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Journal articles on the topic 'A modern tale'

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Published: 10 December 2022
Last updated: 28 January 2023

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1

Poland, John. "A Modern Fairy Tale?" American Mathematical Monthly 94, no. 3 (March 1987): 291. http://dx.doi.org/10.2307/2323400.

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2

Arnone, Stefano, Francesco Moauro, and Matteo Siccardi. "A modern Galileo tale." Physics Education 52, no. 1 (November 1, 2016): 015004. http://dx.doi.org/10.1088/0031-9120/52/1/015004.

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3

Sen, Mandira, and Samina Ali. "A Modern Muslim's Tale." Women's Review of Books 22, no. 3 (December 2004): 18. http://dx.doi.org/10.2307/4024526.

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4

Poland, John. "A Modern Fairy Tale?" American Mathematical Monthly 94, no. 3 (March 1987): 291–95. http://dx.doi.org/10.1080/00029890.1987.12000632.

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5

Ferrari, Roberto, Gabriele Guardigli, and Luigi Tavazzi. "A modern fairy tale." European Journal of Cardiovascular Prevention & Rehabilitation 16, no. 2_suppl (August 2009): S65—S67. http://dx.doi.org/10.1097/01.hjr.0000359241.90303.37.

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6

Stanton, Judith Anne. "Aesculapius: A Modern Tale." JAMA 281, no. 5 (February 3, 1999): 476. http://dx.doi.org/10.1001/jama.281.5.476-jms0203-4-1.

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7

Scott, Edward M. "The Non-Monk's Tale: A Somewhat Modern Canterbury Tale." International Journal of Offender Therapy and Comparative Criminology 36, no. 2 (June 1992): 83–87. http://dx.doi.org/10.1177/0306624x9203600201.

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8

Larsen, Deena, and MaJe Larsen. "A Modern Moral Fairy Tale." Hyperrhiz: New Media Cultures, no. 11 (February 2015): 1. http://dx.doi.org/10.20415/hyp/011.g05.

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9

Robinson, Andrew. "Modern math meets fairy-tale physics." Science 364, no. 6443 (May 30, 2019): 842.1–842. http://dx.doi.org/10.1126/science.aax2955.

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10

Spisak, April. "Ironside: A Modern Faery's Tale (review)." Bulletin of the Center for Children's Books 61, no. 1 (2007): 8. http://dx.doi.org/10.1353/bcc.2007.0577.

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11

Card, Timnah. "Valiant: A Modern Tale of Faerie (review)." Bulletin of the Center for Children's Books 59, no. 2 (2005): 71–72. http://dx.doi.org/10.1353/bcc.2005.0099.

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12

Rutherford, Jennifer. "Hansonella: The Morphology of a Modern Folk Tale." Transtext(e)s Transcultures 跨文本跨文化, no. 4 (December 1, 2008): 114–29. http://dx.doi.org/10.4000/transtexts.256.

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13

Seland, John J., and Wolfgang Mieder. "Disenchantments. An Anthology of Modern Fairy Tale Poetry." Asian Folklore Studies 47, no. 2 (1988): 326. http://dx.doi.org/10.2307/1178284.

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14

Das, Jayashree, and Pradipta Banerjee. "Matsyavatar: A Modern Outlook of a Mythological Tale." LS: International Journal of Life Sciences 4, no. 2 (2015): 77. http://dx.doi.org/10.5958/2319-1198.2015.00011.1.

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15

Demina, A. V., and M. S. Gladkova. "Transformation of the fairy tale in modern culture." CASPIAN REGION: Politics, Economics, Culture 56, no. 3 (2018): 139–47. http://dx.doi.org/10.21672/1818-510x-2018-56-3-139-147.

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16

Quay, Michelle. "Translator’s Note: Translating a Modern Persian Zoroastrian Tale." World Literature Today 96, no. 1 (2022): 8. http://dx.doi.org/10.1353/wlt.2022.0006.

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17

Yehuda, Simone Naomi. "Rasa: A modern fairy tale in two acts." Bridges: A Jewish Feminist Journal 15, no. 1 (April 2010): 33–41. http://dx.doi.org/10.2979/bri.2010.15.1.33.

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18

Högberg, Ulf. "Homebirths in a modern setting – a cautionary tale." Acta Obstetricia et Gynecologica Scandinavica 87, no. 8 (January 2008): 797–99. http://dx.doi.org/10.1080/00016340802348534.

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19

McElwee, Gerard, and Kirk Frith. "The entrepreneurial wide boy. A modern morality tale." International Journal of Entrepreneurship and Small Business 6, no. 1 (2008): 80. http://dx.doi.org/10.1504/ijesb.2008.017391.

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20

Passerini, Luisa. "Unraveled. A Weaver's Tale of Life Gone Modern." Journal of Modern Italian Studies 15, no. 4 (September 2010): 624–25. http://dx.doi.org/10.1080/1354571x.2010.501986.

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21

Warner, Marina. "An oddly modern fairy tale for Jack Zipes." Book 2.0 7, no. 2 (November 1, 2017): 191–95. http://dx.doi.org/10.1386/btwo.7.2.191_7.

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22

Zipes, Jack, and Wolfgang Mieder. "Disenchantments: An Anthology of Modern Fairy Tale Poetry." Journal of American Folklore 101, no. 401 (July 1988): 382. http://dx.doi.org/10.2307/540495.

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23

Cameron, Craig M., and Samuel Hynes. "The Soldiers' Tale: Bearing Witness to Modern War." Journal of American History 84, no. 3 (December 1997): 1110. http://dx.doi.org/10.2307/2953193.

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24

Sutton, David. "Unraveled: A Weaver's Tale of Life Gone Modern." South European Society and Politics 16, no. 4 (December 2011): 593–94. http://dx.doi.org/10.1080/13608746.2011.571898.

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25

Ardeni, Viola. "Encountering Ageing Women: Ambiguous Representations of the Elderly in Early Modern Literary Fairy Tales." Quaderni d'italianistica 42, no. 2 (November 28, 2022): 141–63. http://dx.doi.org/10.33137/q.i..v42i2.39694.

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This essay offers a comparative analysis of two early modern literary representations of the encounters between a pair of ageing sisters and a king, a barber, and a group of fairies. The representations occur in the literary fairy tale “La vecchia scortecata” (“The Old Woman Who Was Skinned”), which appears in the Neapolitan text by Giambattista Basile, Lo cunto de li cunti (The Tale of Tales, 1634–36), and in “La Fola dla Vecchia Scurtgà” (“The Tale of the Old Skinned Woman”), featured in Lo cunto de li cunti’s translation in Bolognese, La chiaqlira dla banzola (The Chatterer on the Bench, 1742) by Maddalena and Teresa Manfredi and Angela and Teresa Zanotti. The multilingual literary encounters not only bring forth anxieties related to decay and the ageing of things contemporaneous to the writing of both works but they also display how ageing women have been conceived as an ambiguous aberration—an abject, in Julia Kristeva’s conceptualization—within the fictional universe of seventeenth- and eighteenth-century literary fairy tales. It is thus postulated that ageing in women is an intolerable characterization within the fairy-tale ecosystem while an unavoidable one. The essay finally shows how the two women’s co-existence is destabilizing in nature and problematizes heteronormative conventions regarding the institution of family and reproductive norms.
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26

Sibirnaja, Maria. "Performative potential of a dramatic fairy tale and its inclusion in the educational and didactic process." Świat i Słowo 35, no. 2 (November 26, 2020): 301–13. http://dx.doi.org/10.5604/01.3001.0014.5479.

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Specific art practices, which include performance, are especially prevalent in popular culture at the turn of the 20th and 21st century. The concept of ‘performance’ means an action in the process of which creation involves a new experience both for the performer of the action and for the recipient. However, it is necessary to distinguish performance as a type of cultural action, dramatization, and performative potential of a work, creating conditions for influencing the consciousness of a person who, when perceiving a work, becomes a full participant in a creative act. Modern fairy-tale plays written by playwrights based on well-known works or the authors’ own dramatic tales have great performative potential. They connect the game principle, the performativity of a fairy tale, capable of activating empathy, influencing the child’s consciousness through the magic of the word, and the performance of the drama, the goal of which is to involve the young viewer in the show. At the same time, the theatrical performance of fairy-tale plays and the metatheatrical techniques involved in them have a significant visual impact on the young audience, which also contributes to the performative dialogue. The moralizing orientation of modern fairy-tale plays, reflecting the current moral and ethical problems of the society, increases the efficiency of the educational process, and contributes to the fulfilment of modern didactic tasks. In this article, based on the Russian playwright Anna Bogacheva, an attempt is made to identify those features of modern fairy-tale plays that convey their performative character and didactic potential.
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27

Fisher, Benjamin F. "The Tell-Tale Art: Poe in Modern Popular Culture." Edgar Allan Poe Review 13, no. 1 (2012): 71–74. http://dx.doi.org/10.2307/edgallpoerev.13.1.0071.

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28

Prior, Pauline. "Madhouse: A Tragic Tale of Megalomania and Modern Medicine." Social History of Medicine 19, no. 1 (April 1, 2006): 150–52. http://dx.doi.org/10.1093/shm/hkj010.

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29

Fink, Max. "Madhouse: A Tragic Tale of Megalomania and Modern Medicine." Journal of ECT 21, no. 3 (September 2005): 191–93. http://dx.doi.org/10.1097/01.yct.0000181118.17443.c6.

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30

Charuvastra, Anthony. "Madhouse: A Tragic Tale of Megalomania and Modern Medicine." Journal of Nervous and Mental Disease 194, no. 7 (July 2006): 553–54. http://dx.doi.org/10.1097/01.nmd.0000224947.31227.fb.

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31

Kahn, Lily. "Grammatical Gender in the Early Modern Hasidic Hebrew Tale." Hebrew Studies 54, no. 1 (2013): 133–65. http://dx.doi.org/10.1353/hbr.2013.0010.

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32

BUCKERIDGE, John S. "The barnacle and the building: a modern morality tale." Integrative Zoology 3, no. 2 (June 2008): 68–74. http://dx.doi.org/10.1111/j.1749-4877.2008.00080.x.

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33

Double, D. B. "Madhouse: A Tragic Tale of Megalomania and Modern Medicine." BMJ 330, no. 7502 (May 26, 2005): 1276.1. http://dx.doi.org/10.1136/bmj.330.7502.1276.

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34

Dwyer, E. "Madhouse: A Tragic Tale of Megalomania and Modern Medicine." Journal of American History 93, no. 1 (June 1, 2006): 253–54. http://dx.doi.org/10.2307/4486164.

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35

Synetos, Andreas, Spyridon Papaioannou, and Dimitris Tousoulis. "Atherosclerosis and inflammation. Clinical aspects of a modern tale." Hellenic Journal of Cardiology 58, no. 2 (March 2017): 122–23. http://dx.doi.org/10.1016/j.hjc.2017.05.013.

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36

Korolkova, Polina V. "Looking for national and genre identity in the modern Russian and Hungarian author fairy tale (on the example of the texts by A. Kabakov, A. Stepanov and A. Mosonyi)." Slavic Almanac, no. 3-4 (2020): 383–98. http://dx.doi.org/10.31168/2073-5731.2020.3-4.4.05.

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The essay deals with the interaction between the genre transformations of the author fairy tale and the national problematics, as well as the question of the modern strategies of genre renewal on the example of the texts by modern Russian and Hungarian writers (“The Moscow fairy tales” by A. Kabakov, “The fairy tales not about people” by A. Stepa-nov, “The Budapest fairy tales” and “The supermarket fairy tales” by A. Mosonyi). Among other questions, I address the so-called “genre me-mory” (M. Lipovetsky’s term), which in the texts by Kabakov, Stepanov, and Mosonyi functions at the level of entire cycles but rarely at the level of separate texts. With regard to the fi eld of children’s literature, the na-tional locus makes the texts appear more modern-looking and therefore appealing to an adult reader who rediscovers the details of everyday life. The opposite strategy is often applied in the philosophical, parable or political fairy tales, when the authors give priority to the nation-specifi c, nuanced and recognizable locus, which at the same time receives the features of the fairy tale or mythological space.
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37

Shea, Jacqueline. "On Translating the Fairy Tale: The Wording and Wonder of Translating Fernán Caballero’s Bella-Flor." TranscUlturAl: A Journal of Translation and Cultural Studies 14, no. 1 (September 22, 2022): 111–16. http://dx.doi.org/10.21992/tc29576.

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Following in the footsteps of the Grim Brothers, a woman named Cecilia Francisca Josefa Böhl de Faber y Ruiz de Larrea set out to collect Andalusian folk tales under the pen name Fernán Caballero. Caballero was one of the first people to record folk tales—specifically those deriving from Spain—in writing, thus helping to shape the subsequent fairy tale genre that is ever-pervasive in modern-day society. However, while many translations have been derived from the collections of the Grimm Brothers and other male collectors, Caballero´s have received less attention from English translators. One notable exception to this rule can be found in the works of John H. Ingram, who translated one of Caballero’s folk tale anthologies that included the story Bella-Flor, a Spanish folk tale about the importance of (and ultimate triumph resulting from) being good. This paper analyzes the merit of Ingram’s translation through assessing both linguistic choices and cultural edits. Analyzing this specific translation seeks to contribute to the aim of discussing the wider issues of translating stories the fairy tale genre—specifically those less notorious in modern-day Western culture—as well as the linguistic and literary choices that must be made when translating works across time and space.
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38

Duncan, Claire. "“Nature’s Bastards”: Grafted Generation in Early Modern England." Renaissance and Reformation 38, no. 2 (October 5, 2015): 121–48. http://dx.doi.org/10.33137/rr.v38i2.25622.

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This paper examines the shared rhetoric between human and horticultural generation in early modern England, particularly focusing on grafting. Early modern English gardening manuals imagine grafting as a method of controlling generation in the natural world, and early modern English obstetrical treatises imagine the female generative body in horticultural language. Alongside these scientific texts, this article uses Shakespeare’s The Winter’s Tale as a literary case study of grafting rhetoric. Ultimately, while grafting treatises imagine man’s power over generation in the natural world and obstetrical treatises imagine controlling human generation using horticultural metaphor, The Winter’s Tale complicates this fantasy by depicting Leontes’s efforts at genealogical control as unnecessary and fruitless: not only do Perdita and Hermione survive and flourish after his attempts to kill them, but Perdita is the legitimate and non-grafted offspring of Hermione and Leontes. Cet article examine la rhétorique que partagent la reproduction humaine et l’horticulture en Angleterre au début de l’époque moderne. Les ouvrages portant sur les jardins, à l’époque, représentent la greffe comme une méthode pour contrôler la reproduction dans le monde naturel, tandis que les ouvrages d’obstétrique de la même époque représentent la capacité reproductrice du corps féminin en termes d’horticulture. A côté de ces textes scientifiques, on se sert dans cet article de la pièce de Shakespeare The Winter’s Tale comme exemple de la rhétorique de la greffe. En dernière analyse, tandis que les ouvrages décrivant la greffe représentent la puissance humaine sur la reproduction dans le monde naturel et que les ouvrages d’obstétrique représentent la reproduction humaine avec des métaphores tirées de l’horticulture, The Winter’s Tale vient compliquer cet imaginaire en présentant comme futiles les tentatives de contrôle généalogique de Leontes : non seulement Perdita et Hermione survivent et fleurissent après les tentatives de meurtre, mais encore Perdita est le fruit légitime non-greffé des amours d’Hermione et Leontes.
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39

Stepanova, Ekaterina Olegovna, and Zhiyuan Hu. "AXIOLOGY OF MODERN CHINESE FAIRY-TALE PROSE ON THE MATERIAL OF THE TALE “THE HULU BROTHERS”." Ural Philological Herald. Series Draft: Young Science, no. 1 (2022): 54–65. http://dx.doi.org/10.26170/2306-7462_2022_01_05.

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40

Terekhova, Irina. "ART SPECIFICS OF «FORGOTTEN» FAIRY-TALE PROSE BY MARKO VOVCHOK." LITERARY PROCESS: methodology, names, trends, no. 19 (2022): 71–76. http://dx.doi.org/10.28925/2412-2475.2022.19.9.

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The proposed article is devoted to the study of the artistic specifics of «forgotten» fairy tale prose by Marko Vovchko. In modern literary criticism, despite some achievements in the field of research of the fairy-tale heritage of the writer, there are still works that have never been subjected to critical analysis, an example of this − the collection «Fairy Tales and Tales of Marko Vovchko» (1874). Today, this publication, without receiving proper evaluation, is in the shadow of the author's work. The only exception is the folklore-historical story «Marusya», and the rest of the works: «Queen I», «Perfect Chicken», «Inventor» have not received their literary assessment. Therefore, the fairy-tale prose of Marko Vovchko is gradually returning from oblivion to the modern reader. Note that this process is accompanied by the need for detailed and in-depth rethinking. Thus, the proposed study is relevant because it aims to prove the originality of the unknown to critics of the fairy-tale work of the writer. In the given article with the help of biographical method, method of analysis and synthesis, text analysis the artistic originality of Marko Vovchko's fairy-tale prose is determined. The fairy-tale works of the author «Queen I», «Perfect Chicken», «Inventor» in their genre direction- social and domestic fairy tales are practically not studied. They reveal moral and ethical issues due to social and psychological factors. The most prominent in the above-mentioned works of the writer is the problem of selfishness and meanness of the human soul, which in turn is subject to the pressing social problem − the dominance of lordly arbitrariness, which leads to fatal consequences. The outlined problem acquires a corresponding gradation here: first it is revealed in the fairy tale «Queen I», later it is actualized in «Perfect Chicken», and acquires a special tragic sound in «Inventor». First of all, you should pay attention to the titles of the analyzed fairy tales. They have a kind of ironic connotation, which is revealed at the end. For example, in the plot of the fairy tale «Queen I» ridiculed such flaws as the arrogance and arrogance of human nature, in «Perfect Chicken» − a hint of immorality of the so-called «perfect» lordly behavior, in the fairy tale «Inventor» − expressed hidden irony of the romantic idea transformation of society. The article also clarifies the basic principles of storytelling in the collection «Fairy Tales and Tale of Marko Vovchko»: the presence of a social plot, uniformity in the development of events, a combination of romantic and realistic stylistic features in the image of reality, psychology as one of the basic principles of fairy tales.
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41

Albek, Abazov. "Artistic conflict and the characters of the fairy-tale play "The starstone" by Nelly Lukozheva." Kavkazologiya 2022, no. 2 (June 30, 2022): 165–81. http://dx.doi.org/10.31143/2542-212x-2022-2-165-181.

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The article explores the contribution of Nelly Lukozheva to the development of the genre in the Adyghe children’s dramatic tale. Until now, in Adyghe literary criticism, there is no research work on modern children’s literature, and many genres of Adyghe children’s literature and drama are still poorly studied. The appeal of the playwright-librettist Nelly Lukozheva to folklore mo-tives in globalization problems should be considered as a certain trend that has recently been not-ed in domestic multinational literature. Currently, the genre of literary fairy tale in the Kabardino-Circassian language occupies an important place in modern Adyghe literature. The world of the author’s artistic fairy tales reflects the life philosophy of the author and the moral and ethical norms and laws of society and the state, transmitted through symbols, signs, metaphors and vari-ous sentiments. The play-fairy tale “Starstone” by Nelly Lukozheva provides a relevant subject of research, because the author turns his close attention to the cultural, ethnic, lexical and social functions of fairy tales. Therefore, the emergence of recent works of drama makes it possible to touch the spiritual culture of the Adyghe people. Dramatic works as fairy tale plays are of special scientific interest both in theoretical terms and in studying the forms and features of the existence of folklore. The proposed article also draws attention to the presence in the fairy tale play of Nelly Lukozheva of ethnic information at the level of themes, ideas, style and some specific aspects, reveals artistic conflict and gives images of the heroes characteristics in her fairy tale play “Star-stone.”
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42

Kopházi-Molnár, Erzsébet. "Fairy tales or fairy fakes?" Gyermeknevelés 10, no. 2–3 (May 7, 2022): 289–307. http://dx.doi.org/10.31074/gyntf.2022.2.289.307.

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When adults (or children) want to find really good fairy tale books, doing so is not as simple as it seems. Although bookstores are full of children’s books, only some are worth reading. As a result, potential readers are often helpless since they cannot decide which book to choose or what qualities a good fairy tale should contain. Many rewritten versions of tales show some similarities based on the ways they have been adapted. Naturally, the modern versions are not of the same quality and range from quite good versions to absolutely bad ones. This paper will analyse how one particular type of rewritten tale is constructed through the well-know story of Cinderella. In this paper, the tales that have been created on the basis of an original are viewed as ‘redundant’, because they seem to be a kind of extension of the tale, one containing subsequent stories added to the basis. These books are sold as tales, although we will see that they do not meet the requirements of tales at all.
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43

Grayson, James Huntley. "They First Saw a Mirror: A Korean Folktale as a Form of Social Criticism." Journal of the Royal Asiatic Society 16, no. 3 (November 2006): 261–77. http://dx.doi.org/10.1017/s1356186306006468.

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One of the most popular modern Korean folktales is Choi Tale Type 500, ‘The People Who Saw a Mirror for the First Time’. This tale however is neither a uniquely Korean nor East Asian tale, but an example of a general class of folktales found throughout the world. In the Aarne-Thompson Index it is classified as tale type 1336A, ‘Man does not Recognize his own Reflection in the Water (Mirror)’. The origins of the modern Korean tale may be traced back to the early years of the transmission and establishment of Buddhism in East Asia. The initial use of this tale in a Buddhist context, as a means to illustrate the illusionary nature of all things, had by the beginning of the twentieth century in Korea changed into providing a strong critique of certain features of contemporary society.
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44

Dongyun Kim. "Modern Novels' Reception of the Tale of Old Lady Seolmundae." 탐라문화 ll, no. 37 (August 2010): 261–85. http://dx.doi.org/10.35221/tamla.2010..37.008.

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45

Yezer, Caroline. "Keep the River on Your Right: A Modern Cannibal Tale." Visual Anthropology Review 18, no. 1-2 (March 2002): 144–46. http://dx.doi.org/10.1525/var.2002.18.1.144.

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46

Gnant, Michael. "Interview: Aspects of modern breast cancer management: a surgeon’s tale." Breast Cancer Management 3, no. 2 (March 2014): 139–43. http://dx.doi.org/10.2217/bmt.13.79.

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47

Gordon, Robert J. "The making of modern Namibia: A tale of anthropological ineptitude?" Kleio 37, no. 1 (January 2005): 26–49. http://dx.doi.org/10.1080/00232080585380031a.

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48

Rolston, Lorraine E. "A New Bronx Tale: Gateway Center and Modern Urban Redevelopment." Focus on Geography 55, no. 2 (May 7, 2012): 63–74. http://dx.doi.org/10.1111/j.1949-8535.2012.00045.x.

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49

Kahn, Lily. "Nominal possessive constructions in the early modern Hasidic Hebrew tale." Bulletin of the School of Oriental and African Studies 76, no. 2 (May 21, 2013): 271–87. http://dx.doi.org/10.1017/s0041977x13000050.

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AbstractThis paper constitutes the first linguistic analysis of nominal possessive constructions in late nineteenth- and early twentieth-century Hasidic Hebrew hagiographic tales. Such analysis is necessary because it sheds much-needed light on the grammatical structure of this prominent but largely unstudied early modern Eastern European form of Hebrew. Hasidic Hebrew possessive constructions exhibit a variety of noteworthy features, namely non-standard uses of the construct chain including definiteness of the construct noun, double definiteness, and split construct chains; construct chains with adjectives in the absolute position; the productiveness and widespread use of the construct chain; the tendency to favour the post-Biblical Hebrew possessive particle שלshelonly in certain syntactic contexts; and the employment of the Aramaic particle ד-de-specifically to express geographical and temporal relationships. These phenomena reflect a mix of various strata of Hebrew as well as Aramaic, Yiddish, and independent elements that combine to form a unique system distinct from other varieties of Hebrew.
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50

Sarkar, Amrita. "Chalcolithic and modern potting at Gilund, Rajasthan: a cautionary tale." Antiquity 85, no. 329 (August 2011): 994–1007. http://dx.doi.org/10.1017/s0003598x00068447.

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By an interesting coincidence the village of Gilund in Rajasthan, north-west India was host to an important Chalcolithic settlement of the early third millennium BC and to some of the last indigenous potters still working in the twenty-first century AD. The author shows how her study of the prehistoric potters was enhanced by what she learnt from their modern successors, pointing out that she was only just in time. These potters will be the last to practice and in this respect ethnoarchaeology is itself under threat.
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