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Books on the topic 'Accessible poetry'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Whitman, Walt. Cao ye ji. Beijing: Ren min wen xue chu ban she, 1987.

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Whitman, Walt. Leaves of grass: The first (1855) edition. New York: Penguin Books, 2005.

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Whitman, Walt. Hojas de hierba. Buenos Aires: Longseller, 2002.

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Whitman, Walt. Leaves of grass. New York: Modern Library, 1993.

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5

Whitman, Walt. Leaves of grass: The original 1855 edition : bold-faced thoughts on the power and pleasure of self-expression. New York: Sterling Pub., 2010.

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Whitman, Walt. Hojas de hierba. [Madrid]: [Espasa], 1999.

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Whitman, Walt. Leaves of grass. Oxford: Oxford University Press, 1990.

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8

Whitman, Walt. Leaves of grass. Oxford: Oxford University Press, 2008.

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9

Whitman, Walt. Leaves of grass. New York: New American Library, 2000.

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10

Whitman, Walt. Leaves of Grass. Waiheke Island: The Floating Press, 2009.

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11

Whitman, Walt. Leaves of Grass: The First Edition. New York: Penguin, 1986.

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12

Whitman, Walt. Hojas de hierba. Madrid: Editorial Alba, 1998.

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13

Whitman, Walt. Leaves of grass. New York: Signet Classics, 2005.

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14

Whitman, Walt. Leaves of grass. Amherst, N.Y: Prometheus Books, 1995.

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15

Whitman, Walt. Leaves of grass. New York: Vintage Books/Library of America, 1991.

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16

Whitman, Walt. Leaves of grass. New York, NY: Oxford University Press, 2004.

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17

Richards, T. J. Afternoon Tomatoes: Accessible Poetry. Authorhouse, 2018.

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18

Lonzie's Fried Chicken Vol. 2: A Journal of Accessible Southern Fiction & Poetry. Southern Escarpment Company, 1999.

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19

Tyler, Daniel, ed. Poetry in the Making. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198784562.001.0001.

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Poetry in the Making investigates the compositional practices of Victorian poets, as made evident in the autograph manuscripts of their poems. Written in an accessible and stimulating style, the book offers careful readings of individual drafts, paying attention to the revisions, cancellations, interlineations, trials of rhyme and form, and sometimes the large structural changes that these documents reveal. The book shows how manuscript revisions offer insights into the creative priorities and decisions of major Victorian poets (Wordsworth, Tennyson, the Brownings, Clough, Hopkins, Christina Rossetti, Swinburne, and Yeats); and investigates ideas of composition in the period, particularly the uneasy balance between inspiration and labour. Collectively, the chapters develop a survey of how Victorian poets experienced and understood their own creativity, setting abstract claims about inspiration and craftsmanship against their own practical experiences. The book testifies to the value for criticism of poetic drafts, establishing the significance of revision and of manuscript studies for the field of Victorian poetry and for literary scholarship more generally.

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20

Lecky, Katarzyna. Pocket Maps and Public Poetry in the English Renaissance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834694.001.0001.

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If maps are instruments of power, then it matters that in Renaissance Britain they were often found in the pockets of ordinary people. Pocket Maps and Public Poetry in the English Renaissance demonstrates how early modern British poets paid by the state adapted inclusive modes of nationhood charted by inexpensive, small-format maps. It places chapbooks (“cheapbooks”) by Edmund Spenser, Samuel Daniel, Ben Jonson, William Davenant, and John Milton into conversation with the portable cartography circulating in the same retail print industry. Domestic pocket maps were designed for heavy use by a broad readership that included those on the fringes of literacy. The era’s de facto laureates all banked their success as writers appealing to this burgeoning market share by drawing the nation as the property of the commonwealth rather than the Crown. This book investigates the accessible world of small-format cartography as it emerges in the texts of the poets raised in the expansive public sphere in which pocket maps flourished. It works at the intersections of space, place, and national identity to reveal the geographical imaginary shaping the flourishing business of cheap print. Its placement of poetic economies within mainstream systems of trade also demonstrates how cartography and poetry worked together to mobilize average consumers as political agents. This everyday form of geographic poiesis was also a strong platform for poets writing for monarchs and magistrates when their visions of the nation ran counter to the interests of the government.

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21

Geisel, Ted. If I Ran the Circus. Tandem Library, 1999.

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22

Geisel, Ted. If I Ran the Circus. HARPER COLL CHILDREN, 2003.

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23

Geisel, Ted. If I Ran the Circus. Amer School Pub, 1989.

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24

Sano, Hiroko. Translating Milton’s Poetry into Japanese with a Case Study of Samson Agonistes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754824.003.0027.

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This chapter examines translation theory and practice in the context of the specific linguistic and cultural challenges that arise when translating Milton’s poetry into accessible Japanese. Milton has been known in Japan as being as important as Shakespeare, but his works have a limited readership while Shakespeare has had a strong presence. Elements that account for Milton’s reception are Milton scholarship in Japan, characteristics of the Japanese language, the archaic sound of Milton’s grand English style especially given Japanese translational choices, and a Christianity articulated too immediately and profoundly for a culture in which Christian training and history are almost absent. This chapter then provides a personal account and the theoretical underpinnings of Sano’s recent Japanese translation of Samson Agonistes and her participation in a well-received production in 2012 of poet Takahashi’s adaptation of Milton’s tragedy in the Noh style.

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25

Hartmann, Anna-Maria. In memoriam Philip Sidney. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807704.003.0004.

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Abraham Fraunce’s Amintas Dale (1591) is a generic hybrid, half mythography and half mythological poetry. The mythographical elements likely date back to a draft mythography that Fraunce had begun at some point before 1588, and which he later drew on to create a work celebrating the fifth anniversary of Sir Philip Sidney’s death. Drawing on symbol theory, France conceives of fables as free-ranging poetic metaphors, which thinly veil their meaning, but are accessible to any intelligent reader. As part of a living tradition of poetry, fables are a form of communication that contemporary writers can draw on and contribute to. In Amintas Dale, Fraunce does just that, by extending Ovid’s Metamorphoses to the late sixteenth century, and weaving Sir Philip Sidney into the mythological narrative.

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26

Whitman, Walt. Leaves of Grass. Lerner Publishing Group, 2015.

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27

Whitman, Walt. Leaves of Grass. Printers Row Publishing Group, 2015.

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28

Whitman, Walt. Leaves of Grass (Oxford World's Classics). Oxford University Press, USA, 1998.

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29

Whitman, Walt. Leaves of Grass. Independently Published, 2020.

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30

Whitman, Walt. Leaves of Grass. Barnes & Noble, 1997.

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31

Whitman, Walt. Leaves of Grass: Selected Readings (Modern Library Audio Series). Modern Library, 1996.

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32

Whitman, Walt. Leaves of Grass: Penguin Pocket Poets. Penguin Classic, 2018.

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33

Whitman, Walt. Leaves of Grass. Lerner Publishing Group, 2015.

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34

Whitman, Walt. Leaves of Grass. HardPress, 2020.

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35

Whitman, Walt. Leaves of Grass (Barnes & Noble Classics Series): First and "Death-Bed" Editions (Barnes & Noble Classics). Barnes & Noble Classics, 2004.

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36

Whitman, Walt. Hojas de Hierba. Andromeda Publications, 1995.

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37

Whitman, Walt. Leaves of Grass (Enriched Classics). Pocket, 2006.

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38

Whitman, Walt. Leaves of Grass - 1855 edition. Aziloth Books, 2010.

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39

Whitman, Walt. Leaves of Grass. Dover Publications, Incorporated, 2020.

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40

Whitman, Walt. Leaves of Grass. Lerner Publishing Group, 2015.

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41

Whitman, Walt. Leaves of Grass: Library Edition. Blackstone Audiobooks, 2006.

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42

Whitman, Walt. Hojas de Hierba. Altamira, 2000.

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43

Leaves of grass: Foglie d'erba 1855. Marsilio, 2000.

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44

Leaves of Grass. New York: Barnes & Noble World Digital Library, 2003.

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45

Whitman, Walt. Leaves of Grass (Literary Classics). Penguin USA (P), 1999.

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46

Whitman, Walt. Leaves of Grass. Gibbs Smith, 2017.

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47

Whitman, Walt. Leaves of Grass. Alma Classics, 2019.

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48

Whitman, Walt. Hojas de Hierba. Editors, 1995.

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49

Whitman, Walt. Supplement Edition : Leaves of Grass: The Original 1855 Edition. Bandanna Books, 2011.

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50

Whitman, Walt. Leaves of Grass. Independently Published, 2020.

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