Journal articles: 'Aesthetic principles'

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Conolly, O. "Aesthetic Principles." British Journal of Aesthetics 43, no. 2 (April 1, 2003): 114–25. http://dx.doi.org/10.1093/bjaesthetics/43.2.114.

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Zemach, Eddy. "Aesthetic Properties, Aesthetic Laws, and Aesthetic Principles." Journal of Aesthetics and Art Criticism 46, no. 1 (1987): 67. http://dx.doi.org/10.2307/431310.

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ZEMACH, EDDY. "Aesthetic Properties, Aesthetic Laws, and Aesthetic Principles." Journal of Aesthetics and Art Criticism 46, no. 1 (September 1, 1987): 67–74. http://dx.doi.org/10.1111/1540_6245.jaac46.1.0067.

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Budd, Malcolm. "Aesthetic Judgements, Aesthetic Principles and Aesthetic Properties." European Journal of Philosophy 7, no. 3 (December 1999): 295–311. http://dx.doi.org/10.1111/1468-0378.00090.

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Kurnianto, Arik. "Analisis Layout Surat Kabar berdasarkan Prinsip-Prinsip Desain melalui Metode Estetika Birkhoff." Humaniora 4, no. 2 (October 31, 2013): 986. http://dx.doi.org/10.21512/humaniora.v4i2.3540.

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This study has primary focus to analyze the aesthetic layout of a newspaper with a mathematical approach, which refers to some methods of Birkhoff’s aesthetic measurement developed by David Ngo Chek Ling, et.al. Ngo developed a method of measuring the aesthetic layout that can be used for various design purposes, especially for a computer interface design. Measurement method that he developed refers to the principles of design aesthetics, such as: the principle of balance, the principle of sequence, the principle of unity, and the principle of equilibrium. Birkhoff aesthetic measurement method was used as final analysis to determine the value of aesthetic layout. In this study, some national and local media were selected as samples to determine and assess the aesthetic layout. Based on data analysis, Birkhoff aesthetic measurement method can be applied to measure the aesthetic value of the newspaper layout mathematically.

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Kurochkina, Anzhelika Valerievna. "E. Zamyatin’s Aesthetic Principles." Filologičeskie nauki. Voprosy teorii i praktiki, no. 8 (July 2021): 2307–11. http://dx.doi.org/10.30853/phil210422.

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He, Peizhuang, and Xun Pan. "Application of Aesthetic Principles to Road Planting in China." Transportation Research Record: Journal of the Transportation Research Board 1549, no. 1 (January 1996): 99–102. http://dx.doi.org/10.1177/0361198196154900114.

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This paper deals specifically with the application of aesthetic principles to road planting and its future development. Consideration of such principles will provide a basis for designers to make suitable applications of road planting for both functional and aesthetic purposes. It is expected that the future will see more attention being paid to road planting aesthetics.

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Kent, Travis M., C. Melody Carswell, Michael Lee, and M. A. Sublette. "Do Aesthetic Design Principles Predict Visual Appeal of a Simple Control Panel?" Proceedings of the Human Factors and Ergonomics Society Annual Meeting 61, no. 1 (September 2017): 1414–18. http://dx.doi.org/10.1177/1541931213601837.

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Numerous studies have investigated the relationship between a product’s degree of usability and its degree of beauty. Both directions of causality have been demonstrated leading to “what is beautiful is usable” and “what is usable is beautiful hypothesis. Additionally, aesthetic research has demonstrated several principles that elicit a consistent pattern of responses. The current study aimed to investigate the relationship between aesthetics and usability by means of a functional prime. Forty participants rated sixteen stimuli manipulated on four aesthetic principles; prototypicality, symmetry, composition, and shape. Mixed results indicate that certain aesthetic principles interact with one another in a functional usage.

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Park, Stephen S. "Fundamental Principles in Aesthetic Rhinoplasty." Clinical and Experimental Otorhinolaryngology 4, no. 2 (2011): 55. http://dx.doi.org/10.3342/ceo.2011.4.2.55.

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Parrish, Patrick E. "Aesthetic principles for instructional design." Educational Technology Research and Development 57, no. 4 (August 29, 2007): 511–28. http://dx.doi.org/10.1007/s11423-007-9060-7.

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Strahovnik, Vojko. "The riddle of aesthetic principles." Acta Analytica 19, no. 33 (March 2004): 189–208. http://dx.doi.org/10.1007/s12136-004-1018-3.

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Haswell, Natalie. "The four ethical principles and their application in aesthetic practice." Journal of Aesthetic Nursing 8, no. 4 (May 2, 2019): 177–79. http://dx.doi.org/10.12968/joan.2019.8.4.177.

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As part of our Ethics in Aesthetics campaign, we asked for submissions on the topic of ethical practice in aesthetics. In this article, Natalie Haswell suggests that a lack of regulation in this sector enables a minority of practitioners to practice unethically, and explores some of the key ethical principles, explaining how they fit into the scope of aesthetic practice

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Qin, Xiao Chun, Yi Shen, She Gang Shao, and Dan Wang. "Highway Landscape Aesthetic Experience: Perception Principle and Psychological Process." Applied Mechanics and Materials 368-370 (August 2013): 21–26. http://dx.doi.org/10.4028/www.scientific.net/amm.368-370.21.

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As the essential public assets for sustainable development, Highway should provide for people not only the enjoyment of convenient and safe transportation, but also the fulfillment of visual pleasure and aesthetic appeal. Taking the highway as the aesthetic object and making the research in aesthetic perception and the process of psychological experience of the aesthetic subject are of great importance to highway landscape planning and design. The aesthetic subject and object of highway landscape are defined and their relationship between the two is explored based on the analysis of characteristics and principles of highway aesthetics in the paper. And the conception of the highway landscape aesthetic field is also introduced. In view of the aesthetic characteristics of highway landscape, the aesthetic process is studied in detail from three phrases of aesthetic expectation and aesthetic attention, aesthetic expansion and aesthetic perception, and aesthetic dispersion. Taking Guangdong Fokai highway for example, the aesthetic psychological expanding process of highway landscape is finally analyzed.

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Huang Shih, Yi. "Teaching Principles for Aesthetic Education: Cultivating Taiwanese Childrens Aesthetic Literacy." International Journal of Education and Practice 8, no. 3 (2020): 568–76. http://dx.doi.org/10.18488/journal.61.2020.83.568.576.

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Dahl, Dorte Boesby. "Looking Neat on the Street. Aesthetic Labor in Public Parking Patrol." Nordic Journal of Working Life Studies 3, no. 2 (May 1, 2013): 59. http://dx.doi.org/10.19154/njwls.v3i2.2550.

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Research on aesthetic labor has been confined to service encounters in private sector industries. Aesthetic labor theory is critical of the commercialism that drives management of service labor and points to the discrimination of employees on the grounds of their “looks” that this entails. Considering the common conception today of the public sector as a service provider, application of the theory of aesthetic labor is relevant to public sector service work. But the public sector has many other purposes and mechanisms than those pertaining to increased revenues that may influence the use of aesthetic labor. This paper analyzes the aesthetic labor of Danish parking attendants in an organizational ethnography. A change management process in this organization has applied the principles of aesthetic labor actively for the purposes of diversity and health and safety. The paper shows how managers apply aesthetic labor principles to promote health and safety and workforce diversity, but also that the use of aesthetics has ambivalent purposes. Aesthetic labor is not as unequivocally applied for commercial purposes as hitherto assumed.

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de la Fuente, Eduardo. "The Art of Social Forms and the Social Forms of Art: The Sociology-Aesthetics Nexus in Georg Simmel's Thought." Sociological Theory 26, no. 4 (October 29, 2008): 344–62. http://dx.doi.org/10.1111/j.1467-9558.2008.00333.x.

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This article examines the sociology-aesthetics nexus in Georg Simmel's thought. The article suggests that it is useful to divide Simmel's linking of sociology and aesthetics into three distinct types of propositions: (1) claims regarding the parallels between art and social form (the “art of social forms”); (2) statements regarding principles of sociological ordering in art and aesthetic objects (the “social forms of art”); and (3) analytical propositions where aesthetic and social factors are shown to work in combination. In the latter case, the sociology-aesthetic nexus moves beyond mere analogy. It is argued that in those instances where Simmel shows that aesthetic factors are central to the social bond the linking of aesthetics and sociology is theoretically most insightful.

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Primakova, Nataliya Valer'evna, and Nataliya Valerievna Primakova. "Remakes. The Artistic and Aesthetic Principles." Journal of Flm Arts and Film Studies 2, no. 1 (January 15, 2010): 42–56. http://dx.doi.org/10.17816/vgik2142-56.

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In the article the author defines the concept "remake" using such films as «Once Again about Love», «The Sky. The Plane. The Girl», etc. as examples. The purpose of the work is to give a comparative analysis (both formal and sociological) of the films, to underline the autonomy of the new productions connected with the present cultural situation and to reveal the possibilities of the remake.

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Muraskin, Murray. "Mathematical aesthetic principles and nonintegrable systems." Physics Essays 28, no. 3 (September 5, 2015): 399–412. http://dx.doi.org/10.4006/0836-1398-28.3.399.

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Rousso, Joseph. "Aesthetic Nasal Reconstruction Principles and Practice." Facial Plastic Surgery 33, no. 06 (December 2017): 676. http://dx.doi.org/10.1055/s-0037-1608769.

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Liu, Wenming, and Hao Cui. "Study on the appearance design of horizontal polyurethane sponge cutting machine." E3S Web of Conferences 179 (2020): 01005. http://dx.doi.org/10.1051/e3sconf/202017901005.

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Through understanding and comprehension of working principle and structure layout of polyurethane sponge cutting machine, we conduct design and remolding on modeling and appearance of current product. Based on methods such as aesthetic principles of artistic modeling, modular design methods, modeling design methods of mechanical product, remolding and design of overall appearance of machines are studied to realize more modern aesthetics and visual impact of new appearance and promotion of the product’s outward appearance quality.

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Lo, Chi-Hung. "Application of Aesthetic Principles to the Study of Consumer Preference Models for Vase Forms." Applied Sciences 8, no. 7 (July 22, 2018): 1199. http://dx.doi.org/10.3390/app8071199.

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The factors that affect a consumer when making a purchase decision include product function, quality, and price. Different products might feature similar functional performance although they are designed and manufactured by different vendors. The most decisive factor for a consumer in buying a product is no longer its physical functions. Nowadays, consumers care more about the aesthetics that a product can deliver. Designers should make any extra effort to improve the aesthetic design of their products. Therefore, it is critical for a designer to know the aesthetic tastes of his/her target consumer group in order to create products with the preferred style. Furthermore, the idea of design differentiation needs to be incorporated so that a product can present different aesthetic perceptions to consumers of different tastes. The objective of this study is to investigate consumers’ preference models from their preferred product forms. The aesthetic principles of Symmetry, Minimalism, and Cohesion are applied to the case study of the design of various vase forms. A quantitative approach of evaluating vase forms by the aesthetic principles is proposed. A conjoint analysis of the vase features and attributes was carried out in order to determine their correlation with consumer preferences. Consumers are classified into 6 groups of different aesthetic conceptions by cluster analysis. The consumers’ preference model can be determined by indices including Pearson’s R and Kendall’s tau. This approach provides designers with an effective way of determining the right direction for new form designs and renovation.

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Ressler, Alexis B. "Aesthetic Expression." International Journal of Human Caring 10, no. 1 (February 2006): 61–67. http://dx.doi.org/10.20467/1091-5710.10.1.61.

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The author discusses a new paradigm for working with terminally ill patients that focuses on each individual’s unique human experience rather than on the more abstract principles of biomedical ethics. This paradigm is based on a four-part framework developed by existential psychoanalyst, Irving Yalom. The author examined each portion of Yalom’s framework and focused the discussion on the relational ways in which clinicians might address their dying patients’ inevitable existential concerns.

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Gapochenko, Svetlana, and Halina Khlyap. "Aesthetic principles in the history of physics." Almagest 7, no. 2 (July 2016): 105–19. http://dx.doi.org/10.1484/j.almagest.5.112688.

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Summers, Bradley K., and Ronald J. Siegle. "Facial cutaneous reconstructive surgery: General aesthetic principles." Journal of the American Academy of Dermatology 29, no. 5 (November 1993): 669–81. http://dx.doi.org/10.1016/0190-9622(93)70230-q.

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Carballal, Adrian, Luz Castro, Rebeca Perez, and João Correia. "Detecting Bias on Aesthetic Image Datasets." International Journal of Creative Interfaces and Computer Graphics 5, no. 2 (July 2014): 62–74. http://dx.doi.org/10.4018/ijcicg.2014070104.

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In recent years, there have been attempts to discover the principles that determine the value of aesthetics in the domain of computing. Many and diverse studies have tried in some way to capture these principles through technical characteristics. To this end, helped by the ease of Internet data acquisition, datasets of images have been published which were obtained online at random from websites and photography competitions. To guarantee the validity of a system of aesthetic image classification, one must first guarantee its capacity for generalization. This paper studies how the indiscriminate selection of images can affect the generalization capacity obtained by a binary classifier.

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Шмагало, Р. Т. "ДЕКОРАТИВНЕ МИСТЕЦТВО І ЕКО-ДИЗАЙН: ФІЛОСОФСЬКО-ОСВІТНІ ОСНОВИ РОЗВИТКУ І СУЧАСНІ ВИКЛИКИ." Art and Design, no. 4 (February 15, 2021): 185–94. http://dx.doi.org/10.30857/2617-0272.2020.4.15.

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Purpose. Identification and analysis of philosophical, educational and aesthetic foundations of the development of decorative and applied arts and design in the context of new socio-cultural challenges. Methodology. It is based on a systematic approach that synthesizes the methodological principles of related sciences: art history, philosophy, aesthetics, pedagogy with universal for these sciences methods of historical, typological and comparative analysis. Results. Basic philosophical and aesthetic origins of the phenomenon of decorative and applied art in the context of art and related design education, as well as the bank of basic ideas and principles of its progress in the time continuum are determined. There also have been traces social and cultural values acquired over the centuries, relevant for different historical periods and modern challenges, facing the art and education sphere. Scientific novelty. Determining of the philosophical and aesthetic principles of the functioning of decorative and applied arts in line with art and design education, its timeless universal social and cultural values. Practical significance. The research will contribute to the formation of a deep, philosophical and aesthetic level of worldview perception of the phenomenon of decorative and applied arts, art and design education, the development of guidelines for the implementation and design of new creative ideas in art, education and eco design

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Bychkov, Victor. "To the aesthetics of early works of Friedrich Schlegel." Философия и культура, no. 11 (November 2020): 1–14. http://dx.doi.org/10.7256/2454-0757.2020.11.34306.

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The subject of this research is the aesthetics of early works of Friedrich Schlegel. In his aesthetics, Schlegel continues the traditions of German classical philosophy, placing emphasis on the principles of beautiful and sublime in art. Schlegel believes that both, beauty and morality are innate traits of a person, which besides ethical also has “aesthetic imperative”. Beauty, as a ”transcendental factor”, beauty is based on indifferent pleasure and represents the ideal that was reached by the ancient Greek art, while contemporary art does not tend towards it. The higher beauty is organic with nature; two key “elements” comprise the essence of beauty: “phenomenon” and “good”. In broad sense, beauty also embraces the sublime. Schlegel pays particular attention to disgraceful as an aesthetic category that contradicts beautiful and sublime, and draws a sketch of the future theory of disgraceful. He connects disgraceful with human animality, and shows that it is based on the disgusting, painful, agonizing, “indigent chaos” of existence, manifesting an absolute negation. The central aesthetic principles – beautiful and sublime are contradicted by two types of disgraceful: personal and exalted. One of the main components of culture as a humanistic factor, Schelling considers art and determines the three types of culture: natural, organically growing on the basis of mythology (it reached high level in Antiquity), artificial, created on the basis of reason according to aesthetic laws (new-European), and aesthetic that implies special emphasis in culture on aesthetic essence and artistry. Schlegel is persuaded of the fact that further positive development of culture and art is possible only under the control of a “proper” aesthetic theory, the beginning of which he sees in the works of his contemporaries.

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Drăghici, Raluca, Cristina Teodora Preoteasa, Ana Maria Cristina Tancu, and Elena Preoteasa. "Impact of teeth color determination on dental eshtetic perception." Romanian Journal of Stomatology 61, no. 3 (September 30, 2015): 238–42. http://dx.doi.org/10.37897/rjs.2015.3.5.

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Aim. People with attractive facial appearance are more easily integrated in society and are considered to be more capable, more intelligent and more responsible. The aesthetic aspect is influenced by expression, by facial symmetry, facial contours and teeth colour. In dental restorations, the correct determination of teeth colour is a critical step with extreme importance for successful treatment. From this perspective the practitioner must have experience, must have the ability to distinguish colours and must train through repetitive visual practical exercises that can have an impact on the perception of dental aesthetics. Materials and method. The study followed comparatively the evolution of teeth colour determination and its impact on dental aesthetics perception. It was conducted on a group of fifth year students from the Faculty of Dental Medicine, Bucharest using the Tooth Training Box colour determination exercise that is based on the 3-D Master colour key principle. Results. Using training exercises to determine colour participants developed a better understanding of the physical principles behind the procedure but also a significant increase in accuracy of their measurements and confidence in their colour determinations. Conclusions. Using an aesthetic evaluation protocol that translates teeth colour in a universal language for both practitioners as well as dental technicians has a significant impact in aesthetic dentistry.

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Sofiana, Yunida. "Memahami Estetika dari Sudut Pandang Desain Interior." Humaniora 6, no. 3 (July 30, 2015): 339. http://dx.doi.org/10.21512/humaniora.v6i3.3360.

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The term aesthetic has always become part of design. Without aesthetic, design has just a functional object. Aesthetic in design, particularly in interior design, has been influenced by many factors, which are aesthetic value, aesthetic perception, and time frame. Aesthetic has subjective meaning related to time frame and objective meaning related to implementation of element and principles of design on aesthetic term. Aesthetic perception is how we judge and see the object using our own thinking and value. Time frame is where and when the aesthetic value happens. Interior design trend right now has been influenced by technology in many ways so the concept of modern design theme is always the best choice for designer. However, using modern theme as a design concept has to be implemented as a whole theme and related to aesthetical value so that the design will gain much appreciation from others. This paper used deductive method to explain the theory of aesthetic and the implementation of aesthetic value in interior design context. Design should speak louder than it looked.

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Pyrova, Tatiana Leonidovna. "Philosophical-aesthetic foundations of African-American hip-hop music." Философия и культура, no. 12 (December 2020): 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.

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This article is dedicated to the philosophical-aesthetic foundations of African-American hip-hop music of the late XX century. Developed by the African philosopher Leopold Senghor, the author of the theory of negritude, concept of Negro-African aesthetics laid the foundations for the formation of philosophical-political comprehension and development of the principles of African-American culture in the second half of the XX century in works of the founders of “Black Arts” movement. This research examines the main theses of the aesthetic theory of L. Senghor; traces his impact upon cultural-political movement “Black Art”; reveals which position of his aesthetic theory and cultural-political movement “Black Arts” affected hip-hop music. The author refers to the concept of “vibe” for understanding the influence of Negro-African aesthetics upon the development of hip-hop music. The impact of aesthetic theory of Leopold Senghor upon the theoretical positions of cultural-political movement “Black Arts” is demonstrated. The author also compares the characteristics of the Negro-African aesthetics and the concepts used to describe hip-hop music, and determines correlation between them. The conclusion is made that the research assessment of hip-hop music and comparative analysis of African-American hip-hop with the examples of global hip-hop should pay attention to the philosophical-aesthetic foundations of African-American hip-hop and their relation to Negro-African aesthetics, which differs fundamentally from the European aesthetic tradition.

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Yasa R, I. Gede Danan Segara, Ciptadi Trimarianto, and I. Wayan Kastawan. "Geo park Area Of Tourism Products and Information Center in Kintamani, Bali." Journal of A Sustainable Global South 5, no. 1 (February 28, 2021): 30. http://dx.doi.org/10.24843/jsgs.2021.v05.i01.p06.

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Tourism Information Center and Product Showcase is a place that functions to promote, inform and sell tourism prod-ucts in Kintamani.The function of this place is to inform the tourists who visit Batur Geopark so they can be more familiar with tourism products, which are divided into tourism products and goods products. Tourism products accommodated in this place are tourism object, tourism attraction, and service products, while for goods product accommodated are culinary products, handicrafts, and souvenirs. There are three important elements in designing: function, structure and aesthetic. From these elements, the aesthetic element is an element that distinguishes architecture from other design science. In order to achieve aesthetic element, there are 6 principles: (1) Unity, (2) Balance, (3) Proportion, (4) Scale, (5) Rhythm, and (6) Emphasis. In designing Information Center and Tourism Product Showcase of Batur Geopark in Kintamani the principles mentioned are applied to the building façade elements. Index Terms— information center and tourism product showcase, facade, aestheticsu

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McErlean, Jennifer. "Critical Principles and Emergence in Beardsley's Aesthetic Theory." Journal of Aesthetics and Art Criticism 48, no. 2 (1990): 153. http://dx.doi.org/10.2307/430905.

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Soley-Beltran, Patrícia. "Aesthetic (dis)orders: Styling principles in fashion modelling." Critical Studies in Fashion & Beauty 2, no. 1 (December 22, 2011): 185–205. http://dx.doi.org/10.1386/csfb.2.1-2.185_1.

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Manson, Paul N. "Book Review: Aesthetic Nasal Reconstruction Principles and Practice." Craniomaxillofacial Trauma & Reconstruction 11, no. 2 (June 2018): 83–84. http://dx.doi.org/10.1055/s-0038-1645865.

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MCERLEAN, JENNIFER. "Critical Principles and Emergence in Beardsley's Aesthetic Theory." Journal of Aesthetics and Art Criticism 48, no. 2 (March 1, 1990): 153–56. http://dx.doi.org/10.1111/1540_6245.jaac48.2.0153.

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Thorne, Charles H. "The Art of Aesthetic Surgery: Principles and Techniques." Plastic and Reconstructive Surgery 118, no. 1 (July 2006): 261. http://dx.doi.org/10.1097/01.prs.0000233175.98613.aa.

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Pawar, Sachin S. "Review of Aesthetic Nasal Reconstruction: Principles and Practice." JAMA Facial Plastic Surgery 20, no. 4 (July 2018): 341. http://dx.doi.org/10.1001/jamafacial.2018.0328.

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Ishii, Clyde H. "Aesthetic Plastic Surgery in Asians: Principles and Techniques." Aesthetic Surgery Journal 36, no. 8 (March 29, 2016): NP269—NP270. http://dx.doi.org/10.1093/asj/sjv249.

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Khoo, Chris. "The Art of Aesthetic Surgery: Principles and Techniques." Annals of The Royal College of Surgeons of England 89, no. 5 (July 2007): 558. http://dx.doi.org/10.1308/rcsann.2007.89.5.558a.

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Bannasch, Holger. "The art of aesthetic surgery – principles and techniques." Journal of Plastic, Reconstructive & Aesthetic Surgery 64, no. 10 (October 2011): 1396. http://dx.doi.org/10.1016/j.bjps.2011.05.029.

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Warren, Richard J. "The Art of Aesthetic Surgery: Principles and Techniques." Aesthetic Surgery Journal 41, no. 8 (April 24, 2021): NP1127—NP1128. http://dx.doi.org/10.1093/asj/sjab110.

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Prager, Welf. "Injektionstechnik, individuelle Physiologie und Charakteristika des Fillers - das A und O ästhetischer Behandlungen." Kompass Dermatologie 6, no. 2 (2018): 91–92. http://dx.doi.org/10.1159/000487791.

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Dermal filler and toxin injections have become the most frequently performed aesthetic procedures, offering patients rejuvenation and enhancement, with minimal downtime. The quality of the post-injection result and frequency of adverse events is related to the training, technical skill, and aesthetic and clinical judgment of the injector. Any provider performing injectable treatments should have a comprehensive understanding of facial aesthetics and facial anatomy, and how it is impacted by aging; as well as the available injectate capabilities and characteristics. They should be capable of skillfully employing injection techniques that minimize adverse events while maximizing success in achieving aesthetic goals. This chapter will review the anatomy and components of facial aging, the principles of facial aesthetics, the available injection techniques and their applications, as well as guidelines to avoid adverse events. Once an aesthetic practitioner has achieved a solid understanding of the available filler products, is able to accurately assess a patient and formulate a treatment plan, and then use a good technique to perform injections, patient satisfaction is assured.

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Darenskiy, V. Yu. "THEORETICAL AESTHETICS OF L. TOLSTOY AS A MANIFEST OF ANTI-MODERNISM." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (October 25, 2019): 805–11. http://dx.doi.org/10.35634/2412-9534-2019-29-5-805-811.

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The article is devoted to the interpretation of L. Tolstoy’s theoretical aesthetics as a part of the literary process - as a kind of “manifesto” directed against the emerging modernism (anti-traditionalism). The main components of L. Tolstoy’s aesthetic theory, which are interpreted as worldview principles that most effectively oppose the “death of art” (V. Weidle) in the “postmodern situation” and anti-artistic requirements of the “consumer society”, are considered. The aesthetic concept of L. Tolstoy is interpreted as a strategy to combat the imposition of perverted tastes and immorality in art. The main components of this theory and their interrelation are allocated. L. Tolstoy's aesthetics is considered as an important value basis of modern art education.

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Ternova, Maryna. "The Theoretical Potential of the R. G. Collingwood’s Principles of Arts: the Experience of Modern Interpretation." Culturology Ideas, no. 16 (2'2019) (2019): 72–80. http://dx.doi.org/10.37627/2311-9489-16-2019-2.72-80.

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The article, based on R. G. Collingwood’s monograph Principles of Art (1938), reconstructs the theoretical space of the English humanities of the time. It shows that in his work, R. G. Collingwood, a well-known English neo-Hegelian philosopher and historian of science, substantiated the aesthetic-psychological concept of art, which proved to be in line with modern philosophical and aesthetic-psychological search for scientists. The article highlights the most promising clauses on the psychological essence of art, which should be considered in the logic of attribution of modern theoretical models, and offers the author’s interpretation of Collingwood’s ideas, in the context of which the emphasis is placed on the role of English theorists in the development of interdisciplinarity as one of the cornerstones of cultural analysis. The research emphasizes the importance of historical and cultural traditions and actualizes their potential during the period of avant-garde formation. Concidering the theoretical ideas of R. G. Collingwood, the following aesthetic art problems are conceptualized: “psychic expression”, “sensuality” and “multiplicity of aesthetics”.

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Rejimon, P. K. "EXPLORING PHILOSOPHY OF ART IN INDIAN APPROACH." International Journal of Research -GRANTHAALAYAH 5, no. 9 (September 30, 2017): 217–23. http://dx.doi.org/10.29121/granthaalayah.v5.i9.2017.2234.

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Art is one of the cultural activities of man through which he reaches his ideas, values, feelings, aspirations and reactions to life. The generic purpose of art is to provide aesthetic experience and enjoyment to the recipient. Art give outlet to the artist himself to reveal and express his innermost aspirations, feelings, sentiments and also the impressions of life. Aesthetics, the branch of philosophy devoted to conceptual and theoretical enquiry into art. Philosophy of Indian art is concerned with the nature of art and the concepts in terms of which individual work of art interpreted and evaluated. It deals with most of the general principles of aesthetic cognition of the world through any human activity. The human concern for art and beauty had been expressed at the very beginning of philosophy both in the East and West and it continues to the present. In India, philosophy of art is designated as saundaryasastra, which is evolved with an emphasis on inducing special spiritual or philosophical states in the audience or with representing them symbolically. It deals with most of the general principles of aesthetic cognition of the world through any human activity. The human concern for art and beauty had been expressed at the very beginning. The rich tradition of Indian aesthetics can be traced back to the second century BC with Bharata’s Natyasastra, the foundation text on Saundaryasastra. Indian aesthetics is evolved with an emphasis on inducing special spiritual or philosophical states in the audience.

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Smirnov, A. I. "Physiological and psychological basis of aesthetics." Neurology Bulletin VII, no. 1 (November 25, 2020): 78–121. http://dx.doi.org/10.17816/nb49968.

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This essay will be devoted to the presentation of the aesthetic principles of painting, plastics and architecture. All these arts converge with each other mainly in the fact that they are the essence of visual art, that is, their works are perceived by the organ of vision and their aesthetic effects are given together with visual impressions. In the first issue, dedicated to the aesthetic principles of music, the general principles of grace and beauty were established and explained. We consider it not superfluous to formulate them again in a condensed form.

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Cerghizan, Diana, Tatiana Branasco, Isabella Cristina Brujbu, Vasilica Toma, and Cristina Iordache. "Restoration the Dent- stomato-facial Aesthetic Balance, a Target of Dental Therapy, Regardless the Patient`s Age." Revista de Chimie 68, no. 10 (November 15, 2017): 2358–62. http://dx.doi.org/10.37358/rc.17.10.5885.

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For centuries, literature and art have indicated that the smile has its own beauty and that it has an essential role in facial aesthetics. The principles associated with the discovered systems make it easier for the dentist to achieve superior aesthetics. The aesthetic and prosthetic importance of the teeth is substantial, which makes all the methods of treatment - essential. The smile is one of the expressions of the human face that influences our image and relationships with others. The self-confidence, the satisfaction of a pleasant appearance and the charisma of a jovial person conquer at first sight and categorically represent an asset. Dental cosmetics became more complex, much more an art than science; through it, each of us have the ability to change the appearance of the teeth. We can expect different recognition and appreciation abilities in terms of optimal dento-facial aesthetics by partial or total edentulous patients. The characteristic of dental-facial aesthetics are somewhat related to civilization, origin and geographical area. The restoration of the dental-somato-facial aesthetic balance represents a desideratum of dental therapy regardless of age. A good knowledge of the principles of evaluation of the dental and somato-facial aesthetic equilibrium as well as of the principles and individualized restoration methods can provide the dentist with success in the therapeutic approach. The study was conducted on a group of 71 patients, between 2015-2016, belonging to different social backgrounds and age categories. Treatments needed for the clinical situations in the investigated study lot were grouped into: two or more obturations (with the highest weight in the investigated clinical situations), followed step by step by: fixed prosthesis-microprosthesis or aggregation element, fixed prosthesis deck body; endodontic treatment; extractions. The need for treatment at the level of the frontal group is represented primarily by obturation, followed by conjunctions (unidirectional prostheses or aggregation elements). Extractions also occupy an important place.

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Dangra, Zishan, and Mahesh Gandhewar. "The Use of Newer High Translucency Zirconia in Aesthetic Zone." Case Reports in Dentistry 2014 (2014): 1–3. http://dx.doi.org/10.1155/2014/432714.

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Loss of anterior tooth causes aesthetic and functional disharmony. Although no restorative material can approach the appearance of intact tooth enamel, glass ceramic, at the increased risk of brittle fracture, can mimic original tooth color better than the other restorative options. The newest zirconia material comes with unparalleled individualization in aesthetics and optimal physical properties. One of the basic principles of tooth preparation is conservation of tooth structure. This clinical report describes the replacement of maxillary and mandibular incisor with latest generation zirconia adhesive fixed partial denture. The authors have achieved unmatched aesthetics with newer high translucency zirconia.

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Astafyeva, Olga N., and Natalia V. Kuzmina. "“Interesting” in the Aesthetic Landscape of the City." Observatory of Culture 15, no. 6 (December 28, 2018): 693–707. http://dx.doi.org/10.25281/2072-3156-2018-15-6-693-707.

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The article examines the aesthetic category of “interesting” as a dominant of urban environment development. The authors try to comprehend this category from the point of view of cultural knowledge. The article includes a theoretical section, where, basing on well-known concepts, the authors outline the principles of embedding the “interesting”, as something aesthetics and artistic, in the postmodern fabric of modern megacities. The analytical part of the article is based on specific examples represented by urban cultural landscapes, by the postmodern clash of art and non-art in urban space, by event communications and other forms of urban culture representation. The study resulted in designation of one of the main problems of modern cities: as a result of their excessive saturation with “interesting”, there can be observed a growing cultural and aesthetic insensitivity to the “interesting” among their citizens.From the methodological point of view, the study revealed that, in interpretation of modern phenomena of socio-cultural reality, it is not enough to proceed from the basic principles of a particular science. So, the interdisciplinary approach, as a methodological resource in demand today, allows revealing, by the example of the concept of “interesting”, the interconnection and interdependence of the methodological approaches of aesthetics and culturology for studying the cultural environment of modern cities.The authors analyze the “interesting” as an instrument of influencing on the cultural environment of the city and the perception of its text. As a result, the “interesting” intensifies the nonlinearity and fractality of urban space. On the example of Russian cities development, the article reveals that the formation of a new cultural environment is always connected not only with changing of artistic design solutions or/and aesthetics trends. The authors prove that the need for “interesting” widens the frames of the subject field of aesthetics. The “interesting” is moving to the center of interdisciplinary cultural studies.

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Vlasova, Irina, Yulia Ushanyova, and Sergey Pisarenko. "Professional competencies formation in the field of aesthetic artwork evaluation." E3S Web of Conferences 210 (2020): 22027. http://dx.doi.org/10.1051/e3sconf/202021022027.

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The purpose of the article is a brief description of the author’s method for solving the problem of professional competencies formation for students studying in art and adjoining specialties related to the ability to carry out aesthetic evaluation of artworks and independently conduct educating and educational activities. This problem is particularly relevant in modern conditions, which are characterized by high transmission speeds of a large amount of visual information. The methodology is based on a system of forming professional tools for students to conduct analytical work in the field of aesthetic evaluation of artworks. The development of this methodology was carried out in accordance with modern didactic principles, such as the principles of science, the relationship between theory and practice, as well as the principle of visibility. These principles were transmitted at various levels of the educational process organization. To collect information, we used such methods as analyzing literary sources on the research problem, conducting surveys of students and teachers, and analyzing modern resources for storing and distributing images, namely, author’s works of art. The educational technologies described in the article can be applied in the process of training specialists in the field of architecture, all types of visual design, painting, graphics, sculpture, as well as specialists in the field of art and correctional pedagogy, art therapy.

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Journal articles on the topic 'Aesthetic principles'

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