Relevant bibliographies by topics / Abegg Stiftung

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Abegg Stiftung'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

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Journal articles on the topic "Abegg Stiftung"

1

Jung, Jacqueline E. "Philippe Cordez and Evelin Wetter, Die Krone der Hildegard von Bingen. (Monographien der Abegg-Stiftung 21.) Riggisberg, Switzerland: Abegg-Stiftung, 2019. Paper. Pp. 135; many figures. CHF 25. ISBN: 978-3-9050-1470-9." Speculum 96, no. 3 (July 1, 2021): 798–99. http://dx.doi.org/10.1086/715096.

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2

Landi, Sheila. "Textile Conservation and Research by Mechtilde Fleury‐Lemburg. Bern, Switzerland: Abegg Stiftung. 1988, 532 pp." Iranian Studies 25, no. 1-2 (1992): 149–50. http://dx.doi.org/10.1017/s0021086200016984.

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3

Louis, François. "Dragons of Silk, Flowers of Gold: A Group of Liao-Dynasty Textiles at the Abegg-Stiftung (review)." Journal of Song-Yuan Studies 39, no. 1 (2009): 237–43. http://dx.doi.org/10.1353/sys.0.0015.

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4

Miller, Lesley Ellis. "Of Gardens and Castles. Naturalistic Silks from the Eighteenth Century. Abegg-Stiftung, Riggisberg, near Berne, Switzerland 28 April–10 November 2002." TEXTILE 1, no. 1 (January 2003): 98–105. http://dx.doi.org/10.1080/17518350.2003.11428635.

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Miller, Lesley Ellis. "Of Gardens and Castles. Naturalistic Silks from the Eighteenth Century. Abegg-Stiftung, Riggisberg, near Berne, Switzerland 28 April-10 November 2002." Textile: The Journal of Cloth and Culture 1, no. 1 (March 1, 2003): 98–105. http://dx.doi.org/10.2752/147597503778053081.

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Gulácsi, Zsuzsanna. "Central Asian Textiles and Their Contexts in the Early Middle Ages. Edited by Regula Schorta. Riggisberg: Abegg-Stiftung, 2006. 316 pp. $130.00/€72.00 (paper)." Journal of Asian Studies 67, no. 1 (February 2008): 303–5. http://dx.doi.org/10.1017/s0021911808000363.

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Biggs, Robert D. "Central Asian Textiles and Their Contexts in the Early Middle Ages. Edited by Regula Schorta. Riggisberger Berichte 9. Riggisberg, Switzerland: Abegg‐Stiftung, 2006. Pp. 318 + 240 figs." Journal of Near Eastern Studies 68, no. 2 (April 2009): 154–56. http://dx.doi.org/10.1086/604694.

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8

Biggs, Robert D. "Textilien des Mittelmeerraumes aus spätantiker bis frühislamischer Zeit. By Sabine Schrenk. Textile analyses by, Regina Knaller. Riggisberg, Switzerland: Abegg‐Stiftung, 2004. Pp. 520 + 331 figs. 280 Swiss francs." Journal of Near Eastern Studies 66, no. 4 (October 2007): 310–12. http://dx.doi.org/10.1086/524170.

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9

Abbing, Michiel Roscam. "Some notes by Ernst Brinck (1582-1649) on painters, collectors and exceptional art." Oud Holland – Journal for Art of the Low Countries 135, no. 4 (November 24, 2022): 204–24. http://dx.doi.org/10.1163/18750176-13504004.

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This article focuses on the Harderwijk regent Ernst Brinck (1582-1649) who owned an extensive cabinet of curiosities and a library full of valuable books. His exceptionally wide range of interests is also evident from surviving notebooks of his in the Harderwijk archives. The entries they contain show that Brinck visited other collectors and viewed their cabinets. It goes without saying that interesting information was exchanged during these encounters, which Brinck noted in his booklets. It can be found scattered there among all kinds of other topics. Around 1645, Brinck classified some of these notes under the heading ‘De picturis eximiis, et [rebus] quae concernunt picturas’ (Of exceptional paintings and [all manner of things] that concern the art of painting) and ‘Van eenige treflicke Conststucken’ (Of several excellent works of art). Twenty-two previously unpublished anecdotal statements can be found in these categories. Examples include the average cost of the civic guard portraits in the Great Hall of the Arquebusiers Company (Doelenzaal) in Amsterdam (no. 6); the wealthy collector Pieter Spiering and his art books (no. 12): the obscene paintings of Torrentius (no. 7); Rubens’ earnings for the cycle of paintings on the life of Marie de’ Medici, queen of France, in Paris (no. 8); the Brazilian paintings commissioned by John Maurice of Nassau and painted by Jacob van Campen, which Brinck saw at the artist’s estate near Amersfoort (no. 5); and the wooden prayer nut, now in the Abegg-Stiftung, Switzerland (no. 19). In one of the booklets, hidden among other notes, Brinck penned an entry on Rembrandt’s Hundred guilder print that would have fitted very well in his list on exceptional art, but is absent there. Brinck wrote that Rembrandt had sold a print with the subject ‘Let the children come to me’ (Matthew 19: 13-15) for a hundred guilders. The note establishes that Rembrandt himself sold the print for that amount, in 1648 or 1649.
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10

van Dijk, Sara. "Die Tafelwäsche des Ordens vom Goldenen Vlies. Mario Döberl, ed. With Anna Jolly, Daniela Sailer, and Agnieszka Woś Jucker. Riggisberg: Abegg-Stiftung, 2018. 168 pp. + 1 foldout pl. CHF 120." Renaissance Quarterly 73, no. 3 (2020): 1025–26. http://dx.doi.org/10.1017/rqx.2020.145.

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Dissertations / Theses on the topic "Abegg Stiftung"

1

Schulz, Karin Hildegard, and n/a. "An internship in textile conservation : July-September 1983 Australian War Memorial, Jun-August 1984 the Abegg Stiftung." University of Canberra. Applied Science, 1985. http://erl.canberra.edu.au./public/adt-AUC20061107.174002.

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The dissertation is divided into four sections. The first deals with the work experience gained at the Australian War Memorial, followed by that gained at the Abegg Stiftung. Observations on visits to other conservation laboratories and a report on the two international conferences attended, complete sections three and four. Work experience at the Australian War Memorial Textile conservation laboratory involved spending time in assisting with ongoing programs, conservation treatments carried out with supervision, as well as research. The time was divided so that all areas received equal emphasis. Ongoing programs involved the uniform inspections program and the display maintenance program. The involvement with routine tasks of surface cleaning, and with preparation for storage or display, with both programs, is not detailed in the dissertation. Nor can the dissertation include all the treatments of objects. Reference may be made for details on these treatments, to Australian War Memorial Conservation records for objects with the following accession numbers: AWM 1102,/5947,/10487, AWM 7919. However, two treatment reports are included. These are for a pair of flying boots worn by the Baron von Richthofen, and for an embroidered silk souvenir. The boots, now on permanent display were conserved with attention given to the need to preserve historical evidence, the choice of materials used for repair and requirements of display. The silk textile treatment took into consideration the benefits and risks involved in removing a deteriorated backing and relining a silk which was extremely embrittled. In the process it was realised that a facing might give stability to such a deteriorated silk; however, an initial study of facing materials and methods was required and was therefore undertaken and reported on in the dissertation. Whilst inspecting items in the relics collection of the Australian War Memorial a number of rubberised fabrics and other rubber materials were observed to show problems such as hardening, embrittlement, deformation, tackiness or discolouration. It was found that no information had been published on the treatment and preservation of such materials in the conservation literature. A survey on rubber deterioration and preservation literature since 1900 is included in the dissertation. The function, facilities and equipment of the textile conservation department of the Australian War Memorial are described as well as the storage of relics and uniforms. Work experience at the Abegg Stiftung involved assisting with group projects in most instances as well as working independently with supervision. It was therefore decided to report in general on the types of treatment given and give a brief account of the experience and skills gained. An example of a treatment report as was required for the Abegg Stiftung records is included as well as an example of detailed personal notes on the progress and treatment of a 15th century silk chasuble. The Abegg Stiftung is recognised as one of the foremost training centres in textile conservation in Europe. This led me to consider here the benefits and possible limitations of the program from the impressions gained during the three months work experience at the Institute. Round table discussions were held by Mechthilde Flury- Lehmburg which served to raise questions for discussion by textile conservation students and staff. This also permitted a concensus to be reached when items of a complex nature were to be conserved. A record of such a discussion is annexed. The Library of the Institute was frequently consulted by historians, as it specialises in textile conservation literature and many languages are represented, German being predominant. This library was consulted on German literature on textile conservation, and a brief guide to sources is included. Visits were made to a number of textile conservation laboratories in Europe. It was possible as a result of these visits to evaluate various types of equipment which are used for textile conservation. It was seen that although much skilful work was being done, especially in laboratories where more conservative treatments were preferred, there were a number of questions which were raised and remained unanswered. Subjects discussed and research undertaken are reported. The 1IC and ICOM conferences attended, introduced me to international cooperation and activity in conservation research and setting of standards. Information found to be relevant to progress in textile conservation research and related materials is summarised here.
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Books on the topic "Abegg Stiftung"

1

Bern, Abegg-Stiftung. Treasures of the Abegg-Stiftung. Riggisberg: Abegg-Stiftung, 2004.

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2

Flury-Lemberg, Mechthild. Spuren kostbarer Gewebe. Riggisberg: Abegg-Stiftung, 1995.

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3

Abegg-Stiftung. Abegg-Stiftung Riggisberg: Geschichte und Führer der Sammlung. Riggisberg: Abegg-Stiftung, 1989.

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4

Werner, Abegg, and Abegg-Stiftung Bern, eds. Die Anfänge der Sammlung Werner Abegg =: Les débuts de la collection Werner Abegg = The beginnings of the Werner Abegg collection. Riggisberg: Abegg-Stiftung, 2003.

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5

Bern, Abegg-Stiftung. Geschichte und Führer der Sammlung. Riggisberg: Abegg-Stiftung, 1989.

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6

Flury-Lemberg, Mechthild. Fünf Jahrzehnte Textilkonservierung. Erinnerungen an die Anfänge. Riggisberg: Abegg-Stiftung, 2009.

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7

Muḥammad Salīm, Muḥammad ʻAbbās, 1952- and Kessler Cordula M. 1963-, eds. Mittelalterliche Textilien. Riggisberg: Abegg-Stiftung, 1995.

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8

Bern, Abegg-Stiftung. Entlang der Seidenstrasse: Frühmittelalterliche Kunst zwischen Perisen und China in der Abegg-Stiftung. Riggisberg: Die Stiftung, 1998.

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9

Karel, Otavsky, and Blair Sheila, eds. Entlang der Seidenstrasse: Frühmittelalterliche Kunst zwischen Persien und China in der Abegg-Stiftung. Riggisberg: Abegg-Stiftung, 1998.

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10

Gruber, Alain Charles. Ancien Régim. Premier Empire, 1785-1805: Textilkunst und Kostüm, Austellungskatalog, 30. April - 1. November 1989 = l'art textile et la toilette ; catalogue d'exposition, 30 April - 1 November 1989. Riggisberg: Abegg-Stiftung, 1989.

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Book chapters on the topic "Abegg Stiftung"

1

"Syncretism in Panopolis? The Evidence of the “Mary Silk” in the Abegg Stiftung." In Perspectives on Panopolis: An Egyptian town from Alexander the Great to the Arab Conquest, 145–64. BRILL, 2002. http://dx.doi.org/10.1163/9789004427853_012.

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"A Rock-Crystal Amulet with an Arabic Restorative Inscription in the Museum of the Abegg-Stiftung (Bern)." In Studies in Honour of Clifford Edmund Bosworth, Volume I, 390–98. BRILL, 2000. http://dx.doi.org/10.1163/9789004491953_029.

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"On the value of inscriptions The silk fragments with scenes from the life of Mary in the Abegg-Stiftung." In Textile Messages, 107–11. BRILL, 2006. http://dx.doi.org/10.1163/9789047418290_012.

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