Dissertations / Theses on the topic 'Adultery in literature'
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Radwin, Ariella Michal. "Adultery and the marriage metaphor rabbinic readings of Sotah /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383469791&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textBruce, Joel C. "The judicial process for suspected adultery in Israel and the ancient Near East." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Full textHarper, April. "Images of adultery in twelfth and thirteenth-century Old French literature." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14654.
Full textLeckie, Barbara. "Infidelity, the novel, and the law." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74644.
Full textBratten, Joanna K. "Representations of adultery and regeneration in selected novels of Ford, Lawrence, Waugh and Greene." Thesis, University of St Andrews, 2002. http://hdl.handle.net/10023/6723.
Full textVillegas, Megan A. "Last Rites." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1212086186.
Full textMastrogianakos, John. "The role-within-the-role : two Pirandellian novellas and their dramatic adaptation." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68118.
Full textSince all Pirandellian characters role-play, and as a consequence portray and assume multiple identities, this thesis examines the function and significance of this technique in both narrative and theatrical contexts. It attempts to show that while the device is a feature common to all three works, it is in the dramatic adaptation that role-playing in relation to identity acquires its more visible and effective treatment.
Turner, David Martin. "Representations of adultery in England c.1660-c.1740 : a study of changing perceptions of martial infidelity in conduct literature, drama, trial publications and the records of the court of Arches." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284946.
Full textSkipper, Jason E. "The Origins of a Circle." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1077306765.
Full textCruz, Tatiana Nunes da. "A mulher em dois tempos: o adultério feminino e algumas questões de gênero em A cartomante e em A dama do lotação." Centro de Ensino Superior de Juiz de Fora (CES/JF), 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/6761.
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PROQUALI (UFJF)
O presente trabalho dissertativo tem por finalidade demonstrar de que forma a temática do adultério feminino – abordada nos contos A cartomante, de Machado de Assis, e A dama do lotação, de Nelson Rodrigues – aponta para a metamorfose do discurso identitário feminino no decurso de aproximadamente um século, descortinando a influência das mudanças próprias da evolução da sociedade (tanto no âmbito jurídico, como no campo da moral e dos costumes) na ficção literária trazida a efeito pelos autores nos referidos contos. Em decorrência da riqueza temática do corpus literário elegido para análise nesta pesquisa, e no intuito de investigar a evolução do discurso identitário feminino em relação ao histórico do crime de adultério no ordenamento jurídico pátrio, desponta a necessidade de utilização de um referencial teórico interdisciplinar para subsidiar as reflexões concernentes ao processo de construção/transformação da identidade feminina, ao adultério (em especial o praticado pela mulher) e à relação entre o Direito e a Literatura. A partir de tais reflexões, fundamentadas no aporte teórico de autores como Antonio Candido, Arnaldo Sampaio Moraes de Godoy, Michel Foucault, e Simone de Beauvoir, dentre outros, pretende-se demonstrar que as escritas empreendidas por Machado de Assis e por Nelson Rodrigues em A cartomante e A dama do lotação, respectivamente, sugerem certa consonância com os panoramas social e jurídico em vigor no Brasil nos diferentes períodos em que os textos foram produzidos. Finalmente, mediante a análise das tramas desenvolvidas no corpus literário em questão, busca-se, ainda, explorar a factível ideia de que o processo inventivo de seus autores terá sido influenciado pelo olhar social lançado à figura da mulher, no passado subordinada à dominação masculina e hoje potencialmente mais liberta e independente.
This paper aims to demonstrate how the female adultery issue, that appears in the tales: A Cartomante, by Machado de Assis, and A dama do Lotação, by Nelson Rodrigues – reveals the transformation of the female identity discourse during almost a century, showing that the authors’ tales were influenced by the society changing and evolution, both in the legal and in the moral and manners field. Due to the richness theme of each tale and in order to analyze the evolution of the female identity discourse related to the historical adultery crime on Brazilian legal System, it was observed an interdisciplinary theoretical framework to guide reflections on aspects related to the female identity construction/transformation; adultery (mainly those committed by women) and the relationship between law and literature. Based on these reflections, supported by the work of several authors like Antonio Candido, Arnaldo Sampaio Moraes de Godoy, Michel Foucault, Simone de Beauvoir, among others; the paper aims to demonstrate that the literary works developed by Machado de Assis and Nelson Rodrigues in A Cartomante and A dama do lotação, respectively, suggest a certain level of conformity with the social and legal context established in Brazil at the time the texts were produced. Finally, analyzing the plots developed in the literary corpus under consideration, it is possible to explore the perfectly feasible idea that the authors creative process have been influenced by the way the society looked at the woman – in the past subjected to male domination and now potentially more independent and free.
Castro, Eliana de. "Religião e romantismo: o adultério de Anna Kariênina à luz da teoria romântica da paixão." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21428.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This research intends to analyze the novel Anna Kariênina, by the Russian writer Liev Tolstoy, in the light of Romanticism and orthodox Christianity, specifically the question of adultery and romantic love, which ends up leading the protagonist to suicide. We deal with the importance of literature since the earliest times, especially how through literature it is possible to get in touch with the religious customs of a nation, that is, their worldview. We create a panorama of the romantic movement and its influence in literature, just as we present the new way of seeing and living the religion that has been given by the historical romantics; beyond, of course, the very conception of romantic love, which dates back to this period. We observe Tolstoy as a religious agent, passing through his main body of work, thus arriving at the question of the desire that, in the end, closes the research in a detailed analysis of the work, which certainly serves the whole theoretical path.
Esta pesquisa pretende analisar o romance Anna Kariênina, do escritor russo Liev Tolstói, à luz do Romantismo e do cristianismo ortodoxo, especificamente a questão do adultério e do amor romântico, o que acaba por levar a protagonista ao suicídio. Tratamos a importância da literatura desde os tempos mais remotos, principalmente como por meio da literatura é possível entrar em contato com os costumes religiosos de um povo, ou seja, sua cosmovisão. Tecemos um panorama do movimento romântico e sua influência na literatura, da mesma forma como apresentamos a nova maneira de ver e viver a religião que se deu a partir dos românticos históricos; além, claro, da própria concepção de amor romântico, que data desse período. Observamos Tolstói como um agente religioso, perpassando suas principais obras, chegando assim na questão do desejo que, por fim, encerra a pesquisa numa análise detalhada da obra, que se serve, certamente, de todo o caminho teórico percorrido.
Bundy, Christopher. "Big in Japan the novel /." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/english_diss/41/.
Full textTitle from title page (Digital Archive@GSU, viewed July 22, 2010) Sheri Joseph, committee chair; John Holman, Josh Russell, committee members. Includes bibliographical references (p. 38).
Blanchin, Julie. "Représentation de l’adultère à l’époque classique dans les contes licencieux de La Fontaine." Thesis, Högskolan Dalarna, Institutionen för språk, litteratur och lärande, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-38102.
Full textThis literary study examines sexual transgression through adultery, in the work Des contes et nouvelles en vers written by La Fontaine between 1665 and 1671, published by Claude Barbin until 1671. These erotic tales describe through the satirical character of the author, the extra-marital relations of both sexes in a grizzly and moralizing tone. La Fontaine was meticulously inspired by the parts of the literature of Boccaccio's Decameron and Ariosta in rewriting these tales. After the last publication Of Tales and News in Verse the work is seized and then banned in 1675 by La Reynie considered too provocative. The work of La Fontaine is opposed by its content to the conveniences of the time. In this the author's text could be considered libertine. The characters represent different social bodies and are the subject of taunts and caricatures. Here the study describes, for example, how the texts present scandalous subjects in a hidden way. The opposition between the role, the status, the social condition and the desire of the desire of each character of the tales are presented in the characters both male and female. Our analysis explores the representation of female characters and their relationship to adultery through the eyes of male characters and that of the author. The study is based on historical research and takes into account the hierarchical system of the characters and the social status of the woman in the role of wife. The satirical style of La Fontaine is characterized by the desire to criticize the social mores of a specific period of history, that of the seventeenth century. The analysis studies two aspects: that of the sexual transgression of the woman and that of the objectification look on her. The study examines whether this transgression can be correlated with a societal debate over the definition of marriage at the time.
Glaumaud-Carbonnier, Marion. "Quereller l'azur. Lignes et figures du divorce dans le récit français (1870-1905)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA150.
Full textDivorce as an object of literary study, the proposal may surprise. The distinctiveness of fields and areas of research requires that a choice be made to study the question from a historical, political, legal, social or moral point of view. Literature, however, is never even considered. In 1884, the rehabilitation of divorce in French legislation was the result of an unusual combination of politics and literature. From the editorials and columns of the newspapers, in essays and in books, the narration of matrimonial misfortunes of men and women caught strangled by the law, wrestling against a civil inevitability that constrains their private and conjugal life, clamors for un-marriage. While the ties between literature and the claims for legal disunion are secular, linked in the works of George Sand, the battle of pens fighting against the indissolubility of marriage will significantly change the thinking of engaged literature and encourage a reasoning on the role of the writer, his relation to the law, and to demonstrate the power of literature on morals and the drafting of legislation.As a valuable analytical tool to understand the intellectual, literary and narrative aspects of the beginnings of the Third Republic, the un-marriage topic can be used to study the representation of conjugality in the French narrative of the end of the 19th century. Henceforth legal, divorce in fact transforms the imagination of literature on private morals and inaugurates new narrative situations: the encounter with the former husband, the jealousy of the new husband, the second wedding night, and the sexual past of the woman, all soon become common practice in the literary genre. The promulgation of divorce nevertheless rudely tests French narrative customs: by offering a solution to stories of adultery, divorce breaks a secular narrative model, and obliges literature to rethink its fatalities and its forms
Shahbaz, Pegah. "Les récits persans en prose en Inde : exemple : Touti-Nâme." Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC030.
Full textThe present research aims to introduce a collection of Persian traditional narratives, either translated from Indian sources, or written and composed directly into Persian language in the sub-continent. Our focus has been on prose narratives which hold multiple specificities borrowed from Indian tradition and culture, and are enriched by fabulous and imaginary narrative elements. Such specificities appear in diverse aspects : the frame structure of the stories, the leading themes and the typical Indian characters. These stories are presented in detail by providing information about their authors / translators, date and place of composition, themes, original sources, available manuscripts and other references.The current research is also an endeavor to practice and develop symbolic perception in classical stories. Touti-Nâme, chosen as our target text, demonstrates social life, conjugal relationships and power-struggle in both individual and social contexts. The dominant themes of women’s guiles and tricks, love and law conflict, dream and laughter have been examined through mythical and symbolic approaches. Women characters and birds such as parrots have gone through profound studies due to their predominant roles within the tales. I have also tried to study psychological aspects of story characters and their role in the events by means of the Jungian psychoanalytical approach. Concrete examples of gender authority and power-games in traditional patriarchal societies have been given in Touti-Nâme
Ouakaoui, Noussayba. "Figures du couple dans l'oeuvre de Jean Giraudoux." Phd thesis, Université Blaise Pascal - Clermont-Ferrand II, 2013. http://tel.archives-ouvertes.fr/tel-01065695.
Full textByington, Danielle N. "“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” & HAUNCHEBONES." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/291.
Full textGrosbusch, Lisa. ""Of course I love you, the flower said" Creation of a visual, fantastic and immersive installation based on classic literature for children." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/30254/30254.pdf.
Full textThe following text is a reflection on the creation and theory behind my master’s project titled ‘Of course I love you, the flower said’. This installation, based on classic literature for children, is composed of various elements such as distinct cabins and the environment around them and aims to entirely transform the gallery space in order to create a possibility of immersion for the viewer. The installation itself is of the order of the imaginative and the fantastic and has a starting point in the child-adult duality. Each cabin features a different type of art on the inside, namely a surplus of drawings, a mural and a projected slideshow of virtual images. Hence each of these different art-forms, alongside the element of the cabin and the outside ‘garden’, are discussed with special regards to how together, they achieve the aimed for immersion.
Silva, Eugênio Michel da. "Le mal comme transgression dans l'écume des jours ou le récit d'un passage raté au monde adulte." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/7609.
Full textKataoka, Ayla Maria Diógenes. "O Mundo de Flora: a infância através do olhar arguto de uma menina." http://www.teses.ufc.br:, 2009. http://www.repositorio.ufc.br/handle/riufc/2799.
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A dissertação pretende analisar a representação da infância no romance O mundo de Flora, de Angela Gutiérrez, através da categoria personagem. A análise e interpretação dos episódios pueris, que envolvem a protagonista, permitem afirmar que a argúcia e a inventividade são traços infantis marcantes de sua personalidade. A análise da relação entre mundo infantil e mundo adulto na narrativa é feita com base na convivência da personagem nos âmbitos da família, do entorno social e da escola. O convívio com os familiares e com as pessoas simples da redondeza dá-se de forma afetiva e atenta, possibilitando-lhe um enriquecimento da subjetividade e questionamentos acerca das coisas do mundo. A experiência na escola, por sua vez, é marcada pelo sentimento de medo e pela vivência do autoritarismo pedagógico. A detecção do ambiente afetivo e sócio-cultural em que ela viveu sustenta a hipótese de uma infância bem vivida. O acercamento do tema começa pelo itinerário da pesquisa, traçado por diferentes textos que trazem a criança como motivo, apontando, assim, para a natureza intertextual deste ensaio. O diálogo temático estabelecido entre a menina da narrativa em estudo e as outras crianças literárias oportuniza refletir, pela voz da literatura, sobre a infância na contemporaneidade.
Ce mémoire a l’intention d’analyser la représentation de l’enfance dans le roman O mundo de Flora, d’Ângela Gutiérrez, à l’aide de la catégorie personnage. L’analyse et l’interprétation des épisodes puérils qui impliquent le protagoniste permettent d’affirmer que l’argutie et l’inventivité sont des caractéristiques enfantines remarcables de sa personnalité. L’analyse du rapport entre le monde de l’enfant et de l’adulte dans la narrative est bâtie sur la convivialité du personnage dans le cadre de la famille, de la société et de l’école. La convivialité avec ses proches et avec d’autres gens du voisinage se passe de façon affectueuse et attentive, lui rendant possible un enrichissement de la subjectivité et des questionnements à propos des choses du monde. L’expérience à l’école, de son côté, est remarquée par le sentiment de peur et par l’expérience de l’autoritarisme pédagogique. La découverte du cadre affectif et socio-culturel où elle a vécu soutient l’hypothèse d’une enfance bien vécue. La délimitation du thème commence par l’itinéraire de recherche, tracé par de différents textes qui présentent l’enfant comme thème, conduisant, de cette façon, au caractère intertextuel de cet essai. Le dialogue thématique établi entre la fille du roman cible et les autres enfants personnages littéraires, rend opportun la réflexion, par la voix littéraire, de l’enfance dans la contemporanéité.
Traisnel, Florence. "L'INTER-DIT : UN JEU D'ADRESSES : quand écrivent pour la jeunesse à L'école des loisirs et pour les adultes aux Éditions de l'Olivier Christophe Honoré et Manuela Draeger et Olivier Adam, Geneviève Brisac, Agnès Desarthe, Marie Desplechin, Christian Lehmann, Maya Nahum, Christian Oster, Martin Page, Claude Ponti, Florence Seyvos, Valérie Zenatti." Thesis, Valenciennes, 2016. http://www.theses.fr/2016VALE0028/document.
Full textThe number of contemporary authors who write both for adults and children keeps rising, so much so that anglophone criticism has coined the term crosswriters to label the phenomenon. This work proposes to observe back-and-forth crossings between L’école des loisirs and Éditions de l’Olivier between 1991 and 2011. What motivate these crossings are important editorial stakes that attest to the crucial role played by publishers in guiding their authors. This dissertation will look more specifically to Christophe Honoré and Manuela Draeger (one of Antoine Volodine’s heteronyms). Both writers resort to crosswriting in singular ways as some of their children’s books and books for adults respond to one another to such an extent that what I call an “inter-diction” lodges itself in the interstice that divides their respective corpuses. This phenomenon of intratextuality, supported by a gesture of polyaddress, calls into question literature’s supposed intransitivity given that, in order to be decrypted, this suspended diction calls for a transgenerational reader. This inter-diction is the stage where are performed transitions from one age to another and where occur transmissions from one generation to the next. But it is also the site of what does not pass, of what punctures the work in an echo to individual or collective trauma. And if it is always the texts written for an adult readership that devolve to those for children what cannot be articulated in an adultocentered language, these transfers never seek to suture the abyss opened by intratextuality but rather explore through children’s literature alternative relations to language, thereby teaching us something about the linguistic beings that we are
Malisch, Sherrie Lee. "Kids take charge : reflections on an emergent motif in school stories for young adults." Mémoire, Université de Sherbrooke, 2016. http://hdl.handle.net/11143/9895.
Full textRésumé : Dans cette thèse, j’explore le modèle de l’enfant qui prend charge "kids-take-charge (KTC)", à travers des récits produits pour des audiences de jeunes adultes, en termes de généalogie de récits scolaires. Le corpus des récits scolaires inclut des travaux en anglais et en français produits comme science-fiction, film ou faits vécus, pour les adolescents et les adultes du Canada, des États-Unis et le Royaume-Uni. Cette thèse identifie les changements historiques et idéologiques qui ont pu causer la naissance de ce modèle. Les récits scolaires ont mené à l’identification de certains modèles distincts d’individualité et "coming into one’s own" qui ont figurés principalement dans les travaux sur et pour les adolescents dans des contextes socioculturels variés. La questionrecherche qui est posée est : pourquoi ce genre d’histoire émerge maintenant, et quel but social peut-il servir ? La question est inspirée par l’impact possible du pouvoir des relations sur la jeunesse dans la société, examiné dans Disturbing the Universe : Power and Repression in Adolescent Literature par Roberta Trites, qui suggère que le pouvoir est partout et la littérature de jeunes adultes parce que le pouvoir est la catégorie clé de l’expérience des adolescents. Cette thèse nous amène aussi au travail des théoriciens comme Louis Althusser, Michel Foucault, Beverly Lyon Clark, Henry Giroux, George Herbert Mead et Charles Horton Cooley parmi tant d’autres. Le corpus inclut les travaux suivants : The Lightning Thief, partie de la série Percy Jackson des auteurs américains Rick Riordan; Schooled, de l’auteur canadien Gordon Korman; la série des Harry Potter de JK Rowling; High School Musical, un film qui est apparu sur les écrans de cinéma et qui a été diffusé sur la chaine Disney ; Harriet’s Daughter de M. NourbeSe Philip; et variations des classiques sur les pensionnats et récits scolaires qui ont voyagé dans le temps, comme Louisa May Alcott's Jo's Boys; Thomas Hughes' Tom Brown School Days, LM Montgomery's Anne of vii Green Gables, and Ralph Connor's Glengarry School Days, pour ne nommer que ceux-là. Le chapitre 1 établit les contours du motif "KTC” à travers une variété d’œuvres de fiction contemporaines pour jeunes adultes en contrastant les histoires des changements faits par les jeunes adultes dans ces travaux avec des modèles trouvés dans les classiques récits scolaires britanniques du 19e siècle et dans les premières variations canadiennes et américaines sur le sujet. Le chapitre examine également les types de modèles d’individualité des adolescents et jeunes adultes qui peuvent être liés au motif “KTC”. Au chapitre 2, je soutiens qu’un relativement nouveau concept concernant le pouvoir et l’agence est apparu dans un certain nombre de récits scolaires produits dans les deux dernières décennies. Comme je conceptualise le motive KTC, 3 fonctions bien définies que ce soit dans les ouvres de fantaisie ou le réalisme. Premièrement, le personnage central doit confronter un problème ou une crise d’importance systémique ; comment ce défi est résolu affectera une école entière, une communauté ou même – dans les œuvres de fantaisie – le destin du monde entier. Deuxièmement, les récits qui représentent le concept KTC insistent généralement moins de l’importance de mentors adultes dans la préparation et la supervision des jeunes à affronter ces défis. Troisièmement, le concept KTC conserve la notion particulière du "soi authentique" comme source du pouvoir personnel et agentivité : la victoire est assurée seulement dans la mesure où le protagoniste central devient et demeure "vrai" pour lui et elle-même. Finalement, je demande qu’est-ce que la vision du pouvoir et de l’agentivité du concept du KTC implique pour les jeunes lorsqu’ils deviennent des acteurs adultes dans un monde complexe et globalisé. Au chapitre 3, j’examine les questions qui me permettent d’accéder au modèle du changement social en comparant les explications du changement social dans un monde plus large. J’évalue aussi comment les adolescents sont susceptibles de voir et d’interpréter leur propre expérience à viii travers une lentille globale comme consommateurs prodigieux de récits produits dans une culture mondiale. Ce chapitre évalue la mesure dans laquelle les différentes formes sociales et l’inégalité, comme le sexe, la race et la classe sociale sont intégrés dans la présentation du problème et la stratégie/solution dans le motif KTC et comment les changements sociaux sont encouragés par les jeunes protagonistes. Dans le motif KTC, je constate que le développement personnel apporte le pouvoir – et le pouvoir de l’intérieur est un atout du pouvoir de l’extérieur, au moins dans les cultures basées sur l’individualisme occidental. Les exceptions sont traitées dans les exemples de récits basés sur les identités Cara𝑖𝑖𝑖bes-canadiennes (Norbèse-Philip) et sur les identités indigènes. Les récits scolaires contemporains qui suivent le motif KTC continuent d’avoir un penchant moralisateur ou didactique, conformément à une tendance dans la littérature jeunesse qui souligne l’agentivité des jeunes protagonistes sur celui des adultes. Où l’histoire scolaire classique affirme en fin de compte l’ordre établi, le motif KTC suggère que le pouvoir établi est corrompu. Je suggère que le motif KTC peut en partie refléter les besoins d’une économie post-industrielle basée sur la connaissance dans laquelle les gens sont flexibles, motivés et décidés à croire que s’ils réussissent ou non de dépend pas de la force des institutions, mais de leur force de caractère et même de leur propre "authenticité".
Taylor, Nadine. "The creation of literary character in the fiction of Theodor Fontane." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:22d5d619-74e4-47d3-91c5-8f7236d1f25d.
Full textStringam, Jean. "Canadian short adventure fiction in periodicals for adolescents, Canada, England, the United States, 1847-1914." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/NQ34842.pdf.
Full textHewitt, Janice L. "Adultery and revision in Tennyson's 1859 "Idylls of the King"." Thesis, 1997. http://hdl.handle.net/1911/19167.
Full textJenkins, Diana Marie School of English UNSW. "Don DeLillo's promiscuous fictions:the adulterous triangle of sex, space, and language." 2005. http://handle.unsw.edu.au/1959.4/23044.
Full textMatthews, Rosalyn Clare. "The incurable Dr. Vaid : transgression, nation and the crisis in postcolonial Hindi criticism." Phd thesis, 2011. http://hdl.handle.net/1885/151428.
Full textLandry, Denys T. "Dramatizing whoredom : prostitution in the work of Tennessee Williams." Thèse, 2010. http://hdl.handle.net/1866/4615.
Full textThis dissertation explores the leitmotif of prostitution in the work of Tennessee Williams and provocatively contends that most Williams characters are engaged in one form of prostitution or another. Performing a close reading of relevant texts by Williams that illustrate any form of prostitution, with special attention given to four major plays, A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), Suddenly Last Summer (1958), and Sweet Bird of Youth (1959), this study argues that the playwright uses a transgressive mode of fiction—the gothic—in conjunction with a transgressive practice—prostitution—to link the social classes and to blur the boundaries between the literal and the figurative prostitutes. In so doing, Williams offers a more calibrated, nuanced view of prostitution. Theoretically, this dissertation reposes on critical works on gender, sexuality, and history by Michel Foucault, David Savran, and Michael Paller to fully contextualize Williams’s work and to discuss the attitude towards, and place of, prostitution within the cultural zeitgeist of the 1940s and 1950s. Part A (chapters one and two) provides ample autobiographical and biographical evidence to explain that Williams’s use of prostitution as a recurring theme results from his lifelong preoccupation with, and indulgence in, an amalgam of prostitutions: artistic (prostituting his art for money) and sexual (paying for sex). It also presents a detailed inventory of the playwright’s literal prostitutes, whom I classify into the following three categories: 1) child prostitution, 2) male prostitution, and 3) female prostitution. Part B, comprising chapters three and four, engages with theory and history and identifies Williams characters who qualify as moral prostitutes. This group includes those who directly profit from prostituting others and those who marry exclusively for financial gain, social advancement, or both. Williams’s work eschews the stereotypical representation of prostitutes in literature as lower-class streetwalkers or morally bankrupt females or both. The playwright neither presents the prostitute as a romantic figure of transcendence nor as a rebellious one who threatens society. This dissertation concludes that by depicting child prostitutes, female streetwalkers, male hustlers, gay-for-pay studs, pimps, procurers, brothel operators, the morally compromised powers that be, and those who prostitute themselves by entering into loveless marriages, Williams has effectively and incontrovertibly dramatized whoredom in all of its forms.
Krüger, Johanna Alida. "The Actual versus the Fictional in Betrayal, The Real Thing and Closer." Thesis, 2014. http://hdl.handle.net/10500/18570.
Full textAlthough initially dismissed as superficial, Harold Pinter’s Betrayal, Tom Stoppard’s The Real Thing, and Patrick Marber’s Closer use the theme of marital betrayal as a trope to investigate metatheatrical and epistemological issues. This study aims to demonstrate how these three plays define and explore the concept of authenticity within the fictional as well as the actual world; how arbitrary the construction and mediation of the characters’ identities are, not only from their own perspective, but also from the audience’s; the significance of the audience’s role in these plays and how issues of authenticity, fictionality and dishonesty impact on a genre that depends on illusion. This study intends to provide a new interpretation of these three texts through an analysis drawn from postmodern and poststructuralist theories, concerning the concept of authenticity within art and language. This study finds that the fictional worlds in these plays are created through mediation, which includes everyday language as well as complex works of art. Authenticity is shown to be an elusive concept. Language is either unsuccessfully used to force authentic responses from characters, or as a shield. In Betrayal, language functions as a protective barrier, preventing the characters from knowing one another. The Real Thing suggests that although inauthenticity may be established, the inverse is not necessarily true. In Closer, the characters try in vain to access authenticity through different registers of language. Furthermore, neither the body nor the mind is shown to be the locus of authenticity in Closer. Within the postmodern context where originality is impossible, mimicry is not seen as something external and inauthentic, but as inextricably part of human existence. The audience is drawn into the fictional world of these plays as its members are able to identify with the disillusionment of the characters and their inability to form a definitive view of each other. Simultaneously, the audience is ousted from the fictional world by being reminded of the author’s presence through metatheatrical devices. These plays take advantage of the fictional status of theatre to explore issues of authenticity, positioning them in direct opposition to postdramatic and verbatim plays.
Afrikaans & Theory of Literature
D. Litt. et Phil. (Theory of Literature)
Kruger, Johanna Alida. "The Actual versus the Fictional in Betrayal, The Real Thing and Closer." Thesis, 2014. http://hdl.handle.net/10500/18570.
Full textAlthough initially dismissed as superficial, Harold Pinter’s Betrayal, Tom Stoppard’s The Real Thing, and Patrick Marber’s Closer use the theme of marital betrayal as a trope to investigate metatheatrical and epistemological issues. This study aims to demonstrate how these three plays define and explore the concept of authenticity within the fictional as well as the actual world; how arbitrary the construction and mediation of the characters’ identities are, not only from their own perspective, but also from the audience’s; the significance of the audience’s role in these plays and how issues of authenticity, fictionality and dishonesty impact on a genre that depends on illusion. This study intends to provide a new interpretation of these three texts through an analysis drawn from postmodern and poststructuralist theories, concerning the concept of authenticity within art and language. This study finds that the fictional worlds in these plays are created through mediation, which includes everyday language as well as complex works of art. Authenticity is shown to be an elusive concept. Language is either unsuccessfully used to force authentic responses from characters, or as a shield. In Betrayal, language functions as a protective barrier, preventing the characters from knowing one another. The Real Thing suggests that although inauthenticity may be established, the inverse is not necessarily true. In Closer, the characters try in vain to access authenticity through different registers of language. Furthermore, neither the body nor the mind is shown to be the locus of authenticity in Closer. Within the postmodern context where originality is impossible, mimicry is not seen as something external and inauthentic, but as inextricably part of human existence. The audience is drawn into the fictional world of these plays as its members are able to identify with the disillusionment of the characters and their inability to form a definitive view of each other. Simultaneously, the audience is ousted from the fictional world by being reminded of the author’s presence through metatheatrical devices. These plays take advantage of the fictional status of theatre to explore issues of authenticity, positioning them in direct opposition to postdramatic and verbatim plays.
Afrikaans and Theory of Literature
D. Litt. et Phil. (Theory of Literature)
Batlle, Sonia N. "Ana Roqué y el Discurso de Emancipación Femenina Burgués Decimonónico Disfrazado en la Ficción." 2012. https://scholarworks.umass.edu/theses/891.
Full textSerejo, Lina Maria Henriques. "Três retratos femininos em Os Maias." Master's thesis, 2001. http://hdl.handle.net/10400.2/4338.
Full textEste trabalho analisa três personagens femininas de Os Maias, de Eça de Queiroz, verdadeiramente notáveis pela coragem e determinação com que lutam pela mudança dos seus destinos, mesmo que para isso tenham de praticar adultério: Maria Monforte, Maria Eduarda e a Condessa de Gouvarinho. Através do adultério Maria Monforte insurge-se contra as normas discriminatórias de uma sociedade que ao homem tudo permite, mas que espartilha a liberdade de acção da mulher, os seus sentimentos e emoções. Ela mostra a sua independência face à mesquinhez de todos aqueles que, por viverem presos à aparência, não consumam as suas paixões. Embora não consiga legitimar as suas relações, Maria Eduarda não é uma mulher fácil e inconstante. É a força das circunstâncias e a necessidade de sobrevivência que a atiram sucessivamente para os braços de dois homens que não ama. Quando encontra a verdadeira paixão, avassaladora e sem limites, o seu passado estigmatiza-a. No entanto, detentora de uma forte consciência moral, luta até ao fim para provar que é uma “boa mulher”. A Condessa de Gouvarinho, presa num casamento por conveniência, é notável pela irreverência e audácia que revela no jogo de sedução em que envolve Carlos da Maia. Apaixonada, luta com tenacidade por uma relação que alie o amor ao prazer físico, provando estar à frente da sua época. Para ela o adultério é a única forma de saciar o desejo, por isso ela se apresenta sempre picantemente tentadora. Estas personagens mostram bem a força da mulher oitocentista que tenta libertar-se dos rígidos códigos que a oprimem.
This work analyses three female characters in Os Maias, by Eça de Queiroz, who are truly remarkable because of the courage and determination with which they fight for the change in their fate, even though they have to become adulterous: Maria Monforte, Maria Eduarda and the Countess of Gouvarinho. Through adultery Maria Monforte rebels against the discriminatory rules of a society which allows everything to man but confines the woman’s freedom of action, her feelings and emotions. She shows her independence towards the paltriness of all those who, because they live attached to appearances, don’t accomplish their passions. Although she can’t legitimize her relationships, Maria Eduarda isn’t an easy and capricious woman. The circumstances and the need of survive throw her successively to the arms of two men who she doesn’t love. When she finds the true, overwhelming and limitless passion, her past stigmatizes her. However, as she possesses a strong moral sense of right and wrong, she fights till the end to prove that she is a “good woman”. The Countess of Gouvarinho, caught in a marriage of convenience, is remarkable for the irreverence and audacity she reveals in the game of seduction in which she enfolds Carlos da Maia. In love, she fights tenaciously for a relationship which combines love and physical pleasure. This way she proves she is beyond her age. Adultery is, for her, the only way to satiate the desire. That’s why she always presents herself stimulatingly seductive. These characters are a good example of the strength of the eight hundredth century’s woman who tries to get rid of the strict codes that oppress her.
KOLÁŘOVÁ, Jana. "Moderne Frau und in der Zeit der Industrialisierung." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-55692.
Full textGazerani, Farzin. "L’enseignement centré sur la forme et l’apprentissage du vocabulaire en français langue seconde." Thèse, 2017. http://hdl.handle.net/1866/19255.
Full textDans cette thèse, l’auteur s’est penché sur la question de l’apprentissage/enseignement du vocabulaire en français langue seconde (L2). Depuis plusieurs années, la recherche en L2 fait face à une question essentielle : celle de l’efficacité de différentes approches d’enseignement lexical afin de favoriser l’apprentissage des mots. Certains chercheurs (par ex. Krashen, 1982, 1989) considèrent que l’apprentissage du vocabulaire en L2, tout comme celui des aspects morphosyntaxiques, se produit uniquement de façon incidente pendant l’exposition aux différents échantillons de la langue (c.-à-d., l’intrant) et à travers des activités centrées sur le sens communicatif telles que la lecture de textes. D’autres (par ex. Laufer, 2005, 2006) préconisent une approche plus explicite de l’enseignement du vocabulaire, centrée sur les aspects formels des éléments lexicaux (form-focused instruction). Cette question n’a pas fait l’objet d’une recherche exhaustive, surtout en ce qui concerne les modalités de l’enseignement centré sur la forme (FFI) et le moment approprié (le FFI intégré vs le FFI isolé) pour le fournir, d’où l’importance de cette recherche. Trois études expérimentales ont été effectuées afin d’examiner l’efficacité de différentes approches d’enseignement du vocabulaire en français. Quarante-deux apprenants de français L2 ont participé à deux études de cas multiples (n = 9 et n = 10) et à une étude quasi-expérimentale (n = 23). Les deux premières études ont servi de pilotes pour l’élaboration de la méthodologie de la troisième étude. L'intervention expérimentale (quatre périodes de 45 minutes chacune) ciblant 36 mots a été réalisée à travers trois conditions expérimentales (FFI intégré, FFI isolé et répétition) et une condition de contrôle (apprentissage incident via la lecture). Chacun des participants a bénéficié de toutes les conditions. En d’autres termes, parmi les mots ciblés, certains devaient être appris incidemment, certains à travers une exposition répétée et certains ont été enseignés par le FFI intégré et le FFI isolé. Des tâches lexicales ont été administrées avant et deux fois après l'intervention. Les résultats indiquent les avantages du FFI en comparaison avec l'apprentissage incident et la répétition sans aucune différence significative entre le FFI isolé et le FFI intégré. La conclusion de cette thèse met l’emphase sur l’importance du FFI afin d’améliorer l’apprentissage du vocabulaire, tout en précisant le caractère indispensable des activités de récupération pour diminuer la perte de l’apprentissage produit.
In this thesis, the author examined the question of vocabulary learning/teaching in French as a second language (L2). L2 research has been interested in the effects of different approaches of lexical instruction on vocabulary learning. Some researchers (e.g. Krashen, 1982, 1989) contend that L2 learning, vocabulary and morphosyntax, occurs incidentally through the exposure to comprehensible input and through meaning-based activities such as reading. Others (e.g. Laufer, 2005, 2006) advocate a more explicit approach to vocabulary teaching, focused on the form of lexical elements. The effects of lexical form-focused instruction (FFI) have not been thoroughly investigated, particularly its different modalities and timing (integrated FFI vs isolated FFI), hence the relevance of this research. Three experimental studies were conducted to examine the effectiveness of different vocabulary teaching approaches in French as an L2. Forty-two L2 French learners participated in two multiple case studies (n = 9 and n = 10) and a quasi-experimental study (n = 23). Among other things, the first two studies were designed to serve as pilots for the methodological design of the third study. The experimental intervention (four periods of 45 minutes each) targeting 36 words was carried out through three experimental conditions (integrated FFI, isolated FFI and repetition) and a control condition (incidental learning through reading). Each participant benefited from all the conditions. In other words, among the targeted words, some had to be learned incidentally, some through repeated exposure and some were taught by the integrated FFI and the isolated FFI. Lexical tasks were administered before intervention started and twice after it ended (immediate posttest and delayed posttest). Results indicate the advantages of FFI compared to incidental learning and repetition. However, there is no significant differences between the isolated FFI and the integrated FFI. The conclusion of this thesis emphasizes the importance of FFI in order to improve the vocabulary learning, while specifying the necessity of the retrieval activities to reduce learning loss.