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1

Welsch, Wolfgang. Undoing aesthetics. London: Sage Publications, 1997.

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2

Lyell, Asher, and Merrill Robert 1950-, eds. Ethics/aesthetics: Post-modern positions. Washington, DC: Maisonneuve Press, 1988.

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3

1952-, Golsan Richard Joseph, ed. Fascism, aesthetics, and culture. Hanover, NH: University Press of New England, 1992.

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4

John, Ruskin. Modern painters. London: Deutsch, 1989.

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5

John, Ruskin. Modern painters. London: Andre Deutsch, 1987.

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6

Rampley, Matthew. Nietzsche, aesthetics, and modernity. Cambridge, U.K: Cambridge University Press, 2000.

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7

Cazeaux, Clive. The Continental aesthetics reader. 2nd ed. London: Routledge, 2011.

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8

Eagleton, Terry. The ideology of the aesthetics. Cambridge, MA, USA: Basil Blackwell, 1990.

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9

Offermans, Cyrille. Openluchtconcert: Parva aesthetica. Amsterdam: De Bezige Bij, 1991.

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10

Lisa, Light, and Resen Laura, eds. American modern. New York: Abrams, 2010.

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11

Siṅgha, Darabāra. Philosophy of aesthetics: Reading Caudwell. Delhi: Anupama Publications, 1992.

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12

Gethmann-Siefert, Annemarie. Ist die Kunst tot und zu Ende?: Überlegungen zu Hegels Ästhetik. Erlangen: Palm & Enke, 1994.

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13

Koppe, Franz. Grundbegriffe der Ästhetik. Paderborn: Mentis, 2004.

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14

Bernstein, J. M. The fate of art: Aesthetic alienation from Kant to Derrida and Adorno. Cambridge: Polity Press, 1992.

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15

Bernstein, J. M. The fate of art: Aesthetic alienation from Kant to Derrida and Adorno. University Park, Pa: Pennsylvania State University Press, 1992.

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16

Seubold, Günter. Das Ende der Kunst und der Paradigmenwechsel in der Ästhetik: Philosophische Untersuchungen zu Adorno, Heidegger und Gehlen in systematischer Absicht. Freiburg: Verlag K. Alber, 1997.

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17

János, Weiss. Az esztétikum konstrukciója Adornónál. Budapest: Akadémiai Kiadó, 1995.

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18

Miklós, Mesterházi. Ernst Bloch, avagy, Az örökség művészete. Budapest: Akadémiai Kiadó, 1991.

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19

Brožík, Vladimír. Estetika všedného dňa. Bratislava: Smena, 1987.

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20

Zátka, Vlastimil. Kantova teorie estetiky: Studie k dějinám filozofie 18. století. Praha: Filosofia, 1994.

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21

Menezes, José Rafael de. Aproximações da obra estética de Evaldo Coutinho. Recife: Editora Universitária UFPE, 1987.

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22

Aguado, María Isabel Peña. Ästhetik des Erhabenen: Burke, Kant, Adorno, Lyotard. Wien: Passagen, 1994.

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23

Dumont, Pascal. Descartes et l'esthétique: L'art d'émerveiller. Paris: Presses universitaires de France, 1997.

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24

Dobbe, Martina. Querelle des anciens, des modernes et des postmodernes: Exemplarische Untersuchungen zur Medienästhetik der Malerei im Anschluss an die Positionen von Nicolas Poussin und Cy Twombly. München: W. Fink, 1999.

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25

Gallo, Franco. Nietzsche e l'emancipazione estetica. Roma: Manifestolibri, 2004.

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26

Petsch, D. Modern Aesthetics. De Gruyter, Inc., 2015.

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27

Marra, Michael F. Modern Japanese Aesthetics. Edited by Michael F. Marra. University of Hawaii Press, 1999. http://dx.doi.org/10.1515/9780824863678.

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28

McQuillan, J. Colin. Early Modern Aesthetics. Rowman & Littlefield Publishers, Incorporated, 2015.

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29

McQuillan, J. Colin. Early Modern Aesthetics. Rowman & Littlefield Publishers, Incorporated, 2015.

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30

Early Modern Aesthetics. Rowman & Littlefield Publishers, Incorporated, 2015.

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31

Guyer, Paul. History of Modern Aesthetics. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0002.

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The first part of this article reviews a number of recent general approaches to the history of modern aesthetics. Some of the most prominent work on the history of the subject by philosophers working within the paradigm of analytical aesthetics has not had much to say about some historical questions, but instead has taken both the very existence of the field of aesthetics and its post-eighteenth-century identification with the philosophy of art pretty much for granted; such work has generally used interpretations of historical figures, especially from the eighteenth century, to support or criticize positions in contemporary aesthetics. The second part of the article is a bibliographical essay listing some of the most important recent work on the major movements and individual figures in aesthetics from the beginning of the eighteenth century to the middle of the twentieth.
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32

Rider. Introduction to Modern Aesthetics. Cambridge University Press, 2000.

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33

Guyer, Paul. History of Modern Aesthetics. Cambridge University Press, 2015.

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34

Rider. Introduction to Modern Aesthetics. Cambridge University Press, 2000.

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35

Ästhetik der Anmut: Studien zur "Schönheit der Bewegung" im 18. Jahrhundert. Frankfurt am Main: P. Lang, 1996.

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36

Aesthetics of the Margins / The Margins of Aesthetics: Wild Art Explained. Penn State University Press, 2018.

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37

Welsch, Wolfgang. Undoing Aesthetics. SAGE Publications, Incorporated, 1997.

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38

Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics. Lang AG International Academic Publishers, Peter, 2015.

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39

Gal, Michalle. Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics. Lang AG International Academic Publishers, Peter, 2015.

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40

Gal, Michalle. Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics. Lang AG International Academic Publishers, Peter, 2015.

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41

Gal, Michalle. Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics. Lang AG International Academic Publishers, Peter, 2015.

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42

Relational aesthetics. [Dijon]: Les Presses du réel, 2002.

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43

Marra, Michele. Modern Japanese Aesthetics: A Reader. University of Hawaii Press, 2002.

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44

History of Modern Japanese Aesthetics. University of Hawaii Press, 2023.

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45

Critical History of Modern Aesthetics. Taylor & Francis Group, 2016.

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46

Listowel, Earl of. Critical History of Modern Aesthetics. Taylor & Francis Group, 2017.

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47

Listowel, Earl of. Critical History of Modern Aesthetics. Taylor & Francis Group, 2016.

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48

Marra, Michael F. Modern Japanese Aesthetics: A Reader. University of Hawaii Press, 1999.

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49

Marra, Michele. Modern Japanese Aesthetics: A Reader. University of Hawaii Press, 2000.

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50

Listowel, Earl of. Critical History of Modern Aesthetics. Taylor & Francis Group, 2016.

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