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1

Jackomos, Alick. Living aboriginal history of Victoria: Stories in the oral tradition. Cambridge [England]: Cambridge University Press, 1991.

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2

Miller, Bruce Granville. Oral history on trial: Recognizing aboriginal narratives in the courts. Vancouver, BC: UBC Press, 2011.

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3

Rintoul, Stuart. The wailing: A national black oral history. Port Melbourne, Vic: W. Heinemann Australia, 1993.

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4

Narrative as social practice: Anglo-Western and Australian Aboriginal oral traditions. Berlin: Mouton de Gruyter, 2004.

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5

Miller, Bruce Granville. Oral history on trial: Recognizing aboriginal narratives in the courts. Vancouver, BC: UBC Press, 2011.

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6

McCall, Sophie. First person plural: Aboriginal storytelling and the ethics of collaborative authorship. Vancouver: UBC Press, 2011.

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7

Historical representation and the postcolonial imaginary: Constructing travellers and aborigines. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.

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8

Conference on Editorial Problems (32nd 1996 University of Toronto). Talking on the page: Editing aboriginal oral texts : papers given at the Thirty-second Annual Conference on Editorial Problems, University of Toronto, 14-16 November 1996. Toronto: University of Toronto Press, 1999.

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9

Henderson, James Youngblood. First Nations jurisprudence and Aboriginal rights: Defining the just society. Saskatoon: Native Law Centre, University of Saskatchewan, 2006.

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10

Black Australian literature: A bibliography of fiction, poetry, drama, oral traditions and non-fiction, including critical commentary, 1900-1991. Bern: P. Lang, 1997.

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11

Schürmann-Zeggel, Heinz. Black Australian literature: A bibliography of fiction, poetry, drama, oral traditions, and non-fiction, including critical commentary, 1900-1991. Bern [Switzerland]: Peter Lang, 2000.

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12

1944-, Eigenbrod Renate, and Hulan Renée 1965-, eds. Aboriginal oral traditions: Theory, practice, ethics. Black Point, N.S: Fernwood Pub., 2008.

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13

Fowell, Derek, and Alick Jackomos. Living Aboriginal History: Stories in the Oral Tradition. Cambridge University Press, 1992.

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14

Fowell, Derek, and Alick Jackomos. Living Aboriginal History: Stories in the Oral Tradition. Cambridge University Press, 1991.

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15

Simpkins, Maureen Ann. After Delgamuukw: Aboriginal oral tradition as evidence in aboriginal rights and title litigation. 2000.

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16

Scott, Patrick. Talking Tools: Faces of Aboriginal Oral Tradition in Contemporary Society. University of Alberta Press, 2012.

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17

Rintoul, Stuart. The wailing: A national black oral history. W. Heinemann Australia, 1993.

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18

Noel, Olive, ed. Karijini Mirlimirli: Aboriginal histories from the Pilbara. South Fremantle: Fremantle Arts Centre Press, 1997.

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19

Oral History on Trial: Recognizing Aboriginal Narratives in the Courts. University of British Columbia Press, 2012.

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20

McCall, Sophie. First Person Plural: Aboriginal Storytelling and the Ethics of Collaborative Authorship. University of British Columbia Press, 2012.

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21

Talking on the Page: Editing Aboriginal Oral Texts (Conference on Editorial Problems). University of Toronto Press, 1999.

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22

(Editor), Laura J. Murray, and Keren D. Rice (Editor), eds. Talking on the Page: Editing Aboriginal Oral Texts (Conference on Editorial Problems). University of Toronto Press, 1999.

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23

Telling stories: Indigenous history and memory in Australia and New Zealand. Wellington, N.Z: Bridget Williams Books, 2001.

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24

Binayi, Moola Bulla Oral History Project., and Kimberley Language Resource Centre, eds. Moola Bulla: In the shadow of the mountain. Broome, W.A: Magabala Books, 1996.

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25

Sustaining Indigenous Songs: Contemporary Warlpiri Ceremonial Life in Central Australia. Berghahn Books, Incorporated, 2020.

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26

1943-, Bell Diane, ed. Listen to Ngarrindjeri women speaking =: Kungun Ngarrindjeri miminar yunnan. North Melbourne, Vic: Spinifex Press, 2008.

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27

Ian, Fowler, Fanso Verkijika G, and Njeuma M. Z. 1940-, eds. Encounter, transformation and identity: Peoples of the western Cameroon borderlands, 1891/2000. New York: Berghahn Books, 2009.

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28

Hyland-Russell, Tara. Indigenous Novels in Canada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0026.

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Canadian Indigenous novels emerged as a specific genre within the last thirty years, rooted in a deep, thousands-year-old ‘performance art and poetic tradition’ of oratory, oral story, poetry, and drama. In addition to these oral and performance traditions are the ‘unique and varying methods of written communication’ that flourished long before contact with Europeans. The chapter considers Canadian novels by Indigenous writers. It shows that Indigenous fiction is deeply intertwined with history, politics, and a belief in the power of story to name, resist, and heal; that novel-length Aboriginal fiction in Canada built on a growing body of other forms of Indigenous literature; and that many Indigenous novels foreground their relationship with place and identity as key features of the resistance against systemic and institutional racism. It also examines coming-of-age novels of the 1980s and 1990s that are grounded in realism.
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29

Innamincka Words: Yandruwandha Dictionary and Stories. Not Avail, 2004.

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30

Gavan, Breen, and Australian National University. Pacific Linguistics., eds. Innamincka words: Yandruwandha dictionary and stories. Canberra: Pacific Linguistics, Research School of Pacific and Asian Studies, Austranalin Natinal University, 2004.

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31

Breen, Gavan. Innamincka Words: Yandruwandha dictionary and stories. ANU Press, 2015.

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32

Klapproth, Dani. Narrative as Social Practice: Anglo-Western and Australian Aboriginal Oral Traditions. De Gruyter, Inc., 2014.

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33

Colonial Mediascapes Sensory Worlds Of The Early Americas. University of Nebraska Press, 2014.

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34

Minter, Peter, and Belinda Wheeler. The Indigenous Australian Novel. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0021.

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The history of the Indigenous Australian novel begins in the second half of the twentieth century and can be traced to the traditions of the Aboriginal and Torres Strait Islander peoples of Australia. The Indigenous novel combines elements of the oral and performance traditions of classical Indigenous cultures with one of Western modernity's central narrative forms. The traditions of storytelling and poetic narration that underpin the Indigenous novel have always occupied a central place in the cultural expression of Indigenous peoples. The chapter considers Indigenous Australian novels published in four different periods: before and during the mid-1970s, 1978–1987, 1988–2000, and 2000 to the present. These include David Unaipon's (Ngarrindjeri) My Life Story (1954), Shirley Perry Smith's (Wiradjuri) Mum Shirl: An Autobiography (1981), Ruby Langford Ginibi's Don't Take Your Love to Town (1988), Kim Scott's Benang (2000), and Alexis Wright's Carpentaria (2006).
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35

Colonial Mediascapes Sensory Worlds Of The Early Americas. University of Nebraska Press, 2014.

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