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Books on the topic 'Active screen'

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Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Hill, Z. B. Acting: Stage & screen. Broomall, PA: Mason Crest, 2015.

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2

Dmytryk, Edward, Jean Porter Dmytryk, and Paul Thompson. On Screen Acting. New York: Routledge, Taylor & Francis Group, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9780429506062.

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3

Secrets of screen acting. 2nd ed. New York, N.Y: Routledge, 2003.

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4

Belli, Mary Lou. Acting for the Screen. Edited by Mary Lou Belli. New York, NY : Routledge, 2019. | Series: PERFORM : succeeding as a creative professional: Routledge, 2019. http://dx.doi.org/10.4324/9780429458729.

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5

Secrets of screen acting. New York: Routledge, 1994.

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6

Movement training for the stage and screen. London: A & C Black, 1995.

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7

Film and televison acting: From stage to screen. 2nd ed. Boston: Focal Press, 1998.

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8

The actor's choice: The transition from stage to screen. Portsmouth, N.H: Heinemann, 1996.

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9

Acting Wales: Stars of stage and screen. Cardiff: University of Wales Press, 2000.

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10

Gosman, Gillian. Screws in action. New York: PowerKids Press, 2011.

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11

Adams, Brian. Screen acting: How to succeed in motion pictures and television. Beverly Hills, CA: Lone Eagle, 1987.

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12

Lessons: The craft of acting : truthful human behavior on stage or screen. Colorado Springs, CO: Meriwether Pub., 2006.

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13

Hunt, Gordon. How to audition: For TV, movies, commercials, plays, and musicals. New York, N.Y: HarperPerennial, 1995.

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14

Hunt, Gordon. How to audition: For TV, movies, commercials, plays, andmusicals. 2nd ed. New York: HarperPerennial, 1995.

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15

Acting Jewish: Negotiating ethnicity on the American stage and screen. Ann Arbor: University of Michigan Press, 2005.

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16

Bial, Henry. Acting Jewish: Negotiating ethnicity on the American stage and screen. Ann Arbor, MI: University of Michigan Press, 2005.

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17

Searching for stars: Stardom and screen acting in British cinema. London: Cassell, 2000.

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18

Sabatine, Jean. Movement training for the stage and screen: The organic connection between mind, spirit, and body. New York: Back Stage Books, 1995.

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19

Lust, Annette. Bringing the body to the stage and screen: Expressive movement for performers. Lanham: Scarecrow Press, Inc., 2011.

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20

Spagno, Christian. Immersive VR projection system with simultaneous image acquisition using active projection screens. Konstanz: Hartung-Gorre, 2003.

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21

Harmon, Renee. How to audition for movies and TV. New York: Walker, 1992.

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22

Murphy, Christopher. Scream at the sea. Leicester: Ulverscroft, 1985.

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23

Acting A to Z: The young person's guide to a stage or screen career. New York: Back Stage Books, 1998.

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24

Bialy, Sharon. How to audition on camera: A Hollywood insider's guide for actors. Thomaston, ME: Tilbury House Publishers, 2016.

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25

Agents on actors: Over sixty professionals share their secrets on finding work on the stage and screen. New York: Back Stage, 2000.

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26

Smirk, sneer, and scream: Great acting in horror cinema. Jefferson, N.C: McFarland, 2004.

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27

Michael, Scriven, ed. The future of evaluation in society: A tribute to Michael Scriven. Charlotte, NC: INFORMATION AGE PUBLISHING, INC., 2013.

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28

Lemke, Donald B. The Joker's ice scream. New York, NY: Harper, an imprint of HarperCollinsPublishers, 2015.

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29

Meier, Paul. Accents and dialects for stage and screen: An instruction manual for 24 accents and dialects commonly used by English-speaking actors. Lawrence, Kan: Paul Meier Dialect Services, 2009.

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30

Haas, Frank De. Bolt action rifles. 3rd ed. Northfield, Ill: DBI Books, 1995.

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31

Augoustakis, Antony, and Stacie Raucci, eds. Epic Heroes on Screen. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424516.001.0001.

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This is the first collection to look at the most recent manifestations of the ancient hero on screen. This volume written by scholars in the flourishing field of reception studies, enters the conversation at an active point in the history of the ancients on screen, when new ancients commonly arrive multiple times per year. It brings together an array of perspectives on twenty-first century cinematic representations of ancient world heroes and antiheroes –- from the mythical Hercules in various forms to famous leaders of the Greek and Roman worlds. Films and television series examined range from Hercules and The Legend of Hercules to Atlantis and Supernatural, as well as other biopic works influenced by the figure of the ancient hero. Using diverse critical practices, the authors question what it means to be an ancient hero on the screens of the twenty-first century. The volume includes an introduction and fourteen chapters that explore the complicated nature of the ancient hero (and the antihero) and the ways these figures are (re) invented on screen in recent works.

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32

Loscalzo, Matthew J., Karen L. Clark, Courtney Bitz, Justin M. Yopp, and Donald L. Rosenstein. When the Invisible Screen Becomes Visible (DRAFT). Edited by Youngmee Kim and Matthew J. Loscalzo. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190462253.003.0011.

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This chapter outlines two innovative sex- and gender-based biopsychosocial interventions: Couples Coping with Cancer Together and Single Fathers Due to Cancer. The foundation of each intervention is based on strengths inherent to the participants’ gender. Couples Coping with Cancer Together focuses on patients and partners during both active treatment and survivorship. Single Fathers Due to Cancer engages widowed fathers and their children. These two programs illustrate the relevance of sex (a one-time biological event determined at conception: male, female, intersex) and gender (how individuals defines themselves and their lives) differences in coping with the challenges of cancer. Future research is essential to empirically explore interventional studies that focus on gender-related strengths.

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33

1935-, Lovell Alan, and Krämer Peter 1961-, eds. Screen acting. London: Routledge, 1999.

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34

Kramer, Peter. Screen Acting. Routledge, 2014. http://dx.doi.org/10.4324/9781315870373.

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35

Smyth, J. E. Madam President. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.003.0005.

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Mary C. McCall Jr. was the Screen Writers Guild’s most valuable asset from its earliest days through the blacklist. Eventually, she would publicly sacrifice her career in Hollywood defending the basic right of screen credit against a new breed of politically repressive producers. But, like her most famous creation, Maisie Ravier, McCall did not give up on herself or her show business industry. Sadly, over the years, the guild and historians of Hollywood have denied her the screen credit she deserves. She was one of the most politically active and powerful of all Hollywood writers, and yet is one of the least discussed in scholarly accounts of the film industry. Though much of the scholarship on studio-era Hollywood screenwriters has focused on the men who led the Hollywood Left, during the studio era, McCall wielded more power than any Hollywood woman before or since. This is her story.

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36

Acting for the Screen. Taylor & Francis Group, 2019.

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37

Belli, Mary Lou. Acting for the Screen. Taylor & Francis Group, 2019.

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38

Belli, Mary Lou. Acting for the Screen. Taylor & Francis Group, 2019.

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39

Secrets of screen acting. Routledge, 2015.

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40

A Screen Acting Workshop. Nick Hern Books, 2012.

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41

Belli, Mary Lou. Acting for the Screen. Taylor & Francis Group, 2019.

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42

Belli, Mary Lou. Acting for the Screen. Taylor & Francis Group, 2019.

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43

Tucker, Patrick. Secrets of Screen Acting. Routledge, 2014. http://dx.doi.org/10.4324/9781315740300.

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44

Tucker, Patrick. Secrets of Screen Acting. Routledge, 2004. http://dx.doi.org/10.4324/9780203011096.

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45

Reframing Screen Performance. University of Michigan Press, 2008.

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46

Baron, Cynthia, and Sharon Marie Carnicke. Reframing Screen Performance. University of Michigan Press, 2008.

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47

On Screen Acting: An Introduction to the Art of Acting for the Screen. Taylor & Francis Group, 2018.

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48

Dmytryk, Edward, and Jean Porter Dmytryk. On Screen Acting: An Introduction to the Art of Acting for the Screen. Taylor & Francis Group, 2018.

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49

Tomlinson. ACTORS ON ACTING F/T SCREEN. Garland Science, 1994.

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50

Dresner, Daniel. A Life-coaching Approach to Screen Acting. Methuen Drama, 2018.

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