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1
Balfour, Lawrie. "The Appeal of Innocence: Baldwin, Walzer, and the Bounds of Social Criticism." Review of Politics 61, no. 3 (1999): 373–402. http://dx.doi.org/10.1017/s0034670500028898.
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Racial innocence persists not only in American public life but in its democratic theory as well. An unwillingness to confront the implications of American racial history diminishes theorists' capacity to respond to the exclusion and dehumanization of African Americans in the post-civil rights era. Reading James Baldwin's social critical essays against Michael Walzer's writings on the practice of social criticism, this essay shows how a theorist whose work equips him to grapple with questions of racial injustice nonetheless evades them by constructing three sorts of boundaries: between members and nonmembers, between social critics and certain relations of power, and between the “core” of a people's experience and the brutalities of their history.
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Budick, Emily Miller. "Some Thoughts on the Mutual Displacements/Appropriations/Accommodations of Culture in Several Fictions by Toni Morrison, Cynthia Ozick, and Grace Paley." Prospects 20 (October 1995): 387–404. http://dx.doi.org/10.1017/s0361233300006128.
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InPlaying in the Dark, Toni Morrison sets out to chart a new “geography” in literary criticism, to provide a “map” for locating what she calls the “Africanist” presence in the American literary tradition. The assumption of Americanist critics, she argues, has been that “traditional, canonical American literature is free of, uninformed, and unshaped by the fourhundred-year-old presence of, first, Africans and then, African Americans in the United States. It assumes that this presence — which shaped the body politic, the Constitution, and the entire history of the culture — has had no significant place or consequence in the origin and development of that culture's literature.” For Morrison, recording the Africanist presence produces nothing less than an absolute revision of our notion of what constitutes the American literary tradition.
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Warren, Kenneth W. "Back to Black: African American Literary Criticism in the Present Moment." American Literary History 34, no. 1 (February 1, 2022): 369–79. http://dx.doi.org/10.1093/alh/ajab082.
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Abstract For more than a century, scholars of Black literature have sought to align a critical project focused on identifying and celebrating Black distinctiveness with a social project aimed at redressing racial inequality. This commitment to Black distinctiveness announces itself as a project on behalf of “the race” as a whole, but has always been, and remains, a project and politics guided in the first instance by the needs and outlook of the Black professional classes. Over the first half of the twentieth century, this cultural project achieved some real successes: politically, it helped discredit the moral and intellectual legitimacy of the Jim Crow order that in various ways affected all Black Americans; culturally, it placed Black writers in the vanguard of a modernist project predicated on multicultural pluralism. Since the 1970s the limitations of this project, culturally and politically, have become increasingly evident. Blind to the class dimension of their efforts, literary scholars continue to misrepresent the historical/political nature of the project of Black distinction as a property of cultural texts themselves. Overestimating the efficacy of race-specific social policies, these scholars disparage the universalist social policies that would most effectively benefit a majority of Black Americans.
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Panova, Olga. "Phillis Wheatley in American Literary History and African American Literary Criticism." Literature of the Americas, no. 4 (2018): 8–40. http://dx.doi.org/10.22455/2541-7894-2018-4-8-40.
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Price, Sally. "Patchwork history : tracing artworlds in the African diaspora." New West Indian Guide / Nieuwe West-Indische Gids 75, no. 1-2 (January 1, 2001): 5–34. http://dx.doi.org/10.1163/13822373-90002556.
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Essay on interpretations of visual art in societies of the African diaspora. Author relates this to recent shifts in anthropology and art history/criticism toward an increasing combining of art and anthropology and integration of art with social and cultural developments, and the impact of these shifts on Afro-American studies. To exemplify this, she focuses on clothing (among Maroons in the Guianas), quilts, and gallery art. She emphasizes the role of developments in America in these fabrics, apart from just the African origins.
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Segovia, Miguel A., and W. Lawrence Hogue. "The African American Male, Writing, and Difference: A Polycentric Approach to African American Literature, Criticism, and History." African American Review 38, no. 4 (2004): 737. http://dx.doi.org/10.2307/4134437.
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Waligora-Davis, Nicole. "The African American Male, Writing, and Difference: A Polycentric Approach to African American Literature, Criticism, and History (review)." Biography 26, no. 4 (2003): 750–55. http://dx.doi.org/10.1353/bio.2004.0028.
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Sanders, Leslie. "THE POLITICS OF REPRESENTATION: SOME RECENT AFRICAN-AMERICAN LITERARY CRITICISM." Canadian Review of American Studies 21, no. 2 (September 1990): 247–60. http://dx.doi.org/10.3138/cras-021-02-10.
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Elam Jr., Harry J. "Making History." Theatre Survey 45, no. 2 (November 2004): 219–25. http://dx.doi.org/10.1017/s0040557404000171.
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These three quotes will serve as a starting point as I enter into this discussion of the import and role of theatre history. While I make a case for theatre history generally, my examples and thesis are drawn from African American theatre history most specifically. My argument is for a critical historicism, a process that recognizes the need to historicize and situate dramatic criticism as well as the need to theorize history or, as Walter Benjamin suggests, to “rub history against the grain.” Rubbing history against the grain means that we must interrogate the past in order to inform the present, remaining cognizant of the material conditions that not only shape theatrical production but the historical interpretations of production. It implies a need to work against conventional historical narratives and the ways in which history has been told in the past.
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So, Richard Jean, and Edwin Roland. "Race and Distant Reading." PMLA/Publications of the Modern Language Association of America 135, no. 1 (January 2020): 59–73. http://dx.doi.org/10.1632/pmla.2020.135.1.59.
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This essay brings together two methods of cultural‐literary analysis that have yet to be fully integrated: distant reading and the critique of race and racial difference. It constructs a reflexive and critical version of distant reading—one attuned to the arguments and methods of critical race studies—while still providing data‐driven insights useful to the writing of literary history and criticism, especially to the history and criticism of postwar African American fiction, in particular James Baldwin's Giovanni's Room. Because race is socially constructed, it poses unique challenges for a computational analysis of race and writing. Any version of distant reading that addresses race will require a dialectical approach. (RJS and ER)
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Girard, Melissa. "J. Saunders Redding and the “Surrender” of African American Women's Poetry." PMLA/Publications of the Modern Language Association of America 132, no. 2 (March 2017): 281–97. http://dx.doi.org/10.1632/pmla.2017.132.2.281.
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J. Saunders Redding's To Make a Poet Black (1939) changed the way African American poetry would be read and valued. In an effort to articulate an African American modernism, Redding rewrote the recent history of the New Negro Renaissance, validating and skewing its literary production. The standards and values that Redding used helped to advance the reputations of Langston Hughes, Claude McKay, and Jean Toomer but also led to discrimination against femininity and its associated poetic forms. By incorporating the gendered matrix of the New Criticism into African American literary studies, he helped to create a new formal consensus, which cut across the black and the white academies and united critics on the left and the right of the ideological spectrum, in opposition to women's poetry.
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Williams, Roland Leander. "Reading African American Autobiography: Twenty-First-Century Contexts and Criticism ed. by Eric D. Lamore." Biography 41, no. 2 (2018): 435–38. http://dx.doi.org/10.1353/bio.2018.0043.
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Saldívar, Ramón. "Criticism on the Border and the Decolonization of Knowledge." American Literary History 34, no. 1 (February 1, 2022): 327–41. http://dx.doi.org/10.1093/alh/ajab078.
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Abstract Structures of hierarchy and domination are never represented in transborder literature as singular effects of social conditions. Instead, they arise from multiple historical factors. Unlike writings that assume a racial binary, literature on the border does not posit one kind of domination and hierarchy as barriers to creating a just, democratic society. In recent literary works from the transborder regions, the yearning for justice within the layered social systems on the border is central, even while its attainment through social transformation remains an attenuated hope. This essay outlines a paradigm for studying the relations between global and local areas of study, such as those in the transborder regions of the Americas. Invoking models for literary critical work in a globally bordered form, it posits the need for a larger view based on how knowledge is generated and human resources used, while acknowledging the reservoir of knowledge that exists beyond Europe and the US in the Global South. The function of the rebordered criticism described here is to respond to issues raised by African philosopher Achille Mbembe, Latin American sociologist Enrique Dussel and other decolonial thinkers concerning different ways of conceiving the achievement of an antiracist and socially just future. In the face of [the] compromised hopefulness [for justice on the border], what kind of criticism could best [respond to and] … help enact projects of social change?
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Dickerman, Leah. "Aaron Douglas and Aspects of Negro Life." October 174 (December 2020): 126–62. http://dx.doi.org/10.1162/octo_a_00411.
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In 1934, Aaron Douglas created an epic four-panel mural series, Aspects of Negro Life (1934), for the branch library on 135th Street in Manhattan, now the Schomburg Center for Research in Black Culture. The panels answered a call, issued by the first major program for federal support of the arts in the United States, to represent “an American scene.” In them, Douglas traced the trajectory of African American history in four stages and across two mass migrations: from Africa into enslavement in America; through Emancipation and Reconstruction; into the modern Jim Crow South; and then northward with the Great Migration to Harlem itself. The narrative Douglas constructed was remarkable in both its historical sweep and as a story of America seen through Black eyes. This essay explores how Douglas's approach to the trenchant and understudied Aspects of Negro Life panels was shaped by rich conversations across a decade-about what it meant to be Black in America, how the “African” in “African-American” was to be understood, and what a distinctly African-American modernism might be-with an interdisciplinary nexus of thinkers, activists, and artists that included W. E. B. Du Bois; a co-founder of the NAACP and co-editor of the Crisis, sociologist Charles S. Johnson; poet-activist James Weldon Johnson; bibliophile Arturo Schomburg; and philosopher-critic Alain Locke. Looking at Douglas's visual narrative in this context offers insight into how parallel practices of archive-building, art making, history writing, and criticism came together not only to shape a vision of America but also to champion a model of Black modernism framed through diaspora.
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Perry, Robert L., and Melvin T. Peters. "The African-American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance." Ethnic Studies Review 19, no. 2-3 (June 1, 1996): 155–72. http://dx.doi.org/10.1525/esr.1996.19.2-3.155.
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This paper deals with some of the sociological implications of a major cultural high-water point in the African American experience, the New Negro/Harlem Renaissance. The paper concentrates on the cultural transformations brought about through the intellectual activity of political activists, a multi-genre group of artists, cultural brokers, and businesspersons. The driving-wheel thrust of this era was the reclamation and the invigoration of the traditions of the culture with an emphasis on both the, African and the American aspects, which significantly impacted American and international culture then and throughout the 20th century. This study examines the pre-1920s background, the forms of Black activism during the Renaissance, the modern content of the writers' work, and the enthusiasm of whites for the African American art forms of the era. This essay utilizes research from a multi-disciplinary body of sources, which includes sociology, cultural history, creative literature and literary criticism, autobiography, biography, and journalism.
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Frymus, Agata. "Researching Black women and film history." Alphaville: Journal of Film and Screen Media, no. 20 (January 27, 2021): 228–36. http://dx.doi.org/10.33178/alpha.20.18.
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My project (Horizon 2020, 2018–20) traces Black female moviegoing in Harlem during the silent film era. The main challenge in uncovering the women’s stories is that historical paradigm has always prioritised the voices of the white, middle-class elite. In the field of Black film history, criticism expressed by male journalists—such as Lester A. Walton of New York Age—has understandably received the most attention (Everett; Field, Uplift). Black, working-class women are notoriously missing from the archive. How do we navigate historical records, with their own limits and absences? This paper argues for a broader engagement with historic artefacts—memoirs, correspondence and recollections—as necessary to re-centre film historiography towards the marginalised. It points to the ways in which we can learn from the scholars and methods of African American history to “fill in the gaps” in the study of historical spectatorship.
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Indriyanto, Kristiawan. "ARTICULATING THE MARGINALIZED VOICES: SYMBOLISM IN AFRICAN AMERICAN, HISPANIC, AND ASIAN AMERICAN LITERATURE." British (Jurnal Bahasa dan Sastra Inggris) 9, no. 2 (September 26, 2020): 20. http://dx.doi.org/10.31314/british.9.2.20-36.2020.
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The present study contextualizes how symbolism is employed by writers of ethnically minority in the United States as an avenue of their agency and criticism against the dominant white perspective. The history of American minorities is marred with legacy of racial discrimination and segregation which highlights the inequality of race. Literature as a cultural production captures the experiences of the marginalized and the use of symbolism is intended to transform themes into the field of aesthetics. This study is a qualitative research which is conducted through the post-nationalist American Studies framework in order to focus on the minorities’ experience instead of the Anglo-Saxon outlook. The object of the study is three playscripts written from authors from Mexican-American, African-American and Asian-American to emphasize how discrimination is faced by multi-ethnic. The finding suggests how symbolism in these literary works intends to counter the stereotypical representation of Mexican-American, aligns with the passive resistance of the Civil Right Movement and subvert binary opposition of East and West which exoticizing the East. Keywords : minority literature in the U.S , symbolism, post-national
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Walker, Harriet. "A Feminist Study of African American Art in New Orleans: Considerations of Aesthetics, Art History and Art Criticism." Marilyn Zurmuehlen Working Papers in Art Education 14, no. 1 (1997): 30–35. http://dx.doi.org/10.17077/2326-7070.1305.
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Costa, Frank J. "The Restorative Proportionality Theory." Harvard Review of Philosophy 26 (2019): 59–81. http://dx.doi.org/10.5840/harvardreview201992024.
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This article offers a normative framework for affirmative action. It argues that affirmative action is not about diversity, but correcting historical injustice. The theory’s presumption is that racial groups would perform equally if not for history, because talent and hard work do not vary by race. The article explores the implications of that premise in answering the most provocative criticisms of affirmative action. Should white students pay for historical wrongs? Should African immigrants benefit from affirmative action? Are Asian Americans unfairly disadvantaged? The article proposes proportional representation as a limiting principle of affirmative action, because preferential treatment beyond proportionality contradicts the theory’s presumption of equal performance. The article proceeds to argue that some groups, like Asian Americans, rebut the presumption by fairly outperforming others and should not be penalized. Finally, the article argues that groups should not be classified on race per se, rather on a shared experience of injustice.
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Commissiong, Anand Bertrand. "Where Is the Love? Race, Self-Exile, and a Kind of Reconciliation." Diaspora: A Journal of Transnational Studies 21, no. 1 (March 1, 2021): 27–46. http://dx.doi.org/10.3138/diaspora.21.1.2020-06-18.
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Cultivating solidarity or love for community for those systematically abused by the state and its civic community is a longstanding challenge. While the latter should primarily shoulder responsibility for (re)building trust, this article focuses on the abused self-exile’s agency and possible reasons for return. To understand possible motivations for (re)engagement, this article explores the African American expatriate experience rendered in fiction and criticism. It focuses specifically on William Gardner Smith’s The Stone Face and its portrait of the potentialities of Black love as a vehicle of social resurrection and the exercise of political power.
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Arnesen, Eric. "Whiteness and the Historians' Imagination." International Labor and Working-Class History 60 (October 2001): 3–32. http://dx.doi.org/10.1017/s0147547901004380.
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Scholarship on whiteness has grown dramatically over the past decade, affecting nu- merous academic disciplines from literary criticism and American studies to history, sociology, geography, education, and anthropology. Despite its visibility and quantity, the genre has generated few serious historiographical assessments of its rise, development, strengths, and weaknesses. This essay, which critically examines the concept of whiteness and the ways labor historians have built their analyses around it, seeks to subject historical studies of whiteness to overdue scrutiny and to stimulate a debate on the utility of whiteness as a category of historical analysis. Toward that end, the essay explores the multiple and shifting definitions of whiteness used by scholars, concluding that historians have employed arbitrary and inconsistent definitions of their core concept, some overly expansive or metaphorically grounded and others that are radically restricted; whiteness has become a blank screen onto which those who claim to analyze it can project their own meanings. The essay critically examines historians' use of W. E. B. Du Bois's reflections on the “psychological wage”—something of a foundational text for whiteness scholars—and concludes that the “psychological wage” of whiteness serves poorly as a new explanation for the old question of why white workers have refused to make common cause with African Americans. Whiteness scholars' assertions of the nonwhite status of various immigrant groups (the Irish and eastern and southern Europeans in particular) and the processes by which these groups allegedly became white are challenged, as is whiteness scholars' tendency toward highly selective readings of racial discourses. The essay faults some whiteness scholarship produced by historians for a lack of grounding in archival and other empirical evidence, for passive voice constructions (which obscure the agents who purportedly define immigrants as not white), and for a problematic reliance upon psychohistory in the absence of actual immigrant voices. Historians' use of the concept of whiteness, the essay concludes, suffers from a number of potentially fatal methodological and conceptual flaws; within American labor history, the whiteness project has failed to deliver on its promises.
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Santamarina, Xiomara. "Fugitive Slave, Fugitive Novelist: The Narrative of James Williams (1838)." American Literary History 31, no. 1 (January 1, 2019): 24–46. http://dx.doi.org/10.1093/alh/ajy051.
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AbstractThis essay argues for reading a discredited slave narrative—the Narrative of James Williams (1838)—as an early black novel. Reading this narrative as a founding black novel à la Robinson Crusoe complicates the genealogy and theoretical parameters of literary criticism about early US black fiction. Such a reading revises accounts about the emergence of the third-person fictive voice inaugurated by Frederick Douglass and William Wells Brown in the 1850s. It also offers a new understanding of the antislavery movement’s quest for authenticity. More importantly, reading NJW as novelistic fiction illustrates how a fugitive slave might narrativize muddied textual politics and effectively challenge the reparative vision with which we theorize the genres and politics of early African American literary texts.
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AUGST, THOMAS. "LITERARY PRACTICES AND THE SOCIAL LIFE OF TEXTS." Modern Intellectual History 5, no. 3 (November 2008): 643–55. http://dx.doi.org/10.1017/s1479244308001844.
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Throughout the twentieth century, as literary texts circulated through high-school and college classrooms, reading became a specialized skill. Especially with the dominance of the “new criticism” in the 1930s, literature acquired an autonomous life as “text,” demanding intensive “close reading” of its verbal complexity and formal coherence as an aesthetic object. Beginning in the 1970s, with the proliferation of programs devoted to African-American culture, gender studies, sexuality studies, and ethnic studies programs, the literary canon became more diverse. In the mid-1980s new historicism helped push aesthetic formalism further from the agenda of literary education in the university, promoting new interest in historical contexts even as psychoanalytic, deconstructive, and reader-response approaches continued to fetishize “textuality” as their primary object of inquiry. Whatever the vagaries of theory, method, and subdisciplinary turf battles through which scholars have wandered over the last few decades, we have remained in our professional practices of reading and teaching committed to a hermeneutics of interpretation. Even as scholars developed arguments about history or culture, the teaching and criticism of literature has continued to rely on the institutional and psychological isolation of reading, as an individual exercise in mastery of the text fostered by silence and solitude.
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Thuesen, Peter J. "The “African Enslavement of Anglo-Saxon Minds”: The Beechers as Critics of Augustine." Church History 72, no. 3 (September 2003): 569–92. http://dx.doi.org/10.1017/s0009640700100368.
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Harriet Beecher Stowe, who achieved international fame for her 1852 antislavery novel,Uncle Tom's Cabin, is best known to historians of American religious thought as a critic of New England Calvinism and its leading light, Jonathan Edwards. But in airing her frustrations with the Puritan tradition, Stowe also singled out a much earlier source of the problem: Augustine, the fifth-century bishop of Hippo. At his worst, Augustine typified for Stowe not only theological rigidity but also the obdurate refusal of the male system-builders to take women's perspectives seriously. Consequently, in the New England of the early republic, when “the theology of Augustine began to be freely discussed by every individual in society, it was the women who found it hardest to tolerate or assimilate it.” In leveling such criticism, Stowe echoed her elder sister Catharine Beecher, a prominent educator and social reformer, whose well-known writings on the role of women in the home have often overshadowed her two companion volumes of theology, in which she devotes more attention to Augustine than to any other figure. Yet for all her extended critiques of Augustinian themes, Beecher buried her most provocative rhetorical flourish, as one might conceal a dagger, in the last endnote on the last page of the second volume. Seizing upon the African context of Augustine's career as a metaphor for his deleterious influence on Christian theology, she concluded that reasonable people have a duty to resist the “African enslavement of Anglo-Saxon minds” no less than to combat the “Anglo-Saxon enslavement of African bodies.”
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Forkl, Hermann. "Publish or Perish, or How to Write a Social History of the Wàndala (Northern Cameroon)." History in Africa 17 (January 1990): 77–94. http://dx.doi.org/10.2307/3171807.
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It has been in the tradition of this journal to elaborate a methodological apparatus to scrutinize the evidence of older written sources on African history. However, for various reasons, we tend to apply a different standard to recent sources, apparently considering them reliable per se because they developed in the same enlightened context of Western intellectual life as our own. Book reviews, nearly the only refuge for Western self criticism, sometimes cannot achieve it, as I will show.The source on which I would like to comment is a dissertation completed at Boston University in 1984. It is based on oral traditions and for this reason, strictly speaking, a written source itself, apart from a number of published as well as archival sources, whose way of quotation will be re-examined below at first. The interviews were conducted by the author in 1974/75 (Morrissey 1984:225) with north Cameroonian Wandala and Shuwa Arab informants, some of whom I became acquainted with during my own fieldwork in 1984.1 would argue, though, that the following comments are not solely of interest to scholars specializing in northern Cameroon.It might seem to some rather heavy-handed to criticize so closely a doctoral dissertation, but American dissertations are freely available to interested parties in both photocopy and microfilm. As a result they are commonly cited in other works in much the same way as more formally published studies. This being the case, it seems reasonable to submit them to the same scrutiny as any other work in the public domain. I should point out that I conducted my own fieldwork in ignorance of Morrissey's work, becoming aware of the latter only after my return from the field in 1984.
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Shumakov, Andrey A. "FROM AN OUTCAST TO THE PROPHET: THE EVOLUTION OF MALCOLM X’S RELIGIOUS AND POLITICAL PHILOSOPHY." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 2 (2021): 192–209. http://dx.doi.org/10.21684/2411-197x-2021-7-2-193-209.
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The figure of the radical African-American preacher Malcolm X has always occupied and continues to occupy a special place in the history of the protest movement of the 1960s. This is due to a number of reasons, the main of which was the pronounced ambivalence and inconsistency of the political philosophy of this public figure, who was noted for both ultra-radical religious sermons and rather progressive revolutionary and national liberation ideas at the final stage of his life. The latter, in fact, made him one of the main characters of the “rebellious decade”. While the far-right radicalism of the Harlem preacher faded into the background and began to be perceived as some “mistakes and misconceptions” that were later rethought and overcome. The question of assessing the legacy and personality of Malcolm X has always caused a lot of controversy. On the one hand, his contribution to the development of the movement of the struggle of the Black population for their rights and the formation of the African-American mentality is undeniable; on the other — it can be said that in the academic environment for all this time they practically were not subjected to critical reflection. If, during his lifetime, the ideas of the Harlem preacher were perceived by the vast majority of Americans as frankly marginal, then after his tragic death in 1965, Malcolm X became one of the most popular and iconic figures in recent US history. Any criticism of him began to be perceived extremely painfully. In this article, the author tried to trace the process of formation and evolution of the ideological and political views of Malcolm X, which was the main goal of the study. The main difference from other works on this topic was that in this article, this phenomenon is considered in dynamics, the causes of transformations and the influence of related factors are noted. At the same time, the author tried to identify certain “variables and constants” of the religious and political philosophy of Malcolm X, not only fixing them, but assessing the degree and depth of changes. That led to rather unexpected conclusions on a number of issues, the main of which was the explanation of the reasons for the incredible popularity of Malcolm X in modern American society. The main method of research is materialistic dialectics, which allows considering the political philosophy of Malcolm X in dynamics in accordance with the principle of historicism. Special attention is paid to the issues of radicalism, the transformation of ideological and political views and attitudes to religion, the debunking of myths, stereotypical and hyperbolized ideas about this figure, and the key milestones of his biography. As for the specific historical methods, the historical-genetic and historical-typological approaches are used in this work.
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Booker, Vaughn A. "“Deplorable Exegesis”: Dick Gregory's Irreverent Scriptural Authority in the 1960s and 1970s." Religion and American Culture 30, no. 2 (2020): 187–236. http://dx.doi.org/10.1017/rac.2020.9.
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ABSTRACTThis article examines comedian Richard Claxton “Dick” Gregory's comical articulation of religious belief and belonging through his speeches and religious writings during the 1960s and 1970s. It argues that, during his most visible public presence as an activist and comedic entertainer, Gregory bore an irreverent scriptural authority for his readers and comedy audiences who sought a prominent, public affirmation of their suspicion and criticism of religious authorities and conventional religious teachings. This suspicion would allow them to grapple with the oppressive presence of religion in the long history of Western colonialism, in the U.S. context of slavery, and in the violence and segregation of Jim Crow America. Following this religious suspicion, however, Gregory's consistent goal was to implement just social teachings stemming from socially and theologically progressive readings of the Hebrew Bible and of the teachings of Jesus in the Gospels. Gregory's irreverence modeled, and reflected, the maintenance of belief in both the divine and in the justness of remaking an oppressive, violent, unequal world through nonviolent activism in accordance with his understanding of the teachings of the King James scriptures that he read throughout his life. This study of comedy uses one African American male's production of irreverent, authoritative religious rhetoric to display a noteworthy mode of mid-century African American religious liberalism. It is also a case study highlighting the complexity of religious belief and affiliation. Despite acknowledged ambivalences about his commitments to religion, Gregory also modeled ways for audiences to reframe religious commitments to produce social change.
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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 86, no. 3-4 (January 1, 2012): 309–407. http://dx.doi.org/10.1163/13822373-90002420.
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A World Among these Islands: Essays on Literature, Race, and National Identity in Antillean America, by Roberto Márquez (reviewed by Peter Hulme) Caribbean Reasonings: The Thought of New World, The Quest for Decolonisation, edited by Brian Meeks & Norman Girvan (reviewed by Cary Fraser) Elusive Origins: The Enlightenment in the Modern Caribbean Historical Imagination, by Paul B. Miller (reviewed by Kerstin Oloff) Caribbean Perspectives on Modernity: Returning Medusa’s Gaze, by Maria Cristina Fumagalli (reviewed by Maureen Shay) Who Abolished Slavery: Slave Revolts and Abolitionism: A Debate with João Pedro Marques, edited by Seymour Drescher & Pieter C. Emmer, and Abolitionism and Imperialism in Britain, Africa, and the Atlantic, edited by Derek R . Peterson (reviewed by Claudius Fergus) The Mediterranean Apprenticeship of British Slavery, by Gustav Ungerer (reviewed by James Walvin) Children in Slavery through the Ages, edited by Gwyn Campbell, Suzanne Miers & Joseph C. Miller (reviewed by Indrani Chatterjee) The Invisible Hook: The Hidden Economics of Pirates, by Peter T. Leeson (reviewed by Kris Lane) Theorizing a Colonial Caribbean-Atlantic Imaginary: Sugar and Obeah, by Keith Sandiford (reviewed by Elaine Savory) Created in the West Indies: Caribbean Perspectives on V.S. Naipaul, edited by Jennifer Rahim & Barbara Lalla (reviewed by Supriya M. Nair) Thiefing Sugar: Eroticism between Women in Caribbean Literature, by Omise’eke Natasha Tinsley (reviewed by Lyndon K. Gill) Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon, by Kaiama L. Glover (reviewed by Asselin Charles) Divergent Dictions: Contemporary Dominican Literature, by Néstor E. Rodríguez (reviewed by Dawn F. Stinchcomb) The Caribbean Short Story: Critical Perspectives, edited by Lucy Evans, Mark McWatt & Emma Smith (reviewed by Leah Rosenberg) Society of the Dead: Quita Manaquita and Palo Praise in Cuba, by Todd Ramón Ochoa (reviewed by Brian Brazeal) El Lector: A History of the Cigar Factory Reader, by Araceli Tinajero (reviewed by Juan José Baldrich) Blazing Cane: Sugar Communities, Class, and State Formation in Cuba, 1868-1959, by Gillian McGillivray (reviewed by Consuelo Naranjo Orovio) The Purposes of Paradise: U.S. Tourism and Empire in Cuba and Hawai’i, by Christine Skwiot (reviewed by Amalia L. Cabezas) A History of the Cuban Revolution, by Aviva Chomsky (reviewed by Michelle Chase) The Cubalogues: Beat Writers in Revolutionary Havana, by Todd F. Tietchen (reviewed by Stephen Fay) The Devil in the Details: Cuban Antislavery Narrative in the Postmodern Age, by Claudette M. Williams (reviewed by Gera Burton) Screening Cuba: Film Criticism as Political Performance during the Cold War, by Hector Amaya (reviewed by Ann Marie Stock) Perceptions of Cuba: Canadian and American Policies in Comparative Perspective, by Lana Wylie (reviewed by Julia Sagebien) Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow, by Frank Andre Guridy (reviewed by Susan Greenbaum) The Irish in the Atlantic World, edited by David T. Gleeson (reviewed by Donald Harman Akenson) The Chinese in Latin America and the Caribbean, edited by Walton Look Lai & Tan Chee-Beng (reviewed by John Kuo Wei Tchen) The Island of One People: An Account of the History of the Jews of Jamaica, by Marilyn Delevante & Anthony Alberga (reviewed by Barry Stiefel) Creole Jews: Negotiating Community in Colonial Suriname, by Wieke Vink (reviewed by Aviva Ben-Ur) Only West Indians: Creole Nationalism in the British West Indies, by F.S.J. Ledgister (reviewed by Jerome Teelucksingh) Cultural DNA: Gender at the Root of Everyday Life in Rural Jamaica, by Diana J. Fox (reviewed by Jean Besson) Women in Grenadian History, 1783-1983, by Nicole Laurine Phillip (reviewed by Bernard Moitt) British-Controlled Trinidad and Venezuela: A History of Economic Interests and Subversions, 1830-1962, by Kelvin Singh (reviewed by Stephen G. Rabe) Export/Import Trends and Economic Development in Trinidad, 1919-1939, by Doddridge H.N. Alleyne (reviewed by Rita Pemberton) Post-Colonial Trinidad: An Ethnographic Journal, by Colin Clarke & Gillian Clarke (reviewed by Patricia van Leeuwaarde Moonsammy) Poverty in Haiti: Essays on Underdevelopment and Post Disaster Prospects, by Mats Lundahl (reviewed by Robert Fatton Jr.) From Douglass to Duvalier: U.S. African Americans, Haiti, and Pan Americanism, 1870-1964, by Millery Polyné (reviewed by Brenda Gayle Plummer) Haiti Rising: Haitian History, Culture and the Earthquake of 2010, edited by Martin Munro (reviewed by Jonna Knappenberger) Faith Makes Us Live: Surviving and Thriving in the Haitian Diaspora, by Margarita A. Mooney (reviewed by Rose-Marie Chierici) This Spot of Ground: Spiritual Baptists in Toronto, by Carol B. Duncan (reviewed by James Houk) Interroger les morts: Essai sur le dynamique politique des Noirs marrons ndjuka du Surinam et de la Guyane, by Jean-Yves Parris (reviewed by H.U.E. Thoden van Velzen & W. van Wetering)
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Wanzo, Rebecca. "The Unspeakable Speculative, Spoken." American Literary History 31, no. 3 (2019): 564–74. http://dx.doi.org/10.1093/alh/ajz028.
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Abstract Exploring various absences—what is or should not be represented in addition to the unspeakable in terms of racial representations—is the through line of three recent books about race and speculative fictions. Mark C. Jerng’s Racial Worldmaking: The Power of Popular Fiction (2018) argues racial worldmaking has been at the center of speculative fictions in the US. In Posthuman Blackness and the Black Female Imagination (2017), Kristen Lillvis takes one of the primary thematic concerns of black speculative fictions—the posthuman—and rereads some of the most canonical works in the black feminist literary canon through that lens. Lillvis addresses a traditional problem in the turn to discussions of the posthuman and nonhuman, namely, what does it mean to rethink black people’s humanity when they have traditionally been categorized as nonhuman? Sami Schalk’s Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (2018) speaks to the absence of a framework of disability in African American literature and cultural criticism. In addressing absence—or, perhaps silence—Schalk offers the most paradigm-shifting challenge to what is speakable and unspeakable: the problem of linking blackness with disability and how to reframe our treatment of these categories.
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Yoder, John. "Good government, democratisation and traditional African political philosophy: the example of the Kanyok of the Congo." Journal of Modern African Studies 36, no. 3 (September 1998): 483–507. http://dx.doi.org/10.1017/s0022278x9800281x.
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Over the last several decades, officials in both the public and private sectors have applied economic, military, cultural, academic and diplomatic tools to promote the spread of democratic pluralism in African and elsewhere. With the fall of Africa's most resilient tyrant, Mobutu Sese Seko, there is hope that even one of Africa's most troubled systems may be transformed into a state that reflects the will of the people and promotes the common good. Sober observers, however, remain pessimistic. Laurent Kabila's spotted record on human rights, his stubborn intolerance of political opposition, the challenging global economic and political environments, and the long history of bad government in Mobutu's Zaïre are obvious reasons for concern. Furthermore, the example of most other African states is not encouraging. With the exception of countries such as South Africa and Botswana, even the most tenuous democratic progress in Africa is often slowed, blocked or reversed.Generally, blame for this state of affairs has been levelled against the African political elite, the burden of colonialism, or international political and economic pressures. Specifically, for the Congo, Mobutu's kleptocracy, Belgium's paternalism, America's backing of a friendly dictator and the World Bank's support for ill-advised ‘development’ schemes all have been criticised. While such reproaches may be well deserved, this article argues that it is important to ask if the persistent failure of democracy in the Congo as well as in other African states is also related to African political culture.
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Kroiz, Lauren. "Harold Cousins’s Plaiton Sculpture." Nka Journal of Contemporary African Art 2022, no. 51 (November 1, 2022): 6–20. http://dx.doi.org/10.1215/10757163-10127111.
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In 1971, Harold Cousins published an essay explaining the sculptures that he had begun creating in the mid-1950s, following his relocation in October 1949 from New York to Paris. Cousins described his series named Plaiton, his own neologism combining the English word plate with the French word laiton (brass). This linguistic combination paralleled Cousins’s description of himself as a “sculptor-welder,” a practice that grew from experiments in oxyacetylene welding while studying in Paris with funding from the GI Bill. Providing the first scholarly analysis of sculptor Cousins’s rich career, this article recovers the artist’s early biography through family archives, including correspondence and period criticism. It then examines Cousins’s early artwork and his own description of his artistic practice culminating in Plaiton. Finally, it considers Cousins’s 1950s sculptures, particularly Plaiton Suspendu, and speculates on its relation to his later work. In considering Cousins’s sculpture in relation to racial constructions of the immediate postwar period, I draw on prior scholarship focused on postwar African American artists in Paris. I also look to studies of the ways Black artists employed abstraction—histories that often begin in the mid-1960s or 1970s. In examining the mid-1950s Plaiton works, I hope to both bring Cousins and his work back to visibility and suggest that this history actually began substantially earlier.
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Revathy, Dr P., and Dr V. Peruvalluthi. "The Challenges of Contemporary Criticism in Recent Studies of August Wilson." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 12. http://dx.doi.org/10.24113/ijellh.v7i11.10118.
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August Wilson was one of the most skilful African-American playwrights of this century and was one of only seven to win the Pulitzer Prize. He devoted his career to acknowledge the 20th century struggles of African-Americans, decade by decade, in a sequence of ten plays. He completed the phase soon before he died of liver cancer on October 2, 2005. The themes of racism and inequity are the core elements in his plays which are depicted in Ma Rainey's Black Bottom and Joe Turner's Come and Gone. The selected novels are of African Americans' struggle for survival in racial separated society of America in which male characters struggling with financial problems due to their helplessness to find adequate work is a re-occurring theme in his plays, which weakens their power position in the family. Ma Rainey's Black Bottom articulate the weakness of black occupied males to make effectively in their social accepted roles and the various approaches the weak marginalized black men adopted to be considered men in America. This paper is aimed to study of the inability and subjectivity of the marginalized African Americans.
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Zhang, Huaiyu, Natalie N. Watson-Singleton, Sara E. Pollard, Delishia M. Pittman, Dorian A. Lamis, Nicole L. Fischer, Bobbi Patterson, and Nadine J. Kaslow. "Self-Criticism and Depressive Symptoms: Mediating Role of Self-Compassion." OMEGA - Journal of Death and Dying 80, no. 2 (September 8, 2017): 202–23. http://dx.doi.org/10.1177/0030222817729609.
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Self-compassion is gaining recognition as a resilience factor with implications for positive mental health. This study investigated the role of self-compassion in alleviating the effect of self-criticism on depressive symptoms. Participants were 147 urban, low-income African Americans with a recent suicide attempt. They were administered measures of self-criticism, depressive symptoms, and self-compassion. Results from this cross-sectional investigation showed that self-criticism was positively associated with depressive symptoms and negatively associated with self-compassion, and self-compassion was negatively associated with depressive symptoms. Bootstrapping analysis revealed that self-compassion mediated the self-criticism–depressive symptoms link, suggesting that self-compassion ameliorates the negative impact of self-criticism on depressive symptoms. Our findings suggest that low-income African Americans with recent suicide attempt histories may benefit from interventions that focus on enhancing self-compassion. These results also highlight self-compassion as a positive trait with promise to improve people’s quality of life and suggest that self-compassion-focused interventions are consistent with a positive psychology framework.
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Teel, S. C. "Beyond Victimization: African Americans." OAH Magazine of History 10, no. 1 (September 1, 1995): 17–22. http://dx.doi.org/10.1093/maghis/10.1.17.
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Wilson, Jackie Napolean. "African Americans In Early Photography." Historian 57, no. 4 (June 1, 1995): 713–20. http://dx.doi.org/10.1111/j.1540-6563.1995.tb01362.x.
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Cutler, Jody B., Richard J. Powell, Jock Reynolds, Juanita M. Holland, and Adrienne L. Childs. "African Americans and American Art History." Art Journal 59, no. 1 (2000): 101. http://dx.doi.org/10.2307/778087.
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Shotwell, Trent. "Book Review: History of African Americans: Exploring Diverse Roots." Reference & User Services Quarterly 58, no. 4 (October 25, 2019): 265. http://dx.doi.org/10.5860/rusq.58.4.7164.
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History of African Americans: Exploring Diverse Roots by Thomas J. Davis chronicles the remarkable past of African Americans from the earliest arrival of their ancestors to the election of President Barack Obama. This work was produced to recognize every triumph and tragedy that separates African Americans as a group from others in America. By distinguishing the rich and unique history of African Americans, History of African Americans: Exploring Diverse Roots provides an account of inspiration, courage, and progress. Each chapter details a significant piece of African American history, and the book includes numerous concise portraits of prominent African Americans and their contributions to progressing social life in the United States.
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Maurer, Bill. "Fact and fetish in creolization studies: Herskovits and the problem of induction, or, Guinea Coast, 1593." New West Indian Guide / Nieuwe West-Indische Gids 76, no. 1-2 (January 1, 2002): 5–22. http://dx.doi.org/10.1163/13822373-90002541.
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Focuses on the way Melville Herkovits used facts and facticity in his scientific work on creolization, and how these facts related to the theories in his work. Author relates this to the idea of fact as a stand-alone datum, or "fetish", independent of any theory for its existence. He describes how Herkovits in his work presented classifications of intensity of African retentions in different parts of the Americas, as well as of cultural elements, which Herkovits meant to be heuristic, yet, the author argues, seemed to precede the data. Further, the author discusses criticisms on this "economic anthropology". In addition, he sketches how the data as fetish, and related induction, developed out of the scientific revolution in Europe, separating arguments from facts, but also out of colonial ventures and the history of the slave trade in West Africa, making it a part of the study of creolization, of African slavery and the African diaspora. He points out, and applaudes, that Herkovits' theoretical stance changed from a strict empiricism to an awareness of the place of argument, or social convention, in the making of the facts themselves.
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Ribeiro, Lúcia, and Manuel A. Vásquez. "A congregação multicultural e a migração brasileira para os Estados Unidos: Reflexões a partir de uma Igreja em Atlanta." Revista Eclesiástica Brasileira 72, no. 285 (February 18, 2019): 76. http://dx.doi.org/10.29386/reb.v72i285.919.
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O artigo discute qual a melhor forma de as igrejas acolherem os imigrantes, no contexto de hostilidade em que estes se encontram hoje. Para isso e como ponto de partida, a discussão situa-se em terras norte-americanas. Dois modelos básicos se colocam: o primeiro é o das tradicionais igrejas étnicas, baseadas na experiência dos imigrantes europeus de início do século XX, formadas por pessoas de uma mesma nacionalidade. Este modelo predominou até os anos 60, quando o rápido crescimento dos fluxos migratórios desde a América Latina, a Ásia e a África gerou uma enorme diversificação racial, política, cultural e religiosa. Foi então que começaram a surgir as igrejas multiculturais, ou multiétnicas/multiraciais, nas quais grupos diversos participam da mesma igreja, respeitando, ao mesmo tempo, suas características específicas. Este processo, ainda em construção, abre pistas inovadoras, mas também vem gerando críticas. Para compreendê-lo, a análise se centrou sobre a Igreja Presbiteriana Ray Thomas, situada em Atlanta, onde euroamericanos, brasileiros e coreanos criaram uma igreja multicultural. Baseado em dados de pesquisa, o artigo faz um rápido histórico desta experiência, apresentando suas conquistas e dificuldades e reconhecendo seu enorme potencial transformador e representativo. Ao compará-la, entretanto, com a experiência anterior – já analisada em outros estudos – conclui-se que os dois modelos talvez não sejam mutuamente excludentes, mas seu êxito depende do contexto específico que enfrentam os migrantes.Abstract: The article discusses how the churches can best help the immigrants in the hostile context in which they find themselves today. For this purpose and as a starting point, the discussion focuses on what happens in the North-American territory. Two basic patterns are looked at: the first is that of the traditional ethnic churches grounded on the experience of the early 20th century European immigrants, normally consisting of people with a single nationality. This pattern lasted until the 1960s when the rapid growth of the migratory flows from Latin America, Asia and Africa led to a huge racial, political, cultural and religious diversification. It was at this time that the multicultural or multiethnic/multiracial churches began to appear in which different groups became members of the same church while at the same time respecting each other’s specific characteristics. This process, that is still being developed, opens novel paths, but has also been the target of some criticism. In order to understand it, the analysis focused in particular on the Presbyterian Church Ray Thomas, in Atlanta, USA, where Euro-Americans, Brazilians and Koreans created a multicultural church. From the findings of the research, the article builds a brief history of this experience, presenting its achievements and its difficulties and recognizing its huge transforming and representative potential. When we compare this experience, however, with the previous one – already analysed in other studies – we come to the conclusion that the two patterns may not be mutually exclusive, but that their success depends on the specific context those migrants have to face.
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Durr, Marlese, and Wornie Reed. "African Americans: Essential Perspectives." Social Forces 74, no. 2 (December 1995): 746. http://dx.doi.org/10.2307/2580510.
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Ferguson, Christopher J., and Charles Negy. "The Influence of Gender and Ethnicity on Judgments of Culpability in a Domestic Violence Scenario." Violence and Victims 19, no. 2 (April 2004): 203–20. http://dx.doi.org/10.1891/vivi.19.2.203.64103.
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Using an experimental analog design, in this study we examined 503 European American, African American, and Latino undergraduate students’ responses to a domestic violence scenario in which the ethnicity and gender of the perpetrator were manipulated. Results indicated that participants perceived perpetration of domestic assault significantly more criminal when committed by a man than when committed by a woman. That finding was robust across European Americans, African Americans, and Latinos and was expressed by both genders. Also, European American participants expressed significantly more criticism toward African American perpetrators of assault than they did toward European American and Latino perpetrators of the exact offense, suggestive of racial bias consistent with stereotypes about African Americans being excessively aggressive. Finally, Latino participants expressed significantly more sympathy toward women who assault their husbands than toward assaulting husbands. Implications of the findings are discussed.
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Johnson, Suzanne B., Bradley L. Goodnight, Huaiyu Zhang, Irene Daboin, Bobbi Patterson, and Nadine J. Kaslow. "Compassion-Based Meditation in African Americans: Self-Criticism Mediates Changes in Depression." Suicide and Life-Threatening Behavior 48, no. 2 (March 21, 2017): 160–68. http://dx.doi.org/10.1111/sltb.12347.
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Whitman, Mark, John Hope Franklin, and Genna Rae McNeil. "African Americans and the Living Constitution." Journal of Southern History 62, no. 4 (November 1996): 798. http://dx.doi.org/10.2307/2211150.
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Walter, John C., Monroe Lee Billington, and Roger D. Hardaway. "African Americans on the Western Frontier." Western Historical Quarterly 30, no. 3 (1999): 372. http://dx.doi.org/10.2307/971380.
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Foote, Thelma Wills. "Music of African Americans in California." Pacific Historical Review 69, no. 1 (February 1, 2000): 89–95. http://dx.doi.org/10.2307/3641239.
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Howard-Hassmann, R. E. "Getting to Reparations: Japanese Americans and African Americans." Social Forces 83, no. 2 (December 1, 2004): 823–40. http://dx.doi.org/10.1353/sof.2005.0012.
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Wren, Douglas G. "Promoting Privilege." Murmurations: Emergence, Equity and Education 3, no. 1 (June 9, 2021): 1. http://dx.doi.org/10.31946/meee.v3i1.35.
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Point of view: I am a cisgender, White male in my sixties. I retired recently after working with children in a professional capacity since the mid-1970s. My first career involved organizing and managing youth sports programs for public recreation departments. I began my second career as an elementary school teacher in the privileged white neighborhood where I grew up near Atlanta, Georgia. There were no African American students at any of the public schools I attended. By the time I took a position in the central office after teaching for 14 years, Black students comprised 77% of the county’s 98,000 students (Anderson & Smith-Hunt, 2005). I spent my last six years in the classroom teaching fifth graders and serving as the school’s gifted liaison teacher. In the latter role, I administered tests to students to determine if they were eligible for the “gifted” label. At that time, I also taught an assessment course to teachers who were seeking a gifted add-on endorsement to their teaching certificates. I recently retired from a large school district in a different state after working as an educational measurement and assessment specialist for 12 years. Value: Numerous educational policies and procedures in the United States benefit children from privileged families over their traditionally underserved counterparts, which include students of color and low-income students. This piece describes a public school district’s inequitable practices related to its program for gifted students, practices that are not uncommon in many American school districts. “Education is one of the best ways to address systemic inequities, but education systems in the US seem to be increasingly subject to criticism that they are unable to change and promote equity” (Cheville, 2018, p. 1). Despite their inherent resistance to change, educational agencies must be made aware of discriminatory policies and procedures. Stakeholders must then hold policy makers and educational leaders to account. As James hanged until it is faced” (1962, p. 38). Summary: Gifted education programs in public schools comprise mainly middle-class and upper-middle-class students of European and Asian descent. Students from low socioeconomic groups, African American students, Latinx students, and Indigenous American students continue to be underrepresented in gifted programs, despite the fact that this inequity was brought to light many years ago (Ford, 1998). Given our nation’s long history of overt and covert racism, it is not surprising that the manner by which students are identified for gifted services is systemically entrenched and at the heart of the problem. Most states have mandates or provide guidance to local school districts regarding identification criteria; however, very few of the measurement instruments and methods used to evaluate of children for gifted services are effective at facilitating equal representation of all groups in gifted education programs. This piece examines one school district’s guidelines used to identify students for gifted services, including admittance to its prestigious school for gifted children. Because the guidelines are typical of practices employed by many other school districts, the information contained herein is generalizable to a larger audience.
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Knight, Frederick. "African Americans and Africa: A New History." Journal of American History 107, no. 2 (September 1, 2020): 438–39. http://dx.doi.org/10.1093/jahist/jaaa238.
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Malott, Curry Stephenson. "African Americans and Education: A Contested History." Souls 12, no. 3 (August 20, 2010): 197–215. http://dx.doi.org/10.1080/10999949.2010.499783.
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Soelistyarini, Titien Diah, Nuril Rinahayu, and Ridha Dinauri Nuswantari. "Institutional Racism and Black Resistance as Portrayed through Images and Narratives in American Graphic Novels." MOZAIK HUMANIORA 20, no. 2 (June 30, 2020): 219. http://dx.doi.org/10.20473/mozaik.v20i2.22901.
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For centuries, racial discrimination and injustice have resulted in the struggle of African Americans to resist racial inequality. Nevertheless, their struggle has never been easy since racism against African Americans has long been institutionalized. In other words, any kinds of white oppression that marginalized, discriminated, and alienated African Americans have embedded in formal institutions, such as legal, educational, as well as social and political institutions. Accordingly, this study dealt with institutional racism and black resistance in the United States as portrayed through images and narratives in two American graphic novels, Octavia E. Butler’s Kindred: A Graphic Novel Adaptation and John Lewis’ March: Book Three, which depicted different ways African Americans were oppressed by and resisted against institutionalized racism. This study applied African American criticism to reveal the racism and black resistance portrayed in both graphic novels based on Feagin’s and Better’s theories of systemic racism and institutional racism. As this study focused on graphic novels, the analysis combined both narrative and non-narrative elements in making meaning through cues provided in the graphic novels, including stressed words and facial expressions. This study reveals that the whites have successfully oppressed African Americans for so long due to the white racial frame and its embedded racist ideology that enforced segregation system. Furthermore, the findings suggest that only by empowering themselves, African Americans are able to resist institutionalized racism in order to gain their freedom and equality of rights.