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Journal articles on the topic 'Abstract icons'

Author: Grafiati

Published: 14 March 2023

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1

Stotts, Daniel Brandon. "The Usefulness of Icons on the Computer Interface: Effect of Graphical Abstraction and Functional Representation on Experienced and Novice Users." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 42, no. 5 (1998): 453–57. http://dx.doi.org/10.1177/154193129804200502.

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Icons have become a main component of interface design (Familant & Detweiler, 1993). This study examined functional representation and graphical abstraction components of icons using experienced and novice computer users. Current interface (e.g. word processing) icons were evaluated in a search and select paradigm. Experienced participants were faster and more accurate than novice participants. Functionally representative and graphically concrete icons were recognized faster and more accurately than functionally arbitrary and graphically abstract icons, respectively. Experienced participan

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Rahrovani, Sanaz, Mahdieh Mirzabeigi, and Javad Abbaspour. "The concreteness of searching module icons and their effectiveness in digital library applications." Electronic Library 36, no. 5 (2018): 800–810. http://dx.doi.org/10.1108/el-10-2017-0227.

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Purpose This study aims to investigate the relationship between the concreteness of searching module icons and their effectiveness in Iranian digital library applications. Design/methodology/approach This study was a correlational survey whose participants consisted of two groups, namely, users and experts. The former consisted of 174 users, all of whom were included because of their scarcity, and the latter included ten experts of knowledge and information science. First, the effective and non-effective icons were identified by users. Then, their concreteness was investigated by the expert pa

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Nolan, Peter R. "Designing Screen Icons: Ranking and Matching Studies." Proceedings of the Human Factors Society Annual Meeting 33, no. 5 (1989): 380–84. http://dx.doi.org/10.1177/154193128903300532.

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Two studies from a screen icon testing program are reported. An appropriateness ranking study is a preliminary procedure that screens several candidate designs and results in a single image content for each icon. Subjects preferred the more concrete icons to the more abstract ones. Familiar image content was also preferred. The matching study determined how well the icons worked as a related set, and how likely it is that individual icons would be confused with each other. The icons for Clock, Drawing, and Voice score high on correct and low on incorrect. The symmetric and asymmetric confusion

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Taylor, Matthew A., Airan Li, Jamie L. Estock, Monique Y. Boudreaux-Kelly, Ivan Thibault Pham, and Maureen C. Casey. "Preferred Terms and Icons for Labels on Electrosurgical Units: Survey of VA Nurses." Biomedical Instrumentation & Technology 53, no. 2 (2019): 102–9. http://dx.doi.org/10.2345/0899-8205-53.2.102.

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Abstract Electrosurgical units (ESUs) developed by different manufacturers use varying terminology and icons to label the same components, which can result in confusion among users and the potential for erroneous ESU configuration. The objective of the current study was to identify nurse-preferred terms and icons for labeling ESU components. A total of 165 operating room (OR) nurses from Veterans Health Administration facilities across the United States were surveyed regarding terms and icons found on 25 ESU models. The results showed that 81% of OR nurses preferred ESUs that included both a t

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Salmond, Wendy. "Viktor Vasnetsov’s New Icons." Experiment 25, no. 1 (2019): 131–44. http://dx.doi.org/10.1163/2211730x-12341334.

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Abstract This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Spas nerukotvornyi [Savior Not Made by Human Hands] Church at Abramtsevo in 1880-81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious pain

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Reed, Jacob R., Susan A. Jasko, and Jason C. Senkbeil. "Weather Forecast Semiotics: Public Interpretation of Common Weather Icons." Weather, Climate, and Society 14, no. 1 (2022): 323–35. http://dx.doi.org/10.1175/wcas-d-21-0067.1.

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Abstract Weather icons are some of the most frequently used visual tools that meteorologists employ to communicate weather information. Previous research has shown a tendency for the public to make inferences about weather forecast information on the basis of the icon shown. For example, people may infer a higher likelihood of precipitation, assume a higher intensity of precipitation, or determine the duration of expected precipitation if the weather icon appears to show heavy rain. It is unknown to what extent these inferences align with what the meteorologist who chose the icon intended to c

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Slagle, Amy A. "Icons in the Lived Experience of American Orthodox Christians." Canadian-American Slavic Studies 53, no. 3 (2019): 364–83. http://dx.doi.org/10.1163/22102396-05303009.

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Abstract This article explores how American Orthodox Christians today use and interpret icons in the course of their everyday devotional lives. Drawing upon ethnographic data collected through participant observation and interviews with parishioners of an Orthodox Church in Mississippi in 2015, I highlight the ways that diverse and multiple media within a wider American context of “buffet-style” spiritual appropriation affect informant considerations of and interactions with icons. Fundamental to this article is the tension between informants’ experiences with icons as the conveyance of divine

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Gayer, William W. "The SonicFinder: An Interface that Uses Auditory Icons (Abstract Only)." ACM SIGCHI Bulletin 21, no. 1 (1989): 124. http://dx.doi.org/10.1145/67880.1046601.

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Lin, Rungtai, and John G. Kreifeldt. "Understanding the Image Functions for Icon Design." Proceedings of the Human Factors Society Annual Meeting 36, no. 4 (1992): 341–45. http://dx.doi.org/10.1177/154193129203600417.

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Because icons vary from very representational to extremely abstract symbols in a user interface, an important issue faced by designers when designing an icon is how to select an appropriate design style for the image. There are no simple rules that can be followed by designers to determine the design style. The present study is intended to help designers to choose a proper design style for the icon at an early design stage. First, a classification of icons is summarized and the levels of stylization are discussed and demonstrated with examples. Then, thirty icons from several drawing packages

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Blattner, Meera M., Denise A. Sumikawa, and Robert M. Greenberg. "Earcons and Icons: Their Structure and Common Design Principles (Abstract only)." ACM SIGCHI Bulletin 21, no. 1 (1989): 123–24. http://dx.doi.org/10.1145/67880.1046599.

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11

Belz, S. M., J. J. Winters, G. S. Robinson, and J. G. Casali. "Representative Auditory Warning Signals: Methodological Considerations for Their Development and Selection." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 44, no. 22 (2000): 682–85. http://dx.doi.org/10.1177/154193120004402249.

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The work focuses on an initial effort to develop a selection methodology (Free Meaning Response, Perceived Urgency, and Perceived Association with an experimenter-selected meaning) for representative auditory warnings, also known as “auditory icons”, a new class of auditory warning signals. Further, the need to consider population differences and testing environment when using the above methodology is experimentally demonstrated. Finally, hypotheses related to situations where representative auditory warning signals may/may not be most effective, specifically, issues related to masking (when t

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Briones-Fourzán, Patricia, and Enrique Lozano-Álvarez. "Lobsters: ocean icons in changing times." ICES Journal of Marine Science 72, suppl_1 (2015): i1—i6. http://dx.doi.org/10.1093/icesjms/fsv111.

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Abstract The 10th International Conference and Workshop on Lobster Biology and Management was held in Cancún, Mexico, in May 2014. The papers included in this supplementary issue of the ICES Journal of Marine Science are a sample of the multidisciplinary nature of the conference and provide new knowledge of the biology, ecology, fisheries, and management and aquaculture of clawed, spiny, and slipper lobsters. The emphasis of the conference was climate change and its consequences for lobster biology, population dynamics, ecology, and fisheries. As noted in several papers, climate change is alre

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Zhao, Yizhou, Liang Qiu, Pan Lu, Feng Shi, Tian Han, and Song-Chun Zhu. "Learning from the Tangram to Solve Mini Visual Tasks." Proceedings of the AAAI Conference on Artificial Intelligence 36, no. 3 (2022): 3490–98. http://dx.doi.org/10.1609/aaai.v36i3.20260.

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Current pre-training methods in computer vision focus on natural images in the daily-life context. However, abstract diagrams such as icons and symbols are common and important in the real world. We are inspired by Tangram, a game that requires replicating an abstract pattern from seven dissected shapes. By recording human experience in solving tangram puzzles, we present the Tangram dataset and show that a pre-trained neural model on the Tangram helps solve some mini visual tasks based on low-resolution vision. Extensive experiments demonstrate that our proposed method generates intelligent s

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Miklaszewska, Joanna. "The Idea of an ‘Icon in Sound’ in the Works of John Tavener." Liturgia Sacra 57, no. 1 (2021): 217–31. http://dx.doi.org/10.25167/ls.3934.

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Abstract  The aim of this article is to present an innovative concept of the ‘icon in sound’ created by the English composer John Tavener. The first part of the article presents the intermedial and intertextual features of Tavener's work, the second shows the genesis of the concept of ‘icon in sound’, to which three factors have contributed: 1) the composer’s interest in religious topics in his pieces, 2) the composer’s conversion to Orthodoxy, 3) collaboration with Mother Tekla, the author of the texts of many Tavener’s works.  The last, third part of the article descr

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Somantri, Lili. "Indonesian spatial intelligence for geography teachers." JPPI (Jurnal Penelitian Pendidikan Indonesia) 8, no. 2 (2022): 267. http://dx.doi.org/10.29210/020221355.

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Geography subjects study objects and spatial phenomena on the earth's surface; Therefore, in practice, they must understand the application of abstract concepts that include spatial perception. This research uses qualitative research methods in measuring the spatial intelligence of geography teachers. Measurements based on four indicators reflecting spatial intelligence are 1) Blind Map; 2) Natural Resources; 3) Icons or landmarks; and 4) Human resources. Based on the study results, it can be concluded that the spatial intelligence of geography teachers mostly has good spatial intelligence. Th

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Al-Fedaghi, Sabah S., and Ghadeer Aldamkhi. "Conceptual Modeling of an IP Phone Communication System." International Journal of Interdisciplinary Telecommunications and Networking 13, no. 3 (2021): 83–94. http://dx.doi.org/10.4018/ijitn.2021070106.

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In computing, a network generally denotes devices, often referred to as nodes, connected by links. Networks that are modeled with diagrams consist of hundreds of symbols, images, pictures, and icons, such as a computer, a server rack, or a cloud-based storage system. Network representations provide valuable insights into understanding the systems' underlying structures and mechanisms. Nevertheless, this unusually large number of superficial symbols and icons reflects a need for more systematic representations of the interiority of nodes. To give uniformity to this cascade of notions of basic u

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Kroshkina, Lidia. "Book abstract: Plekon М. Living Icons : Persons of Faith in the Eastern Church". Quarterly Journal of St. Philaret's Institute, № 40 (2021): 277–85. http://dx.doi.org/10.25803/26587599_2021_40_277.

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Zhu, Yanfei, Ying Li, Yun Lin, Mo Chen, Qi Guo, and Zhisheng Zhang. "Research on the Influence of User and Graphic–Text Combined Icon Construal Level Fitting on Visual Cognition." Applied Sciences 12, no. 19 (2022): 10111. http://dx.doi.org/10.3390/app121910111.

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Based on the individual traits of the user’s construal level differences, this study examines the visual cognition differences of graphic–text combined icon concreteness in the interface between users with high and low construal levels. We classified four types of graphic–text combined icons, which are as follows: concrete graphic + concrete text (Ci + Ct), concrete graphic + abstract text (Ci + At), abstract graphic + concrete text (Ai + Ct), and abstract graphic + abstract text (Ai + At). According to the behavioral experiment results, there is no visual cognitive difference between the two

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Fadhilla, Indah, Uliana Hidayatika, Hanna Hanifa Hira, Hanan Farihah, and Ainatun Nabilah. "Ikon, Indeks, dan Simbol pada Cerpen Sesat Pikir Para Binatang Karya Triyanto Triwikromo." REFEREN 1, no. 2 (2022): 137–48. http://dx.doi.org/10.22236/referen.v1i2.10317.

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Abstrak Pembahasan dalam penelitian ini adalah mengenai ikon, indeks, dan simbol dalam cerpen “Sesat Pikir Para Binatang” karya Triyanto Triwikromo. Tujuan penelitian ini adalah untuk mengetahui berbagai tanda dalam bentuk ikon, indeks, dan simbol di cerpen “Sesat Pikir Para Binatang” karya Triyanto Triwikromo dan mengungkapkan makna atau amanat yang dapat diambil dari bentuk simbol. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif. Tahapan yang peneliti lakukan adalah proses pengumpulan data, proses analisis data, dan penyajian hasil analisis data. Penelitian in

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Clemmer, Richard. "Operationalizing Peirce’s Syllabus in terms of icons and stereotypes." Semiotica 2021, no. 239 (2021): 265–85. http://dx.doi.org/10.1515/sem-2018-0152.

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Abstract Peirce’s Syllabus is examined and used to interpret metaphoric iconic stereotypes applied to Indigenous people: “noble savage,” “bloodthirsty savage,” “domestic dependent nation,” “vanishing race,” “Indian tribe,” and “ecological Indian.” Efforts on the part of the Indigenous to replace the these stereotypes with different icons such as “Native American,” “First Nations,” and, most recently, “water protectors,” are also examined. The usefulness of representamen categories from Peirce’s Syllabus, “rhematic,” “Argument,” “dicent,” “indexical,” “qualisign,” “legisign,” and “sinsign,” is

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Angheluță, L. M., and R. Rădvan. "MACRO PHOTOGRAMMETRY FOR THE DAMAGE ASSESSMENT OF ARTWORK PAINTED SURFACES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 20, 2019): 101–7. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-101-2019.

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<p><strong>Abstract.</strong> In this paper we are presenting our approach and workflow for macro photogrammetry as a complementary method for 3D digitization of polychromies on wood support. Macro photogrammetry can be used for detailed documentation of physical damages in painting layers, underlayers or support. For a better presentation of the context, a selection of typical physical damages, relevant to this study, are explained. Two case studies are presented. Two wooden icons realized with different techniques and presenting different types of physical deterioration. Th

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Jylhä, Henrietta, and Juho Hamari. "Development of measurement instrument for visual qualities of graphical user interface elements (VISQUAL): a test in the context of mobile game icons." User Modeling and User-Adapted Interaction 30, no. 5 (2020): 949–82. http://dx.doi.org/10.1007/s11257-020-09263-7.

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Abstract Graphical user interfaces are widely common and present in everyday human–computer interaction, dominantly in computers and smartphones. Today, various actions are performed via graphical user interface elements, e.g., windows, menus and icons. An attractive user interface that adapts to user needs and preferences is progressively important as it often allows personalized information processing that facilitates interaction. However, practitioners and scholars have lacked an instrument for measuring user perception of aesthetics within graphical user interface elements to aid in creati

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Perry, Nathan C., Catherine J. Stevens, Mark W. Wiggins, and Clare E. Howell. "Cough Once for Danger: Icons Versus Abstract Warnings as Informative Alerts in Civil Aviation." Human Factors: The Journal of the Human Factors and Ergonomics Society 49, no. 6 (2007): 1061–71. http://dx.doi.org/10.1518/001872007x249929.

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Lee, Seunghye. "Korea's First Museum and the Categorization of “Buddhist Statues”." Sungkyun Journal of East Asian Studies 21, no. 1 (2021): 51–81. http://dx.doi.org/10.1215/15982661-8873892.

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Abstract The establishment of a museum in the precinct of Ch'anggyŏnggung Palace in 1909 marked an important moment in the historiography of Korean art. Although recent studies have examined the founding, organization, and financing of the first Korean museum, the formation of its Buddhist art collection and its historical implications remain unexamined. Given that not a single Buddhist temple was allowed to exist within the capital city, the entry of these objects into the palace demonstrates a radical paradigm shift in the royal court's relation to Buddhist icons. The museum's Buddhist art c

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Ghosh, Ranjusri. "Newly Discovered Śaiva-Ascetic Icons from West Bengal." Archives of Asian Art 71, no. 1 (2021): 93–122. http://dx.doi.org/10.1215/00666637-8866689.

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Abstract Koṭivarṣa, a sacred place and an administrative unit that is mentioned in early medieval Indian religious and epigraphic sources from 700 to 1200 ce, is the area of focus of this essay. As an administrative unit, it was almost coterminous with the old Dinajpur district of Bengal, which is now divided into the present Indian state of West Bengal and Bangladesh. At one point in time, its headquarters came to be known as Devīkoṭa, underscoring its rise as a prime place for Devī, the Mother goddess. Sculptural arrays of the Mother goddess from this place point to the domineering presence

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Heliasz-Nowosielska, Celina. "Interactional gestures as soccer celebrations." Gesture 20, no. 1 (2021): 63–102. http://dx.doi.org/10.1075/gest.19023.hel.

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Abstract The article presents a variety of gesture types used as celebrations during or after soccer matches and explains the forms, meaning, reference and functions of the gestures as a semiotic phenomenon. The qualitative analysis of media images and comments on celebratory performances shows that pre-planned, creative celebrations, including trademarks or signatures, which have recently overshadowed spontaneous, conventionalized displays of affect, take the form of interactional gestures of different types: performatives, regulators, pointing, icons, metaphors, pantomime, emblems or signs,

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Vayo, Brendon K. "‘Made the absence shout’: paradox as iconoclasm in Toni Morrison’s Beloved." Journal of Literary Semantics 51, no. 1 (2022): 19–36. http://dx.doi.org/10.1515/jls-2022-2048.

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Abstract In 1856, Margaret Garner murdered one child, and attempted to murder three others, rather than return them to slavery. Despite the impact traumas like Garner’s had on abolition, history largely forgets or ignores these gruesome details. In their place come racialist markers that obscure Garner’s likeness. Thomas Satterwhite Noble’s The Modern Medea, for example, depicts Garner with a head wrap and wild eyes. Visual cues such as these perpetuate an undifferentiating representation of Garner, categorized as something between asexual “mammy” and angry “slave.” I argue that Toni Morrison

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Domsch, Sebastian. "Staging Icons, Performing Storyworlds – From Mystery Play to Cosplay." Acta Universitatis Sapientiae, Film and Media Studies 9, no. 1 (2014): 125–29. http://dx.doi.org/10.1515/ausfm-2015-0006.

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Abstract One of the oldest complex forms of intermediality is the static live-performance adaptation of the iconographic qualities of well-known stories. Early examples of this phenomenon are the depictions of biblical scenes in the form of grand (and largely static) tableaux in medieval Mystery Plays, very popular until the emergence of the professional entertainment stage. The nineteenth century had its fascination with the tableaux vivants - not coincidentally during the time that photography was introduced - and the late twentieth century saw the beginning of the newest variety with cospla

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Oliveira, Renata Couto de Azevedo de. "Carmen Miranda: um Ícone de Mercado Incorporado." Organizações & Sociedade 29, no. 100 (2022): 51–73. http://dx.doi.org/10.1590/1984-92302022v29n0002pt.

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Abstract Building upon the CCT framework of incorporation of ideologies, taste regimes, and national and regional interests by consumer cultures, this paper proposes that social and political ideologies are also embodied in marketplace icons. This paper aims, then, to bring together the concepts of iconicity and liminality to provide an account of Carmen Miranda as a marketplace icon who not only embodied the national myths of her time but also continues to be employed in the current marketplace for a variety of purposes. As such, icons like Carmen contribute to the production of marketplaces

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Syofiadisna, Panji. "MAKNA TIGA IKON GAJAH DI DALAM GEREJA SAINT PIERRE AULNAY PRANCIS." KALPATARU 29, no. 1 (2020): 51–64. http://dx.doi.org/10.24832/kpt.v29i1.739.

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Abstract. Saint Pierre Aulnay Church is a Romanic-style church (Romanesque) that was built in the 12th century and is located in the Aquitaine Region, France. In this church, there are three elephant icons in the capital columns section. At the top of the icon, there is also an inscription in Roman that reads "HI SVNT ELEPHANTES" which means "this is an elephant-elephant". This unique sentence and elephant icon is not found in other Romanic-style churches in France. Elephants are not native to Europe, but elephant icons are produced in European (French) churches. During Medieval, some churches

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Marius, Munteanu, Ion Sandu, Ioana Huțanu, and Liliana Nica. "The Study of Stages and Operations Involved in the Preservation and Restoration of two XIX-th Century Icons, on Wooden Support." Present Environment and Sustainable Development 8, no. 2 (2014): 131–50. http://dx.doi.org/10.2478/pesd-2014-0030.

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Abstract The paper presents the stages and the operations involved in the preservation and restoration of two icons on wooden support, from the XIX-th century, which are part of the heritage of the ”Sfinții Arhangheli Mihail and Gavriil” church, from Galați. The two icon have inventory numbers as part of the collection as followed: 112 for the first icon and 113 for the second one. Both icons have the same theme, ”The Grieving Mother from Rohia” and are made by anonymous painters in egg tempera, on lime wooden support, without ground. Being part of the same collection, they were deposited in t

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Barrett, T. H. "Literati Encomia on Embroidered Buddhist Icons, c.700-900 CE." NAN NÜ 25, no. 1 (2023): 3–16. http://dx.doi.org/10.1163/15685268-02512016.

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Abstract This study examines all the surviving examples of short prose pieces written in praise of embroidery depicting Buddhist objects of worship between circa 700 and 900. The process whereby they were transmitted to the present is traced wherever possible, and the main themes are indicated by means of the identification of recurrent vocabulary items. Typically, the embroideries described are said to have been created by women for the posthumous benefit of their family members, both male and female; the male writers involved, whose work was generally deemed to possess literary merit, were u

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Lin, Su-Chi. "Becoming the Past: Time and Memory in Stanley Fung’s Biblical Icons." Biblical Interpretation 28, no. 1 (2020): 84–99. http://dx.doi.org/10.1163/15685152-00281p05.

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Abstract This paper analyzes a contemporary Taiwanese artist Stanley Fung’s portrait photography and his contextual biblical interpretation of time and memory: the experience of the coming of the kingdom can be lingered on in an artist’s imagination. As a biblical interpreter, Fung’s visual exegesis asks the viewer to reconsider how the historical consciousness of self and community together impact one’s sense of time. Fung uses clothing and plants to invoke the viewer’s longing for a new, local culture where the gospel can be dressed, and a new soil where it can be planted. Photography as a l

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Oliveira, Renata Couto de Azevedo de. "Carmen Miranda: an Embodied Marketplace Icon." Organizações & Sociedade 29, no. 100 (2022): 51–73. http://dx.doi.org/10.1590/1984-92302022v29n0002en.

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Abstract Building upon the CCT framework of incorporation of ideologies, taste regimes, and national and regional interests by consumer cultures, this paper proposes that social and political ideologies are also embodied in marketplace icons. This paper aims, then, to bring together the concepts of iconicity and liminality to provide an account of Carmen Miranda as a marketplace icon who not only embodied the national myths of her time but also continues to be employed in the current marketplace for a variety of purposes. As such, icons like Carmen contribute to the production of marketplaces

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Krasniqi, Nysret. "The Philosophical Mea Culpa of the Icons of the Death of the Author." Problemos 95 (April 26, 2019): 105–16. http://dx.doi.org/10.15388/problemos.95.9.

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[full article, abstract in English; abstract in Lithuanian] We will hereinafter discuss the author’s philosophy on gnoseological and historical premises. More precisely, by exploring the genealogy of the idea of the “Death of the Author” from modernism to postmodernism, we will analyse the concepts and ideologies that have become the stratagem of the denial of western literary canon, as well as the denial of equilibrium between philosophical and literary identity and universality. By treating the works of philosophers, authors, and fundamental semiologists who perpetuated the idea of the

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Krasniqi, Nysret. "The Philosophical Mea Culpa of the Icons of the Death of the Author." Problemos 95 (April 26, 2019): 105–16. http://dx.doi.org/10.15388/10.15388/problemos.95.9.

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[full article, abstract in English; abstract in Lithuanian] We will hereinafter discuss the author’s philosophy on gnoseological and historical premises. More precisely, by exploring the genealogy of the idea of the “Death of the Author” from modernism to postmodernism, we will analyse the concepts and ideologies that have become the stratagem of the denial of western literary canon, as well as the denial of equilibrium between philosophical and literary identity and universality. By treating the works of philosophers, authors, and fundamental semiologists who perpetuated the idea of the

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Vasilieva, A. V., and V. A. Parfenov. "Identification of pigments of Russian icons by means of X-ray fluorescence spectroscopy." Journal of Physics: Conference Series 2086, no. 1 (2021): 012172. http://dx.doi.org/10.1088/1742-6596/2086/1/012172.

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Abstract In this work the analysis of paint layers of Russian icons of the 16th-19th centuries was carried out by means of X-ray fluorescence spectroscopy. The data obtained on the elemental composition of pigments made it possible to identify them. Main problems of identification were described in this paper. The results of the research will be used to create a database of XRF-spectra of pigments, which were used by Russian icon painters of certain schools and time periods.

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Pruteanu, Silvea, Ion Sandu, and Viorica Vasilache. "Modern Procedures Used in Cleaning Old, Illegibly and Blackened Icons." Present Environment and Sustainable Development 9, no. 1 (2015): 219–36. http://dx.doi.org/10.1515/pesd-2015-0016.

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Abstract In order to restore the original aesthetic aspect, to improve the state of the age patina and of the gold halo, similar processes are required. The cleaning process is one of the most important aspects for an artwork and is considering a series of deteriorations and degradations, like dirt deposits (clogged or unclogged) opalescent varnish, colors blackening, burns, blisters, gaps (missing ground, painting layer or varnish). This step in the restoration process includes physical and mechanical proceedings like dusting (with a vacuum), brushing (with a brush), scraping (with a scalpel)

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Brecht, Mark, Paula Curtis, Jean Giacomi, and John Holly. "Ergonography™: Computer Graphics to Show how People and Equipment Work Together." Proceedings of the Human Factors Society Annual Meeting 29, no. 10 (1985): 953–57. http://dx.doi.org/10.1177/154193128502901012.

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Ergonographyl™ is a computer graphics tool for visualizing cooperative work involving people and equipment. Icons of people and equipment are arranged on time charts and space charts. The time charts show the sequence of tasks that produces results. The space charts show workspace arrangement and communications links. Ergonography charts can be used for design, decisionmaking, planning, sales, and training. Their pictorial nature solidifies abstract concepts and words. The charts communicate such concepts better than traditional flow diagrams that consist of only boxes and words.

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Hastuti, Nur, та Anggita Prameswari. "Citraan dan Relasi Trikotomi Dalam Lirik Lagu Ryuusei no Kakeru 『流星のカケラ』Karya GReeeeN". IZUMI 11, № 1 (2022): 44–52. http://dx.doi.org/10.14710/izumi.11.1.44-52.

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Abstract Music is something that is universal and does not know the class of society, anyone can appreciate music even though he is not educated in the field of music. Music is used by many people as a medium to express themselves (can be in the form of ideas or values that they believe in), as well as entertainment because it contains lyrics that match the emotions that are being felt by someone, such as happy, sad, angry, nervous. , fear, jealousy, enthusiasm, ect. The objectives of this research are describing the imagery depicted in the lyrics and explaining the trichotomy relation contain

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Marwanto, Aries Budi. "PERANCANGAN IKON WISATA BERBASIS POTENSI WILAYAH." Acintya Jurnal Penelitian Seni Budaya 12, no. 1 (2020): 13–22. http://dx.doi.org/10.33153/acy.v12i1.3138.

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ABSTRAK Perancangan Ikon Wisata dilakukan di Embung “Mbah Mangun” Desa Juron, Kec. Nguter, Kab. Sukoharjo. Metode yang digunakan untuk merealisasikan rancangan dilakukan melalui metode eksplorasi, inspirasi dan elaborasi. Tahap eksplorasi meliputi pengumpulan data di lapangan, dokumentasi, kajian literatur dan wawancara. Tahap inspirasi dilakukan dalam pengembangkan gagasan atau pun konsep ide berdasarkan analisis data yang telah diperoleh. Tahap elaborasi pada kegiatan perancangan ini merupakan tahap kristalisasi ide dengan memperkuat konsep filosofi bentuk. Pada tahap ini sekaligus mempertim

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Chatterjee, Arup K. "Mapping Icons of Victorian Femininity: Engendering London in Nineteenth-Century Indian Accounts." Interdisciplinary Literary Studies 24, no. 3 (2022): 313–41. http://dx.doi.org/10.5325/intelitestud.24.3.0313.

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ABSTRACT Indian travelers in Victorian London began engaging with questions of nationhood, modernity, family, home, and gender roles within the ambit of reproducing the city’s imperial geography on increasingly gendered and sexist lines. The rise of Indian feminists like Sarojini Naidu, Cornelia Sorabji, Rukhmabai, and Princess Sophia notwithstanding, Indian men redrew London’s patriarchal contours. Drawing on a legacy of accounts by nineteenth-century Indian men, like T. N. Mukharji, Behramji Malabari, M. K. Gandhi, Lala Baijnath, T. B. Pandian, and G. P. Pillai, this article examines the map

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Ulas, Behiye S., Merve Emirzeoglu, and Oliver Burgert. "Is Eye-Tracking a Feasible Interaction Paradigm for Large Displays in the Sterile Field?" Current Directions in Biomedical Engineering 8, no. 1 (2022): 78–80. http://dx.doi.org/10.1515/cdbme-2022-0020.

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Abstract The paper describes how eye-tracking can be used to explore electronic patient records (EPR) in a sterile environment. As an information display, we used a system that we developed for the presentation of patient data and for supporting surgical hand disinfection. The eye-tracking was performed using the Tobii Eye Tracker 4C, and the connection between the eye-tracker and the HTML website was realized using the Tobii EyeX Chrome Extension. Interactions with the EPR are triggered by fixations of icons. The interaction was working as intended, but test persons reported a high mental loa

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Restall, Matthew. "2018 Presidential Address: The Trouble with “America”." Ethnohistory 67, no. 1 (2020): 1–28. http://dx.doi.org/10.1215/00141801-7888671.

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Abstract This address reflects upon the ethical responsibility of ethnohistorians to consider the ongoing impact of historical depictions of indigenous peoples, in text and image, and our handling of those depictions. The essay draws in particular upon the historical mistreatment and misrepresentation of indigenous women, using Pocahontas and Malinche as examples of distorted icons, referencing the hidden history of the sixteenth-century trade in indigenous sex slaves in the Caribbean and Mesoamerica, and arguing that the Armed Freedom statue atop the US Capitol Building is an allegorical icon

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Dascăl, Reghina. "‘Dancing through the Minefield’: Canon Reinstatement Strategies for Women Authors." Gender Studies 14, no. 1 (2015): 48–67. http://dx.doi.org/10.1515/genst-2016-0004.

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Abstract The paper explores the limiting and detrimental effects of biographical criticism and exceptionalism in the efforts of reinstating women authors into the Renaissance canon, by looking into the literary merits of Elizabeth Cary’s The Tragedy of Mariam, The Fair Queen of Jewry and The History of The Life, Reign and Death of Edward II. Whereas the conflation of biography and fiction is a successful recipe for canonization and for the production of feminist icons, it renders the text impotent because of its resulting inability to compete with or to be seen in correlation and interplay wit

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Bucur, Bogdan G. "Sinai, Zion, and Tabor: An Entry into the Christian Bible." Journal of Theological Interpretation 4, no. 1 (2010): 33–52. http://dx.doi.org/10.2307/26421327.

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Abstract Building on the insights of Jon Levenson's work, Sinai and Zion: An Entry into the Jewish Bible, this article endeavors to show that a similar approach, which could be labeled "theophanic," has traditionally guided the Christian—perhaps especially the Eastern Orthodox—entry into the Bible. Relating the Sinai theophany and the transfiguration on Tabor was crucially important for early Christian theology. It underlay their appropriation of the Scriptures of Israel as "OT," it lent itself to polemical use against dualism and monarchianism, and it was eventually absorbed into Byzantine fe

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Bucur, Bogdan G. "Sinai, Zion, and Tabor: An Entry into the Christian Bible." Journal of Theological Interpretation 4, no. 1 (2010): 33–52. http://dx.doi.org/10.2307/jtheointe.4.1.0033.

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Abstract Building on the insights of Jon Levenson's work, Sinai and Zion: An Entry into the Jewish Bible, this article endeavors to show that a similar approach, which could be labeled "theophanic," has traditionally guided the Christian—perhaps especially the Eastern Orthodox—entry into the Bible. Relating the Sinai theophany and the transfiguration on Tabor was crucially important for early Christian theology. It underlay their appropriation of the Scriptures of Israel as "OT," it lent itself to polemical use against dualism and monarchianism, and it was eventually absorbed into Byzantine fe

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Buko, Andrzej, Tomasz Dzieńkowski, Stanisław Gołub, et al. "Beyond Beauty. Byzantine steatite icon from Chełm. Archaeology, Petrography and Traceology." Praehistorische Zeitschrift 96, no. 2 (2021): 609–49. http://dx.doi.org/10.1515/pz-2021-2041.

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Abstract A fragmentarily preserved Byzantine icon made of steatite was discovered in 2015 during regular excavations in Chełm, eastern Poland. Identified as the left wing of a diptych illustrating the Twelve Great Feasts and created at the close of the 12th century, the find is one of the most important and beautiful Byzantine artefacts to have been found in Poland. The icon was uncovered within the confines of the palace complex which was created by Daniel (Danylo) Romanovych († 1264) in Chełm in the second quarter of 13th century. The icon, even though it was found within the borders of what

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Buko, Andrzej, Tomasz Dzieńkowski, Stanisław Gołub, et al. "Beyond Beauty. Byzantine steatite icon from Chełm. Archaeology, Petrography and Traceology." Praehistorische Zeitschrift 96, no. 2 (2021): 609–49. http://dx.doi.org/10.1515/pz-2021-2041.

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Abstract A fragmentarily preserved Byzantine icon made of steatite was discovered in 2015 during regular excavations in Chełm, eastern Poland. Identified as the left wing of a diptych illustrating the Twelve Great Feasts and created at the close of the 12th century, the find is one of the most important and beautiful Byzantine artefacts to have been found in Poland. The icon was uncovered within the confines of the palace complex which was created by Daniel (Danylo) Romanovych († 1264) in Chełm in the second quarter of 13th century. The icon, even though it was found within the borders of what

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Pereira, Aline Fabiana Campos. "Deviant heroes: an analysis of strategies of social control towards defenders of people on the move in Hungary." REMHU: Revista Interdisciplinar da Mobilidade Humana 28, no. 58 (2020): 33–50. http://dx.doi.org/10.1590/1980-85852503880005803.

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Abstract Historically, icons of social movements were treated as outcasts by established structures of social control. When activists break unjust rules to promote human rights, their noble causes do not seem to fit the commonsensical frame of ‘the deviant’, which brings up some questions. When they infringe norms to promote rights, how are activists inserted in the crime framework? How do people perceive their actions and why? This article aims to address these questions, by using the case study of migrant human rights defenders in Hungary. It navigates phenomena such as stigmatisation and cr

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