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Academic literature on the topic 'Abstract icons'

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Published: 14 March 2023

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Journal articles on the topic "Abstract icons"

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Stotts, Daniel Brandon. "The Usefulness of Icons on the Computer Interface: Effect of Graphical Abstraction and Functional Representation on Experienced and Novice Users." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 42, no. 5 (October 1998): 453–57. http://dx.doi.org/10.1177/154193129804200502.

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Icons have become a main component of interface design (Familant & Detweiler, 1993). This study examined functional representation and graphical abstraction components of icons using experienced and novice computer users. Current interface (e.g. word processing) icons were evaluated in a search and select paradigm. Experienced participants were faster and more accurate than novice participants. Functionally representative and graphically concrete icons were recognized faster and more accurately than functionally arbitrary and graphically abstract icons, respectively. Experienced participants were affected more by graphical abstraction than novice participants. Graphically concrete and functionally representative icons were recognized faster than any other type of icon in the study. These data suggest when creating icons, the icons should be made to look as much like the object of reference as possible.
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Rahrovani, Sanaz, Mahdieh Mirzabeigi, and Javad Abbaspour. "The concreteness of searching module icons and their effectiveness in digital library applications." Electronic Library 36, no. 5 (October 1, 2018): 800–810. http://dx.doi.org/10.1108/el-10-2017-0227.

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Purpose This study aims to investigate the relationship between the concreteness of searching module icons and their effectiveness in Iranian digital library applications. Design/methodology/approach This study was a correlational survey whose participants consisted of two groups, namely, users and experts. The former consisted of 174 users, all of whom were included because of their scarcity, and the latter included ten experts of knowledge and information science. First, the effective and non-effective icons were identified by users. Then, their concreteness was investigated by the expert participants. Findings The results of the study showed a significant relationship between the concreteness of icons and their effectiveness, meaning that the more concrete, the more effective the icon was, and vice versa. Furthermore, it was shown that the effective icons were representational and semi-abstract, whereas non-effective ones were very abstract. Practical implications The designers, especially digital library practitioners, should use icons that distinguish themselves as effective icons, and avoid using non-effective ones. It is suggested that they apply representational icons more. Social implications The designers of mobile interfaces and public environments, such as social networks, transportation systems and so forth, can use icons in their user interfaces that are more effective when they are perceived with more concreteness. Originality/value The investigation of the relation between the concreteness of icons and their effectiveness may help determine effective and non-effective icons. It can also be of help to designers to satisfy user needs and improve their site’s performance through using effective icons.
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Nolan, Peter R. "Designing Screen Icons: Ranking and Matching Studies." Proceedings of the Human Factors Society Annual Meeting 33, no. 5 (October 1989): 380–84. http://dx.doi.org/10.1177/154193128903300532.

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Two studies from a screen icon testing program are reported. An appropriateness ranking study is a preliminary procedure that screens several candidate designs and results in a single image content for each icon. Subjects preferred the more concrete icons to the more abstract ones. Familiar image content was also preferred. The matching study determined how well the icons worked as a related set, and how likely it is that individual icons would be confused with each other. The icons for Clock, Drawing, and Voice score high on correct and low on incorrect. The symmetric and asymmetric confusions are identified and explained in terms of visual and conceptual similarity. There is a discussion of the methodology used.
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Taylor, Matthew A., Airan Li, Jamie L. Estock, Monique Y. Boudreaux-Kelly, Ivan Thibault Pham, and Maureen C. Casey. "Preferred Terms and Icons for Labels on Electrosurgical Units: Survey of VA Nurses." Biomedical Instrumentation & Technology 53, no. 2 (March 1, 2019): 102–9. http://dx.doi.org/10.2345/0899-8205-53.2.102.

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Abstract Electrosurgical units (ESUs) developed by different manufacturers use varying terminology and icons to label the same components, which can result in confusion among users and the potential for erroneous ESU configuration. The objective of the current study was to identify nurse-preferred terms and icons for labeling ESU components. A total of 165 operating room (OR) nurses from Veterans Health Administration facilities across the United States were surveyed regarding terms and icons found on 25 ESU models. The results showed that 81% of OR nurses preferred ESUs that included both a term and an icon for labeling each component. In addition, greater consensus existed among OR nurses regarding preferred terms, rather than preferred icons, for representing each component. These findings on OR nurses' preferred terms and icons can be leveraged to improve ESU labeling practices and inform the development of a standardized, user-centered set of labels for ESU components.
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Salmond, Wendy. "Viktor Vasnetsov’s New Icons." Experiment 25, no. 1 (September 30, 2019): 131–44. http://dx.doi.org/10.1163/2211730x-12341334.

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Abstract This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Spas nerukotvornyi [Savior Not Made by Human Hands] Church at Abramtsevo in 1880-81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was bitterly attacked in advanced art circles. Yet Vasnetsov’s new icons were increasingly linked with popular culture and the many copies made of them in the late Imperial period suggest that his hybrid image spoke to a generation seeking a resolution to the dilemma of how modern Orthodox worshippers should pray.
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Reed, Jacob R., Susan A. Jasko, and Jason C. Senkbeil. "Weather Forecast Semiotics: Public Interpretation of Common Weather Icons." Weather, Climate, and Society 14, no. 1 (January 2022): 323–35. http://dx.doi.org/10.1175/wcas-d-21-0067.1.

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Abstract Weather icons are some of the most frequently used visual tools that meteorologists employ to communicate weather information. Previous research has shown a tendency for the public to make inferences about weather forecast information on the basis of the icon shown. For example, people may infer a higher likelihood of precipitation, assume a higher intensity of precipitation, or determine the duration of expected precipitation if the weather icon appears to show heavy rain. It is unknown to what extent these inferences align with what the meteorologist who chose the icon intended to convey. However, previous studies have used simulated weather icons rather than ones currently in use. The goal of our study was to explore how members of the public interpret actual weather icons they see on television or in mobile applications. An online survey distributed by broadcast meteorologists through social media was used to collect 6253 responses between August and September of 2020. Eleven weather icons currently used by broadcast meteorologists were included in the study. We also tested eight common weather phrases and asked people whether they thought the icons were good illustrators of those phrases. In addition, people were asked to assign a probability of precipitation to the icons. The findings of our study offer new and unique insights that will improve the communication of weather information by giving meteorologists information about how their audiences interpret weather icons. Significance Statement Millions of people are shown weather icons during daily weather broadcasts. This study used two approaches to determine whether these icons are effective elements of weather messaging. For the first approach, we showed people an icon alongside a common weather phrase and had them tell us whether the icon was a good illustrator of the weather phrase. The second approach involved showing people an icon and having them assign a probability of precipitation to it. Across eight weather phrases, none of the icons were thought to be good illustrators, but bad illustrators were clear. These results can be used to improve how icons are used as tools to communicate weather forecasts.
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Slagle, Amy A. "Icons in the Lived Experience of American Orthodox Christians." Canadian-American Slavic Studies 53, no. 3 (August 27, 2019): 364–83. http://dx.doi.org/10.1163/22102396-05303009.

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Abstract This article explores how American Orthodox Christians today use and interpret icons in the course of their everyday devotional lives. Drawing upon ethnographic data collected through participant observation and interviews with parishioners of an Orthodox Church in Mississippi in 2015, I highlight the ways that diverse and multiple media within a wider American context of “buffet-style” spiritual appropriation affect informant considerations of and interactions with icons. Fundamental to this article is the tension between informants’ experiences with icons as the conveyance of divine “presence” and the concerns they express over the extent to which American commodification and mass-media cultures threaten the status and sacrality of images in Orthodox devotional practice.
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Gayer, William W. "The SonicFinder: An Interface that Uses Auditory Icons (Abstract Only)." ACM SIGCHI Bulletin 21, no. 1 (August 1989): 124. http://dx.doi.org/10.1145/67880.1046601.

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Lin, Rungtai, and John G. Kreifeldt. "Understanding the Image Functions for Icon Design." Proceedings of the Human Factors Society Annual Meeting 36, no. 4 (October 1992): 341–45. http://dx.doi.org/10.1177/154193129203600417.

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Because icons vary from very representational to extremely abstract symbols in a user interface, an important issue faced by designers when designing an icon is how to select an appropriate design style for the image. There are no simple rules that can be followed by designers to determine the design style. The present study is intended to help designers to choose a proper design style for the icon at an early design stage. First, a classification of icons is summarized and the levels of stylization are discussed and demonstrated with examples. Then, thirty icons from several drawing packages and generally used symbols are selected, and a matching test is conducted to obtain the correct matching rates. The results are presented with some explanations for icon recognition and confusion, and finally how to select the right image function for icon design is discussed.
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Blattner, Meera M., Denise A. Sumikawa, and Robert M. Greenberg. "Earcons and Icons: Their Structure and Common Design Principles (Abstract only)." ACM SIGCHI Bulletin 21, no. 1 (August 1989): 123–24. http://dx.doi.org/10.1145/67880.1046599.

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Dissertations / Theses on the topic "Abstract icons"

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Ekramnia, Milad. "Investigating Two Domain-General Processes in Early Infancy: Disjunctive Inference and Reorientation of Attention." Doctoral thesis, SISSA, 2016. http://hdl.handle.net/20.500.11767/3918.

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A characteristic of the more evolved nervous systems is the ability to process information in an abstract amodal domain. The existence of this capability, necessitates the presence of mental processes that are amodal and therefore, can act on a broad range of internal and external stimuli. Investigating the early development of the interaction between the amodal mental processes and their domain of action on mental representations, can shed light on the extents of the computations that can be accommodated by these processes. In this thesis through a series of eye-tracking studies in pre-verbal infants, we attempted to investigate the early development of some of these interactions from two different domains. In one domain, we addressed if logical operators, as a subset of the mental processes, are available to pre-verbal infants; so they can be utilized in combining and assessing the several mental images involved in an inference process. For this purpose, we introduced a face-voice association paradigm, in which infants could potentially use disjunctive inference to disambiguate the context and make the right face-voice pairings. We showed that the performance of the 10-month-old infants suggests that they might be able to perform this association through the process of disjunctive inference based on the elimination of the incorrect alternative. We furthermore, used the pupillometry data and results from an adult control group to suggest a time-frame for the steps of this process. In another domain, we studied the integration of abstract visual icons with attentional shift. In one hand we showed that arrows can trigger an attentional shift in the 4-month-old infants but not 8-month-olds. We further showed that this reorientation of attention might be due to the triangular area of the icon. These striking results, although should await further confirmations, suggest an early sensitivity to the features of these icons, which can trigger a top-down reorientation of attention (as we tried to eliminate the possibility of a bottom-up process). A sensitivity that possibly disappears later in the development. On the other hand, we showed that 8-month-olds and not 4-month-olds can assign an attentional shift to an arbitrary icon in a very few number of trials. These results together suggest a mixed picture for attribution of attentional shift to the icons; however indicating that a volitional attribution of attention to arbitrary icons can be carried out by infants as young as 8 months of age.
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陳哲暉. "Dynamic Display of Abstract Icons - A Case Study of Image-Editing Software." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/93810268339899215148.

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碩士
大同大學
工業設計研究所
89
Among the present design of software interface, an icon is designed for representing some composition of the interface. The composition consists of the object of system, item, operation, application program, and message. A well-designed icon can make users spend less time studying how to use the software. However, the function derives from the progress of computer technology, and it’s uneasy or impossible to get the corresponding situation or action from the reality on the basis of users’ cognition. And then it will make users feel abstract. Besides, it seems difficult to express an abstract idea with icons. For this situation, the related research proves that under parts of the application range, dynamic icon will bring better effect than static icon. Nevertheless, it hasn’t been proved that the more abstract icon will bring the same effect. The study mainly discusses the proportion of abstract icons in the Image-editing Software “ Adobe Photoshop 5.02c” and if it will be better to display the abstract icons dynamically than originally statically. In addition, it also studies the characters of users: the influence from using experience and education background. Write the interface for the research with Macromedia Flash 5 and Visual Basic 6.0, and record the time and spotting frequency of testees to compare the using difference of dynamic image and static image. The research results indicate that, filter tools icon is the most abstract in this software. The effect is better to display this kind of icon dynamically than statically. And it also decreases the abstract degree of icons; the experimental users criticize that the ratio of abstract icons is lower and it will be less influence on using the software that the icon is abstract or concrete and dynamic or static; it will make no difference on the using preference of dynamic or static icons for users with different education background. Furthermore, the study also sums up five design principles of dynamic abstract icons to offer help for user interface (UI).
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Books on the topic "Abstract icons"

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Alain, Bois Yve, Grosz E. A, and New Museum of Contemporary Art (New York, N.Y.), eds. Cadences: Icon and abstraction in context. New York: New Museum of Contemporary Art, 1991.

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International Conference on Neutron Scattering (1997 Toronto, Ont.). ICNS 97: International Conference on Neutron Scattering, Toronto, Canada August 17-21, 1997 : conference program and abstracts. [S.l: s.n., 1997.

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IEEE International Conference on Plasma Science (29th 2002 Banff, Alta.). ICOPS 2002: IEEE conference record--abstracts : the 29th IEEE International Conference on Plasma Science : Banff, Alberta, Canada, May 26-30, 2002. Piscataway, N.J: IEEE, 2002.

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Sangster, Gary. Cadences: Icon and Abstractions in Context. New Museum of Contemporary Art, 1991.

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Johnson, Samuel G. B., and Woo-kyoung Ahn. Causal Mechanisms. Edited by Michael R. Waldmann. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199399550.013.12.

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This chapter reviews empirical and theoretical results concerning knowledge of causal mechanisms—beliefs about how and why events are causally linked. First, it reviews the effects of mechanism knowledge, showing that mechanism knowledge can override other cues to causality (including covariation evidence and temporal cues) and structural constraints (the Markov condition), and that mechanisms play a key role in various forms of inductive inference. Second, it examines several theories of how mechanisms are mentally represented—as associations, forces or powers, icons, abstract placeholders, networks, or schemas—and the empirical evidence bearing on each theory. Finally, it describes ways that people acquire mechanism knowledge, discussing the contributions from statistical induction, testimony, reasoning, and perception. For each of these topics, it highlights key open questions for future research.
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Cernuschi, Claude. Jackson Pollock: Meaning and Significance (Icon Editions). Icon (Harpe), 1993.

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Cernuschi, Claude. Jackson Pollock: Meaning and Significance (Icon Editions). Icon (Harpe), 1993.

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Crabe, Genevieve. How to Make 100 Bead Embroidery Motifs: Inspiration and Instructions for Plant, Animal, Abstract, and Icon Designs. Quarto Publishing Group USA, 2014.

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How to Make 100 Bead Embroidery Motifs: Inspiration and Instructions for Plant, Animal, Abstract, and Icon Designs. Quarto Publishing Group USA, 2014.

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Walden, Joshua S. Celebrity, Music, and the Multimedia Portrait. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653507.003.0005.

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Chapter 4 examines hybrid works of multimedia portraiture and the genre of the portrait opera. The chapter first views the Voom Portraits of the American avant-garde director Robert Wilson, an ongoing series of multimedia video portraits of celebrities begun in 2004, looking in particular at his portraits of actors Robert Downey Jr. and Winona Ryder, which combine high-resolution film image with eclectic sound effects and scores by composers Tom Waits and Michael Galasso. The chapter then turns to the portrait opera Einstein on the Beach, created by Wilson, Philip Glass, and choreographer Lucinda Childs, to explore how they produced a multimedia portrait of Einstein that employs disparate allusions to popularly known elements from his life in a highly abstract work of opera that leaves the viewer to engage in a particularly imaginative act of interpretation about how the music describes this well-known modern icon.
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Book chapters on the topic "Abstract icons"

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Ditt, Cassie. "An Abstract – Spokescharacters, Advertising Icons, Brand Mascots, and Animal Ambassadors: Distinctions Amongst Brand Characters." In Creating Marketing Magic and Innovative Future Marketing Trends, 131–32. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-45596-9_26.

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Korpilahti, Teemu. "A Practical Approach to Icon Taxonomy." In HCI International 2016 – Posters' Extended Abstracts, 259–63. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40548-3_43.

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Tudor, Leslie G. "Growing an icon set: User acceptance of abstract and concrete icon styles." In Lecture Notes in Computer Science, 56–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 1994. http://dx.doi.org/10.1007/3-540-58648-2_26.

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Capobianco, Antonio, Karim Chibout, Pegdwinde Kontiebo, and David Cazier. "Using Abstract Icon Systems in the Digital Divide Era: Are Users Icon Blind?" In HCI International 2021 - Posters, 104–10. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78635-9_15.

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Laatikainen, Gabriella, Alexander Semenov, Yixin Zhang, and Pekka Abrahamsson. "ICO Crowdfunding: Incentives, Pricing Strategy, Token Strategy and Crowd Involvement." In Agile Processes in Software Engineering and Extreme Programming – Workshops, 32–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58858-8_4.

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Abstract Blockchain technologies provide means to develop services that are secure, transparent and efficient by nature. Unsurprisingly, the emerging business opportunities has gained a lot of interest that is realized in form of successful Initial Coin Offerings (ICOs) that are able to raise billions of USD through crowdfunding campaign. In this exploratory research we study 91 ICOs through content analysis in order to investigate the special characteristics of ICO crowdfunding as business models towards the possible investors. We found that ICOs can be described through (1) the model for providing incentives for investment, (2) the pricing strategy, (3) the token strategy and (4) the activities for crowd involvement in value co-creation.
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Laatikainen, Gabriella, Alexander Semenov, Yixin Zhang, and Pekka Abrahamsson. "What Key Aspects Do ICOs Reveal About Their Businesses?" In Agile Processes in Software Engineering and Extreme Programming – Workshops, 41–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58858-8_5.

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Abstract Blockchain technologies disrupt industries by enabling decentralized and transactional data sharing across a network of untrusted participants, among others. Initial Coin Offerings (ICOs) are a novel form of crowdfunding through which hundreds of blockchain-enabled businesses manage to raise billions of dollars in total only in United States. However, there is a lack of understanding of the ICO phenomenon especially related to the business aspects. In this paper, we describe the results of an exploratory study of 91 ICOs and identify the key business model elements that ICOs reveal in their websites and whitepapers. Furthermore, we also note the immaturity and lack of transparency of the business aspects of businesses behind the ICO campaigns.
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Rees, Jeremy H. "Management of Immune Effector Cell-Associated Neurotoxicity Syndrome (ICANS)." In The EBMT/EHA CAR-T Cell Handbook, 141–45. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94353-0_27.

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AbstractA common and challenging side effect associated with CAR-T cell therapy is immune cell-associated neurotoxicity syndrome (ICANS), which occurs in 20–60% of patients, of whom 12–30% have severe (≥ grade 3) symptoms.
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Schramm-Klein, Hanna, Sascha Steinmann, and Robér Rollin. "Does Color Matter? An Experimental Study on Icon Design for Mobile Gaming Apps: An Abstract." In Marketing at the Confluence between Entertainment and Analytics, 1491–92. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47331-4_291.

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Huntley, Brian John. "Angolan Giant Sable: Rediscovery, Rescue and Recovery." In SpringerBriefs in Environmental Science, 13–20. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-24880-1_3.

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AbstractBy the end of Angola’s 30-year civil war, the country’s national icon, the giant sable antelope, was believed to be extinct. The remarkable story of one man’s commitment to the re-discovery, rescue and recovery of the ‘finest antelope in Africa’ is described. Following twenty years of indefatigable effort, the long-term future of this magnificent antelope has been secured.
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Broch, Trygve B. "Charge." In The Ponytail, 201–16. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20780-8_8.

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AbstractA ponytail icon does not create consensus, but allows its wearers a multitude of symbolic options with which to join and recreate social life. Materiality is critical to this process as it makes moral and mythical codes tangible; however, although a ponytail carries shared meanings, it is not felt alike by all who wear it, nor understood in the same way in all contexts. Symbolic codes operate and intersect to make the ponytail publicly meaningful and, at the same time, to allow different points of view. Ponytailed women express individuality in deeply cultural and aesthetically tangible ways. Not equally charged at all times, the ponytail’s iconic power is strongest when it materializes multiple symbolic layers—to be revealed as a total social phenomenon. Therefore, this book highlights our ability to adapt to diverse situations and our need for a multidimensional tactic to grasp the material meanings of the ponytail.
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Conference papers on the topic "Abstract icons"

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Horton, William. "Designing icons and visual symbols (abstract)." In Conference companion. New York, New York, USA: ACM Press, 1995. http://dx.doi.org/10.1145/223355.223732.

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Hoggan, Eve E., and Stephen A. Brewster. "Crossmodal icons for information display." In CHI '06 extended abstracts. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1125451.1125619.

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Horton, William. "Designing icons and visual symbols." In CHI '97 extended abstracts. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/1120212.1120315.

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Petrie, Helen, Wendy Fisher, Kurt Weimann, and Gerhard Weber. "Augmenting icons for deaf computer users." In Extended abstracts of the 2004 conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/985921.986006.

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"2004 ICOPS Conference Web Site / 2004 ICOPS Conference Management / Future ICOPS Conferences." In IEEE Conference Record - Abstracts. 31st IEEE International Conference On Plasma Science. IEEE, 2004. http://dx.doi.org/10.1109/plasma.2004.1339581.

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da Silva, R. E., K. L. Wood, and J. J. Beaman. "Representing and Manipulating Interacting and Interfeature Relationships in Engineering Design for Manufacture." In ASME 1990 Design Technical Conferences. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/detc1990-0001.

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Abstract The objective of design for manufacture is to sever the dichotomy of design and manufacturing practices so that these two areas will be pursued as a homogeneous activity. Many issues are important for this “marriage” of design and manufacturing: the representation of manufacturing information for reasoning in the early stages of a design; the development of computer-aided tools for process planning, tolerance design and analysis, and automatic assembly; the formulation of design systems to facilitate reasoning about the topology and geometric structure of mechanical parts; etc. In this paper, a strategy for the representation and manipulation of spatial relationships between features is described. A language, made up of a set of primitives (lexical icons and geometric concepts), is developed for the domain of standard cavity-type features encountered in discrete parts manufacturing. A formal methodology is subsequently discussed for modeling these features in the context of interacting and interfeature relationships. Two applications, in the areas of fixture design and process planning, illustrate the utility of the formalism.
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Kim, Hyun-Ju, Min-Joon Yoo, Ji-Yong Kwon, and In-Kwon Lee. "Generating affective music icons in the emotion plane." In the 27th international conference extended abstracts. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1520340.1520491.

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"Previous ICOPS Conferences." In IEEE Conference Record - Abstracts. 2005 IEEE International Conference on Plasma Science. IEEE, 2005. http://dx.doi.org/10.1109/plasma.2005.359019.

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"Previous ICOPS Conferences." In IEEE Conference Record - Abstracts. 31st IEEE International Conference On Plasma Science. IEEE, 2004. http://dx.doi.org/10.1109/plasma.2004.1339582.

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"TIMES-iCON 2019 Program and Abstracts." In 2019 4th Technology Innovation Management and Engineering Science International Conference (TIMES-iCON). IEEE, 2019. http://dx.doi.org/10.1109/times-icon47539.2019.9024611.

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Reports on the topic "Abstract icons"

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ICOS - abstracts. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/298439.

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