Journal articles on the topic 'Aboriginal Australian artists'
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Franklin, Adrian. "Aboriginalia: Souvenir Wares and the ‘Aboriginalization’ of Australian Identity." Tourist Studies 10, no. 3 (December 2010): 195–208. http://dx.doi.org/10.1177/1468797611407751.
Full textMason, Matthew J. "Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization." ARTMargins 11, no. 3 (October 1, 2022): 67–88. http://dx.doi.org/10.1162/artm_a_00326.
Full textGoldstein, Ilana Seltzer. "Visible art, invisible artists? the incorporation of aboriginal objects and knowledge in Australian museums." Vibrant: Virtual Brazilian Anthropology 10, no. 1 (June 2013): 469–93. http://dx.doi.org/10.1590/s1809-43412013000100019.
Full textBradford, Clare, Catherine Sly, and Xu Daozhi. "Ubby’s Underdogs: A Transformative Vision of Australian Community." Papers: Explorations into Children's Literature 24, no. 1 (January 1, 2016): 101–31. http://dx.doi.org/10.21153/pecl2016vol24no1art1112.
Full textAllen, Louis A. "The Artists and Their Work." Aboriginal Child at School 14, no. 4 (September 1986): 54–59. http://dx.doi.org/10.1017/s0310582200014553.
Full textMaher, Katie. "Traveling with Trained Man." Transfers 10, no. 2-3 (December 1, 2020): 83–102. http://dx.doi.org/10.3167/trans.2020.1002306.
Full textBlack, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives." Art Libraries Journal 44, no. 3 (June 12, 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
Full textGibson, Chris. "“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music." Environment and Planning D: Society and Space 16, no. 2 (April 1998): 163–84. http://dx.doi.org/10.1068/d160163.
Full textPrice-Williams, Douglass, and Rosslyn Gaines. "The Dreamtime and Dreams of Northern Australian Aboriginal Artists." Ethos 22, no. 3 (September 1994): 373–88. http://dx.doi.org/10.1525/eth.1994.22.3.02a00050.
Full textCameron, Liz. "Australian Indigenous sensory knowledge systems in creative practices." Creative Arts in Education and Therapy 7, no. 2 (January 28, 2022): 114–27. http://dx.doi.org/10.15212/caet/2021/7/4.
Full textMaher, Katie. "Traveling with Trained Man." Transfers 10, no. 2-3 (December 1, 2020): 83–102. http://dx.doi.org/10.3167/trans.2020.10020306.
Full textLampert, R. J., and T. A. Konecny. "Aboriginal spears of Port Jackson type discovered—a bicentennial sequel." Antiquity 63, no. 238 (March 1989): 137–41. http://dx.doi.org/10.1017/s0003598x00075657.
Full textAlcock, Sharon. "Painting Country: Australian Aboriginal artists’ approach to traditional materials in a modern context." AICCM Bulletin 34, no. 1 (December 2013): 66–74. http://dx.doi.org/10.1179/bac.2013.34.1.008.
Full textAlcock, Sharon. "Painting Country: Australian Aboriginal artists’ approach to traditional materials in a modern context." AICCM Bulletin 34, no. 1 (December 2014): 66–74. http://dx.doi.org/10.1179/bac.2014.34.1.008.
Full textCastillo, Greg. "Spinifex People as Cold War Moderns." Contemporaneity: Historical Presence in Visual Culture 4 (August 3, 2015): 71–94. http://dx.doi.org/10.5195/contemp.2015.144.
Full textRobertson, Carmen. "Utilising PEARL to Teach Indigenous Art History: A Canadian Example." Australian Journal of Indigenous Education 41, no. 1 (August 2012): 60–66. http://dx.doi.org/10.1017/jie.2012.9.
Full textFensham, Rod. "Conrad Martens and the Bush of South-East Queensland." Queensland Review 9, no. 1 (May 2002): 49–58. http://dx.doi.org/10.1017/s1321816600002737.
Full textBarnard, Trish. "Indigenised Souvenirs and Homewares in the Glenn Cooke Collection." Memoirs of the Queensland Museum - Culture 10 (December 2016): 107–15. http://dx.doi.org/10.17082/j.2205-3239.10.2016-08.
Full textTait, Peta. "Danger Delights: Texts of Gender and Race in Aerial Performance." New Theatre Quarterly 12, no. 45 (February 1996): 43–49. http://dx.doi.org/10.1017/s0266464x00009611.
Full textCockburn, Sylvia, and Alethea Beetson. "(Re)Presenting Indigenous Histories of the First World War: Case Studies for Museums." Memoirs of the Queensland Museum - Culture 11 (2020): 93–106. http://dx.doi.org/10.17082/j.2205-3239.11.1.2020.2020-07.
Full textBigourdan, Nicolas, Kevin Edwards, and Michael McCarthy. "Steamships to Suffragettes." Museum Worlds 4, no. 1 (July 1, 2016): 138–54. http://dx.doi.org/10.3167/armw.2016.040111.
Full textGattenhof, Sandra. "First Nations First: Reshaping the Australian Performing Arts Market Through Respectful Engagement of Aboriginal and Torres Strait Islander Artists and Companies." Journal of Arts Management, Law, and Society 49, no. 6 (October 1, 2019): 413–25. http://dx.doi.org/10.1080/10632921.2019.1664691.
Full textŻmidziński, Jakub. "Images of the Body and Corporeality of Indigenous Australians at the Dawn of the 21st Century (Based on Bruce Chatwin’s Perspective and Selected Films)." Horyzonty Wychowania 22, no. 62 (June 29, 2023): 21–30. http://dx.doi.org/10.35765/hw.2023.2262.04.
Full textTyquiengco, Marina. "Source to Subject: Fiona Foley’s Evolving Use of Archives." Genealogy 4, no. 3 (July 9, 2020): 76. http://dx.doi.org/10.3390/genealogy4030076.
Full textSummerhayes, Catherine. "Haunting Secrets: Tracey Moffatt's beDevil." Film Quarterly 58, no. 1 (2004): 14–24. http://dx.doi.org/10.1525/fq.2004.58.1.14.
Full textWilczyńska, Elżbieta. "Transculturation and counter-narratives: The life and art of the Wurundjeri artist William Barak." Journal of New Zealand & Pacific Studies 10, no. 1 (June 1, 2022): 51–67. http://dx.doi.org/10.1386/nzps_00092_1.
Full textCurran, Georgia. "Amanda Harris. Representing Australian Aboriginal Music and Dance, 1930–1970." Context, no. 47 (January 31, 2022): 85–87. http://dx.doi.org/10.46580/cx80760.
Full textThorner, Sabra G. "The photograph as archive: Crafting contemporary Koorie culture." Journal of Material Culture 24, no. 1 (July 9, 2018): 22–47. http://dx.doi.org/10.1177/1359183518782716.
Full textWolska, Dorota. "Garden Palace rozebrany do kości. Sztuka jako anamneza." Prace Kulturoznawcze 21, no. 4 (October 30, 2018): 69–78. http://dx.doi.org/10.19195/0860-6668.21.4.4.
Full textSteele, Dominic. "Fishing in Port Jackson, New South Wales–more than met the eye." Antiquity 69, no. 262 (March 1995): 47–60. http://dx.doi.org/10.1017/s0003598x00064292.
Full textButler, Sally. "‘Art for a New Understanding’: An Interview with Valerie Keenan, Manager of Girringun Aboriginal Art Centre." Arts 8, no. 3 (July 15, 2019): 91. http://dx.doi.org/10.3390/arts8030091.
Full textFarrell, Andrew. "Feeling Seen: Aboriginal and Torres Strait Islander LGBTIQ+ Peoples, (In)Visibility, and Social-Media Assemblages." Genealogy 5, no. 2 (June 12, 2021): 57. http://dx.doi.org/10.3390/genealogy5020057.
Full textPark, Shelley M. "Unsettling Feminist Philosophy: An Encounter with Tracey Moffatt's Night Cries." Hypatia 35, no. 1 (2020): 97–122. http://dx.doi.org/10.1017/hyp.2019.11.
Full textBakel, M. A., A. Appadurai, C. Baks, Ákos Östör, W. E. A. Beek, B. Bernardi, H. W. Bodewitz, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 143, no. 1 (1987): 159–98. http://dx.doi.org/10.1163/22134379-90003345.
Full textBartleet, Brydie-Leigh, Naomi Sunderland, and Gavin Carfoot. "Enhancing intercultural engagement through service learning and music making with Indigenous communities in Australia." Research Studies in Music Education 38, no. 2 (October 6, 2016): 173–91. http://dx.doi.org/10.1177/1321103x16667863.
Full textFoley, Fiona. "The People of K’Gari/Fraser Island: Working through 250 Years of Racial Double Coding." Genealogy 4, no. 3 (July 8, 2020): 74. http://dx.doi.org/10.3390/genealogy4030074.
Full textArcher, Anita. "Materialising Markets: The Agency of Auctions in Emergent Art Genres in the Global South." Arts 9, no. 4 (October 18, 2020): 106. http://dx.doi.org/10.3390/arts9040106.
Full textLovell, Judith. "Customary Assets and Contemporary Artistry: Multimodal Learning and Remote Economic Participation." Australian Journal of Indigenous Education 44, no. 2 (September 16, 2015): 184–93. http://dx.doi.org/10.1017/jie.2015.24.
Full textD'Paula, Clay. "A EXPOSIÇÃO ‘O TEMPO DOS SONHOS’ E A ARTE DOS ARTISTAS ABORÍGENES DA AUSTRÁLIA." ILUMINURAS 19, no. 46 (December 22, 2018). http://dx.doi.org/10.22456/1984-1191.85262.
Full textWolff, Mark. "In search of a Tropical Gothic in Australian visual arts." eTropic: electronic journal of studies in the tropics 18, no. 1 (May 30, 2019). http://dx.doi.org/10.25120/etropic.18.1.2019.3691.
Full textWilliams, Martin, and Sergio Biggemann. "Corporate Art Collections in Australia: The Influence of Aboriginal Art on Corporate Identity." International Journal of Business Communication, September 16, 2020, 232948842095811. http://dx.doi.org/10.1177/2329488420958112.
Full textLuckman, Susan. "Who counts, and is counted, in craft?" European Journal of Cultural Studies, April 7, 2022, 136754942110603. http://dx.doi.org/10.1177/13675494211060352.
Full textLye, Jenny, and Joe Hirschberg. "Investment Policy Impacts on the Australian Aboriginal Art Market." Australian Economic Review, December 8, 2023. http://dx.doi.org/10.1111/1467-8462.12532.
Full textDaniel, Ryan. "Artists and the Rite of Passage North to the Temperate Zone." M/C Journal 20, no. 6 (December 31, 2017). http://dx.doi.org/10.5204/mcj.1357.
Full textJun Wu, James. "Sounds of Australia: Aboriginal Popular Music, Identity, and Place." Nota Bene: Canadian Undergraduate Journal of Musicology 7, no. 1 (August 20, 2014). http://dx.doi.org/10.5206/notabene.v7i1.6595.
Full textLe Roux, Geraldine. "Entangled Values: Construction of a Global Conception of Australian Indigenous Arts." eTropic: electronic journal of studies in the tropics 13, no. 2 (August 2, 2016). http://dx.doi.org/10.25120/etropic.13.2.2014.3315.
Full textJardim, Fabiana, Annika Skoglund, Anindya Sekhar Purakayastha, and David Armstrong. "Virus as a figure of geontopower or how to practice Foucault now?" Foucault Studies, December 29, 2023, 211–31. http://dx.doi.org/10.22439/fs.i35.7081.
Full textFredericks, Bronwyn, and Pamela CroftWarcon. "Always “Tasty”, Regardless: Art, Chocolate and Indigenous Australians." M/C Journal 17, no. 1 (March 3, 2014). http://dx.doi.org/10.5204/mcj.751.
Full textRyan, Robin, and Uncle Ossie Cruse. "Welcome to the Peoples of the Mountains and the Sea: Evaluating an Inaugural Indigenous Cultural Festival." M/C Journal 22, no. 3 (June 19, 2019). http://dx.doi.org/10.5204/mcj.1535.
Full textAndrew, Brook, and Lily Hibberd. "The Blacktown Native Institution as a Living, Embodied Being: Decolonizing Australian First Nations Zones of Trauma Through Creativity." Space and Culture, February 24, 2022, 120633122110730. http://dx.doi.org/10.1177/12063312211073048.
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