Relevant bibliographies by topics / Aeschylus Seven against Thebes

Academic literature on the topic 'Aeschylus Seven against Thebes'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Aeschylus Seven against Thebes"

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Liapis, Vayos J. "SEVEN TEXTUAL NOTES ON SEVEN AGAINST THEBES." Classical Quarterly 68, no. 1 (May 2018): 10–22. http://dx.doi.org/10.1017/s0009838818000137.

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The following notes concern textual problems in the prologue and parodos of Aeschylus’ Seven against Thebes. The text and apparatus criticus are based on those of M.L. West, Aeschylus: Tragoediae (Stuttgart and Leipzig, 1990; corrected edition, 1998).
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Berman, Daniel W. ""Seven-Gated" Thebes and Narrative Topography in Aeschylus' "Seven against Thebes"." Quaderni Urbinati di Cultura Classica 71, no. 2 (2002): 73. http://dx.doi.org/10.2307/20546732.

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Hubbard, Thomas K. "Tragic Preludes: Aeschylus "Seven against Thebes" 4-8." Phoenix 46, no. 4 (1992): 299. http://dx.doi.org/10.2307/1088619.

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Stehle. "Prayer and Curse in Aeschylus' "Seven against Thebes"." Classical Philology 100, no. 2 (2005): 101. http://dx.doi.org/10.2307/3488432.

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Pichugina, Victoria. "The shield as pedagogical tool in Aeschylus’ Seven Against Thebes." Hypothekai 4 (August 2020): 121–70. http://dx.doi.org/10.32880/2587-7127-2019-4-4-121-170.

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Lamari, Anna A. "Aeschylus’ Seven Against Thebes vs. Euripides’ Phoenissae: Male vs. Female Power." Wiener Studien 120 (2007): 5–24. http://dx.doi.org/10.1553/wst120s5.

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Goldhill, Simon, and Froma I. Zeitlin. "Under the Sign of the Shield: Semiotics and Aeschylus' Seven against Thebes." Phoenix 40, no. 4 (1986): 454. http://dx.doi.org/10.2307/1088173.

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Murnaghan, Sheila, and Froma I. Zeitlin. "Under the Sign of the Shield: Semiotics and Aeschylus' Seven against Thebes." Classical World 80, no. 4 (1987): 330. http://dx.doi.org/10.2307/4350057.

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LECH, MARCEL L. "A POSSIBLE DATE OF THE REVIVAL OF AESCHYLUS' THE SEVEN AGAINST THEBES." Classical Quarterly 58, no. 2 (December 2008): 661–64. http://dx.doi.org/10.1017/s0009838808000700.

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Mazor, Maayan. "AESCHYLUS, SEPTEM CONTRA THEBAS 780–7." Classical Quarterly 67, no. 1 (March 13, 2017): 287–90. http://dx.doi.org/10.1017/s0009838817000362.

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In a recent paper, M. Finkelberg has endorsed part of M.L. West's emendation of the fifth strophe of the second stasimon in Aeschylus’ Seven against Thebes (= Sept.). In her opinion, accepting West's emendation also allows adopting earlier emendations proposed by Schütz and Prien, leading to a better understanding of the passage. It is recalled that this is where the chorus relates the disasters that ensued from Oedipus’ discovery of the truth about his marriage. In the following short discussion, I intend to revisit and defend once again the reading, according to which the two acts mentioned in connection with Oedipus’ discovery are gouging out his eyes and casting a curse on his sons, and not murdering his father and bedding his mother.
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Dissertations / Theses on the topic "Aeschylus Seven against Thebes"

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Poli-Palladini, Letizia. "Studies on Aeschylus' 'Seven against Thebes'." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326948.

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Rader, Richard Evan Jr. "Shadows on the Son: Aeschylus, Genealogy, History." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1189987057.

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Correia, Beatriz Cristina de Paoli. "A adivinhação na tragédia de Ésquilo." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-18112015-112304/.

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Esta tese estuda a adivinhação nas sete tragédias supérstites de Ésquilo entendendo-se a adivinhação não no sentido estrito de revelação de fatos futuros, mas no sentido mais amplo de um diálogo que se estabelece entre as instâncias divina e humana valendo-se de formas e recursos variados. Assim, a análise e interpretação destas tragédias priorizam os diversos aspectos deste diálogo divinatório para mostrar a adivinhação como fundamento da construção de estratégias dramáticas na tragédia esquiliana, por informar e definir tanto a peculiaridade desta poética quanto sua visão do mundo.
This thesis studies divination in the seven surviving tragedies of Aeschylus. Divination is taken here not in the strict sense of revelation of future events, but in the broader sense of a dialogue that is established between divine and human levels through a variety of forms and resources. Thus, the analysis and interpretation of these tragedies prioritises the different aspects of this divinatory dialogue, in order to show that divination is the basis for constructing the dramatic strategies in the tragedies of Aeschylus, since it informs and defines both the particular features of this poetics and its view of the world.
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Mueller-Goldingen, Christian. "Untersuchungen zu den Phönissen des Euripides." Stuttgart : F. Steiner Verlag, 1985. http://catalogue.bnf.fr/ark:/12148/cb348331258.

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Criado, Cecilia. "La teología de la Tebaida Estaciana el anti-virgilianismo de un clasicista /." Hildesheim : Georg Olms Verlag, 2000. http://catalog.hathitrust.org/api/volumes/oclc/43944306.html.

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Almeida, Socorro Viana de. "Linguagem e simbologia em Ésquilo: um estudo sobre Persas e Sete contra Tebas." Doctoral thesis, 2018. http://hdl.handle.net/10316/79850.

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Tese de doutoramento em Estudos Clássicos, na especialidade de Poética e Hermenêutica, apresentada apresentada ao Departamento de Línguas, Literaturas e Culturas da Faculdade de Letras da Universidade de Coimbra.
A tese trabalha sobre as tragédias Persas (472 a. C.) e Sete contra Tebas (467 a.C.) de Ésquilo e procura elaborar uma análise da linguagem e do simbolismo em ambas a partir das categorias fenomenológicas peirceanas. Em concreto, estuda os modos de representação do símbolo e do símbolo-metáfora – que se inscrevem na terceiridade – e suas presenças no interior da tríade semiótica – na forma de objeto imediato do signo –, as quais provocam na mente o reconhecimento das normas estabelecidas pelo uso comum desenvolvido por convenção e hábito. A partir dessa abordagem verifica-se que o modo como a informação se apresenta no símbolo, a um nível maior de semioticidade, em estado de terceiridade, permite um processo de semioses ilimitadas.
The thesis works upon the tragedies Persians (472 BC) and Seven Against Thebes (467 BC) of Aeschylus and aims to establish an analysis of the language and symbolism in both of them from the perspective of Peirce’s phenomenological categories. Exemplary, it studies the means of representation of the symbol and the symbol-metaphor (both inscribed in the thirdness) and their presence in the semiotic triad (in the shape of the immediate object), which cause in human mind the acknowledgment of the rules established by common use, i.e., by convention and habit. From this one realises how information is present in the symbol, at a major level of semiotic theory (thirdness), thus enabling an unlimited semiotic process.
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Books on the topic "Aeschylus Seven against Thebes"

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Torrance, Isabelle. Aeschylus: Seven against Thebes. London: Duckworth, 2007.

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Myth and culture in Aeschylus' Seven against Thebes. Roma: Edizioni dell'Ateneo, 2007.

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Under the sign of the shield: Semiotics and Aeschylus' Seven against Thebes. 2nd ed. Lanham, Md: Lexington Books, 2009.

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4

Aeschylus. Aeschylus I: The Persians, The Seven Against Thebes, The Suppliant Maidens, Prometheus Bound. Chicago: The University of Chicago Press, 2013.

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5

Aeschylus. Aeschyli Septem contra Thebas. Stutgardiae: In aedibus B.G. Teubneri, 1992.

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Aeschylus. Aeschylus. Philadelphia: University of Pennsylvania Press, 1998.

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Aeschylus. Aeschylus: The complete plays. Hanover, NH: Smith and Kraus, 2002.

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Aeschylus. Seven against Thebes. Wauconda, IL: Bolchazy-Carducci, 1996.

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9

Aeschylus. Seven against Thebes. Oxford: Clarendon, 1994.

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Aeschylus. Seven against Thebes. New York: Oxford University Press, 1991.

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Book chapters on the topic "Aeschylus Seven against Thebes"

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Edmunds, Lowell. "Eteocles and Thebes in Aeschylus’ Seven against Thebes." In Aeschylus and War, 91–113. Abingdon, Oxon : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315559841-6.

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Griffith, Mark. "The music of war in Aeschylus’ Seven against Thebes." In Aeschylus and War, 114–49. Abingdon, Oxon : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315559841-7.

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Aeschylus, _. "Seven against Thebes." In Aeschylus: Seven Against Thebes, edited by G. O. Hutchinson, 1–220. Oxford University Press, 1994. http://dx.doi.org/10.1093/oseo/instance.00174939.

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"Seven against Thebes." In The Plays of Aeschylus. Bloomsbury Academic, 2010. http://dx.doi.org/10.5040/9781474233309.0007.

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Aeschylus, _. "Seven against Thebes." In Oxford World's Classics: Aeschylus: Persians and Other Plays, edited by Christopher Collard, 33–161. Oxford University Press, 2009. http://dx.doi.org/10.1093/oseo/instance.00175107.

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"Early Tragedy: Aeschylus’ Seven Against Thebes." In Classical Greek Tragedy. Methuen Drama, 2022. http://dx.doi.org/10.5040/9781350144606.ch-2.

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"Chapter Two. Septem (The Seven against Thebes) and its trilogy." In Aeschylus. Toronto: University of Toronto Press, 1996. http://dx.doi.org/10.3138/9781442664678-003.

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Hopkins, Gerard Manley. "M.III.2 Notes on Aeschylus, Seven Against Thebes." In The Collected Works of Gerard Manley Hopkins, edited by R. K. R. Thornton and Melinda Creech. Oxford University Press, 2021. http://dx.doi.org/10.1093/oseo/instance.00280176.

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"Vocal Tools Pythian 12, Olympian 13, Seven Against Thebes." In Theatrical Reenactment in Pindar and Aeschylus, 98–160. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108693820.004.

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Gianvittorio-Ungar, Laura. "Dancing the War Report in Aeschylus’ Seven against Thebes." In Experience, Narrative, and Criticism in Ancient Greece, 235–51. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848295.003.0012.

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This chapter reconsiders in its theatrical and narrative-related implications a testimony by Athenaeus (1,22 A), according to whom, at some point in Seven against Thebes, a dancer called Telestes danced the events so skilfully as to make them manifest. Departing from previous views on the subject, the chapter argues that, in Seven, the most suitable moment for Telestes’ dance to take place was not during the spoken lines of the Redepaare but during the lyric parodos, and that therefore Telestes did not perform a pantomime but in all likelihood a war dance. Accordingly, the parodos would consist of two interplaying dances. One was the solo war dance by Telestes, which made visible on stage the military manoeuvres of the Argives beyond the city walls. The other was the choral song and dance of the Theban maidens, who, while expressing the terror of the attacked, also described the siege with visual details and as a real-life experience. By assuming that the lyric parodos was accompanied by a war dance, we gain a new understanding not only of the chorus’ claims to see what is going on beyond the city walls, but also of the classical sources describing Seven as a drama which left the spectators with a craving for fighting.
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