Relevant bibliographies by topics / Actors

Academic literature on the topic 'Actors'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Actors"

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Bahari, Nurun Najwa, Paul Expert, and Fatimah Abdul Razak. "An Analysis of Actors in Malay Films: Small Worlds, Centralities and Genre Diversity." Mathematics 11, no. 5 (March 4, 2023): 1252. http://dx.doi.org/10.3390/math11051252.

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This article utilizes social network analysis in addition to a measure of genre diversity to quantify the quality and capacity of actors in the Malay language film industry. We built a dataset by collecting data from various websites pertaining to Malay films. The data consists of 180 Malay films released from 2015 until 2020. The actor network is then built by connecting actors co-starring in a movie together and is compared to small world networks. We quantified the quality of actors in the network using five measures: number of films (TFA), degree centrality (DC), strength centrality (SC), betweenness centrality (BC), and normalized Herfindahl–Hirschman Index (NHHI). TFA, DC and SC indicate experience in the industry, since a high TFA shows that an actor has acted in more films. A high DC shows an actor has worked with many co-stars, and a high SC reflects an actor’s frequency of co-occurrence relationship. Actors with high TFA, DC, and SC are popular in this sense. Meanwhile, BC highlights the social importance of an actor in the network where they are the middlemen that connect actors from different genres of movies in the network, and we found that high BC actors are voice actors that may not have a high TFA, DC, or SC. NHHI highlights the actor’s capability to work with different types of film, and it serves as an important measure of an actor’s versatility. Moreover, we also calculated the average shortest path in the network to search for the “Kevin Bacon” of the Malay language film actor network. Using NHHI as an indicator of genre diversity, we also show that most of the actors diversify their work over the years and that genre diversity is an important benchmark for an actor.
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Li, Loic Pengtao, Biljana Juric, and Roderick J. Brodie. "Actor engagement valence." Journal of Service Management 29, no. 3 (May 4, 2018): 491–516. http://dx.doi.org/10.1108/josm-08-2016-0235.

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Purpose Valence is one of the key dimensions underlying actor engagement, yet there is limited research to provide a comprehensive understanding of the concept. The purpose of this paper is to conceptualise engagement valence in actor networks and develop an agenda for future research. Design/methodology/approach The exploration of the psychological foundations of the concept of valence and a systematic literature review from a multiple database search contribute to four sets of propositions defining the domain of the concept of actor engagement valence. Findings The propositions posit that valence resides in the engaging actor’s past, current and future psychological dispositions, which can shift between positive, negative and ambivalence. Actor engagement valence is triggered by the engagement objects and value propositions of other actors in the network. The antecedents of actor engagement valence comprise individual factors such as cognitive evaluations and hedonic feelings, as well as network-related factors such as social norms and shared beliefs, and the network structure. The net balance of actor engagement valence determines the actor’s engagement behaviours, and this relationship is moderated by individual and network factors. Originality/value This is the first study to conceptualise actor engagement valence, which contributes to the refinement of the actor engagement concept. This research defines the conceptual domain, deepens the understanding and provides an agenda for future research into the valence of engagement among actors in networks. The study recognises the institutional influences on actor engagement valence, and contributes to an understanding of the nature of actors’ psychological dispositions and how their valence determines the actors’ behavioural engagement manifestations.
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Baltacioglu, Yesim Arsoy. "Views of state theatre actors on theatrical makeup." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (September 14, 2018): 118–27. http://dx.doi.org/10.18844/prosoc.v5i6.3848.

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Theatrical makeup is the process of transforming an actor into a character using specially crafted materials and specific techniques in a play staged. Theatrical makeup work is carried out by applying light, shadow, lines and colours on the actor’s face with specific techniques as well as affixing, where necessary, attachments to the actor’s face or body, such as prosthetic parts or false beard and moustache. Considering that actors predominantly use their facial expressions in addition to their speaking and body language to convey to the audience their emotions and how their situation affects them, the theatrical makeup achieves its objective of strengthening the expression is among the determinative details of the visuality of design. In the present study, an interview form was developed to obtain the views of actors in the State Theatres on theatrical makeup and the views and comments of actors in Ankara State Theatre on the subject are assessed. Keywords: State Theatre, actor, theatrical makeup.
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Sellers-Young, Barbara. "Technique and the Embodied Actor." Theatre Research International 24, no. 1 (1999): 89–97. http://dx.doi.org/10.1017/s0307883300020290.

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A primary theme of twentieth-century theatre has been the actor's body. Numerous directors from Stanislavsky to Anne Bogart have evolved stage theories and related training methods to promote a more expressive body on stage. In her 1995 article ‘Developing a Physical Vocabulary for the Contemporary Actor’, Lea Logic provides an overview of many of these approaches. While acknowledging the contributions of these director-teachers, she suggests, ‘If body shape and movement are to retain and increase their power as the central focus of theatre, actors must learn to maximize the expressive potential of their bodies.’ Quoting Copeau, Chekhov, Stanislavsky or Barba, she maintains the primary problem is an actor's tendency consistently to return to physical choices related to their personality and not necessarily to the role they are playing. She quotes Copeau's description of actors: ‘I always know, in advance what they are going to do. They reduce everything to the level of their habits, their clichés, their affectations. They do not invent anything.’ While Copeau's complaint is not directed at actor teachers, but actors, his words define one of the primary challenges for them, to teach actors to expand their expressive abilities beyond their self image.
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Yamauchi, Hirotsugu. "Effects of Actor's and Observer's Roles on Causal Attributions by Japanese Subjects for Success and Failure in Competitive Situations." Psychological Reports 63, no. 2 (October 1988): 619–26. http://dx.doi.org/10.2466/pr0.1988.63.2.619.

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To examine differences between actors and observers for causal attribution for success and failure under competitive situation, 72 male and 72 female students were administered three kinds of mental tasks. Subjects were asked to rate the extent to which they attribute their own (actor role) and opponent's (observer role) outcomes to four causes, ability, effort, task difficulty, and luck. According to the notion of self-serving bias or egotism in attribution, actors attribute success to internal factors and failure to external factors. The winning actors attributed success to luck, while the losing actors attributed failure to ability or internal factors. These findings indicated no self-serving bias but rather showed a reverse trend. In contrast, the losing opponent-observers attributed actor's success more to internal factors, while the winning opponent-observers attributed actor's failure more to luck. The cross-cultural influences in achievement motivation were discussed for these attributional tendencies.
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Bezghin, Oleksii, and Olga Uspenska. "Peculiarities of acting education in the domestic artistic and educational process." Culturology Ideas, no. 23 (1'2023) (2023): 129–42. http://dx.doi.org/10.37627/2311-9489-23-2023-1.129-142.

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The article discusses the specifics of actors training in Ukraine in the context of the competency-based approach to education codified in the Bologna process and the new Ukrainian educational law. To answer their research questions, the authors analyze competencies for stage actors at the bachelor’s and master’s levels defined by three different Ukrainian institutions of higher education. The authors acknowledge the many benefits of the competency-based approach to education, including improved transparency and comparability of degrees, and increased student and teacher mobility, but also suggest it has its pitfalls. For actors training, the competency-based approach creates a problem of defining core competencies reflective of the specifics of actors training focused on memory, voice, movement, and speech, as well as differentiating between competencies at the bachelor’s and master’s levels. The authors find little difference between bachelor and master level competencies in the programs they analyze and ask if actors not pursuing a teaching career should be required to obtain a master’s degree to attain “complete higher education.” The authors bring up an important issue of preserving unique national actor schools formed by renowned stage masters as the core element of actor’s education. They also suggest festivals of actor schools as a way of learning approaches to actors training.
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Chen, Charles P., and Komila Jagtiani. "Helping actors improve their career well-being." Australian Journal of Career Development 30, no. 1 (March 24, 2021): 55–63. http://dx.doi.org/10.1177/1038416220983945.

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It is generally assumed that visible actors in the performing arts industry maintain overall wellness despite the knowledge that an actor’s life is often characterized by instability. While an actor’s performance is often critiqued subjectively and critically, the variety of occupational risks associated with an actor’s well-being is less closely examined. Prior research suggests those working within the acting profession experience significant levels of distress. As a result, this article, first, aims to address the issues confronting the actor, in particular, anxiety associated with erratic employment, vulnerability to adverse working conditions, and conflict in identity owing to the impact of acting coupled with the effect of economic insecurity. Second, the paper follows with a consideration of key counselling theories to help strengthen this diverse group’s personal well-being and career prospects. By examining counselling interventions, the application of these theories can allow actors to develop optimally in acting industries worldwide.
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Bolifraud, Sylvain, and Julie Stal-Le Cardinal. "How a Better Understanding of Relation can Increase Responsibility between Stakeholders?" Proceedings of the Design Society: International Conference on Engineering Design 1, no. 1 (July 2019): 1155–64. http://dx.doi.org/10.1017/dsi.2019.121.

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AbstractConstruction projects are complex and subject to a lot of conflicts. The misunderstanding between actors is one cause of these conflicts. To understand actor's interrelation is fundamental.In this paper, we used FAcT Miror method to analyse the relation between the two main actors, Owner and Contractor. Based on the method we built a survey about Fears, Attractiveness and Temptations of treason of each actor, The Miror effect of the method allows us to evaluate what is the thought of an actor about the other and to measure differences between actors' thought on a specific aspect of the relation. Our results allow us to have a better understanding of the relation between Owners and Contractors on a construction project. Moreover, we point out specific aspects of the relation which need to be studied to improve the understanding.
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Kwon, Ji Hye, and Young Il Cho. "The Effect of Indirect Trauma Experience of Role in the Work on the Actor's Mental Health: Focus on Focus Group Interview (FGI)." Korean Association of Criminal Psychology 19, no. 1 (March 31, 2023): 7–24. http://dx.doi.org/10.25277/kcpr.2023.19.1.7.

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This study is a qualitative study to analyze the effect of indirect trauma experiences according to roles on the mental health of actors. In order to understand the aspects of indirect trauma that occur in the personalization process of the actor's creation of a role, we analyzed through in-depth interviews with five leading actors in Korea. As a result of the study, when an actor plays a role that requires high emotional commitment and extreme physical expression, such as a victim of a crime or a murderer, it is more likely to experience post-traumatic stress than when plays a general role. Psychological pain due to the re-experience of trauma or transfered trauma according to the role affects the entire acting process, and the actor's stress that causes anxiety and obsession also affected the psychological state of the actor. In addition, regarding the relationship between the trauma of the role and the pshycological state of the actor, it was found that when the trauma of the actor's role coincides or has a similarity, it has a very serious effect.
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Erum, Iqra, Rauf Ahmed Shams Malick, Ghufran Ahmed, and Hocine Cherifi. "Complex Network Analysis of Mass Violation, Specifically Mass Killing." Entropy 24, no. 8 (July 23, 2022): 1017. http://dx.doi.org/10.3390/e24081017.

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News reports in media contain news about society’s social and political conditions. With the help of publicly available digital datasets of events, it is possible to study a complex network of mass violations, i.e., Mass Killings. Multiple approaches have been applied to bring essential insights into the events and involved actors. Power law distribution behavior finds in the tail of actor mention, co-actor mention, and actor degree tells us about the dominant behavior of influential actors that grows their network with time. The United States, France, Israel, and a few other countries have been identified as major players in the propagation of Mass Killing throughout the past 20 years. It is demonstrated that targeting the removal of influential actors may stop the spreading of such conflicting events and help policymakers and organizations. This paper aims to identify and formulate the conflicts with the actor’s perspective at a global level for a period of time. This process is a generalization to be applied to any level of news, i.e., it is not restricted to only the global level.
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Dissertations / Theses on the topic "Actors"

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Kilarski, Sharon K. "An emerging theory of actor learning : the actors' perspective /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9988676.

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Pippen, Judith Irene. "Inscribing actors' bodies : towards an epistemology of movement praxis in actor training." Thesis, Queensland University of Technology, 1998.

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This thesis explores some of the issues involved in movement praxis in actor training, contextualising itself within the QUT Academy of the Arts in Brisbane and arts research in Australian Universities. To elucidate these issues the researcher applies the epistemology of Humberto Maturana's constitutive ontology (the philosophical underpinnings of the biology of cognition) in multiple sites of performance theory and practice, with particular reference to the movement learning of actors. The research process has focused on publishing articles and a monograph for different groups of observers of the phenomenon under study: for Feldenkrais Practitioners, actor and drama educators, and researchers in performance studies. These articles, which are presented in a modified form in the thesis, develop the conceptual framework of the thesis; identify issues in movement training for performance, explore these issues and track movement training to performance. Insights garnered are then applied in the researcher's practice as director of The Rivers of China by Alma De Groen. Because the researcher occupies different sites, such as that of actor in training, of director, of actor educator and Feldenkrais Practitioner, the research is polysituational and results in a heteroglossic text. This text coheres around the central proposition that live performance can be constituted in terms of the particular dynamic of human interrelationship involved in the contract to play, and that there will be more coherence in the movement preparation of actors for live performance if that project is viewed in terms of the dynamics of this interrelationship rather than from mechanical or instrumental theories of the moving body.
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McDonough, Patrick. "Associating Attacks with Actors." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2109.

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Hetzler, Eric Thomas. "The actor's experience : a survey and interviews of actors examining the experience of performing." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444456.

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Mahanty, Sanghamitra. "Actors in paradise negotiating actors, landscape and institutions in the Nagarahole Ecodevelopment Project, India /." Online version, 2000. http://bibpurl.oclc.org/web/23849.

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Lank, Karen D. "A concurrent prograph using actors." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0028/MQ31603.pdf.

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Castro, Quiroz Sebastián. "Judicial actors as economic regulators." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:1ff15e3f-312e-4027-bdbb-d5174d7b0439.

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This DPhil thesis explores judicial activism in economic telecommunications regulation. It enquires into what factors explain its occurrence. Two debates in different strands of literature - and gaps in them - inspire the research. A first one is that various theories attempt to explain judicial activism, but no general agreement can be found on what factors actually have key explanatory power. The second gap is that the literature on regulation usually considers judicial actors as having a role in the enforcement or accountability stages of the regulatory process but largely ignore the role that they could have in the development of regulation. Empirically, I analyse judicial activism in relation to economic telecommunications regulation through an exploratory comparative study. The two countries, Chile and the UK, are chosen because they have similarities and differences that made them interesting for a comparative project, such as having different legal systems (common and continental law) and having a different political history but similar approaches to regulating telecommunications (privatisation and liberalisation). Through a critical analysis of interviews and of final decisions made by judicial actors in both countries, I explore whether the factors the relevant literature argues explain judicial activism actually do explain judicial activism in the two case studies, whether other factors not found in the literature are important in explaining judicial activism, and - most importantly - how these factors interact. Through the analysis based on the case studies I reach three main conclusions. First, that judicial activism is a jurisdiction specific phenomenon and different factors are found to explain it in each case. Second, the different factors that explain judicial activism - I argue - play different roles. Some are argued to act as enabling factors of judicial activism while others explain judicial activism in an immediate manner, which I call direct drivers. Finally, I argue that the findings of this thesis contribute to debates in different strands of literature, such as legal theory, and specifically descriptive accounts of adjudication.
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Carlucci, Mariana E. "Memory Conformity: Actors and Bystanders." FIU Digital Commons, 2011. http://digitalcommons.fiu.edu/etd/469.

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This dissertation explored memory conformity effects on people who interacted with a confederate and of bystanders to that interaction. Two studies were carried out. Study 1 was conducted in the field. A male confederate approached a group of people at the beach and had a brief interaction. About a minute later a research assistant approached the group and administered a target-absent lineup to each person in the group. Analyses revealed that memory conformity occurred during the lineup task. Bystanders were twice as likely to conform as those who interacted with the confederate. Study 2 was carried out in a laboratory under controlled conditions. Participants were exposed to two events during their time in the laboratory. In one event, participants were shown a brief video with no determinate roles assigned. In the other event participants were randomly assigned to interact with a confederate (actor condition) or to witness that interaction (bystander condition). Participants were given memory tests on both events to understand the effects of participant role (actor vs. bystander) on memory conformity. Participants answered second to all questions, following a confederate acting as a participant, who disseminated misinformation on critical questions. Analyses revealed no significant differences in memory conformity between actors and bystanders during the movie memory task. However, differences were found for the interaction memory task such that bystanders conformed more than actors on two of four critical questions. Bystanders also conformed more than actors during a lineup identification task. The results of these studies suggest that the role a person plays in an interaction affects how susceptible they are to information from a co-witness. Theoretical and applied implications are discussed. First, the results are explained through the use of two models of memory. Second, recommendations are made for forensic investigators.
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Campana, Mylène. "Motion planning for digital actors." Thesis, Toulouse 3, 2017. http://www.theses.fr/2017TOU30097/document.

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Les algorithmes probabilistes offrent de puissantes possibilités quant à la résolution de problèmes de planification de mouvements pour des robots complexes dans des environnements quelconques. Cependant, la qualité des chemins solutions obtenus est discutable. Cette thèse propose un outil pour optimiser ces chemins et en améliorer la qualité. La méthode se base sur l'optimisation numérique contrainte et la détection de collision pour réduire la longueur du chemin tout en évitant les collisions. La modularité des méthodes probabilistes nous a aussi inspirés pour réaliser un algorithme de génération de sauts pour des personnages. Cet algorithme est décrit par trois étapes de planifications, de la trajectoire du centre du personnage jusqu'à son mouvement corps-complet. Chaque étape bénéficie de la rigueur de la planification pour éviter les collisions et pour contraindre le chemin. Nous avons proposé des contraintes inspirées de la physique pour améliorer la plausibilité des mouvements, telles que du non-glissement, de la limitation de vitesse et du maintien de contacts. Les travaux de cette thèse ont été intégrés dans le logiciel "Humanoid Path Planner" et les rendus visuels effectués avec Blender
Probabilistic algorithms offer powerful possibilities as for solving motion planning problems for complex robots in arbitrary environments. However, the quality of obtained solution paths is questionable. This thesis presents a tool to optimize these paths and improve their quality. The method is based on constrained numerical optimization and on collision checking to reduce the path length while avoiding collisions. The modularity of probabilistic methods also inspired us to design a motion generation algorithm for jumping characters. This algorithm is described by three steps of motion planning, from the trajectory of the character's center to the wholebody motion. Each step benefits from the rigor of motion planning to avoid collisions and to constraint the path. We proposed physics-inspired constraints to increase the plausibility of motions, such as slipping avoidance, velocity limitation and contact maintaining. The thesis works have been implemented in the software `Humanoid Path Planner' and the graphical renderings have been done with Blender
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Ennas, Giorgio <1989&gt. "OTTOMAN éLITES AND MODERNISATION ACTORS." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9255.

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Giorgio Ennas Presentazione della tesi di laurea magistrale: Ottoman élites and modernisation actors La tesi ha come tema centrale il binomio di “Modernizzazione-Occidentalizzazione”. L’analisi si muove all’interno di un arco di tempo, che va dal 1826 al 1912, e prende in considerazione una particolare entità socio-politica, il tardo Impero ottomano. Questo lavoro analizza un particolarissimo caso di studio, quello del tardo Impero ottomano. Le velleità colonialistiche degli stati europei nei confronti di quella che era stata la principale potenza islamica del Vicino Oriente in Età moderna presenta caratteri rilevanti e unici. Escludendo l’espansione europea sulle province periferiche dell’Impero tra XVIII° e XIX° secolo, la colonizzazione militare effettiva avvenne solo con la fine della Prima Guerra Mondiale, alla quale l’Impero partecipò alla pari delle altre potenze europee, e con il Trattato di Sèvres del 10 agosto 1920. Fino alla Prima Guerra Mondiale l’Impero ottomano era riuscito a mantenere la propria indipendenza e gran parte del territorio imperiale attraverso un complesso gioco diplomatico che aveva visto coinvolta in primo piano, fin dall’inizio del XVIII° secolo, una nuova classe in ascesa, quella dei Paşa. Si trattava di una nuova classe dominante, che trovava plausibilità nell’attività amministrativa e diplomatica e che basava la sua autorità all’interno della società ottomana sulla conoscenza delle lingue occidentali e sui suoi legami diplomatici con i principali stati europei del Settecento e dell’Ottocento. La sua formazione era stata voluta e appoggiata dal potere centrale fin dall’epoca conosciuta come Lâle Devri (1703-1730). Il sultano Aḥmed III, il gran visir Damad Ibrahim Paşa e i loro successori progettarono consapevolmente la formazione di una nuova élite “di penna” che potesse fungere da intermediaria tra l’Impero ottomano e i più moderni tra gli stati dell’Europa. Questa élite, educata nell’ammirazione delle tecniche, delle culture e dei sistemi di vita sviluppati nei paesi più avanzati del continente europeo avrebbe dovuto portare avanti un processo di sviluppo prendendo a modello quelli considerati più “evoluti”. Tale processo può essere rapidamente descritto attraverso il binomio di Modernizzazione-Occidentalizzazione. Questo processo mirava, attraverso una serie di riforme “modernizzatrici”, ad adattare e conformare il sistema ottomano a quello europeo. Nel particolare, queste riforme, che ebbero luogo soprattutto nel corso del XIX° secolo, ebbero come fine l’importazione e l’adattamento di idee e di strutture burocratiche, elaborate nei paesi caratterizzati dalla cosidetta “cultura occidentale”, alla realtà ottomana. Questo processo di “modernizzazione”, ebbe la responsabilità di traghettare nell’ Impero ottomano e attraverso questo, in buona parte del Medio Oriente, numerose strutture culturali e politiche del mondo europeo. Tale processo di “importazione” o di “migrazione” delle idee cambiò radicalmente le società islamiche che caratterizzavano la zona del Vicino Oriente. La cultura “Neo-ottomana”, na
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Books on the topic "Actors"

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O'Brien, Kevin. Actors. New York: St. Martin's Press, 1986.

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Spotlight. Actors. London: Spotlight, 1997.

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Spotlight, ed. Actors. London: Spotlight, 1994.

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Conlon, Laura. Actors. Vero Beach, FL: Rourke Press, 1994.

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Boal, Augusto, and Adrian Jackson. Games for Actors and Non-Actors. 3rd ed. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429261053.

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Cohn, Lee Michael. Directing Actors. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003090991.

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Thalmann, Nadia Magnenat, and Daniel Thalmann. Synthetic Actors. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-75453-1.

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Presnall, Judith Janda. Animal actors. San Diego, CA: Kidhaven Press, 2002.

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Lyn, Haill, ed. Actors speaking. London: Oberon, 2007.

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Clark, Katie. Animal actors. New York, N.Y: Bearport Pub., 2014.

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Book chapters on the topic "Actors"

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Nixon, David. "Actors." In Beginning Unreal Game Development, 73–113. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5639-8_4.

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Upadhyaya, Bhim P. "Actors." In Programming with Scala, 151–64. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69368-2_13.

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Banović, Damir, Saša Gavrić, and Mariña Barreiro Mariño. "Actors." In The Political System of Bosnia and Herzegovina, 79–99. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54387-7_5.

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Kautsch, Andrés Ibañez. "Actors." In Modern Concurrency on Apple Platforms, 117–35. Berkeley, CA: Apress, 2022. http://dx.doi.org/10.1007/978-1-4842-8695-1_6.

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Karmani, Rajesh K., Gul Agha, Mark S. Squillante, Joel Seiferas, Marian Brezina, Jonathan Hu, Ray Tuminaro, et al. "Actors." In Encyclopedia of Parallel Computing, 1–11. Boston, MA: Springer US, 2011. http://dx.doi.org/10.1007/978-0-387-09766-4_125.

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Lopes, Cristina Videira. "Actors." In Exercises in Programming Style, 225–32. Second edition. | Boca Raton : CRC Press, 2020.: Chapman and Hall/CRC, 2020. http://dx.doi.org/10.1201/9780429343216-29.

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Seadle, Michael. "Actors." In The Measurement of Information Integrity, 121–43. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003098942-6.

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Steinveg, Beate. "Actors." In Arctic Governance Through Conferencing, 79–106. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-23332-6_4.

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Doboš, Bohumil. "Actors." In The Geopolitics of Space Colonization, 33–60. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003377252-3.

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Rea, Peter W., and David K. Irving. "Actors." In Producing and Directing the Short Film and Video, 119–39. 5th ed. New York: Routledge, 2015. http://dx.doi.org/10.4324/9781315849065-8.

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Conference papers on the topic "Actors"

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Koc, Ozcan, Chaiporn Jaikaeo, and Chien-Chung Shen. "Navigating actors in mobile sensor actor networks." In the Ffrst ACM workshop. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1287731.1287736.

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Bojanowski, P., F. Bach, I. Laptev, J. Ponce, C. Schmid, and J. Sivic. "Finding Actors and Actions in Movies." In 2013 IEEE International Conference on Computer Vision (ICCV). IEEE, 2013. http://dx.doi.org/10.1109/iccv.2013.283.

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Bainomugisha, Engineer, Jorge Vallejos, Éric Tanter, Elisa Gonzalez Boix, Pascal Costanza, Wolfgang De Meuter, and Theo D'Hondt. "Resilient actors." In the 2009 international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1568199.1568205.

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Charousset, Dominik, Thomas C. Schmidt, Raphael Hiesgen, and Matthias Wählisch. "Native actors." In the 2013 workshop. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2541329.2541336.

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Lohstroh, Marten, and Edward A. Lee. "Deterministic Actors." In 2019 Forum for Specification and Design Languages (FDL). IEEE, 2019. http://dx.doi.org/10.1109/fdl.2019.8876922.

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Harvey, Paul, and Joseph Sventek. "Adaptable Actors." In SOSP '17: ACM SIGOPS 26th Symposium on Operating Systems Principles. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3144555.3144559.

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Vallentin, Matthias, Dominik Charousset, Thomas C. Schmidt, Vern Paxson, and Matthias Wählisch. "Native actors." In SIGCOMM'14: ACM SIGCOMM 2014 Conference. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2619239.2631471.

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He, Jiansen, Philip Wadler, and Philip Trinder. "Typecasting actors." In the Fifth Anuual Scala Workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2637647.2637651.

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da Silva, Rogerio E., Manuel F. dos Santos, and Ido A. Iurgel. "Developing Virtual Actors Inspired by Real Actors' Practice." In 2011 Workshop on Digital Media and Digital Content Management. IEEE, 2011. http://dx.doi.org/10.1109/dmdcm.2011.50.

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Alaiwy, Mona H., Fatema H. Alaiwy, and Sami Habib. "Optimization of Actors Placement within Wireless Sensor-Actor Networks." In 2007 IEEE Symposium on Computers and Communications. IEEE, 2007. http://dx.doi.org/10.1109/iscc.2007.4381511.

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Reports on the topic "Actors"

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Mills, Greg. Disaggregating Chinese actors in Africa. East Asian Bureau of Economic Research, August 2012. http://dx.doi.org/10.59425/eabc.1343991621.

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Harden, James D. Understanding Regional Actors: A Case Study. Fort Belvoir, VA: Defense Technical Information Center, April 2002. http://dx.doi.org/10.21236/ada401903.

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Forte, Robert A. Doctrinal Lessons from Non-State Actors. Fort Belvoir, VA: Defense Technical Information Center, January 2001. http://dx.doi.org/10.21236/ada421328.

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Del Boca, Daniela, Christopher Flinn, Ewout Verriest, and Matthew Wiswall. Actors in the Child Development Process. Cambridge, MA: National Bureau of Economic Research, February 2019. http://dx.doi.org/10.3386/w25596.

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Zeckhauser, Richard, Jayendu Patel, and Darryll Hendricks. Nonrational Actors and Financial Market Behavior. Cambridge, MA: National Bureau of Economic Research, June 1991. http://dx.doi.org/10.3386/w3731.

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Dally, William J. The J-Machine: System Support for Actors. Fort Belvoir, VA: Defense Technical Information Center, December 1988. http://dx.doi.org/10.21236/ada204210.

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de Biolley, Magali. Le Leadership Humanitaire Local au Burkina Faso : Passer de belles paroles aux actes. Oxfam, December 2021. http://dx.doi.org/10.21201/2021.8588.

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Ce rapport s’intéresse d’abord aux causes et défis qui permettent d’expliquer la marginalisation des acteurs locaux en faisant notamment remonter leurs perceptions. Une deuxième partie met en valeur les bonnes pratiques existantes et proposer des actions concrètes pour renforcer la place des acteurs locaux et éventuellement le leadership humanitaire local (LHL) dans la réponse au Burkina Faso. Cette étude permet la proposition de pistes pour une réponse dirigée par les acteurs humanitaires locaux et qui soit plus adaptée aux besoins, plus rapide, plus durable, plus appropriée, et qui réponde enfin au changement de réalité imposé par l’augmentation des violences, tout en maintenant les populations au centre de la réponse. This report looks at the marginalization faced by local actors in the humanitarian response in Burkina Faso. It examines the causes and challenges of their experience, in particular by foregrounding their perceptions. The report highlights existing good practice and proposes specific actions to strengthen the role of local actors and potentially local humanitarian leadership in the response. The study suggests ways of developing a response led by local humanitarian actors that better meets needs and is faster, more sustainable, more relevant and, finally, more responsive to the changing reality dictated by increased violence, while keeping people at the centre.
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Bergsager, Henrik, and Anna Korppoo. China’s State-Owned Enterprises as Climate Policy Actors. Nordic Council of Ministers, April 2013. http://dx.doi.org/10.6027/tn2013-527.

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NATIONAL WAR COLL WASHINGTON DC. Fixing US Special Operations. Rational Actors Not Allowed. Fort Belvoir, VA: Defense Technical Information Center, January 1993. http://dx.doi.org/10.21236/ada441771.

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Juste de Ancos, Rubén, Lorena Soler, and Mario Ortí Mata. Media, actors of references and power in Paraguay. Revista Latina de Comunicación Social, RLCS, March 2014. http://dx.doi.org/10.4185/rlcs-2014-1010en.

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