Dissertations / Theses on the topic 'Adventure fiction'
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Buckles, Mary Ann. "Interactive fiction : the computer storygame adventure /." Diss., Connect to 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1985. http://wwwlib.umi.com/cr/ucsd/fullcit?p8517895.
Full textDindar, Samima. "Alexandre goes south: A novel – and – An essay, ‘The modern adventure novel’." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/2008.
Full textParrott, Deborah, and Reneé C. Lyons. "Adventure Driven Non-Fiction Spawns Reading and Scientific Learning." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2374.
Full textMolino, Nicolene Chloe. "Dog wars : a Victorian steampunk adventure." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001815.
Full textHayes, Timothy Scott McGowan John. "Stories of things remote replacing the self in 19th-century adventure fiction /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1464.
Full textTitle from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.
Puncekar, Alex J. "The Bright Garden." Youngstown State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1495189855840834.
Full textWagenaar, Peter Simon. "The shadowed corners of sunlit ruins: Gothic elements in twentieth century children's adventure fiction." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002293.
Full textStringam, Jean. "Canadian short adventure fiction in periodicals for adolescents, Canada, England, the United States, 1847-1914." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/NQ34842.pdf.
Full textBertini, Federica <1989>. "Manliness and Masculinity in Victorian Fiction for Boys: the School Story and the Adventure Story." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7834.
Full textBube, June Johnson. ""No true woman" : conflicted female subjectivities in women's popular 19th-century western adventure tales /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/9508.
Full textCupitt, Catherine Anne. "Space opera: a hybrid form of science fiction and fantasy." Thesis, Curtin University, 2004. http://hdl.handle.net/20.500.11937/1082.
Full textHaunstetter, Denise. "Digitally Implemented Interactive Fiction: Systematic Development and Validation of “Mole, P.I.”, a Multimedia Adventure for Third Grade Readers." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002409.
Full textFleetwood, Carolyn. "Imarill of the star : an illustrated children's novel." Honors in the Major Thesis, University of Central Florida, 2002. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/273.
Full textBachelors
Arts and Sciences
Liberal Arts
Karlin, Adam. "Undertow." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2613.
Full textDewald, John. "Tweedle-Dee and Tweedle-Dum." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1631.
Full textMarinho, Alcyane. "As diferentes interfaces da aventura na natureza : reflexões sobre a sociabilidade na vida contemporanea." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/275255.
Full textTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação Fisica
Made available in DSpace on 2018-08-07T22:31:52Z (GMT). No. of bitstreams: 1 Marinho_Alcyane_D.pdf: 10179750 bytes, checksum: 229cce75f16e3c4123c58203d0d01e34 (MD5) Previous issue date: 2006
Resumo: O lazer está sendo entendido como um interessante ponto de partida para aguçar a compreensão das mais variadas relações que se estabelecem entre os seres humanos, desde que não seja considerado de forma isolada, mas em profunda conexão com outras esferas da vida humana. O surgimento de novas tecnologias, criadoras de novas possibilidades no lazer, conduzem-nos a um repensar sobre os significados de proximidade, distância, individualidade, sociabilidade, mobilidade, errância, realidade, ficção, meio ambiente e aventura. Nesta perspectiva, o objetivo deste estudo é investigar a idéia de aventura inserida nas atividades realizadas na natureza, refletindo por que este é um termo tão utilizado na contemporaneidade. Esta pesquisa refere-se a uma investigação na área de estudos do lazer, a qual privilegia o enfoque da "razão sensível", enfatizando uma sinergia entre a razão e o sensível, no sentido de potencializar o afeto e o emocional a se tomarem ferramentas metodológicas servindo à reflexão epistemológica e auxiliando na compreensão dos múltiplos fenômenos sociais. Portanto, este estudo constitui-se em uma pesquisa qualitativa, cuja abordagem trabalha com um universo de motivos, aspirações, valores, crenças e atitudes, correspondendo a um espaço mais profundo dos processos, relações e fenômenos, os quais não podem ser reduzidos à operacionalização de variáveis. As fundamentações conceituais sobre a temática abordada foram buscadas, principalmente,junto à Sociologia, Educação Física e Antropologia, áreas estas as quais, conjuntamente, contribuem e sustentam as discussões estabelecidas. Este estudo foi desenvolvido concomitantemente por meio de duas pesquisas complementares: bibliográfica e de campo. Por meio da pesquisa de campo, baseada em dois instrumentos (entrevista semi-estruturada e observação participante) foram investigados: os motivos que fazem as pessoas se deslocarem para ir ao encontro das atividades de aventura na natureza; bem como, seus gostos, comportamentos, valores, etc; as formas de envolvimento dos praticantes com tais práticas e como se dá a interação entre os grupos de praticantes; como se estabelecem as relações das atividades de aventura na natureza com o cotidiano urbano, no trabalho, na família, etc. Todas estas investigações estão atreladas ao interesse principal: como os praticantes percebem a aventura e a natureza. O fio condutor deste trabalho é o levantamento de elementos que, possivelmente, estão presentes nas atividades investigadas para que sejam consideradas aventuras pelos praticantes. ... Observação: O resumo, na íntegra, poderá ser visualizado no texto completo da tese digital
Abstract: Leisure has been understood as an interesting starting point to enhance comprehension of most varied relationships among human beings, provided that it is not considered in an isolated way, but in deep relation with other sectors of human life. New technologies create new possibilities of leisure, and lead us to rethink about the meanings of proximity, distance, individuality, sociability, mobility, errantry, reality, fiction, enviromnent and adventure. In this perspective, the purpose of this essay is to investigate the idea of adventure found in activities performed in nature, and to reflect why this is a term so used in contemporary life. This research refers to an investigation in the area of leisure studies, which privileges the focus on the "sensitive reason", emphasizing a synergy between reason and sensitiveness, in the sense of making affection and emotion to be used as methodological tools for epistemological reflection and helping in the understanding of the multiple social phenomena. Therefore, this essay is constituted by a qualitative research, which approaches an universe of reasons, aspirations, values, faiths and attitudes, corresponding to a deeper space of processes, relations and phenomena, which cannot be reduced to the operation of variables. The conceptual basis of the theme was found mainly in Sociology, Physical Education and Anthropology; those areas jointly contribute and support the discussions. This study was developed concurrent1y through two complementary researches: bibliographical and field research. Through the field research, which was based in two instruments (semi-structured interview and participant observation), the following was investigated: the reasons why people go to adventure activities in the nature; people's tastes, behaviors, values, etc; the forms of involvement of participants with such practices and how the interaction among the groups of participants occurs; how adventure activities in nature relates to the urban life, to work, family, etc. All those investigations relate to the main interest: how participants realize adventure and nature. The mainstream of this essay is to research elements that possibly are present in the investigated activities so that they are considered adventure by the participants. ... Note: The complete abstract is available with the full electronic digital thesis or dissertations
Doutorado
Estudos do Lazer
Doutor em Educação Física
Magnuson, Markus Amalthea. "The Dig : De grafiska äventyrsspelen som flyktigt medium." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-179044.
Full textFarouk, May. "Les Tribulations de la fiction chez Jean Echenoz : le retour du roman d'aventures : formes et enjeux contemporains." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030128.
Full textSince 1980, the literary scene in France has witnessed a revival of romance once made obsolete by the New Novel (Nouveau Roman). Realistic, social, musical, crime, spy and adventure fiction has thus sprung up again. The current study examines and questions the problematic of “return” especially the return of adventure fiction in the very representative work of Jean Echenoz. Thought reviving a classical genre, the author does not shy away from modifying and remodeling that genre’s configurations and issues. Thus, this survey elaborates a poetic of the postmodern fiction of adventures, revisiting a traditional genre to extract contemporary forms and issues, so to speak. But from a broader perspective, the study underscores the tribulations of Echenoz’s fiction, work which does not mind to collapse plots, oscillate from one genre to another or sway between two space-times, at the risk of presenting itself in a turbulent mode of writing confounding the reader - who fells helpless in the face of the unbridled audacity of the author and his narrative perturbations
Habel, Chad Sean, and chad habel@gmail com. "Ancestral Narratives in History and Fiction: Transforming Identities." Flinders University. Humanities, 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071108.133216.
Full textSchmidl, Helen. "Från vildmark till grön ängel : Receptionsanalyser av läsning i åttonde klass." Doctoral thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8538.
Full textBroadhurst, Kieron. "Adventures in the Irreal: Science Fiction, Utopia and Contemporary Art Practice." Thesis, Curtin University, 2020. http://hdl.handle.net/20.500.11937/81387.
Full textZadworna-Fjellestad, Danuta. "Alice's adventures in wonderland and Gravity's rainbow a study in duplex fiction /." Doctoral thesis, Stockholm, Sweden : Almqvist & Wiksell International, 1986. http://books.google.com/books?id=Q5laAAAAMAAJ.
Full textForss, Christoffer. "Alice's Adventures in Wonderland : A Feminist Bildungsroman." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27301.
Full textBarreiro, Idegar Alves. "O narrador e a presença da sátira menipéia em "The adventures of Tom Sawyer" /." Assis : [s.n.], 2007. http://hdl.handle.net/11449/94122.
Full textBanca: Heloisa Helou Doca
Banca: Sérgio Augusto Zanoto
Resumo: Nossa pesquisa busca verificar a presença da sátira menipéia na obra The Adventures of Tom Sawyer de Mark Twain e discutir a atuação do narrador na mesma. É uma obra aparentemente elaborada para jovens, mas também tece críticas às normas pré-estabelecidas e abarca fantasia e humor inserindo-se nas características abordadas por Bakhtin. As raízes da sátira menipéia estão embasadas na carnavalização, a qual abriga um sentido ambivalente e se traduz em ritos cômicos e festejos populares de caráter não oficial. Com o filósofo Menipo de Gadara, século III a.C., a sátira menipéia adquire a forma clássica, mas foi com Marcus Terentius Varro ou Varrão (116-27 a.C.), filósofo romano, autor de Saturae Menipeae que utilizou o termo pela primeira vez. Fundamentamos nossa pesquisa em Bakhtin, o qual discorre sobre a carnavalização e aponta as características da menipéia. O humor e a sátira de Mark Twain resultam de seu intimo modo de pensar, imaginação e senso crítico os quais remetem à sua vivência e à cor local contabilizando um estilo claro, mas, profundo. O pensamento crítico do escritor pode ser notado desde as primeiras obras, exteriorizando-o no seu momento antiimperialista. Enfocamos alguns aspectos da sátira, da carnavalização literária e nos dedicamos ao estudo de As Aventuras de Tom Sawyer sob o viés da sátira menipéia.
Abstract: Our research deals with the menipeaen satire in the work The Adventures of Tom Sawyer by Mark Twain and discusses the narrator's performance in it. It is a work apparently elaborated for young readers, but it also criticizes the pre-established norms, and it embraces fantasy and humor with bases on the characteristics pointed out by Bakhtin. The roots of the menipeaen satire are based on the carnival, which shelters an ambivalent sense and it turns out to be comic rites and popular feasts of unofficial character. With the philosopher Menipo of Gadara, century III B.C., the menipeaen satire acquires the classic form, but it was with Marcus Terentius Varro (116-27 B.C.), roman philosopher, author of Saturae Menipeae that the term was used for the first time. We have based our research on Bakhtin , who talks about the carnival process and points out the characteristics of the menipeaen satire. Twain's humor and satire come from his deep way of thinking, imagination and critical sense; which convey to his experience and to local color computing a clear but deep style. The writer's critical thinking can be noticed from his first works, and it can be evidenced in his anti-imperialist moment. We have focused some aspects of the satire, of the literary carnival, and we have developed a study of The Adventures of Tom Sawyer under the point of view of menipeaen satire.
Mestre
Barreiro, Idegar Alves [UNESP]. "O narrador e a presença da sátira menipéia em The adventures of Tom Sawyer." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/94122.
Full textSecretaria da Educação
Nossa pesquisa busca verificar a presença da sátira menipéia na obra The Adventures of Tom Sawyer de Mark Twain e discutir a atuação do narrador na mesma. É uma obra aparentemente elaborada para jovens, mas também tece críticas às normas pré-estabelecidas e abarca fantasia e humor inserindo-se nas características abordadas por Bakhtin. As raízes da sátira menipéia estão embasadas na carnavalização, a qual abriga um sentido ambivalente e se traduz em ritos cômicos e festejos populares de caráter não oficial. Com o filósofo Menipo de Gadara, século III a.C., a sátira menipéia adquire a forma clássica, mas foi com Marcus Terentius Varro ou Varrão (116-27 a.C.), filósofo romano, autor de Saturae Menipeae que utilizou o termo pela primeira vez. Fundamentamos nossa pesquisa em Bakhtin, o qual discorre sobre a carnavalização e aponta as características da menipéia. O humor e a sátira de Mark Twain resultam de seu intimo modo de pensar, imaginação e senso crítico os quais remetem à sua vivência e à cor local contabilizando um estilo claro, mas, profundo. O pensamento crítico do escritor pode ser notado desde as primeiras obras, exteriorizando-o no seu momento antiimperialista. Enfocamos alguns aspectos da sátira, da carnavalização literária e nos dedicamos ao estudo de As Aventuras de Tom Sawyer sob o viés da sátira menipéia.
Our research deals with the menipeaen satire in the work The Adventures of Tom Sawyer by Mark Twain and discusses the narrator's performance in it. It is a work apparently elaborated for young readers, but it also criticizes the pre-established norms, and it embraces fantasy and humor with bases on the characteristics pointed out by Bakhtin. The roots of the menipeaen satire are based on the carnival, which shelters an ambivalent sense and it turns out to be comic rites and popular feasts of unofficial character. With the philosopher Menipo of Gadara, century III B.C., the menipeaen satire acquires the classic form, but it was with Marcus Terentius Varro (116-27 B.C.), roman philosopher, author of Saturae Menipeae that the term was used for the first time. We have based our research on Bakhtin , who talks about the carnival process and points out the characteristics of the menipeaen satire. Twain's humor and satire come from his deep way of thinking, imagination and critical sense; which convey to his experience and to local color computing a clear but deep style. The writer's critical thinking can be noticed from his first works, and it can be evidenced in his anti-imperialist moment. We have focused some aspects of the satire, of the literary carnival, and we have developed a study of The Adventures of Tom Sawyer under the point of view of menipeaen satire.
Lahtinen, Lauri. ""Humanity is Unnatural!" Feminisms and Science-Fiction Strategies in Joanna Russ’s The Female Man and The Adventures of Alyx." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23558.
Full textAtkinson, Adam Humanities & Social Sciences Australian Defence Force Academy UNSW. "The provocation of Saul Bellow : perfectionism and travel in The adventures of Augie March and Herzog." Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2007. http://handle.unsw.edu.au/1959.4/38676.
Full textMillet, Baudouin. ""Ceci n'est pas un roman" : l'évolution du statut de la fiction en Angleterre de 1652 à 1754." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/millet_b.
Full textThis dissertation explores the theoretical discourses and rhetorical devices used by writers to legitimate fiction at a time when it was considered immoral by moralists and despised by scholars. The use of such discourses and devices is found in titles, prefaces and throughout the narratives themselves ; they are employed to assert that the narratives contain moral truths or to assert their status as fact, thus rendering the narratives acceptable to the readership. The claim to authenticity is asserted by the figure of the narrator-as-witness, who guarantees the veracity of the facts relayed, and, from 1700 onwards, by that of the manuscript editor. Following the publication of Henry Fielding's Joseph Andrews in 1742, the fiction of the period begins to flaunt its own fictionality, marking the emergence of self-reflexive fiction
Dickason, Robert. "Les Adventures of Sherlock Holmes : étude narratologique et adaptations audiovisuelles." Rennes 2, 1994. http://www.theses.fr/1994REN20011.
Full textThe myth of Sherlock Hholmes is still growing. This phenomenon has its origins, in part, in the narrative technique of conan doyle which combines a commercial strategy covering plot, character, narrator and reader with literary devices typical of the detective story. Beyond the written text the myth is furthered by recent faithful radio and television adaptations of the adventures of Sherlock Holmes, the first series of twelve short stories
Olsson, Simon. "Äventyrsgenrens funktioner från fiktionsprosa till interaktiv fiktion : En intermedial jämförelse mellan fyra verk." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-39172.
Full textPalewska, Marie. "Un romancier d'aventures à la Belle Epoque : paul d'Ivoi (1856-1915) et ses "Voyages excentriques"." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030013.
Full textPublished in volumes between 1894 and 1917 by the former bookshop Furne, Paul d’Ivoi’s "Voyages Excentriques" made up a collection which was very much valued by the youth of the Edwardian Era.These adventure novels, in the tradition of Jules Verne, were highly representative of their time with plots deeply rooted in the political ideas pervading then. They were anxious to contribute to the patriotic and moral moulding of their readers and applied to support the colonial work of France while promoting the values of the French Republic and celebrating its influence all over the world. The action, which often deals with international diplomatic stakes, sends the characters abroad to meet other nationalities whose visions reflect their relationships with France, whether friendly or of conflict.However the "Voyages Excentriques" swing from reality into fiction using the various means that adventure novels, then at their peak, offered them. Exotism and scientific extravagance are the main themes, often accompanied with detective stories or spy fiction as secondary sorts. When writing his adventure novels, Paul d’Ivoi carefully paid attention to differentiating himself from his predecessors, asserting his own manner by inventing wonderful scientific gadgets or giving a preponderant role to women. His books were a great success at the turn of the 20th century as New Year’s gifts, school prizes, popular manuals or cheap serials which were adapted on stage or even in movies.He is most original in his dealing with eccentricity which is to be found all through his collection of Belle Epoque novels
Hannedouche, Cédric. "Construction et déconstruction d'un héros de roman policier du début du XXème siècle : les Aventures extraordinaires d'Arsène Lupin." Thesis, Artois, 2016. http://www.theses.fr/2016ARTO0009.
Full textThe simple evocation of Arsène Lupin causes the insurance of an entertainment carried out until its hilarious term. He opens in us the doors of imaginary pleasant, made historical mysteries, memorable wealths and adventures. At once the marked fabulous name that a silhouette emerges which approved us, that well-known of a merry, tempting and retributive burglar. A character above laws and of the roofs, out of commun run, critical and whose multiple adventures pose the stones founders of an art nouveau in literature. Appeared for the first time in 1905, within the magazine I know all, the gentleman-burglar knew, since, remarkable and incomparable longevity. Since, the character of Arsène Lupin does not cease fascinating and fertilizing the imagination of his readers until phagocytosing the name even of his creator. Maurice Leblanc is then a name which falls into the lapse of memory while that of Arsène Lupin acquires on his side a certain autonomy. Throughout their multiple publications, the extraordinary adventures of Arsène Lupin deploy a range of texts particularly favourable with new generic and aesthetic explorations, an experimental and fundamental tank with the development of a new reflection on the detective novel in France
Ghosh, Arundhati. "From Holmes to Sherlock: Confession, Surveillance, and the Detective." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1376495997.
Full textPlatero, Vázquez Carmen. "Objetos mágicos: los objetos como transformadores de la Subjetividad virtual en la creación de aventuras interactivas en sistemas de realidad mixta." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/352714.
Full textWithin the context of interactive systems that generate stimuli in real time, we are searching for new forms of communication in adventure fiction that may improve user experience. To this end, we have taken from Narratology, archetypal objects that one may identify as “magic”, the uses and properties of which often provide powers and potential to the protagonists of stories to evolve into heroes and open a door to the world of adventure. These everyday objects, taken from stories and converted into tangible objects, allow the user, within an interactive experience, to have a “natural” interaction that encourages discovering new potential through action, while guiding and involving her in the adventure and transforming her into the protagonist of the fiction experience. The Virtual Subjectiveness, as an interaction design model, provides the user with coherent point of view that is transformed along the journey by the use of these special objects. This conforms an original view on everyday objects as narrative engines within real time generated experiences. A guide for interaction design and a renewed model of interaction based on specifications of the medium provide designers and authors with analytic and production tools for creating interactive experiences into the same framework.
Kampf, Raymond William. "Fauxtopia." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/749.
Full textLong, Kim Martin. "The American Eve: Gender, Tragedy, and the American Dream." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277633/.
Full textRao, Giridhar A. "Beyond the sense of wonder science fiction as adventure fiction." Thesis, 1994. http://hdl.handle.net/2009/1255.
Full textCHEN, YI-PING, and 陳意平. "A Study on the Writing of Adventure Fiction of Formosa." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/f7vm8a.
Full text國立臺中教育大學
語文教育學系碩博士班
104
The geographical location of Taiwan is unique, which many different groups of immigrants lived in Taiwan for centuries. These groups’ cultures play important roles in Taiwan’s history. and deserves to be known and cherished. There are eleven books of “Adventure Fiction of Formosa”. The whole series of stories are in the background of the Taiwan’s history and culture. The writers re-explain the meanings of history and culture on the aspects of literacy by infusing the elements of reality and fantasy into the stories. Books of “Adventure Fiction of Formosa” are good reading materials,hence they could be seemed as a medium between Taiwan’s history and culture with juvenile readers. This study aims to resaerch the writing features and the meanings of “Adventure Fiction of Formosa” from the juvenile fiction point of view. The study is divided into five chapters: The first chapter is general introduction which described the structure of the study, including the research motivations, research purposes, literature review, research structure, research method and limitations, as well as the introduction of the research texts. Chapter 2 to chapter 4 are the main bodies of this study. The Chapter 2 probes into the arrangement of story space-time background. The Chapter 3 analyzes the elements of fantasy in the texts. The chapter 4 studies the theme implications conveyed in the fictions. The conclusions are disclosed in Chapter 5. On the aspect of writing features, this series of books collect a large number of history and culture materials of Taiwan and have a great success in the connection of reality and fantasy elements. Moreover, the themes of this series of books are diverse and abundant. Therefore, it will be a new writing style of Taiwan’s native juvenile fiction. On the aspect of educational meanings, the writing of “Adventure Fiction of Formosa” is conducive to help self-development and can cultivate interpersonal relationship of juvenile readers. Besides, it would be a power in developing multicultural education.
Roberts, James. "The ludic mode of Pangamonium: an exegesis on the novel: ' Pangamonium '." Thesis, 2007. http://hdl.handle.net/2440/37899.
Full textThesis (Ph.D.) - School of Humanities, 2007.
Roberts, James. "The ludic mode of Pangamonium: an exegesis on the novel: ' Pangamonium '." 2007. http://hdl.handle.net/2440/37899.
Full textThesis (Ph.D.) - School of Humanities, 2007.
Chigidi, Willie L. "A study of Shona war fiction : the writer's perspectives." Thesis, 2009. http://hdl.handle.net/10500/3118.
Full textAfrican Languages
D.Litt. et Phil.
Robertson, Janice. "At the crossing-places: representations of masculinity in selected 21st century children's texts." Thesis, 2019. http://hdl.handle.net/10500/26205.
Full textLinguistics and Modern Languages
Tremblay, Étienne. "La vraisemblance historique dans le roman Nicolas Perrot de Georges Boucher de Boucherville." Thesis, 2019. http://hdl.handle.net/1866/23948.
Full textNicolas Perrot ou les coureurs des bois sous la domination française (1889) is a novel about the life of a coureur de bois (french fur trader) during the New France era (around 1669). The author Georges Boucher de Boucherville is well known for his novel Une de perdue, deux de trouvées, but the work studied here has been long forgotten before it was first published in a single tome in 1996. As with every historical novel, readers have to inquire into the relationship the author has with historical truths. This master’s thesis focuses on the authenticity of the information contained in the novel. The analysis is based on research on the author and his work, the literary context and the two relevant periods (New France and nineteenth-century Quebec). Following these inquiries, we analyse the novel (guided by modern day ethnology) and come to the conclusion that Boucherville’s work deviates from the clichés usually associated with coureurs de bois and indigenous people.
Trauvitch, Rhona. "Adventures in fictionality: Sites along the border between fiction and reality." 2013. https://scholarworks.umass.edu/dissertations/AAI3589200.
Full textGoebel, Luke B. "The Adventures of Eagle Feather: A Collection of Stories." 2010. https://scholarworks.umass.edu/theses/530.
Full textTremblay, Chantale. "La reconstruction "moldue" d'un "wonderland" : comment la magie de la lecture opère-t-elle?" Mémoire, 2011. http://www.archipel.uqam.ca/4081/1/M11927.pdf.
Full textPotter, Mary-Anne. "The worlds between, above and below : "growing up" and "falling down" in Alice in Wonderland and Stardust." Diss., 2012. http://hdl.handle.net/10500/11870.
Full textEnglish Studies
M.A. (English)