Log in

Relevant bibliographies by topics / Abegg Stiftung / Journal articles

To see the other types of publications on this topic, follow the link: Abegg Stiftung.

Journal articles on the topic 'Abegg Stiftung'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 15 journal articles for your research on the topic 'Abegg Stiftung.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Jung, Jacqueline E. "Philippe Cordez and Evelin Wetter, Die Krone der Hildegard von Bingen. (Monographien der Abegg-Stiftung 21.) Riggisberg, Switzerland: Abegg-Stiftung, 2019. Paper. Pp. 135; many figures. CHF 25. ISBN: 978-3-9050-1470-9." Speculum 96, no. 3 (July 1, 2021): 798–99. http://dx.doi.org/10.1086/715096.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Landi, Sheila. "Textile Conservation and Research by Mechtilde Fleury‐Lemburg. Bern, Switzerland: Abegg Stiftung. 1988, 532 pp." Iranian Studies 25, no. 1-2 (1992): 149–50. http://dx.doi.org/10.1017/s0021086200016984.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Louis, François. "Dragons of Silk, Flowers of Gold: A Group of Liao-Dynasty Textiles at the Abegg-Stiftung (review)." Journal of Song-Yuan Studies 39, no. 1 (2009): 237–43. http://dx.doi.org/10.1353/sys.0.0015.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Miller, Lesley Ellis. "Of Gardens and Castles. Naturalistic Silks from the Eighteenth Century. Abegg-Stiftung, Riggisberg, near Berne, Switzerland 28 April–10 November 2002." TEXTILE 1, no. 1 (January 2003): 98–105. http://dx.doi.org/10.1080/17518350.2003.11428635.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Miller, Lesley Ellis. "Of Gardens and Castles. Naturalistic Silks from the Eighteenth Century. Abegg-Stiftung, Riggisberg, near Berne, Switzerland 28 April-10 November 2002." Textile: The Journal of Cloth and Culture 1, no. 1 (March 1, 2003): 98–105. http://dx.doi.org/10.2752/147597503778053081.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Gulácsi, Zsuzsanna. "Central Asian Textiles and Their Contexts in the Early Middle Ages. Edited by Regula Schorta. Riggisberg: Abegg-Stiftung, 2006. 316 pp. $130.00/€72.00 (paper)." Journal of Asian Studies 67, no. 1 (February 2008): 303–5. http://dx.doi.org/10.1017/s0021911808000363.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Biggs, Robert D. "Central Asian Textiles and Their Contexts in the Early Middle Ages. Edited by Regula Schorta. Riggisberger Berichte 9. Riggisberg, Switzerland: Abegg‐Stiftung, 2006. Pp. 318 + 240 figs." Journal of Near Eastern Studies 68, no. 2 (April 2009): 154–56. http://dx.doi.org/10.1086/604694.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Biggs, Robert D. "Textilien des Mittelmeerraumes aus spätantiker bis frühislamischer Zeit. By Sabine Schrenk. Textile analyses by, Regina Knaller. Riggisberg, Switzerland: Abegg‐Stiftung, 2004. Pp. 520 + 331 figs. 280 Swiss francs." Journal of Near Eastern Studies 66, no. 4 (October 2007): 310–12. http://dx.doi.org/10.1086/524170.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Abbing, Michiel Roscam. "Some notes by Ernst Brinck (1582-1649) on painters, collectors and exceptional art." Oud Holland – Journal for Art of the Low Countries 135, no. 4 (November 24, 2022): 204–24. http://dx.doi.org/10.1163/18750176-13504004.

Full text

Abstract:

This article focuses on the Harderwijk regent Ernst Brinck (1582-1649) who owned an extensive cabinet of curiosities and a library full of valuable books. His exceptionally wide range of interests is also evident from surviving notebooks of his in the Harderwijk archives. The entries they contain show that Brinck visited other collectors and viewed their cabinets. It goes without saying that interesting information was exchanged during these encounters, which Brinck noted in his booklets. It can be found scattered there among all kinds of other topics. Around 1645, Brinck classified some of these notes under the heading ‘De picturis eximiis, et [rebus] quae concernunt picturas’ (Of exceptional paintings and [all manner of things] that concern the art of painting) and ‘Van eenige treflicke Conststucken’ (Of several excellent works of art). Twenty-two previously unpublished anecdotal statements can be found in these categories. Examples include the average cost of the civic guard portraits in the Great Hall of the Arquebusiers Company (Doelenzaal) in Amsterdam (no. 6); the wealthy collector Pieter Spiering and his art books (no. 12): the obscene paintings of Torrentius (no. 7); Rubens’ earnings for the cycle of paintings on the life of Marie de’ Medici, queen of France, in Paris (no. 8); the Brazilian paintings commissioned by John Maurice of Nassau and painted by Jacob van Campen, which Brinck saw at the artist’s estate near Amersfoort (no. 5); and the wooden prayer nut, now in the Abegg-Stiftung, Switzerland (no. 19). In one of the booklets, hidden among other notes, Brinck penned an entry on Rembrandt’s Hundred guilder print that would have fitted very well in his list on exceptional art, but is absent there. Brinck wrote that Rembrandt had sold a print with the subject ‘Let the children come to me’ (Matthew 19: 13-15) for a hundred guilders. The note establishes that Rembrandt himself sold the print for that amount, in 1648 or 1649.

APA, Harvard, Vancouver, ISO, and other styles

10

van Dijk, Sara. "Die Tafelwäsche des Ordens vom Goldenen Vlies. Mario Döberl, ed. With Anna Jolly, Daniela Sailer, and Agnieszka Woś Jucker. Riggisberg: Abegg-Stiftung, 2018. 168 pp. + 1 foldout pl. CHF 120." Renaissance Quarterly 73, no. 3 (2020): 1025–26. http://dx.doi.org/10.1017/rqx.2020.145.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Biggs, Robert D. "Textiles in Situ: Their Find Spots in Egypt and Neighbouring Countries in the First Millennium CE. Edited by Sabine Schrenk. Riggisberger Berichte 13. Riggisberg, Switzerland: Abegg‐Stiftung, 2006. Pp. 256 + 102 figs. + 17 tables. 85 Swiss francs." Journal of Near Eastern Studies 68, no. 2 (April 2009): 152–54. http://dx.doi.org/10.1086/604693.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Marosi, Ernő. "Kronstädter paramenteEvelin Wetter:Liturgische Gewänder in der Schwarzen Kirche zu Kronstadt in Siebenbürgen. Mit Beiträgen von Corinna Kienzlerund Ágnes Ziegler. Gewebeanalysen von Corinna Kienzler. Abegg-Stiftung, Riggisberg, 2015. 2015. Bd. 1: Katalog: 482 S., 331 Abb.; Bd. 2: Übersetzungen: Zusammenfassung der Aufsätze in rumänischer, ungarischer und englischer Sprache: 156 S." Acta Historiae Artium 56, no. 1 (December 2015): 355–74. http://dx.doi.org/10.1556/170.2015.55.1.28.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Falkenhausen, Lothar von. "An Epic of Technical Supremacy: Works and Words of Medieval Chinese Textile Technology. By Dieter Kuhn." Journal of the American Oriental Society 142, no. 3 (September 30, 2022). http://dx.doi.org/10.7817/jaos.142.3.2022.r0040.

Full text

Abstract:

An Epic of Technical Supremacy: Works and Words of Medieval Chinese Textile Technology. By Dieter Kuhn. Riggisberg (Switzerland): Abegg-Stiftung, 2022. Pp. 488. CHF 120.

APA, Harvard, Vancouver, ISO, and other styles

14

La Vaissière, Étienne de. "Entlang der Seidenstraße. Frühmittelalterliche Kunst zwischen Persien und China in der Abegg-Stiftung, (Riggisberg Berichte, 6). Riggisberg, Abegg-Stiftung, 1998, 382 p." Abstracta Iranica, Volume 22 (May 15, 2001). http://dx.doi.org/10.4000/abstractairanica.36425.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Barrett, Annin, Carol Bier, Anna Jolly, Louise Mackie, and Barbara Setsu Pickett. "India in Situ: Textile History and Practice, a Team Approach." Textile Society of America Symposium Proceedings, 2021. http://dx.doi.org/10.32873/unl.dc.tsasp.0131.

Full text

Abstract:

Five textile specialists from various backgrounds came together to explore shared interests in Indian fabrics, histories, and architectural patterns. Guided by Rahul Jain’s extraordinary scholarship and generosity, we visited weaving workshops producing exquisite fabric and metallic yarn in our quest to understand the naqsha system for drawloom patterning. In Cholapur and Varanasi, we studied drawlooms set up to weave velvet, lampas, and samite, and a distinguished naqshaband demonstrated the making of a naqsha that provides the design for drawloom lifts. We examined rare historic textiles in New Delhi’s National Museum, Ahmedabad’s Calico Museum of Textiles, Varanasi’s Bharat Kala Bhavan Museum, and private collections. In Jaipur, we visited the Indian Institute of Crafts and Design, Nila House, Anokhi Farm, City Palace Museum, and Prince Albert Hall Museum, and in Ahmedabad, the National Institute of Design and the Kasturbhai Lalbhai Indigo Museum. At Patola House in Patan, we observed the preparation and weaving of double ikat. Our diverse perspectives resulted in a most enjoyable interdisciplinary traveling seminar. Come with us as we share our adventure in collaborative textile research. Themes of inquiry:• Understanding the naqsha harness for the Indian drawloom • Examining relations between textiles and architecture • Using symmetry analysis to recognize pattern repeats • Considering fashion in India, an evolving tradition • Learning about the revival of natural indigo in India • Observing craft traditions preserved through development and sustainability Our team: • Annin Barrett—textile artist and designer; instructor, fashion history and sustainable design • Carol Bier—curator, The Textile Museum (1984-2001); research associate (2001-2020); research scholar, Center for Islamic Studies, Graduate Theological Union • Anna Jolly—curator of textiles 1500-1800, Abegg-Stiftung, Riggisberg, Switzerland • Louise Mackie—curator emerita, Textiles & Islamic Art, the Cleveland Museum of Art, Royal Ontario Museum, and The Textile Museum • Barbara Setsu Pickett—associate professor emerita, Department of Art, University of Oregon

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!