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Books on the topic 'Aboriginal Australian Rehabilitation Queensland'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

1918-1963, Rootsey Joe, Hafner Diane, and Queensland Art Gallery, eds. Joe Rootsey: Queensland Aboriginal painter 1918 - 63. South Brisbane, Qld: Queensland Art Gallery, 2010.

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2

Holmer, Nils Magnus. Notes on some Queensland languages. Canberra, A.C.T., Australia: Dept. of Linguistics, Research School of Pacific Studies, Australian National University, 1988.

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3

Steele, J. G. Aboriginal pathways: In southeast Queensland and the Richmond River. St. Lucia: University of Queensland Press, 1987.

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4

Djabugay country: An aboriginal history of tropical North Queensland. St. Leonards, NSW: Allen & Unwin, 1999.

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5

Demozay, Marion. Gatherings II: Contemporary Aboriginal and Torres Strait Islander art from Queensland, Australia. Southport, Qld: Keeaira Press, 2006.

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6

Mulligan, Kobie. Justice behind bars: Understanding the Queensland prison system. West End, Qld: Prisoners' Legal Service, 2007.

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7

Rosser, Bill. Dreamtime nightmares: Biographies of Aborigines under the Queensland Aborigines Act. Canberra: Australian Institute of Aboriginal Studies, 1985.

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8

Dreamtime nightmares: Biographies of aborigines under the Queensland Aborigines Act. Canberra: Australian Institute of Aboriginal Studeies, 1985.

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9

Rosser, Bill. Dreamtime nightmares: Biographies of Aborigines under the Queensland Aborigines Act. Victoria,Australia: Penguin, 1987.

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10

My country, I still call Australia home: Contemporary art from Black Australia. South Brisbane, Qld: Queensland Art Gallery, 2013.

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11

Dixon, Robert M. W. Searching for aboriginal languages: Memoirs of a field worker. Chicago: University of Chicago Press, 1989.

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12

Goodbye Bussamarai: The Mandandanji land war, Southern Queensland, 1842-1852. St. Lucia, QLD: University of Queensland Press, 2002.

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13

Blake, Thom. A dumping ground: A history of Cherbourg Settlement. St Lucia: University of Queensland Press, 2001.

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14

Blake, Thom. A dumping ground: A history of the Cherbourg Settlement. St Lucia, Qld: University of Queensland Press, 2001.

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15

May, Dawn. Aboriginal labour and the cattle industry: Queensland from white settlement to the present. Cambridge: Cambridge University Press, 1994.

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16

International Council for Traditional Music. Colloquium. Music and dance of aboriginal Australia and the South Pacific: The effects of documentation on the living tradition : papers and discussions of the Colloquium of the International Council for Traditional Music, held in Townsville, Queensland, Australia, 1988. Edited by Moyle Alice M. Sydney: University of Sydney, 1992.

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17

International Council for Traditional Music. Colloquium. Music and dance of aboriginal Australia and the South Pacific: The effects of documentation on the living tradition :papers and discussions of the Colloquium of the International Council for Traditional Music, held in Townsville, Queensland, Australia, 1988. Edited by Moyle Alice M. Sydney: University of Sydney, 1992.

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18

Barker, Jimmie. The two worlds of Jimmie Barker: The life of an Australian Aboriginal, 1900-1972. Canberra: Aboriginal Studies Press, 1988.

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19

Mackey, Pip. Winja stories: The Urban Dreaming Project : stories of the women who live and work in Australia's first and only drug and alcohol rehabilitation house specifically for Aboriginal women. [St. Kilda, Vic.]: Centre for Creative Ministries, 2001.

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20

Flanagan, Martin. The call. St. Leonards, Australia: Allen & Unwin, 1998.

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21

Cleary, Tania. Poignant regalia: 19th century aboriginal breastplates & images : a catalogue of Aboriginal breastplates held in public, regional and private collections in New South Wales, Victoria, Tasmania, Queensland, South Australia, Western Australia and the Australian Capital Territory : exhibition venues, Greenway Gallery, Hyde Park Barracks, 26 May-4 July 1993 ... Glebe, NSW: Historic Houses Trust of NSW, 1993.

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22

Anna, Eglitis, Meeks Arone, and Thaiday Ken, eds. Contemporary aboriginal & torres strait islander art: Now days - early days : Art works and legends. Rockhampton: Central Queensland University Press, 2000.

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23

Sharp, Nonie. No ordinary judgment: Mabo, the Murray Islanders' land case. Canberra, ACT: Aboriginal Studies Press, 1996.

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24

Andrew, Day, Nakata Martin N, and Howells Kevin, eds. Anger and indigenous men: Understanding and responding to violent behaviour. Leichhardt, N.S.W: Federation Press, 2008.

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25

Marion, Demozay, ed. Gatherings: Contemporary Aboriginal and Torres Strait Islander art from Queensland, Australia. Southport, Qld: Keeaira Press, 2001.

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26

1954-, Stephenson M. A., and Ratnapala Suri 1947-, eds. Mabo: A judicial revolution : the aboriginal land rights decision and its impact on Australian law. St. Lucia, Qld., Australia: University of Queensland Press, 1993.

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27

(Editor), M. A. Stephenson, and Suri Ratnapala (Editor), eds. Mabo: A Judicial Revolution : The Aboriginal Land Rights Decision and Ists Impact on Australian Law. University of Queensland Pr (Australia), 1993.

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28

Flanagan, Martin. The Call. Louis Braille Audio, 2000.

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29

Hagan, Stephen. The N Word: One Man's Stand. Magabala Books, 2005.

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30

Robin, Libby, Chris Dickman, and Mandy Martin, eds. Desert Channels. CSIRO Publishing, 2010. http://dx.doi.org/10.1071/9780643097506.

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Abstract:
Desert Channels is a book that combines art, science and history to explore the ‘impulse to conserve’ in the distinctive Desert Channels country of south-western Queensland. The region is the source of Australia’s major inland-flowing desert rivers. Some of Australia’s most interesting new conservation initiatives are in this region, including partnerships between private landholders, non-government conservation organisations that buy and manage land (including Bush Heritage Australia and the Australian Wildlife Conservancy) and community-based natural resource management groups such as Desert Channels Queensland. Conservation biology in this place has a distinguished scientific history, and includes two decades of ecological work by scientific editor Chris Dickman. Chris is one of Australia’s leading terrestrial ecologists and mammalogists. He is an outstanding writer and is passionate about communicating the scientific basis for concern about biodiversity in this region to the broadest possible audience. Libby Robin, historian and award-winning writer, has co-ordinated the writings of the 46 contributors whose voices collectively portray the Desert Channels in all its facets. The emphasis of the book is on partnerships that conserve landscapes and communities together. Short textboxes add local and technical commentary where relevant. Art and science combine with history and local knowledge to richly inform the writing and visual understanding of the country. Conservation here is portrayed in four dimensions: place, landscape, biodiversity and livelihood. These four parts each carry four chapters. The ‘4x4’ structure was conceived by acclaimed artist, Mandy Martin, who has produced suites of artworks over three seasons in this format with commentaries, which make the interludes between parts. Martin’s work offers an aesthetic framework of place, which shapes how we see the region. Desert Channels explores the impulse to protect the varied biodiversity of the region, and its Aboriginal, pastoral and prehistoric heritage, including some of Australia’s most important dinosaur sites. The work of Alice Duncan-Kemp, the region’s most significant literary figure, is highlighted. Even the sounds of the landscape are not forgotten: the book's webpage has an audio interview by Alaskan radio journalist Richard Nelson talking to ecologist Steve Morton at Ocean Bore in the Simpson Desert country. The twitter of zebra finches accompanies the interview. Conservation can be accomplished in various ways and Desert Channels combines many distinguished voices. The impulse to conserve is shared by local landholders, conservation enthusiasts (from the community and from national and international organisations), Indigenous owners, professional biologists, artists and historians.
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