Journal articles on the topic 'African American aesthetics'
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Pyrova, Tatiana Leonidovna. "Philosophical-aesthetic foundations of African-American hip-hop music." Философия и культура, no. 12 (December 2020): 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.
Full textMcGowan, Grace. "“I Know I Can’t Change the Future, But I Can Change the Past”: Toni Morrison, Robin Coste Lewis, and the Classical Tradition." Contemporary Women's Writing 13, no. 3 (November 2019): 339–56. http://dx.doi.org/10.1093/cww/vpaa001.
Full textKumar, Fayaz Ahmad, and Colette Morrow. "Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction." Global Language Review V, no. IV (December 30, 2020): 45–53. http://dx.doi.org/10.31703/glr.2020(v-iv).06.
Full textDeFrantz, Thomas F. "African American Dance - Philosophy, Aesthetics, and ‘Beauty’." Topoi 24, no. 1 (January 2005): 93–102. http://dx.doi.org/10.1007/s11245-004-4165-7.
Full textDjeDje, Jacqueline Cogdell. "APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY." African Music: Journal of the International Library of African Music 11, no. 2 (December 1, 2020): 77–101. http://dx.doi.org/10.21504/amj.v11i2.2315.
Full textSchur, Richard. "Post-Soul Aesthetics in Contemporary African American Art." African American Review 41, no. 4 (December 1, 2007): 641. http://dx.doi.org/10.2307/25426982.
Full textSherrard-Johnson, C. "Revolutionary Potential: African-American Aesthetics in the Depression Era." American Literary History 27, no. 2 (February 23, 2015): 351–62. http://dx.doi.org/10.1093/alh/ajv005.
Full textJenkins, Chris. "Assimilation and Integration in Classical Music Education." Action, Criticism, and Theory for Music Education 21, no. 2 (September 2022): 156–81. http://dx.doi.org/10.22176/act21.2.156.
Full textMoore, Jeania Ree V. "African American Quilting and the Art of Being Human: Theological Aesthetics and Womanist Theological Anthropology." Anglican Theological Review 98, no. 3 (June 2016): 457–78. http://dx.doi.org/10.1177/000332861609800302.
Full textCrawford, Margo Natalie. "What Time Is It When You’re Black?" South Atlantic Quarterly 121, no. 1 (January 1, 2022): 153–72. http://dx.doi.org/10.1215/00382876-9561601.
Full textCastronovo, Russ. "Beauty along the Color Line: Lynching, Aesthetics, and the Crisis." PMLA/Publications of the Modern Language Association of America 121, no. 5 (October 2006): 1443–59. http://dx.doi.org/10.1632/pmla.2006.121.5.1443.
Full textCarter-Ényì, Aaron, and Quintina Carter-Ényì. "“Bold and Ragged”: A Cross-Cultural Case for the Aesthetics of Melodic Angularity." Music & Science 3 (January 1, 2020): 205920432094906. http://dx.doi.org/10.1177/2059204320949065.
Full textFuhr, Christina. "Abstractionist aesthetics: artistic form and social critique in African American culture." Ethnic and Racial Studies 40, no. 3 (September 9, 2016): 535–37. http://dx.doi.org/10.1080/01419870.2016.1229493.
Full textJennings, Kyesha, and Emery Petchauer. "Teaching in the Mix: Turntablism, DJ Aesthetics and African American Literature." Changing English 24, no. 2 (April 3, 2017): 216–28. http://dx.doi.org/10.1080/1358684x.2017.1311035.
Full textAlanazi, Meshari S. "Challenging social standards." Linguistics and Culture Review 5, S2 (June 30, 2021): 1594–604. http://dx.doi.org/10.21744/lingcure.v5ns2.2229.
Full textRachman, Stephen. "Ellison and Dostoevsky: A Critical Reassessment of the Aesthetics and Politics." Literature of the Americas, no. 11 (2021): 34–81. http://dx.doi.org/10.22455/2541-7894-2021-11-34-81.
Full textArens, Sarah. "Killer Stories: 'Globalizing' the Grotesque in Alain Mabanckou's African Psycho and Leïla Slimani's Chanson douce." Irish Journal of French Studies 20, no. 1 (November 1, 2020): 143–72. http://dx.doi.org/10.7173/164913320830841692.
Full textSedlmeier, Florian. "Postblack Aesthetics: The Freedom to Be Black in Contemporary African American Fiction." Zeitschrift für Anglistik und Amerikanistik 67, no. 4 (December 18, 2019): 447–49. http://dx.doi.org/10.1515/zaa-2019-0034.
Full textIndriyanto, Kristiawan. "ARTICULATING THE MARGINALIZED VOICES: SYMBOLISM IN AFRICAN AMERICAN, HISPANIC, AND ASIAN AMERICAN LITERATURE." British (Jurnal Bahasa dan Sastra Inggris) 9, no. 2 (September 26, 2020): 20. http://dx.doi.org/10.31314/british.9.2.20-36.2020.
Full textPedro, Josep, and Begoña Gutiérrez-Martínez. "‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition." Jazz Research Journal 13, no. 1-2 (August 31, 2019): 178–96. http://dx.doi.org/10.1558/jazz.39374.
Full textBartlett, Andrew. "Airshafts, Loudspeakers, and the Hip Hop Sample: Contexts and African American Musical Aesthetics." African American Review 28, no. 4 (1994): 639. http://dx.doi.org/10.2307/3042229.
Full textPetchauer, Emery. "I Feel What He Was Doin’." Urban Education 46, no. 6 (March 10, 2011): 1411–32. http://dx.doi.org/10.1177/0042085911400335.
Full textAdelakun. "Black Lives Matter! Nigerian Lives Matter!: Language and Why Black Performance Matters." Genealogy 3, no. 2 (April 14, 2019): 19. http://dx.doi.org/10.3390/genealogy3020019.
Full textElizabeth Archuleta. "Cultural Sites of Critical Insight: Philosophy, Aesthetics, and African American and Native American Women's Writings (review)." American Indian Quarterly 33, no. 1 (2008): 161–63. http://dx.doi.org/10.1353/aiq.0.0040.
Full textKim, Mia. "On the Autobiographical writing and Collage text of Shange embracing African American Women’s Unique Aesthetics." Asia-pacific Journal of Multicultural Society 2, no. 2 (October 31, 2018): 27–32. http://dx.doi.org/10.21742/apjms.2018.2.2.05.
Full textKnadler, Stephen. "At Home in the Crystal Palace: African American Transnationalism and the Aesthetics of Representative Democracy." ESQ: A Journal of the American Renaissance 56, no. 4 (2011): 328–62. http://dx.doi.org/10.1353/esq.2011.0006.
Full textCucarella-Ramon, Vicent. "The Aesthetics of Healing in the Sacredness of the African American Female’s Bible: Zora Neale Hurston’s Moses, Man of the Mountain." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 69. http://dx.doi.org/10.14198/raei.2016.29.04.
Full textRichardson, Matt. "Ajita Wilson." TSQ: Transgender Studies Quarterly 7, no. 2 (May 1, 2020): 192–207. http://dx.doi.org/10.1215/23289252-8143350.
Full textFensham, Rachel. "“Breakin' the Rules”: Eleo Pomare and the Transcultural Choreographies of Black Modernity." Dance Research Journal 45, no. 1 (December 10, 2012): 41–63. http://dx.doi.org/10.1017/s0149767712000253.
Full textZhang, Qiong. "The Blues-like Elements in John Edgar Wideman’s Sent for You Yesterday." International Journal of Applied Linguistics and English Literature 8, no. 4 (July 31, 2019): 100. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.4p.100.
Full textMitchell, Roland. "Cultural Aesthetics and Teacher Improvisation: An Epistemology of Providing Culturally Responsive Service by African American Professors." Urban Education 45, no. 5 (August 17, 2010): 604–29. http://dx.doi.org/10.1177/0042085909347839.
Full textRubin, Lisa R., Mako L. Fitts, and Lisa R. Rubin. "“Whatever Feels Good in My Soul”: Body Ethics and Aesthetics Among African American and Latina Women." Culture, Medicine and Psychiatry 27, no. 1 (March 2003): 49–75. http://dx.doi.org/10.1023/a:1023679821086.
Full textLurie, Peter. "Everybody’s Protest Cinema." James Baldwin Review 7, no. 1 (September 28, 2021): 115–37. http://dx.doi.org/10.7227/jbr.7.7.
Full textSkansgaard, Michael. "How Not to Introduce Blues Prosody:." Poetics Today 40, no. 4 (December 1, 2019): 645–81. http://dx.doi.org/10.1215/03335372-7739071.
Full textJones, Gayl. "From The Quest for Wholeness: Re-Imagining the African-American Novel: An Essay on Third World Aesthetics." Callaloo 17, no. 2 (1994): 507. http://dx.doi.org/10.2307/2931773.
Full textBrown, Matthew P. "Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop." Cultural Studies 8, no. 3 (October 1994): 484–508. http://dx.doi.org/10.1080/09502389400490331.
Full textBERNIER, CELESTE-MARIE. "“You Can't Photograph Everything”: The Acts and Arts of Bearing Witness in Joseph Rodríguez's Still Here: Stories after Katrina (2008)." Journal of American Studies 44, no. 3 (August 2010): 535–52. http://dx.doi.org/10.1017/s0021875810001222.
Full textMarshall, Wayne. "Ragtime Country." Journal of Popular Music Studies 32, no. 2 (June 1, 2020): 50–62. http://dx.doi.org/10.1525/jpms.2020.32.2.50.
Full textWalker, Harriet. "A Feminist Study of African American Art in New Orleans: Considerations of Aesthetics, Art History and Art Criticism." Marilyn Zurmuehlen Working Papers in Art Education 14, no. 1 (1997): 30–35. http://dx.doi.org/10.17077/2326-7070.1305.
Full textJarenski, Shelly. "“Delighted and Instructed”: African American Challenges to Panoramic Aesthetics in J. P. Ball, Kara Walker, and Frederick Douglass." American Quarterly 65, no. 1 (2013): 119–55. http://dx.doi.org/10.1353/aq.2013.0003.
Full textBolden, Tony. "Reflections on Black Visual Artist Doug Redd." Journal of Foreign Languages and Cultures 4, no. 2 (December 28, 2020): 134–43. http://dx.doi.org/10.53397/hunnu.jflc.202002013.
Full textLewis, George E. "Too Many Notes: Computers, Complexity and Culture in Voyager." Leonardo Music Journal 10 (December 2000): 33–39. http://dx.doi.org/10.1162/096112100570585.
Full textBarg, Lisa. "Queer Encounters in the Music of Billy Strayhorn." Journal of the American Musicological Society 66, no. 3 (2013): 771–824. http://dx.doi.org/10.1525/jams.2013.66.3.771.
Full textDhakal, Lekha Nath. "Black Art: An Aesthetic Transformation for Freedom and Justice." KMC Research Journal 3, no. 3 (June 13, 2019): 91–99. http://dx.doi.org/10.3126/kmcrj.v3i3.35716.
Full textUsman, Azhar. "An Apology." American Journal of Islam and Society 25, no. 4 (October 1, 2008): 143–48. http://dx.doi.org/10.35632/ajis.v25i4.1446.
Full textBorshuk, M. "Cross-Rhythms: Jazz Aesthetics in African-American Literature; Writing the Future of Black America: Literature of the Hip-Hop Generation." American Literature 82, no. 4 (January 1, 2010): 855–57. http://dx.doi.org/10.1215/00029831-2010-056.
Full textMehaffy, M. "Popular Fronts: Chicago and African-American Cultural Politics, 1935-46; Afro-Modernist Aesthetics and the Poetry of Sterling A. Brown." American Literature 73, no. 4 (December 1, 2001): 875–77. http://dx.doi.org/10.1215/00029831-73-4-875.
Full textPochmara, Anna, and Justyna Wierzchowska. "Nobody Knows My Name: The Masquerade of Mourning in the Early 1980s Artistic Productions of Michael Jackson and Prince." Open Cultural Studies 1, no. 1 (December 20, 2017): 628–45. http://dx.doi.org/10.1515/culture-2017-0058.
Full textLamb, Robert Paul. ""A Little Yellow Bastard Boy": Paternal Rejection, Filial Insistence, and the Triumph of African American Cultural Aesthetics in Langston Hughes's "Mulatto"." College Literature 35, no. 2 (2008): 126–53. http://dx.doi.org/10.1353/lit.2008.0012.
Full textGoyal, Yogita. "The Genres ofGuantánamo Diary: Postcolonial Reading and the War on Terror." Cambridge Journal of Postcolonial Literary Inquiry 4, no. 1 (January 2017): 69–87. http://dx.doi.org/10.1017/pli.2016.32.
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