Dissertations / Theses on the topic 'Abstract expressionist painting'
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Ellis, Hele. "Decentering the subjective: The transcendent experience of formlessness in an abstract expressionist painting practice." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107658/1/Hele_Ellis_Thesis.pdf.
Full textFriend, Zoe L. "Normal What." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1305.
Full textFriend, Zoe L. "Normal What." University of Sydney, 2005. http://hdl.handle.net/2123/1305.
Full textThe title Normal What refers to a group of paintings that emerged from my Masters of Visual Arts 2004/05 studio project. Individual paintings are chronological self portrait reflecting upon my own experiences and those in the wider community who at some point in their lives have had to endure the struggles, and negative stigma that is so often attached to those who have become marginalised and detached from mainstream society. People found in this category include the disabled, homeless, unemployed, and those with addiction problems. Each painting bears a close connection with techniques associated with abstract expressionist painting. This radiates through the vast expanse of drips, stains and explosions which appear to suffocate the paintings delicate monochrome surface. Strong references to Kristeva’s theory on Abjection arrive through the aggressive and violent outbursts of paint that evoke an atmosphere of symbolic horror, personal dysfunction and social oppression. This emerges out of the shadows and private spaces of the painting’s domestic interior. Deep emotional, psychological, sociological sensitivities are raised throughout my studio practice. Combined with a series of unresolved tensions, and questions surrounding normality run deep a consequence of society’s push for normality are being felt most acutely by those effected by this form of sociology. The ideas raised through my studio project had a profound influence on the research being conducted for the dissertation. Kristeva’s theory on Abjection, along side the practices of Eva Hesse, Barnett Newman, Agnes Martin emerged from a group of highly emotional abstract paintings. This strengthened the connection between the studio project and the dissertation. Aimed at deepening a personal understanding an commitment to researching the subject of normality and how it could be successfully articulated through a visual narrative.
Geer, Andrea. "The non-representational language /." Online version of thesis, 1990. http://hdl.handle.net/1850/11309.
Full textSmith, Catherine Dicesare. "Synergistic qualities of form and space /." Online version of thesis, 1996. http://hdl.handle.net/1850/11927.
Full textEngström, Alexander. "Inger Ekdahl : Swedish Abstract Expressionism." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182385.
Full textAlvarez, Leticia. "The Influence of the Mexican Muralists in the United States. From the New Deal to the Abstract Expressionism." Thesis, Virginia Tech, 2001. http://hdl.handle.net/10919/32407.
Full textMaster of Arts
Wang, Hui Ping. "The British response to abstract expressionism of the USA c. 1950-1963." Thesis, University of Newcastle Upon Tyne, 1996. http://hdl.handle.net/10443/461.
Full textNauronis, Gintautas. "Abstrakti vizija." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120211_115650-43829.
Full textBy works we create own history, sort of magic myth, which becomes a peculiar mirror showing visible and invisible our shapes of soul. The painting of Gintautas Nauronis and also his chronicle of life, abstract images, and human’s look into himself, his inner world, character, temperament’s features, existence. The creative collection of oily paintings Abstract Vision – it is soul‘s harmony, which is needn‘t to explain philosofically – it is enough to outlive, feel, foresee. The nature of painter, acquired pictorial technique, which is able to animate for a linen. The combinations of various colours and tones, a line used in the composition give a special sound for cycle of painting. The calm, warm, energy, breath, optimism, strength, sensibility and even love whiffling in the paintings, fill every spectator‘s soul and moode by new feelings... Dynamic modernistic method of painting, whose principle - belief that sensations, intuitions, feelings, experiences and states are proximately conveyd by spontaneous aesthetical expression of impulse, which destroys a well-established view of life and deforms its shapes. Dissertation consists of to parts: theoretical schedule and practical creative work. In the theoretical part it is overlook ideas and search of theme, the significance of abstractionism, expressionism, fovism and colour in the art, conception of composition, it is also provided theoretical material of Dr. Robert Belton What is Art?, What is... [to full text]
Rampin, Dantas Neves. "A musica de Morton Feldman sob a otica de sua compreensão da pintura do expressionismo abstrato." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284696.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-12T15:11:52Z (GMT). No. of bitstreams: 1 Rampin_DantasNeves_M.pdf: 9209358 bytes, checksum: 374af3500d1f2a9923260762214a4c2a (MD5) Previous issue date: 2008
Resumo: Esta pesquisa reflete a relação entre a música do compositor norte americano Morton Feldman e o grupo de pintores do Expressionismo Abstrato The New York School of Visual Arts - partindo da ótica do próprio compositor. Abordamos a maneira como Feldman trabalhou concepções advindas da pintura na composição técnica e estética em sua música. Para discorrer sobre este tema, a dissertação apresenta uma breve contextualização histórica da década de 50, do século passado, momento do encontro de Feldman com os pintores. Em seguida, apresentamos as concepções desenvolvidas por Feldman em sua música derivadas da pintura. Para tanto, apresentaremos análises que nos permitam compreender como estas concepções se concretizam musicalmente através da história notacional do compositor. Do ponto de vista metodológico a pesquisa se vale das declarações do próprio compositor, de pesquisas que abordam o trabalho composicional de Morton Feldman e da análise de obras. Priorizamos a análise da peça Crippled Symmetry, já que ela apresenta uma das notações mais originais produzidas por Feldman, o que nos inspirou a composição de Sombras Sobre o Encoberto 11, peça que apresentamos neste trabalho como resultado composicional desta pesquisa. Nas considerações finais, além do resultado de Sombras Sobre o Encoberto 11, discutimos como as concepções utilizadas por Feldman a partir da pintura pode ser amplamente explorada como base composicional singular.
Abstract: This research is about the relation between the music of the American composer Morton Feldman and the group of painters of Abstract Expressionism The New York School of Visual Arts - from the point of view of himself. It will focus the way Feldman developed concepts drawn from painting in the technique and aesthetics of his music. Thus the dissertation presents a historical account of the 1950s, when Feldman and the painters met. Then we present concepts Feldman drew from painting and developed in his music. We provide analyses which allow us to understand how such concepts work musically throughout Feldman's notational history. The method of this research is based on Feldman's statements, researches about his compositional work and the analysis of pieces. Crippled symmetry, whose notation is among the most original devised by Feldman, undergoes extensive analysis. It has also been the inspiration for the composition of our work Sombras sobre o Encoberto II, We present this piece as the compositional outcome of this research. In addition to this piece, the conclusion shows how the concepts Feldman drew from painting can be vastly explored as a unique basis for the composition of music.
Mestrado
Mestre em Música
Pasek, Jeffrey Douglas. "Worry My Head: An Exploration of Head-Like Forms as an Expression of Existential Concerns." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1385383454.
Full textYe, Guo Shin. "Appropriation and hybridity of Taiwanese literati painting and American abstract expressionism (1949-2007)." Thesis, London Metropolitan University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536723.
Full textSchultz, Ruth. "Being of shape : being--The ground through which all things are /." Online version of thesis, 1989. http://hdl.handle.net/1850/11082.
Full textLEVA, SHANNON ARMSTRONG. "JACKSON POLLOCK'S 1942 PAINTINGS: DEPICTIONS OF HERMAPHRODITIC UNION." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195578410.
Full textFarber, Jeffrey W. "Natural interactions : a commentary on our relationship with nature." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391229.
Full textDepartment of Art
Lause, John F. "Matter under Mind." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3270.
Full textBlock, Katherine M. "Veils: Truth in Translation." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2540.
Full textLee, Chanju. "Birth and Women in Mythology." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/35.
Full textaf, Malmborg Solith. "Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan." Thesis, Linköpings universitet, Malmstens Linköpings universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146095.
Full textDetta är ett undersökande arbete som vänder sig både inåt och utåt. Det är en djupdykning i Mark Rothkos konstnärskap som sker parallellt med en personlig reflektion. Inledningsvis handlar det om att arbeta i gränslandet mellan konst och design och hurdet kan se ut. I förlängningen handlar det om hur den konstnärliga historien kan fungera som inspiratör och vägledare för innebörd och uttryck i formgivningen. Genom att studera den abstrakta expressionismen och Mark Rothko söker jag svar på hur känslomässig kommunikation kan ske genom färg och form. Förutom litterär research utför jag också en praktiskt undersökning där jag använder måleriet som en metod för att förstå mitt studieobjekt; Mark Rothko. Målet är att översätta Mark Rothkos konst till min design. Det handlar om att studera, internalisera och applicera. Resultatet bjuder in till en diskussion om handlagets, färgens och intentionens betydelse för formgivningen, där jag hävdar att dessa aspekter är viktiga för ett emotionellt berörande resultat, men att kommunikationen förblir individuell.
Miller, Shelby E. ""The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765.
Full textRoncone, Natalie Maria. "Jackson Pollock, 1930-1955 : the influence of the Old Masters." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3048.
Full textCostello, Eileen Elizabeth. "Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture." 2010. http://hdl.handle.net/2152/19840.
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Cheng, Po-Chun, and 鄭伯君. "The Study of drawing creations and the painting performance in Abstract Expressionism." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/24930120871651373775.
Full text中國文化大學
美術學系
105
The art of painting is to express the essence of the things by stepping back to the simplest form through the creative thought and memory of the artists. Thus, the artisst began to paint without a particular style, then it forms a new style throughout the time and life experiences. In order to know more in-depth knowledge of the geometric abstraction as the main purpose and its process, and its special painting techniques. The author starts to form base on the geometric formation to explore the vocabularies of his mind by the experiences do the artworks to create the patinings. At the same time, he uses his favorite oil paintings skill to create some of impressive and wonderful paintings.
Cheng, Chia-Wen, and 鄭嘉紋. "Dreamland – the expressions of unconscious and conscious image in abstract painting." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/pmwm2p.
Full text國立臺北藝術大學
美術學系碩士在職專班
95
Abstract Although the dream is not practical for people and out of reach, you and I should know the dream brings boundless hopes and imaginations to children. It gives children the motif to grow up with. It has been nearly six years since I taught in the primary school. In my daily teaching I get along with elementary students, who are innocent, lively and lovely. They made me understand happiness and the hope of life. Gradually my childlike innocence was waken up in me, which gave me a burst to fall in dream like a child and to weave my own dreamland. That is the reason why I start to compose the contours of dream. The main idea of this creation is to involve the inspirations derived from the behavior of children, which is also the exploration of images of my mind. In this creation I attempt to present various dreamlands in my work, which can make spectators feel like dreaming and returning to their childhood. This is what I wish to express in my painting. Additionally, this study investigates the thought of mind, the way of expression and the mapping of dreamland, The thesis composes four chapters. Chapter one is to explore the soul state, language it is and the actual situation, while creating works. Chapter two probes into behavior of painting, divided into themes, such as rhythm and metre, unity and variation, local and whole, imago and object. Chapter three discusses the relation between children''s paintings and self-creation, which is presented by unconscious and conscious images in abstract painting. Chapter four, investigate the relation between abstract paintings and self-creation and quote western masters'' work to compare with my work to express the form and meaning of self-creation.
VihrenDimitrov and 劉偉嵐. "Expressionism East and West: Abstract Expressionism, Xie Yi and the Painting of Bada Shanren and Willem de Kooning." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/58457790946950709000.
Full textMessina, Philip. "Establishing 21st Century Expressionisim." 2014. http://scholarworks.gsu.edu/art_design_theses/148.
Full textRISTVEDT, MILLY MILDRED THELMA. "Reinhardt, Martin, Richter : Colour in the Grid of Contemporary Painting." Thesis, 2011. http://hdl.handle.net/1974/6771.
Full textThesis (Master, Art History) -- Queen's University, 2011-09-27 12:34:58.813
Ernst, Nadine. "Wechselwirkungen der Moderne – über den gegenseitigen Einfluss von außereuropäischen und westlichen Kulturen in der modernen Kunst am Beispiel der indianischen Malerei." Doctoral thesis, 2018. http://hdl.handle.net/21.11130/00-1735-0000-0005-141F-3.
Full textYandell, Ariana. "WARP/WEFT: AGNES MARTIN, TEXTILES, AND THE LINEAR EXPERIENCE." 2017. http://scholarworks.gsu.edu/art_design_theses/214.
Full textKatzin, Jeffrey James. "Experimentation, diversity, and feeling : Adolph Gottlieb’s career in painting reconsidered." 2013. http://hdl.handle.net/2152/21233.
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Mladičová, Iva. "Jan Kotík 1916-2002 - monografie." Doctoral thesis, 2012. http://www.nusl.cz/ntk/nusl-322931.
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