Academic literature on the topic 'Abelam Gallery'

Abstract The effects of preemergence herbicides on root and shoot growth of redtip photinia (Photinia × fraseri Lindl.), abelia (Abelia× grandiflora × A. Schumannii Rehd.), azalea (Rhododendron obtusum Planch. ‘Tradition’) and Japanese holly (Ilex crenata Thunb.‘Helleri’) were evaluated in container studies. Experimental design was a randomized complete block with four replications and five containers of each species per plot. Root and shoot weights were recorded five weeks after either one, two or three herbicide applications. Ronstar (oxadiazon) and Ornamental Herbicide II [OH2 (oxyfluorfen plus pendimethalin)] had essentially no adverse effect on shoot or root development of the four species. Rout (oxyfluorfen plus oryzalin), Surflan (oryzalin), Gallery (isoxaben), and Factor (prodiamine) decreased root and/or shoot development of certain species, especially at the first two harvests. Plant size at treatment may be a factor in the extent of stunting caused by preemergence herbicides, with larger plants being more tolerant. Stunting of shoot and root growth appeared to be temporary.

Sandra Ramos (b. 1969) is one of the few artists to reflect critically on both sides of the Cuban di-lemma, fully embodying the etymological origins of the word in ancient Greek: di-, meaning twice, and lemma, denoting a form of argument involving a choice between equally unfavorable alternatives. Throughout her works she shines a light on the dilemmas faced by Cubans whether in Cuba or the United States, underlining the bad personal and political choices people face in both countries. During the hard 1990s, while still in Havana, the artist focused on the traumatic one-way journey into exile by thousands, as well as the experience of profound abandonment experienced by those who were left behind on the island. Today she lives in Miami and operates a studio there as well as one in Havana. Her initial disorientation in the USA has morphed into an acerbic representation and critique of the current administration and a deep concern with the environmental collapse we face. A buffoonlike Trumpito has joined el Bobo de Abela and Liborio in her gallery of comic characters derived from the rich Cuban graphic arts tradition where she was formed. While Cuba is now represented as a rotten cake with menacing flies hovering over it ready to pounce, a bombastic Trumpito marches across the world stage, trampling everything underfoot, a dollar sign for a face.

<p>O presente trabalho teve como objetivo identificar as técnicas de manejo utilizadas na produção de mel nos municípios de Marcelino Vieira, Pau dos Ferros e Portalegre, Rio Grande do Norte. O estudo foi realizado no mês de março de 2014 com a aplicação de um questionário semiestruturado com 25 apicultores, cuja as variáveis foram: uso do sombreamento para as colmeias, fornecimento de água no apiário, alimentação artificial no período de estiagem, identificação de inimigos naturais, utilização de redutor de alvado, uso de proteção contra inimigos naturais nos cavaletes, e o povoamento das colmeias de março de 2013 a março de 2014. Constatou-se que a maioria dos produtores faziam uso do sombreamento para as colmeias no apiário (72,0%), e, somente 40,0% forneceram suprimento extra de água no período de estiagem. Na suplementação de alimento às abelhas, apenas 16,0% ofertaram este recurso. Foi identificado a presença de inimigos naturais, predominando a traça da cera (<em>Galleria mellonella</em>), com 56,0%, e a arapuá (<em>Trigona spinipes</em>), com 32,0%. No emprego da redução de alvado, 20,0% dos apicultores utilizaram a técnica. Já na proteção dos cavaletes, o uso foi de 56,0%. Observou-se, ainda, a média de colmeias por apicultor, que em 2013 foi de 22,6; e em 2014 de 26,5. Conclui-se, com o observado, que os apicultores entrevistados possuem conhecimento mediano acerca das técnicas de importância apícola, e que a constatação a respeito da amostra aplicada foi relativamente positiva.</p>

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FUNDAÇÃO DE AMPARO À PESQUISA E AO DESENVOLVIMENTO CIENTIFICO E TECNOLÓGICO DO MARANHÃO
Knowing the diversity of solitary bees through trap-nests have sought to compose a checklist of diversity, as well as the account of the behavior and biology of the species. Few studies have been done in the state of Maranhão, which is a privileged area, as it includes within its boundaries the two major biomes. Given these few reports, the purpose of this work was to study the community of solitary bees by the method of trap nests for two years, in an area of cerrado and gallery forest, in the Parque Estadual do Mirador. Also, describe the nesting biology of Centris (Hemisiella) dichrootricha and analyze the floristic composition of the food of her offspring. The study area is located in the Parque Estadual do Mirador, municipality of Formosa Serra Negra, Maranhão. The method used was the trap-nests in wood diameters 6, 8, 10, 12, 14 and 16 mm, these were grouped in sets of 6 nests, totaling 300 nests per area. A total of 101 nests belonging was founded 11 bee species, including eight species occurred in the Gallery Forest and six in the Cerrado, and the similarity was low among habitats (SJ = 0.27). Two species were dominant in the community, Centris dichrootricha in Gallery Forest and the Centris tarsata in Cerrado. The diversity and evenness of species were higher in gallery forest than in the cerrado. The peak of the nests was founded in November (2012 and 2013) and August (2013), there were nothing correlation between the precipitation (rCE = -0.061; pCE = 0.775 and rMG = 0.194; pMG = 0.365). After 24 months of collecting the species rarefaction curve did not reach the asymptote for both habitats. Centris dichrootricha observed nesting in 29 nests in sizes 8, 10, 12 and 14mm. The species used in most resources from the Cerrado, which consisted both in the sediment to compose the cells and the pollen material and floral oil. Pollen types Byrsonima the genus of the Malpighiaceae family were the most representative in the samples. In this study five species of Centris were collected for a single study, all represented in the gallery forest. Thus, the study reveals the importance of forests as a refuge for some species of solitary bees. The biology of C. dichrootricha showed a preference for nesting in cavities with different sizes and in shady places in the Gallery Forest , also Euglossa amazonica species which hitherto had not been recorded nesting in trap-nests, especially in areas of the field was observed Cerrado. Besides these two species, the present study contributes to the expansion of the geographical distribution and Centris bicornuta e Centris terminata, these species are little studied in Brazil.
Conhecer a diversidade de abelhas solitárias através de ninhos-armadilha tem buscado compor um checklist da diversidade, assim como o relato do comportamento e da biologia das espécies. Poucos foram os estudos já realizados no Estado do Maranhão, que é uma zona privilegiada, pois incluem em seus limites os dois principais biomas brasileiros. Diante desses poucos relatos, o propósito desse trabalho foi estudar a comunidade de abelhas solitárias através do método de ninhos-armadilha durante dois anos, em uma área de Cerrado e Mata de Galeria, no Parque Estadual do Mirador. Além disso, descrever a biologia de nidificação de Centris (Hemisiella) dichrootricha e analisar a composição florística do alimento de sua prole. A área de estudo está localizada no Parque Estadual do Mirador, município de Formosa da Serra Negra, Maranhão. O método empregado foi o de ninhos-armadilha de madeira nos diâmetros 6, 8, 10, 12, 14 e 16 mm, estes foram agrupados em conjuntos de 6 ninhos, totalizando 300 ninhos por área. Foi fundado um total de 101 ninhos pertencentes a 11 espécies de abelhas, das quais oito espécies ocorreram na Mata de Galeria e seis no Cerrado, sendo que a similaridade foi baixa entre os habitats (SJ = 0,27). Duas espécies foram dominantes na comunidade, Centris dichrootricha na Mata de Galeria e Centris tarsata no Cerrado. A diversidade e equitabilidade das espécies foram maiores na Mata de Galeria do que no Cerrado. O pico de fundação dos ninhos foi em novembro (2012 e 2013) e agosto (2013), não havendo correlação com a precipitação mensal (rCE = -0,061; pCE = 0,775 e rMG = 0,194; pMG = 0,365). Após 24 meses de coleta a curva de rarefação das espécies não atingiu a assíntota para ambos os habitats. Centris dichrootricha nidificou em 29 ninhos nos diâmetros 8, 10, 12 e 14mm. A espécie utilizou em maioria recursos provenientes do Cerrado, que consistia tanto no sedimento para compor as células quanto o material polínico e óleo floral. Tipos polínicos do gênero Byrsonima da família Malpighiaceae foram os mais representativos nas amostras. Nesse trabalho foram coletadas cinco espécies de Centris para um único estudo, sendo todas representadas na Mata de Galeria. Assim, o estudo revela a importância das áreas florestais como refúgio para algumas espécies de abelhas solitárias. A biologia da C. dichrootricha mostrou uma preferência por nidificar em cavidades com diâmetros variados e em locais sombreados da Mata de Galeria, também foi observada a espécie Euglossa amazonica que até então não havia sido registrada nidificando em ninhos-armadilha, principalmente em áreas de domínio do Cerrado. Além dessas duas espécies, o presente estudo contribui com a ampliação da distribuição geográfica de Centris bicornuta e Centris terminata, espécies estas que são pouco estudadas no Brasil.

Within popular Western interpretative traditions, as well as the majority of modern works on the reception history of Adam and Eve, the first woman’s role as a mother has ultimately been eclipsed by her action in the garden. Nonetheless, Eve is, according to the Bible, the first female to give birth to a child and begin the cycle of human procreation, thus representing a potent symbol of female creative power. Furthermore, some of the most poignant aspects of Eve’s story are bound up in her maternity; she is mother to all living but her children will know mortality because of her actions; she will suffer pain and anguish in order to bring about new life; and she will experience the death of her second son Abel at the hands of her firstborn, Cain. In this chapter, I explore the ways in which Eve’s motherhood is represented by a number of different trajectories growing out from the Hebrew Bible and early Jewish and Christian interpretations, visual art, and the work of pre-twentieth-century women writers. Each of these categories of interpretation offers their own unique insight into mother Eve, while also sharing considerable imagery and themes between them.