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Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Abstraction. Cambridge, MA: MIT Press, 2013.

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2

Richard, Shiff, Hoberg Annegret, and Art Gallery of New South Wales, eds. Abstraction: Paths to abstraction, 1867-1917. Sydney: Art Gallery of New South Wales, 2010.

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3

Gertsman, Elina, ed. Abstraction in Medieval Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989894.

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Abstract:

Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of the image from what it purports to represent; abstraction as a vehicle for signification; and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.

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4

O'Keeffe, Georgia. Georgia O'Keeffe: Abstraction. New Haven [Conn.]: Yale University Press, 2009.

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5

Walters: Art of realism & abstraction. South Yarra, Vic: Macmillan Art Publishing, 2009.

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6

Hale, Nathan Cabot. Abstraction in art and nature. New York: Dover, 1993.

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7

Courtney, David. Dutch geometric abstraction in the eighties. The Hague, Netherlands: SDU Publishers, 1988.

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8

Thorp, David. Abstraction: Extracting from the world. Sheffield [England]: Millennium Galleries, 2007.

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9

Alain, Bois Yve, Grosz E. A, and New Museum of Contemporary Art (New York, N.Y.), eds. Cadences: Icon and abstraction in context. New York: New Museum of Contemporary Art, 1991.

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10

Smithsonian American Art Museum. Modern masters: American abstraction at midcentury. Washington, D.C: Smithsonian American Art Museum in association with D. Giles Ltd., London, 2008.

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11

Windsor, Art Gallery of, ed. Contemporary Windsor abstraction. Windsor, Ont: Art Gallery of Windsor, 1990.

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12

Brougher, Kerry. The image of abstraction. Los Angeles: Museum of Contemporary Art, 1988.

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13

Deborah, Forman. Contemporary Cape Cod artists on abstraction. Atglen, PA: Schiffer Publishing Ltd., 2015.

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14

O'Keeffe, Georgia. Georgia O'Keeffe: Nature and abstraction. Milano, Italy: Skira, 2007.

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15

O'Keeffe, Georgia. Georgia O'Keeffe: Nature and abstraction. Milano, Italy: Skira, 2007.

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16

O'Keeffe, Georgia. Georgia O'Keeffe: Circling around abstraction. West Palm Beach, Fla: Norton Museum of Art, 2007.

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17

O'Keeffe, Georgia. Georgia O'Keeffe: Nature and abstraction. Milano, Italy: Skira, 2007.

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18

Harry, Holtzman, and Florence Griswold Museum, eds. Harry Holtzman and American abstraction. Old Lyme, Connecticut: Florence Griswold Museum, 2013.

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19

Modern European art: From Impressionism to Abstraction. London: Thames and Hudson, 1985.

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20

Godfrey, Mark. Abstraction and the Holocaust. New Haven: Yale University Press, 2007.

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21

Leclerc, Denise. The crisis of abstraction in Canada: The 1950s. Ottawa: National Gallery of Canada, 1992.

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22

The geometric unconscious: A century of abstraction. Lincoln: University of Nebraska Press, 2012.

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23

Paulson, Ronald. Figure and abstraction in contemporary painting. New Brunswick: Rutgers University Press, 1990.

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24

Libby, Hruska, and Museum of Modern Art (New York, N.Y.), eds. Comic abstraction: Image-breaking, image-making. New York: Museum of Modern Art, 2007.

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25

Kaier, Sherry Linger. A young girl's journey toward abstraction. Pittsburgh, PA: The Artists' Orchard, 2010.

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26

McLeod, Neal. Abstraction and myth : Neal McLeod. Regina: Dunlop Art Gallery, 2004.

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27

Francis, Frascina, and Perry Gillian, eds. Primitivism, cubism, abstraction: The early twentieth century. New Haven: Yale University Press, in association with the Open University, 1993.

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28

Marin, John. John Marin: Between realism and abstraction. New York, NY: Kennedy Galleries, 1997.

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29

La nouvelle abstraction américaine, 1950-1970. [Milan]: Skira ; [Paris], 2003.

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30

Faison, S. Lane. Expressing abstraction: Writings on art for The Nation. Williamstown, Mass: President and Trustees of Williams College, 2006.

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31

Lisa, Phillips, ed. Vital signs: Organic abstraction from the permanent collection. New York: Whitney Museum of American Art, 1988.

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32

Torres-García, Joaquín. Joaquín Torres-García: Constructing abstraction with wood. Houston: Menil Collection, 2009.

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33

Kleeblatt, Norman L., ed. Action/Abstraction: Pollock, de Kooning, and American Art. New York: Yale University Press, 2008.

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34

Visualising the Neolithic: Abstraction, figuration, performance, representation. Oakville, CT: Oxbow Books, 2012.

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35

Cramer, Charles A. Abstraction and the classical ideal, 1760-1920. Newark, DE: University of Delaware Press, 2006.

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36

Sandra, Kraskin, Markiet Antonia, Schildkraut Dohn Samuel, and Heckscher Museum of Art, eds. Rediscovering Slobodkina: A pioneer of American abstraction. Manchester: Hudson Hills Press, 2009.

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37

Abstraction and the classical ideal, 1760-1920. Newark, DE: University of Delaware Press, 2006.

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38

Blinky Palermo: Abstraction of an era. New Haven: Yale University Press, 2008.

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39

Kandinsky, Wassily. Kandinsky: The path to abstraction. London: Tate Pub., 2006.

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40

What is a picture?: Depiction, realism, abstraction. Basingstoke [etc.]: Palgrave Macmillan, 2011.

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41

Moffett, Kenworth. The 80's. Part III, "New directions in abstraction". New York, N.Y. (41 E. 57th St., New York 10022): Shippee Gallery, 1986.

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42

Natkin, Robert. Subject matter and abstraction - in exile. St Albans: Claridge Press in association with the Peter Fuller Memorial Foundation, 1993.

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43

E, Benjamin Andrew, ed. Abstraction. London: Academy Editions, 1995.

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44

Conceptual Abstraction. Hunter College Art Galleries, 2013.

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45

1960-, Mercer Kobena, ed. Discrepant abstraction. London: Institute of International Visual Arts, 2006.

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46

Modernism and Abstraction. Watson-Guptill, 2001.

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47

Gertsman, Elina, ed. Abstraction in Medieval Art. Amsterdam University Press, 2021. http://dx.doi.org/10.1515/9789048542673.

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48

1924-, Danto Arthur Coleman, and Anderson Gallery, eds. Repicturing abstraction. [Richmond, Va.]: Anderson Gallery, Virginia Commonwealth University, 1995.

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49

Agents of Abstraction. MIT Press, 2020.

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50

Taylor, Brandon, and Alan Fowler. Elements of Abstraction. Southampton City Art Gallery, 2006.

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