Relevant bibliographies by topics / Abstract expressionism

Academic literature on the topic 'Abstract expressionism'

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Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Abstract expressionism"

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Ashton, Dore, and Stephen Polcari. "Abstract Expressionism." Art Journal 50, no. 4 (1991): 104. http://dx.doi.org/10.2307/777331.

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Butler, Rex. "What was Abstract Expressionism? Abstract Expressionism after Aboriginal Art." Australian and New Zealand Journal of Art 14, no. 1 (January 2, 2014): 76–91. http://dx.doi.org/10.1080/14434318.2014.936529.

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Hobbs, Robert, and Michael Leja. "Abstract Expressionism Reframed." Art Journal 53, no. 3 (1994): 106. http://dx.doi.org/10.2307/777449.

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THISTLEWOOD, DAVID. "AMERICAN ABSTRACT EXPRESSIONISM." Art Book 1, no. 4 (September 1994): 30f. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00223.x.

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Landau, Ellen G., and Ann Eden Gibson. "Abstract Expressionism: Other Politics." Woman's Art Journal 20, no. 1 (1999): 59. http://dx.doi.org/10.2307/1358851.

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Siedell, Daniel A., and Ann Eden Gibson. "Abstract Expressionism: Other Politics." Journal of Aesthetic Education 33, no. 1 (1999): 105. http://dx.doi.org/10.2307/3333742.

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Chow, Sow Yeng, and Sarena Abdullah. "The Shaping of Malaysian Abstract Expressionist Art within the Context of Malaysian Modern Art (1950s-1970s)." Melayu: Jurnal Antarabangsa Dunia Melayu 17, no. 1 (January 1, 2024): 57–84. http://dx.doi.org/10.37052/jm.17(1)no3.

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Abstract Expressionism is an art form that began in the West and later gained influence in the East. In the years after World War II, Abstract Expressionism became the catalyst in the transition of modern art in Asia. In Malaysia, with the advocacy of Abstract Expressionism and the spirit of Expressionism, abstract art became mainstream in the art scene since the 1950s. Abstract Expressionism from two different worlds—America and/or Europe and Malaysia—is different, especially in terms of the artists’ respective approach and creativity. This article discusses how the evolution of abstraction works through the artworks produced by Syed Ahmad Jamal, Yeoh Jin Leng, Latiff Mohidin, and Chew Teng Beng. This is followed by a discussion on the diversity of abstraction forms in Malaysian Abstract Expressionist art through the study of works by the aforementioned artists
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Hobbs, Robert C. "Early Abstract Expressionism and Surrealism." Art Journal 45, no. 4 (1985): 299. http://dx.doi.org/10.2307/776801.

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Leja, Michael, David Anfam, Ann Eden Gibson, Clifford Ross, David Shapiro, and Cecile Shapiro. "Abstract Expressionism: Sources and Surveys." Art Journal 50, no. 4 (1991): 99. http://dx.doi.org/10.2307/777330.

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Craven, David. "THE DISAPPROPRIATION OF ABSTRACT EXPRESSIONISM." Art History 8, no. 4 (December 1985): 499–515. http://dx.doi.org/10.1111/j.1467-8365.1985.tb00189.x.

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Dissertations / Theses on the topic "Abstract expressionism"

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Engström, Alexander. "Inger Ekdahl : Swedish Abstract Expressionism." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182385.

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Inger Ekdahl was a female painter at the center of Swedish Abstract Expressionism in the fifties. This essay investigates how her art was received in Stockholm and Paris. We conclude that although her type of art dominated the avant-garde in Paris during the late fifties, she was too early for the Swedish avant-garde and did not amass enough support to transform it. The analysis used Actor-Network Theory following Latour.
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Kappers, Michael. "VIRTUALLY ABSTRACT." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4011.

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My most recent body of work frees me from traditional animation and graphic design principles that had become second nature in my creative practice over years of commercial work in industry. I now find myself unconsciously creating shape and form without a preconceived vision of the final outcome. This allows for a free-flowing approach to my canvas. The canvas in which my forms are created is virtual space and can be described as an infinite cube. The first step I take in each of my pieces is creating a cube with the center residing at Cartesian coordinates 0,0,0. From there, I make the decision either to subdivide the cube into sections or extrude faces from the cube. In either case, I begin to see the possibilities in which the form can take. Some forms are organic and rhythmic while others become machined and rigid. At this stage, color and light are not a part of the equation.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
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Geer, Andrea. "The non-representational language /." Online version of thesis, 1990. http://hdl.handle.net/1850/11309.

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Neofetou, Daniel. "Eyes in the heat : the question concerning abstract expressionism." Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/23677/.

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Since the 1970s, revisionist art historians have elaborated how Abstract Expressionism was exhibited abroad by the post-war US establishment in order to characterise the movement, especially on Clement Greenberg’s account, as an artistic correlate to United States’ post-war dominance and worldwide imposition of capitalism. However, in this thesis, drawing on the theoretical resources of Theodor W. Adorno and Maurice Merleau-Ponty, I argue that Greenberg’s criticism in fact indicates how Abstract Expressionism stakes a claim against the rule of exchange-value. I interrogate the still prevalent notion that a development which Greenberg would retrospectively identify as a shift from Trotskyism to art-for-art’s-sake in the New York art scene of the ‘30s and ‘40s resulted in a movement, Abstract Expressionism, which lent itself to co-optation by US imperialism. I show that Abstract Expressionism’s deployment in efforts of cultural imperialism was certainly informed by Greenberg’s positioning of it as the pinnacle of the European modernist lineage due to its determinate negation of non-medium-specific elements. However, taking cues from philosopher J.M. Bernstein’s Adornian account of Abstract Expressionism, I then contend that this determinate negation is at the same time the affirmation of particularity delegitimated by capitalism. I then take recourse to both Greenberg’s and the artists’ accounts of their praxis, to show that it entailed a dialectic of construction and mimesis whereby the latter is guided by that which it forms. I then elaborate how, contrary to predominate accounts of Greenberg’s criticism, he in fact indicates the way in which the artworks invite mimetic comportment on the part of spectators, and engage cognition in a manner inextricable from corporeality. I contend that, thus, rather than buttressing the reified pluralism of capitalism, Abstract Expressionism both condemns capitalism’s disregard for corporeal subjects and prefigures the possibility of reconciliation which capitalism debars.
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Frisk, Mattias. "En Studie i Rött : Hur beskrivs, uppfattas och kopplas färg samman med innehåll i Mark Rothkos abstrakta målningar?" Thesis, Linköping University, Department of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-16609.

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Undersökning av färgen i förhållande till innehåll i Mark Rothkos abstrakta verk. Studien innefattar en undersökning i hur man skriver om färg i anslutning till Rothkos abstrakta målningars innehåll och huruvida färg kan avgöra betydelser.


A study about color in relationship to content in Mark Rothko’s abstract paintings. It includes a research in how people write about color when discussing Mark Rothko´s paintings and how that is related to content. It also looks at color in relationship to meaning.

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Smith, Catherine Dicesare. "Synergistic qualities of form and space /." Online version of thesis, 1996. http://hdl.handle.net/1850/11927.

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Shah, Diti. "An abstract expression of September 11, 2001." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4448.

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Historical events captured in an abstract manner have the ability to produce a profound effect on the emotions. The purpose of this research is to create a time-based computer media work, using dialogue from playwright Anne Nelson's The Guys, based on the September 11, 2001 attacks on the World Trade Center in New York City, with emphasis on visual imagery, particularly the use of line and color, to enhance the dramatic and emotional content of the piece. The stylistic direction of the thesis work is greatly influenced by selected works of abstract expressionists Robert Motherwell and Franz Kline, whose artwork was shaped by the social backdrop of World War II.
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Lai, Victor Ming Hoi. "The influences of Taoism on postwar American abstract expressionism (1940s-1960s)." Thesis, Lancaster University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274225.

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Alvarez, Leticia. "The Influence of the Mexican Muralists in the United States. From the New Deal to the Abstract Expressionism." Thesis, Virginia Tech, 2001. http://hdl.handle.net/10919/32407.

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This thesis proposes to investigate the influence of the Mexican muralists in the United States, from the Depression to the Cold War. This thesis begins with the origins of the Mexican mural movement, which will provide the background to understand the artists' ideologies and their relationship and conflicts with the Mexican government. Then, I will discuss the presence of Mexican artists in the United States, their repercussions, and the interaction between censorship and freedom of expression as well as the controversies that arose from their murals. This thesis will explore the influence that the Mexican mural movement had in the United States in the creation of a government-sponsored program for the arts (The New Deal, Works Progress Administration). During the 1930s, sociological factors caused that not only the art, but also the political ideologies of the Mexican artists to spread across the United States. The Depression provided the environment for a public art of social content, as well as a context that allowed some American artists to accept and follow the Marxist ideologies of the Mexican artists. This influence of radical politics will be also described. Later, I will examine the repercussions of the Mexican artists' work on the Abstract Expressionist movement of the 1940s. Finally I will also examine the iconography of certain murals by Mexican and American artists to appreciate the reaction of their audience, their acceptance among a circle of artists, and the historical context that allowed those murals to be created.
Master of Arts
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Pollard, Linda Kristine. "Heroes & harmony." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/45607/1/Linda_Pollard_Thesis.pdf.

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The first practice-led research project 'Heroes of the Club', through collaboration with business and community, involved portraying the stories on canvas of heroes of the Australian Surf Life Saving movement. The second project 'Crossing the intersection… art and life' researched a post-modernist approach to a fusion of the aesthetics of Abstract Expressionism and Pop Art. This study resulted in a body of work 'Long Playing' which sought to harmoniously reconcile two apparent polarities of style and context between high and low art characteristics, through personal narrative and with reference to artistic tradition.
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Books on the topic "Abstract expressionism"

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Spilsbury, Richard. Abstract expressionism. Oxford: Heinemann Library, 2008.

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Spilsbury, Richard. Abstract expressionism. Chicago, IL: Heinemann Library, 2008.

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Anfam, David. Abstract expressionism. New York, N.Y: Thames and Hudson, 1990.

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David, Thistlewood, and Tate Gallery Liverpool, eds. American abstract expressionism. Liverpool: Liverpool University Press and Tate Gallery Liverpool, 1993.

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Polcari, Stephen. Abstract Expressionism and the modern experience. Cambridge [England]: Cambridge University Press, 1991.

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Gibson, Ann Eden. Abstract expressionism: Other politics. New Haven, CT: Yale University Press, 1997.

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Thaw, Eugene Victor. The abstract expressionists. New York: Metropolitan Museum of Art, 1987.

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O'Connor, Francis V. Charles Seliger: Redefining abstract expressionism. Manchester, VT: Hudson Hills, 2003.

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Michael, Auping, and Albright-Knox Art Gallery, eds. Abstract expressionism: The critical developments. London: Thames and Hudson, 1987.

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Michael, Auping, and Albright-Knox Art Gallery, eds. Abstract expressionism: The critical developments. New York: H.N. Abrams in association with Albright-Knox Art Gallery, 1987.

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Book chapters on the topic "Abstract expressionism"

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Sandling, Molly, and Kimberley L. Chandler. "Abstract Expressionism." In Grades 6-8 Exploring America in the 1950s, 85–90. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235064-10.

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Cernuschi, Claude. "Abstract Expressionism." In Race, Anthropology, and Politics in the Work of Wifredo Lam, 74–107. New York: Routledge, 2019. | Series: Routledge research in art and race: Routledge, 2019. http://dx.doi.org/10.4324/9781351187879-4.

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Cernuschi, Claude. "Pollock and Abstract Expressionism." In Jackson Pollock, 223–62. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429034862-9.

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"Abstract Expressionism." In The Visual Dictionary of Graphic Design, 19. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. AVA Publishing (UK) Ltd., 2007. http://dx.doi.org/10.5040/9781474293761.0006.

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"Abstract Expressionism." In EyeMinded, 473–81. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393498-037.

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"abstract expressionism." In The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.012.

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"Abstract Expressionism:." In EyeMinded, 473–82. Duke University Press, 2011. http://dx.doi.org/10.2307/j.ctv11smtv2.40.

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Rosenblum, Robert. "The Abstract Sublime." In Reading Abstract Expressionism, 239–44. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300185720-032.

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Jarrell, Randall. "Against Abstract Expressionism." In Poets on Painters, 185–94. University of California Press, 1988. http://dx.doi.org/10.1525/9780520910065-015.

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"abstract expressionism, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/2333178585.

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Conference papers on the topic "Abstract expressionism"

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Bernecky, Robert, and Sven-Bodo Scholz. "Abstract expressionism for parallel performance." In PLDI '15: ACM SIGPLAN Conference on Programming Language Design and Implementation. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2774959.2774962.

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Sucitra, I. Gede Arya, Retno Purwandari, and Kadek Primayudi. "Paradigm of Abstract Expressionism Painting of Balinese Artists in Yogyakarta." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008557001770185.

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Cornall, Ashley. "Integrating Abstract Expressionism with 3D lighting within the Light-in-Space Movement." In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450618.3469172.

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Волкова, М. С., and Ю. И. Арутюнян. "THE WAY TO STREFISM: THE EVOLUTION OF LEON CHWISTEK’S ARTISTIC PRINCIPLES IN THE CONTEXT OF EUROPEAN MODERNISM OF 1917–1925." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.51.

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Творческий метод польского художника, философа, математика, логика и теоретика искусства Леона Хвистека (1884–1944 гг.) формировался в контексте ведущих европейских художественных тенденций первой четверти XX в. Восприняв опыт экспрессионизма, кубизма, орфизма и футуризма, к 1922 г. мастер пришел к созданию собственной художественной системы. Стрефизм стал первым этапом на пути развития польского абстрактного искусства. The artist’s method of Leon Chwistek (1884–1944), Polish artist, philosopher, mathematician, logician and art theorist, was formed in the context of leading european artistic trends of the first quarter of the ХХ century. Having embraced the experience of expressionism, cubism, orphism and futurism, by 1922 the painter came to create his own artistic system. Strefism was the first stage in the development of Polish abstract art.
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Berzowska, Joanna Maria. "Computational expressionism." In ACM SIGGRAPH 99 Conference abstracts and applications. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/311625.312028.

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Wang, Youyou, and Ergun Akleman. "Turning photographs into abstract expressionist paintings." In ACM SIGGRAPH 2012 Posters. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2342896.2342976.

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Bartneck, Christoph. "Affective expressions of machines." In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634067.634181.

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Bartneck, Christoph. "Affective expressions of machines." In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634175.634181.

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Rasool, Ghulam, and Nadim Asif. "Software Artifacts Recovery using Abstract Regular Expressions." In 2007 IEEE International Multitopic Conference (INMIC). IEEE, 2007. http://dx.doi.org/10.1109/inmic.2007.4557710.

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Nishimoto, Kazushi, Chika Oshima, Yohei Miyagawa, and Takashi Shirosaki. "A musical instrument for facilitating musical expressions." In CHI '02 extended abstracts. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/506443.506565.

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Reports on the topic "Abstract expressionism"

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Shlaymoon Toma, Shivan. A Study of Food and Drink Metaphors in Iraqi Syriac. Institute of Development Studies, August 2022. http://dx.doi.org/10.19088/creid.2022.002.

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This study investigates the ways in which Syriac native speakers from Iraq conceptualise their understandings of various abstract domains, feelings, emotions, actions, customs, traditions and practices through their experiences of the concrete fields of food and drink metaphors. The conceptual metaphor theory (1980) by Lackoff and Johnson has been adopted for the data analysis. A focus group discussion (FGD) was employed as a tool for data collection and 43 idiomatic food and drink expressions were collected from this. Five native Syriac speakers from various regions and of different genders, ages, tribes and nationalities participated in the discussion. The study shows that Syriac speakers use many food and drink metaphors in their everyday language. The study concludes that food and drink metaphors are used by Syriac speakers mostly to conceive abstract concepts related to feelings, attitudes and emotions. The study shows that foods and drinks are strongly rooted in the Assyrian and Chaldean culture and many traditional dishes are used in its vernacular language as metaphors.
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