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1

Osha, Sanya. African Postcolonial Modernity. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930.

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2

Ekennia, Justin Nnadozie. African modernity crisis. Benin, Nigeria: Barloz Publishers, 2000.

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3

Korang, Kwaku Larbi. Writing Ghana, imagining Africa: Nation and African modernity. Rochester, NY: University of Rochester Press, 2003.

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4

Bridger, Nicholas J. Christian art and African modernity. Glienicke: Galda Verlag, 2020.

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5

Relocating agency: Modernity and African letters. Albany: State University of New York Press, 2003.

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6

Encountering modernity: Twentieth century South African cinemas. Amsterdam: Rozenberg, 2006.

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7

1948-, Tomaselli Keyan G. Encountering modernity: Twentieth century South African cinema. Amsterdam: Rozenberg Publishers, 2007.

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8

Britz, Graham, and Sandy Shoolman. The modern palimpsest: Envisioning South African modernity. Johannesburg: Graham's Fine Art Gallery, 2008.

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9

Igala traditional values versus modernity. Nsukka, Nigeria: Afro-Orbis Pub. Co., 2009.

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10

Unveiling modernity in 20th century West African Islamic reforms. Boston: Brill, 2012.

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11

David, Nicholls. Conjuring the folk: Forms of modernity in African America. Ann Arbor: University of Michigan Press, 2000.

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12

Tradition and modernity: Philosophical reflections on the African experience. New York: Oxford University Press, 1997.

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13

G, Altbach Philip, and Hassan Salah M, eds. The muse of modernity: Essays on culture as development in Africa. Trenton, NJ: Africa World Press, 1996.

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14

Stewart, Jacqueline Najuma. Migrating to the movies: Cinema and Black urban modernity. Berkeley, CA: University of California Press, 2004.

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15

Migrating to the movies: Cinema and Black urban modernity. Berkeley: University of California Press, 2005.

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16

Robertson, Clyde C. Africa rising: Multidisciplinary discussions on Africana studies and history : from ancient times through modernity. Trenton, NJ: Africa World Press, 2009.

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17

The black Atlantic: Modernity and double consciousness. London: Verso, 1993.

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18

The Black Atlantic: Modernity and double consciousness. Cambridge, Massachusetts: Harvard UP, 1993.

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19

Gilroy, Paul. The black Atlantic: Modernity and double consciousness. Cambridge, Mass: Harvard University Press, 1993.

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20

Africa rising: Multidisciplinary discussions on Africana studies and history : from ancient times through modernity. Trenton, NJ: Africa World Press, 2009.

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21

Modernity, freedom, and the African diaspora: Dublin, New Orleans, Paris. Bloomingtonn: Indiana University Press, 2012.

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22

Remotely global: Village modernity in West Africa. Chicago: University of Chicago Press, 1999.

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23

Ntongela, Masilela, ed. Black modernity: 20th century discourses between the United States & South Africa. Trenton, NJ: Africa World Press, 1999.

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24

Masculinist impulses: Toomer, Hurston, Black writing, and modernity. Columbia: University of Missouri Press, 2004.

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25

Imagined museums: Art and modernity in postcolonial Morocco. Minneapolis: University of Minnesota Press, 2010.

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26

Toyin, Falola, and Genova Ann, eds. The Yoruba in transition: History, values, and modernity. Durham, N.C: Carolina Academic Press, 2005.

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27

Carving wood, making history: The Fákéye family, modernity and Yoruba woodcarving. Trenton NJ: Africa World Press, 2011.

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28

Asante identities: History and modernity in an African village, 1850-1950. London: Edinburgh University Press, 2000.

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29

Galli, Jacopo. Tropical toolbox: Fry and Drew and the search for African modernity. Siracusa, Italia: LetteraVentidue, 2019.

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30

1965-, AMPENE KWASI. Engaging modernity: Asante in the twenty-first century. [Ann Arbor, Michigan?]: [Kwasi Ampene?], 2014.

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31

Modernity and the African cinema: A study in colonial discourse, post-coloniality, and modern African identities. Trenton, NJ: Africa World Press, 2003.

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32

Shaka, Femi Okiremuete. Modernity and the African cinema: [a study in colonialist discourse, post-coloniality, and modern African identities]. Trenton, NJ: Africa World Press, 2005.

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33

On the ruins of modernity: New Chicago renaissance from Wright to Kent. Champaign, Ill: Common Ground Pub., 2011.

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34

Erlmann, Veit. Music, modernity, and the global imagination: South Africa and the West. New York: Oxford University Press, 1999.

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35

Wegh, Shagbaor F. Between continuity and change: Tiv concept of tradition and modernity. [Lagos, Nigeria: OVC Nigeria Limited, 1998.

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36

Swinging the machine: Modernity, technology, and African American culture between the World Wars. Amherst: University of Massachusetts Press, 2003.

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37

Split-gut song: Jean Toomer and the poetics of modernity. Tuscaloosa, Ala: University of Alabama Press, 2005.

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38

Osha, Sanya. African Postcolonial Modernity. Palgrave Macmillan, 2014.

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39

Falola, Toyin. African Diaspora: Slavery, Modernity, and Globalization. University of Rochester Press, 2013.

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40

Falola, Toyin. African Diaspora: Slavery, Modernity, and Globalization. University of Rochester Press, 2013.

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41

Falola, Toyin. African Diaspora: Slavery, Modernity, and Globalization. University of Rochester Press, 2014.

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42

Falola, Toyin. African Diaspora: Slavery, Modernity, and Globalization. University of Rochester Press, 2013.

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43

Falola, Toyin. African Diaspora: Slavery, Modernity, and Globalization. University of Rochester Press, 2013.

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44

Korang, Kwaku. Writing Ghana, Imagining Africa: Nation and African Modernity. University of Rochester Press, 2004.

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45

Writing Ghana, Imagining Africa: Nation and African Modernity. University of Rochester Press, 2009.

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46

Folkers, Antoni S., and Belinda A. C. van Buiten. Modern Architecture in Africa: Practical Encounters with Intricate African Modernity. Springer, 2019.

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47

Wagner, Peter. African, American and European Trajectories of Modernity. Edinburgh University Press, 2015. http://dx.doi.org/10.1515/9781474400411.

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48

Kros, Cynthia, Reece Auguiste, and Pervaiz Khan. Reframing Africa? Reflections on Modernity and the Moving Image. African Minds, 2022. http://dx.doi.org/10.47622/9781928502678.

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This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices. Ideas are presented from multiple historical and contemporary perspectives, while inviting new voices to participate in discussions about the future of the African moving image. Reframing Africa?makes a plea for the recognition, preservation and repatriation of the African moving image archive, advancing ideas about how it speaks to contemporary Africans, possessed of the power to elucidate their lived experiences and to reorientate perceptions of the past, present and future. On the basis of this wide-ranging appreciation of the archive, the book charts a way forward for African-inflected film studies as well as other programmes in the humanities and social sciences. Reframing Africa?will appeal to scholars, academics and practitioners across the continent and beyond.
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49

Korang, Kwaku Larbi. Writing Ghana, Imagining Africa: Nation and African Modernity (Rochester Studies in African History and the Diaspora). University of Rochester Press, 2004.

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50

Rewriting Modernity: Studies in Black South African Literary History. University of Kwazulu Natal Press, 2006.

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