Academic literature on the topic 'Acting'
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Journal articles on the topic "Acting"
Roberts, Thomas M., and Murray Stewart. "Acting like Actin." Journal of Cell Biology 149, no. 1 (April 3, 2000): 7–12. http://dx.doi.org/10.1083/jcb.149.1.7.
Full textVinson, V. "Acting Like Actin." Science 330, no. 6009 (December 2, 2010): 1289. http://dx.doi.org/10.1126/science.330.6009.1289-b.
Full textGeitmann, Anja. "Actuators Acting without Actin." Cell 166, no. 1 (June 2016): 15–17. http://dx.doi.org/10.1016/j.cell.2016.06.030.
Full textEgea, Gustavo, Carla Serra-Peinado, Laia Salcedo-Sicilia, and Enric Gutiérrez-Martínez. "Actin acting at the Golgi." Histochemistry and Cell Biology 140, no. 3 (June 27, 2013): 347–60. http://dx.doi.org/10.1007/s00418-013-1115-8.
Full textAdler, E. M. "Acting with Actin (But Not Akt)." Science Signaling 4, no. 178 (June 21, 2011): ec169-ec169. http://dx.doi.org/10.1126/scisignal.4178ec169.
Full textOtt, Albrecht, D. Riveline, F. Jülicher, D. A. WinkelmannD, O. Cardoso, JJ Lacapère, S. Magnúsdóttir, JL Viovy, L. Gorre-Talini, and J. Prost. "Acting on actin: The electric motility assay." Biology of the Cell 91, no. 3 (June 1999): 252. http://dx.doi.org/10.1016/s0248-4900(99)90096-5.
Full textRiveline, Daniel, A. Ott, Frank Jülicher, Donald A. Winkelmann, Olivier Cardoso, Jean-Jacques Lacapère, Soffia Magnúsdóttir, J. L. Viovy, Laurence Gorre-Talini, and Jacques Prost. "Acting on actin: the electric motility assay." European Biophysics Journal 27, no. 4 (June 22, 1998): 403–8. http://dx.doi.org/10.1007/s002490050147.
Full textLangley, Dorothy. "Acting in Or Acting Out?" Dramatherapy 12, no. 2 (June 1990): 2–4. http://dx.doi.org/10.1080/02630672.1990.9689336.
Full textWebb, Patrick, and Christopher Linn. "Acting Right or Acting White." Journal of Black Studies 47, no. 2 (December 10, 2015): 134–49. http://dx.doi.org/10.1177/0021934715618397.
Full textHamilton, James R. "Acting." Journal of Dramatic Theory and Criticism 28, no. 1 (2013): 35–59. http://dx.doi.org/10.1353/dtc.2013.0020.
Full textDissertations / Theses on the topic "Acting"
Johnston, Daniel Waycott. "Active Metaphysics: Acting as Manual Philosophy or Phenomenological Interpretations of Acting Theory." University of Sydney, 2008. http://hdl.handle.net/2123/3984.
Full textThis thesis considers actors as ‘manual philosophers’; it engages the proposition that acting can reveal aspects of existence and Being. In this sense, forms of acting that analyse and engage with lived experience of the world offer a phenomenological approach to the problem of Being. But rather than arrive at abstract, general conclusions about the human subject’s relationship to the world, at least some approaches to acting investigate the structures of experience through those experiences themselves in a lived, physical way. I begin with the troubled relationship between philosophy and theatre and briefly consider the history of attacks on actors. I suggest that at the heart of antitheatricality is what Jonas Barish (1981: 3) calls ‘ontological queasiness’: theatre poses a problem in the distinction between ‘what is’ and ‘what is not’. Turning to phenomenology as a particular way of doing philosophy that challenges any dualistic understanding of subjectivity, I reflect on Martin Heidegger’s Being and Time as a lens for viewing the process of performing and preparing for a role. Heidegger emphasises the intermeshed relationship between the human subject, Dasein (Being-there), and the world to the point that it is impossible to consider one without the other. I have chosen three of the most influential theatre and acting theorists of the twentieth century and examine how each uncovers aspects of existence that are presented in Heidegger’s phenomenology. Firstly, I consider Constantin Stanislavski’s ‘system’ which emphasises action for a purpose within an environment, the individual’s relationship to objects in the world and its involvement with other people who share the same type of Being in the world. Secondly, I examine Antonin Artaud’s conception of theatre that seeks to resist the structures of Being, the way the world is interpreted by others (the ‘They’) and the way that the world gets handed over to consciousness for the most part. In many respects, Artaud’s theatre is the embodiment of Anxiety, a world-revealing state where Being becomes apparent. Thirdly, I discuss Bertolt Brecht’s theatre practice as an attestation to authenticity (a truthful engagement with human existence as possibility) through the medium of performance. Brecht seeks to engage audiences in philosophical debate and change the world. Like Heidegger, Brecht also stresses the historical and temporal constitution of the human subject, whilst emphasising practicality in theatre making. By examining these approaches to performance as case studies, this thesis rethinks the notional intersection of philosophy and theatre, concentrating on process rather than literary analysis. This application of phenomenology is new in that it does not merely consider theatre analysis from an ‘ideal’ audience point of view (i.e. provide a phenomenology of theatre). By focusing on acting, I emphasise the development of artistic creation and becoming, and show how certain types of acting are phenomenological. The bold upshot here is a conception of philosophy that acknowledges various theatre practices as embodied forms of philosophical practice. Furthermore, theatre might well be thought of as phenomenological because it can be an investigation of Being firmly entrenched in practical action and performance. Conversely, philosophy is more than just words on a page; it is a performed activity. Actors can be considered manual philosophers in so far as they engage with the problem of Being not in mere abstraction but in the practical challenges of performance.
Johnston, Daniel Waycott. "Active Metaphysics: Acting as Manual Philosophy or Phenomenological Interpretations of Acting Theory." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/3984.
Full textJohnston, Daniel Waycott. "Active metaphysics acting as manual philosophy or phenomenological interpretations of acting theory /." Connect to full text, 2007. http://hdl.handle.net/2123/3984.
Full textTitle from title screen (viewed January 21, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Faculty of Arts, Dept. of Performing Studies. Degree awarded 2008; thesis submitted 2007. Includes bibliography. Also available in print format.
Stokes, Kristoffer H. "Play acting." [Gainesville, Fla.]: University of Florida, 2003. http://purl.fcla.edu/fcla/etd/UFE0000798.
Full textSouza, Dawn. "Acting Mindfully." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5340.
Full textHenney, Pamela Ann. "Acting the Author: Using Acting Techniques in Teaching Academic Writing." University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1342799222.
Full textBjörklund, Niklas. "Acting in animation." Thesis, University of Gävle, Ämnesavdelningen för datavetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-4698.
Full textIt is important to remember actors and animators are similar in many respects, but also very different in some. They both frame and provide life to a character, through thoughts and feelings. To obtain a better understanding of how professional animators work and what methods they use, this thesis contains general background information on animation and the Principles in Animation, as well as the analysis of acting and the different acting concepts. By studying these methods and utilizing them in my own work, a short animation was developed to visualize a characters personality through his actions. The result was then applied to a questionnaire to determine if the audience could pick out the characters personality only through the animation without dialog, music, or sound. According to the interviewed audience, they could feel some of the characters emotions and pick out some of the inner thoughts and feelings from the animation.
Raloff, Anke. "Acting in concert." Jena JWV, Jenaer Wiss. Verl.-Ges, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=3010824&prov=M&dok_var=1&dok_ext=htm.
Full textGranke, Daniel. "Decoding Acting Vocabulary." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3110.
Full textBlomberg, Stathopoulos Alexander C. "Acting and understanding." Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/8417.
Full textBooks on the topic "Acting"
Daw, Kurt. Acting: Thought into action. Portsmouth, NH: Heinemann, 1997.
Find full textCohen, Robert. Acting one/acting two. 5th ed. Boston: McGraw Hill, 2008.
Find full textBoleslavsky, Richard. Acting. London: Taylor & Francis Group Plc, 2004.
Find full textHarrop, John. Acting. London: Routledge, 1992.
Find full textBoleslavsky, Richard. Acting. London: Taylor & Francis Inc, 2004.
Find full textHarrop, John. Acting. London: Routledge, 1992.
Find full textGreenspon, Jaq. Acting. Lincolnwood, Ill., USA: VGM Career Horizons, 1996.
Find full textEpstein, Sabin R. Basic acting: The modular acting process. Boston: Allyn and Bacon, 1996.
Find full textTurnbull, Stephanie. Acting skills. London: Franklin Watts, 2014.
Find full textFerris, Lesley. Acting Women. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20506-6.
Full textBook chapters on the topic "Acting"
Merlin, Bella. "‘Expressing Your Creative Individuality’: 21st-Century Practitioners." In Acting, 119–46. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-6.
Full textMerlin, Bella. "‘Systems and Methods’: 20th-Century Innovators." In Acting, 61–88. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-4.
Full textMerlin, Bella. "‘Building a Character’: Rehearsal Processes." In Acting, 89–118. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-5.
Full textMerlin, Bella. "Epilogue." In Acting, 178–79. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-8.
Full textMerlin, Bella. "‘Why Act?’: Some Socio-Cultural Perspectives." In Acting, 4–28. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-2.
Full textMerlin, Bella. "Introduction." In Acting, 1–3. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-1.
Full textMerlin, Bella. "‘And … Action!’: Performance Practices." In Acting, 147–77. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-7.
Full textMerlin, Bella. "‘The Player and the Instrument’: Actor Training." In Acting, 29–60. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003267270-3.
Full textDukore, Bernard F. "Acting." In Death of a Salesman and The Crucible, 77–91. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-08599-6_17.
Full textDukore, Bernard F. "Acting." In Death of a Salesman and The Crucible, 98–104. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-08599-6_20.
Full textConference papers on the topic "Acting"
Schmieder, Thomas, and Robert J. Wierzbicki. "Competitive acting." In the 13th International MindTrek Conference: Everyday Life in the Ubiquitous Era. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621841.1621844.
Full textKade, Daniel, Rikard Lindell, Hakan Ürey, and Oğuzhan Özcan. "Acting 2.0." In ACE 2015: 12th International Conference on Advances in Computer Entertainment Technology. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2832932.2832984.
Full textKuutti, Kari, Giulio Iacucci, and Carlo Iacucci. "Acting to know." In the fourth conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/581710.581726.
Full textBarkhuus, Louise, and Chiara Rossitto. "Acting with Technology." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2858036.2858344.
Full textFeng, Andrew, Gale Lucas, Stacy Marsella, Evan Suma, Chung-Cheng Chiu, Dan Casas, and Ari Shapiro. "Acting the part." In MIG '14: Motion in Games. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2668064.2668102.
Full textFinnegan, John C., and Ed Hooks. "Acting for animators." In ACM SIGGRAPH 2005 Courses. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1198555.1198680.
Full textSlater, M., J. Howell, A. Steed, D.-P. Pertaub, and M. Garau. "Acting in virtual reality." In the third international conference. New York, New York, USA: ACM Press, 2000. http://dx.doi.org/10.1145/351006.351020.
Full textKnight, Heather, and Matthew Gray. "Acting lesson with robot." In the seventh annual ACM/IEEE international conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2157689.2157821.
Full textKragic, Danica. "Acting, Interacting, Collaborative Robots." In HRI '17: ACM/IEEE International Conference on Human-Robot Interaction. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/2909824.3020260.
Full textCameron, Gordon, Robert Russ, and Adam Woodbury. "Acting with contact inRatatouille." In ACM SIGGRAPH 2007 sketches. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1278780.1278858.
Full textReports on the topic "Acting"
Ruebeck, Christopher, Susan Averett, and Howard Bodenhorn. Acting White or Acting Black: Mixed-Race Adolescents' Identity and Behavior. Cambridge, MA: National Bureau of Economic Research, February 2008. http://dx.doi.org/10.3386/w13793.
Full textAusten-Smith, David, and Roland Fryer. The Economics of 'Acting White'. Cambridge, MA: National Bureau of Economic Research, August 2003. http://dx.doi.org/10.3386/w9904.
Full textFryer, Roland, and Paul Torelli. An Empirical Analysis of 'Acting White'. Cambridge, MA: National Bureau of Economic Research, May 2005. http://dx.doi.org/10.3386/w11334.
Full textLi, Pui-Kai. Development for Dual Acting Inhibitors for Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, August 2001. http://dx.doi.org/10.21236/ada398105.
Full textLi, Pui-Kai. Development of Dual Acting Inhibitors for Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, August 2002. http://dx.doi.org/10.21236/ada410197.
Full textLi, Pui-Kai. Development of Dual Acting Inhibitors for Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, November 2004. http://dx.doi.org/10.21236/ada432232.
Full textLi, Pui K. Development of Dual Acting Inhibitors for Breast Cancer. Fort Belvoir, VA: Defense Technical Information Center, August 2003. http://dx.doi.org/10.21236/ada421903.
Full textBursztyn, Leonardo, Thomas Fujiwara, and Amanda Pallais. 'Acting Wife': Marriage Market Incentives and Labor Market Investments. Cambridge, MA: National Bureau of Economic Research, January 2017. http://dx.doi.org/10.3386/w23043.
Full textCarreras, B. A. Transport mechanisms acting in toroidal devices: A theoretician's view. Office of Scientific and Technical Information (OSTI), January 1993. http://dx.doi.org/10.2172/6567426.
Full textCarreras, B. A. Transport mechanisms acting in toroidal devices: A theoretician`s view. Office of Scientific and Technical Information (OSTI), January 1993. http://dx.doi.org/10.2172/10155465.
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