done through Naguib Mahfouz novels where we find a complete drawing of the egyptian and arab society at that time

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Books on the topic "Afrikaans Novel And Short Story"

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Niekerk, Marlene Van. Triomf. Kaapstad: Queillerie, 1994.

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Leon, De Kock, ed. Triomf. Woodstock, NY: Overlook Press, 2004.

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Niekerk, Marlene Van. Triomf. London: Little, Brown, 1999.

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Triomf. Johannesburg: Jonathan Ball Publishers, 1999.

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Brink, André Philippus. A Chain of Voices. Naperville: Sourcebooks, Inc., 2007.

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Brink, André Philippus. A chain of voices. Naperville, Ill: Sourcebooks, 2007.

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Novel & short story writer's market: 1993. Cincinnati, OH: Writer's Digest Books, 1993.

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Pope, Alice. 2010 novel & short story writer's market. Edited by Writer's Digest Books (Firm). 2nd ed. Cincinnati, Ohio: Writer's Digest Books, 2009.

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(Firm), Writer's Digest Books, ed. 2005 novel & short story writer's market. Cincinnati, Ohio: Writer's Digest Books, 2004.

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McDonald, Rachel. 2009 novel & short story writer's market. Cincinnati, Ohio: Writer's Digest, 2008.

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Book chapters on the topic "Afrikaans Novel And Short Story"

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Pasco, Allan H. "Making Short Long: Short Story Cycles." In Inner Workings of the Novel, 33–61. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117433_2.

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Cornelius, Eleanor, and George de Bruin. "Self-Translation of an Afrikaans Short Story by SJ Naudé." In African Perspectives on Literary Translation, 130–43. New York, NY: Routledge, 2021. |: Routledge, 2021. http://dx.doi.org/10.4324/9781003001997-11.

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Rooney, Caroline. "The Contemporary Egyptian Maqāma or Short Story Novel as a Form of Democracy." In The Postcolonial Short Story, 111–32. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137292087_8.

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Brewster, Dorothy. "The Russian Influence: Novel, Short Story, and Play." In East-West Passage, 219–42. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003130307-12.

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Luscher, Robert M. "The American Short-Story Cycle: Out from the Novel's Shadow." In A Companion to the American Novel, 357–72. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118384329.ch21.

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Karthika Devi, M. S., Shahin Fathima, and R. Baskaran. "SYNC—Short, Yet Novel Concise Natural Language Description: Generating a Short Story Sequence of Album Images Using Multimodal Network." In ICT Analysis and Applications, 235–45. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0630-7_23.

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Kent, Rachel A. "The Short Story as Presence Encounter: Eden, the Aging Body, and the Suckled Breast in Maupassant and Steinbeck’s Literary Pietàs." In The Late Medieval Origins of the Modern Novel, 177–201. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137522917_8.

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Geisler-Szmulewicz, Anne. "Zwischen Feuillet-Pastiche und Flaubert-Hommage." In »Madame Bovary, c'est nous!« - Lektüren eines Jahrhundertromans, 131–62. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452844-010.

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The intent of the author of this article is to show that Maupassant's short story, Yvette, published in 1884, is a work filled by opposing echoes, some of which have been ignored by critics. In his short story, Maupassant combines the memory of Flaubert and that of one of his literary foes, Octave Feuillet, the leader of the idealistic novel, often chastised by realists like Zola or Flaubert. In these circumstances, writing a story about a young lady from the »rastaquouère« world could be seen as a militant act. Yvette is both a pastiche of an idealistic Feuillet novel and a tribute to the author of Madame Bovary, a slayer of preconceived ideas.

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Svandrlik, Rita. "Il tempo non lineare in Esterno giorno – Val Rosandra di Claudio Magris e in La gita delle ragazze morte di Anna Seghers." In Biblioteca di Studi di Filologia Moderna, 35–45. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.08.

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In Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the proposed analysis, the reason for the deprivation is identified as an element common to the two texts. In Seghers’ story, the temporal distance is cancelled out in a continuum, whereas Magris’ story operates through multiplication and fading between different typologies of texts: novel, screenplay, film, Goethe’s Faust, and short story.

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Raithby, Katherine, and Alison Taylor. "Teaching the novel and short story." In Teaching Literature in the A Level Modern Languages Classroom, 64–92. Routledge, 2019. http://dx.doi.org/10.4324/9780203731024-6.

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Conference papers on the topic "Afrikaans Novel And Short Story"

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Ignatenko, Alexander. "INTERMEDIALITY IN PU SONGLING’S PROSE ON THE EXAMPLE OF THE SHORT STORY PAINTED WALL." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.01.

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Abstract:

The article presents a new approach to the analysis of the novel Painted Wall by Pu Songling (蒲松齡, 1640–1715) based on the method of intermedial analysis. The novel considered in the article, which is far from the last place in the work of the classic, has not been considered before in the aspect of intermedia. In this regard, the main purpose of the article is to analyze the presence of a non-verbal pictorial “language” in a story, to form an idea of an intermedial-ekphrastic representation as a specific artistic technique used by Pu Songling. On the basis of the material of the story, a particular case of the writer using an ecphrastic description of a painted wall, which is based on the principle of highlighting the motive of mystical “revival”, is considered. In the course of the study, it was possible to find out that the manner of the ecphrastic description of the painting presented in the novel is built precisely in the aspect of intermedia, that is, from the point of view of the representation of the non-verbal artistic “language” in verbal discourse.

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Bukhanova, E. D. "THE RECEPTION OF L. STERNE IN THE SHORT STORY «THE TALKING EAR» IN THE NOVEL BY A. BITOV «THE TEACHER OF SYMMETRY»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-91.

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Hashemipour, Saman. "INTERTEXTUALİTY İN ASGHAR FARHADİ’S THE SALESMAN." In 2. Uluslararası Sinema Sempozyumu. Yakın Doğu Üniversitesi İletişim Araştırmaları Merkezi, 2022. http://dx.doi.org/10.32955/neuilamer2022-03-0214/ch12.

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Farhadi’s The Salesman, which won the Best Screenplay award at the 2016 Cannes Film Festival and the Best Foreign Language Film in the 89th Academy Awards, got universal acclaim and behooved for academic debates. The intertextual references in The Salesman optimized with the film’s explicit references to Arthur Miller’s drama play, The Death of a Salesman. However, the director, Asghar Farhadi, includes more subtle intertextual references to attract the audience to some masterpieces of art. This study introduces referenced sources to emphasize parallels between Farhadi’s film and other literary and artistic works to determine the central themes of the movie in order to evaluate the protagonist and antagonist’s actions thoroughly and accurately. Out of The Death of a Salesman, the film establishes intertextual relations with plays such as Hamlet by Shakespeare and Out at Sea by Slawomir Mrozek, “The Cow” —a short story—by Gholam-Hossein Saedi, Gilemard—a novel—by Bozorg Alavi, and movies such as Shame by Ingmar Bergman and The Godfather by Francis Ford Coppola. These intertextual relations are the film’s central conflict that should be evaluated in the realm of the challenge between tradition and modernity. In addition, of course, various manifestations of such resistance are reflected in the facedown between the past and the future.

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