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Books on the topic 'Ada Elizabeth'

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Published: 10 December 2022
Last updated: 29 January 2023

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1

Mary La Jean Davis Sherrill. Samuel Sherrill, son of Adam and Elizabeth and some of his descendants. Denton, Tex: M.L.J.D. Sherrill, 1994.

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2

Salyards, Florence V. McBride. The families of Margaretha Elizabetha Ihle and Reverend Johann Adam Klein of Ohio. Pass Christian, MS: F.V.M. Salyards, 1989.

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3

Litzenberger, Samuel C. The family story of Adam Litzenberger and Marie Elizabeth Gorr and their descendants and ancestors. [Colorado]: S.C. Litzenberger, 1999.

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4

Descendants and ancestors of Adam Overpeck and his wife Elizabeth Mann of Sussex and Warren Counties in New Jersey; Bucks, Northampton, Pike, and Bradford Counties in Pennsylvania: Including descendant families: Baker, Bender, Braman, Brown, Camp, Chaffee, Chilson, Coleman, Dimon, Flanagan, Ford, Graham, Green, Gustin, Hammerly, Hollis, Johnson, Keller, King, Leavenworth, McGuirk, Messer, Morris, Reeves, Reisinger, Rice, Roberts, Robinson, Secor, Smith, Taylor, Wickizer, Williams, Wilson, and ancestral families of Mary Ann Angle, Elizabeth Mann, and Agnes Casebeer. Baltimore, MD: Gateway Press Inc., 2002.

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5

Reference, ICON. Much Ado About Nothing. San Diego, CA, USA: ICON Classics, 2005.

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6

Shakespeare, William. Much ado about nothing. Cambridge, U.K: Cambridge University Press, 1997.

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7

Shakespeare, William. Much ado about nothing. Walton-on-Thames: Nelson, 1996.

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8

Shakespeare, William. Much Ado About Nothing. Edited by Peter Holland. New York, USA: Penguin Books, 1999.

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9

Shakespeare, William. Much Ado about Nothing. Edited by Claire McEachern. London, England: AS, 2006.

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10

Shakespeare, William. Much ado about nothing. San Diego, CA: ICON Classics, 2005.

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11

Shakespeare, William. Much Ado About Nothing. Edited by David Bevington. New York, USA: Bantam Books, 1993.

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12

Shakespeare, William. Much Ado About Nothing. New York: Penguin USA, Inc., 2009.

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13

Shakespeare, William. Much Ado About Nothing. San Diego, CA, USA: ICON Classics, 2005.

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14

Reference, ICON. Much Ado About Nothing. San Diego, CA, USA: ICON Classics, 2005.

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15

Shakespeare, William. Much ado about nothing. San Diego, CA: ICON Classics, 2005.

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16

Shakespeare, William. Wiele halasu o nic. Poland: Krakow, 1985.

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17

Shakespeare, William. Much ado about nothing. Hauppauge, N.Y: Barron's Educational Series, 2009.

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18

Shakespeare, William. Much ado about nothing. Oxford [England]: Oxford University Press, 2004.

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19

Shakespeare, William. Much ado about nothing: With new dramatic criticism and an updated bibliography. New York: New American Library, 1989.

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20

Shakespeare, William. Much Ado About Nothing. Edited by John Dover Wilson. Cambridge: Cambridge University Press, 2009.

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21

Reference, ICON. Much Ado About Nothing. San Diego, CA, USA: ICON Classics, 2005.

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22

Miola, Robert S., ed. Much Ado About Nothing. 2nd ed. New York, NY, USA: Barnes & Noble Shakespeare, 2007.

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23

Shakespeare, William. Much Ado About Nothing. Edited by Mary Berry and Michael Clamp. Cambridge, UK: Cambridge University Press, 2000.

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24

Shakespeare, William. Much Ado About Nothing. Edited by Sheldon Zitner. 2nd ed. Oxford, England: Oxford University Press, 1998.

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25

Shakespeare, William. Much Ado About Nothing. Edited by F. H. Mares. Cambridge, UK: Cambridge University Press, 2003.

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26

Shakespeare, William. Much Ado About Nothing. New York, USA: Dover Publications, 1994.

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27

Shakespeare, William. Much ado about nothing. Oxford [England]: Oxford University Press, 1999.

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28

Much Ado About Nothing. San Diego, CA, USA: ICON Classics, 2005.

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29

Stevenson, David L., and William Shakespeare. Much Ado About Nothing. Edited by David L. Stevenson and Sylvan Barnet. New York, USA: Signet Classic, 1989.

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30

Shakespeare, William. Much Ado About Nothing. Edited by David L. Stevenson and Sylvan Barnet. 5th ed. New York, USA: Signet Classic, 1998.

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31

Dembski, Peter E. Paul. Travels and Identities: Elizabeth and Adam Shortt in Europe 1911. Wilfrid Laurier University Press, 2017.

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32

Travels and Identities: Elizabeth and Adam Shortt in Europe 1911. Wilfrid Laurier University Press, 2017.

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33

Dembski, Peter E. Paul. Travels and Identities: Elizabeth and Adam Shortt in Europe 1911. Wilfrid Laurier University Press, 2017.

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34

Stuart, Moses. A Brief Sketch Of The Life And Character Of Mrs. Elizabeth Adam. Kessinger Publishing, LLC, 2007.

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35

Kennedy, Sue, and Jane Thomas, eds. British Women's Writing, 1930 to 1960. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621822.001.0001.

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British Women Writers 1930 – 1960: Between the Waves contributes to the vital recuperative work on mid-twentieth century writing by and for women. Fourteen original essays from leading academics and emerging critical voices shed new light on writers commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The essays showcase the stylistic, cultural and political vitality of the fiction, non-fiction, drama, poetry and journalism of a selection authors including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. The neologism ‘interfeminism’, coined to partner Kristin Bluemel’s ‘intermodernism’, locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst forging connections between the political and cultural monoliths which have traditionally overshadowed its members. Drawing attention to the strengths of this ‘out-of-category’ writing, the volume also highlights how intersecting discourses of gender, class and society in the inter- and post- bellum anticipate the bold reassessments of female subjectivity that characterize second and third wave feminism. Exploration of popular women’s magazines of the period, and new archival material, add an innovative dimension to this study of the literature of a volatile and transformative period of British social and cultural history.
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36

Morris, Pam. Worldly Realism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474419130.003.0001.

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A preliminary discussion of Northanger Abbey and Jacob’s Room, foregrounds Austen’s and Woolf’s insistence upon non-heroic, unexceptional protagonists, the challenge their writing poses to existing genres and its disjunction from established, consensual interpretive systems. Jacques Ranciére’s concept of consensual and dissensual regimes of the perceptible, and recent accounts of the constitutive relationship of inanimate objects with self, provide a theoretical framework for discussing these experimental aspects of each writer’s work. The chapter maps an epistemological tradition linking these current perspectives to the Enlightenment empiricism of David Hume, Adam Smith, David Hartley, and Elizabeth Hamilton, Austen’s contemporary. The materialism of eighteenth-century thinkers constitutes the sceptical intellectual inheritance of Austen and Woolf. It underpins their development of worldly realism, an experimental writing practice, utilising innovative focalisation techniques to foreground relations of equality across the worlds of people, things and natural universe. Hence it constitutes a radical undermining of the idealist ideology of individualism.
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37

A lesson plan book for Adam of the Road by Elizabeth Janet Gray (Bridges, moving from the basal into literature). Scholastic, 1990.

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38

Allen, Robert C. 5. Reform and democracy. Oxford University Press, 2017. http://dx.doi.org/10.1093/actrade/9780198706786.003.0005.

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The Industrial Revolution created social tensions and posed practical problems that shaped the politics of the period, affecting much of social and cultural life. Most commentators analysed society in terms of the three-class model anchored in the economics of Adam Smith. The three-class model provides insight into the politics of the Industrial Revolution. ‘Reform and democracy’ looks at key events that resulted in the evolution of a pre-industrial England, where economic life was conducted in a legal framework handed down from the medieval and Elizabethan periods, to the country at the end of the Industrial Revolution. These include the French Revolution, the Napoleonic wars, and the Reform Bill of 1832.
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39

Much Ado about Nothing. Penguin (Non-Classics), 1992.

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40

Shakespeare's "Much Ado About Nothing" (Masterstudies). Penguin Books Ltd, 1987.

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41

Kerrigan, John. Upstarts and Much Ado. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198793755.003.0002.

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Starting from a discussion of imitation and parody in Cervantes’ Don Quixote, this chapter moves through Charlotte Lennox’s The Female Quixote to her compilation of sources, Shakespear Illustrated (1753–4). Objections to Shakespeare’s derivativeness, of the kind advanced by Lennox, go back to Robert Greene’s pamphlet Greenes Groatsworth of Witte (1592), where the dramatist is denounced as an ‘vpstart Crow, beautified with our feathers’. To reconstruct the methods of Elizabethan playmaking is to find that the recycling of plays, poems, and prose romances on stage was standard. Competitiveness among players and playwrights led to accusations of plagiarism. What gives an edge to the accusation that Shakespeare is a crow in borrowed plumage is the notion of him as an upstart. Drawing on texts about acting, fashion in hair and dress, and the fashioning of plays, discussion moves from the Groatsworth to Much Ado as a comedy about upstarts that turns on borrowed attire.
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42

Hegland, Frode, ed. The Future of Text. Future Text Publishing, 2020. http://dx.doi.org/10.48197/fot2020a.

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This book is the first anthology of perspectives on the future of text, one of our most important mediums for thinking and communicating, with a Foreword by the co-inventor of the Internet, Vint. Cerf and a Postscript by the founder of the modern Library of Alexandria, Ismail Serageldin. In a time with astounding developments in computer special effects in movies and the emergence of powerful AI, text has developed little beyond spellcheck and blue links. In this work we look at myriads of perspectives to inspire a rich future of text through contributions from academia, the arts, business and technology. We hope you will be as inspired as we are as to the potential power of text truly unleashed. Contributions by Adam Cheyer • Adam Kampff • Alan Kay • Alessio Antonini • Alex Holcombe • Amaranth Borsuk • Amira Hanafi • Amos Paul Kennedy Jr. • Anastasia Salter • Andy Matuschak & Michael Nielsen • Ann Bessemans & María Pérez Mena • Andries Van Dam • Anne-Laure Le Cunff • Anthon Botha • Azlen Ezla • Barbara Beeton • Belinda Barnet • Ben Shneiderman • Bernard Vatant • Bob Frankston • Bob Horn • Bob Stein • Catherine C. Marshall • Charles Bernstein • Chris Gebhardt • Chris Messina • Christian Bök • Christopher Gutteridge • Claus Atzenbeck • Daniel Russel • Danila Medvedev • Danny Snelson • Daveed Benjamin • Dave King • Dave Winer • David De Roure • David Jablonowski • David Johnson • David Lebow • David M. Durant • David Millard • David Owen Norris • David Price • David Weinberger • Dene Grigar • Denise Schmandt-Besserat • Derek Beaulieu • Doc Searls • Don Norman • Douglas Crockford • Duke Crawford • Ed Leahy • Elaine Treharne • Élika Ortega • Esther Dyson • Esther Wojcicki • Ewan Clayton • Fiona Ross • Fred Benenson & Tyler Shoemaker • Galfromdownunder, aka Lynette Chiang • Garrett Stewart • Gyuri Lajos • Harold Thimbleby • Howard Oakley • Howard Rheingold • Ian Cooke • Iian Neil • Jack Park • Jakob Voß • James Baker • James O’Sullivan • Jamie Blustein • Jane Yellowlees Douglas • Jay David Bolter • Jeremy Helm • Jesse Grosjean • Jessica Rubart • Joe Corneli • Joel Swanson • Johanna Drucker • Johannah Rodgers • John Armstrong • John Cayle • John-Paul Davidson • Joris J. van Zundert • Judy Malloy • Kari Kraus & Matthew Kirschenbaum • Katie Baynes • Keith Houston • Keith Martin • Kenny Hemphill • Ken Perlin • Leigh Nash • Leslie Carr • Lesia Tkacz • Leslie Lamport • Livia Polanyi • Lori Emerson • Luc Beaudoin & Daniel Jomphe • Lynette Chiang • Manuela González • Marc-Antoine Parent • Marc Canter • Mark Anderson • Mark Baker • Mark Bernstein • Martin Kemp • Martin Tiefenthaler • Maryanne Wolf • Matt Mullenweg • Michael Joyce • Mike Zender • Naomi S. Baron • Nasser Hussain • Neil Jefferies • Niels Ole Finnemann • Nick Montfort • Panda Mery • Patrick Lichty • Paul Smart • Peter Cho • Peter Flynn • Peter Jenson & Melissa Morocco • Peter J. Wasilko • Phil Gooch • Pip Willcox • Rafael Nepô • Raine Revere • Richard A. Carter • Richard Price • Richard Saul Wurman • Rollo Carpenter • Sage Jenson & Kit Kuksenok • Shane Gibson • Simon J. Buckingham Shum • Sam Brooker • Sarah Walton • Scott Rettberg • Sofie Beier • Sonja Knecht • Stephan Kreutzer • Stephanie Strickland • Stephen Lekson • Stevan Harnad • Steve Newcomb • Stuart Moulthrop • Ted Nelson • Teodora Petkova • Tiago Forte • Timothy Donaldson • Tim Ingold • Timur Schukin & Irina Antonova • Todd A. Carpenter • Tom Butler-Bowdon • Tom Standage • Tor Nørretranders • Valentina Moressa • Ward Cunningham • Dame Wendy Hall • Zuzana Husárová. Student Competition Winner Niko A. Grupen, and competition runner ups Catherine Brislane, Corrie Kim, Mesut Yilmaz, Elizabeth Train-Brown, Thomas John Moore, Zakaria Aden, Yahye Aden, Ibrahim Yahie, Arushi Jain, Shuby Deshpande, Aishwarya Mudaliar, Finbarr Condon-English, Charlotte Gray, Aditeya Das, Wesley Finck, Jordan Morrison, Duncan Reid, Emma Brodey, Gage Nott, Aditeya Das and Kamil Przespolewski. Edited by Frode Hegland.
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43

Shuger, Debora. Paratexts of the English Bible, 1525-1611. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192843579.001.0001.

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English bibles over the decades between the Tyndale’s New Testament of 1525 and the 1611 King James include indices, calendars, woodcuts, maps, chronologies, prefaces, prologues, prayers, epistles, philological glosses, doctrinal notes, inset historical essays, single-leaf summaries of scripture, a dialogue on predestination, a twelfth-century genealogy of Christ, a ninth-century Jewish chronicle. Their first editions, often magnificent folios, were curated by leading churchmen, who used these paratexts to speak into existence the dominant forms of post-Reformation English Christianity. Subsequent editions—smaller, more affordable, and far more numerous—were left in the hands of printers, who decided which versions to print, which paratexts to drop, add, move, or modify. The most lavish of Elizabethan bibles gets stripped almost to the bare translation; a fiercely Calvinist bible switches doctrinal sides; and a peculiar little New Testament from 1552 remains in print, with its original annotations, well into the Jacobean era. The picture of the English Reformation disclosed by these biblical paratexts differs in rather striking ways from the current one. Conformity, “things indifferent,” and the reformation of manners, for example, go virtually unmentioned. While no one archive shows “the very age and body of the time,” the cultural centrality of the bible in sixteenth-century England means that the version of things implicit in its paratexts really does challenge, or at least complicate, accounts derived principally from the controversial literature of the period.
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44

Shakespeare, William. Much Ado about Nothing. CreateSpace Independent Publishing Platform, 2018.

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45

Shakespeare, William. Much Ado About Nothing. Dover Publications Inc., 1985.

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46

Kent, Richmond, ed. Much ado about nothing. Lakewood, Calif: Full Measure Press, 2010.

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47

Humphreys, A. R., and William Shakespeare. Much Ado About Nothing. Van Nostrand Reinhold, 1989.

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48

Shakespeare, William. Much Ado About Nothing (Webster's Italian Thesaurus Edition). ICON Group International, Inc., 2006.

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49

Howard, Elizabeth, and William Shakespeare. Much Ado about Nothing. Canon Press, 2020.

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50

Shakespeare, William. Mucho Ruido Y Pocas Nueces / Much Ado About Nothing. Losada, 2005.

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