Academic literature on the topic '900399 Tourism not elsewhere classified'

For most of the second half of the 20th century the world's political map was divided by the Cold War, a name given to the 40-year long standoff between the superpowers - the Unites States and the USSR - and their allies. Due to its geographical location and alliance with the United States, Britain was at the 'frontline' of the Cold War. As a response to increasing tensions, the British Government made arrangements by building hundreds of military sites and structures, which were often dismantled or abandoned as the technology on which they relied became rapidly ineffective. Nowadays, there is a growing (academic) recognition of Cold War sites and their new or contemporary uses, including as heritage attractions within a tourism context. This study has brought forward a constructionist approach as to investigate how heritage works as a cultural and social practice that constructs and regulates a range of values and ideologies about what constitutes Cold War heritage (and) tourism in Britain. It has done this by, firstly, exploring the dominant and professional 'authorised heritage discourse', which aims to construct mutually, agreed and shared concepts about the phenomenon of 'Cold War heritage' within a tourism context. The study identified a network of actors, values, policies and discourses that centred on the concept of 'Cold War heritage' at selected sites through which a 'material reality' of the past is constructed. Although various opposing viewpoints were identified, the actors effectively seem to privilege and naturalise certain narratives of cultural and social meanings and values through tourism of what constitutes Cold War heritage and the ways it should be manifested through material and natural places, sites and objects within society. Differences were particularly noticeable in the values, uses and meanings of Cold iii Cold War heritage (and) tourism War heritage within the contemporary context of heritage management in Britain. For some, the sites were connected with a personal 'past', a place to commemorate, celebrate or learn from the past. For others, the sites were a source of income, a tourism asset, or contrary, a financial burden as the sites were not 'old enough' or 'aesthetically pleasing' to be regarded as a monument to be preserved as heritage. Subsequently, the study also explored the (disempowered) role of visitors to the sites as passive receivers, leaving little room for individual reflections on the wider social and cultural processes of Cold War heritage. Although, most visitors believed that the stewardship and professional view of the Cold War representations at the sites should not directly be contested, this study has illustrated the idea that what makes places valuable and gives them meaning as heritage sites is not solely based on contemporary practices by a dominant heritage discourse. Despite the visitors' support for the sole ownership by site managers, and the selective representations of the Cold War and events, they did question or negotiate the idea of 'heritage' as a physical and sole subject of management practices. Despite having little prior knowledge about the Cold War era or events, by pressing the borders of the authorised parameters of 'Cold War heritage', visitors actively constructed their experiences as being, or becoming, part of their personal and collective moments of 'heritage'. By inscribing (new) memories and meaning into their identity, and therefore also changing the nature of that identity, they reflected upon the past, present and future, (some more critically than others). To conclude, understanding these discursive meanings of Cold War heritage (and) tourism, and the ways in which ideas about Cold War heritage are constructed, negotiated and contested within and between discourses also contributes to understandings about the philosophical, historical, conceptual and political barriers that exist in identifying and engaging with different forms of heritage.

This thesis focuses on an under-researched area of tourism -the multi stakeholder, inter organisational business to business Tourism IT domain which exhibits a marked rate of failure. A critical review of B2B case studies reveals that this failure is in large part due to the primacy afforded to technical problem solving approaches over human centred ones. The main purpose of the research is therefore stated as: "how do we ensure that, as technological solutions are implemented within this domain, due consideration is given to human-centred issues?" In order to tackle this research problem an interdisciplinary approach is taken and a communicative model for stakeholder consultation is developed. At the centre of the model lies an innovative method for deconstructing and reconstructing stakeholder discourse. A Co-operative Inquiry research methodology was used and a significant number of stakeholders were engaged in an Open Space event sponsored by two major Tourism IT companies who wanted to investigate the issues and opportunities connected with travel distribution and technology. This was followed up with face to face interviews and live discussions over the internet. In addition stakeholder discourse was captured via the Travelmole tourism discussion site. The discourse between stakeholders was reconstructed and the normative and objective claims analysed in depth. The presentation of these reconstructions in textual, tabular and diagrammatic formats captures the complexity of stakeholder interactions, revealing that although IT is an important tool, what really lies at the core of multi stakeholder projects are the normative positions to which participants subscribe. The model provided a practical means for critiquing stakeholder discourse, helping to identify stakeholders both involved and affected by the issue; juxtaposing the 'is' against the 'ought'; and enabling critical reflection on the coercive use of power. The review of the tourism literature revealed that these issues are as important in general B2B tourism partnerships as in Tourism IT and in this respect the model provides a practical tool for critique and for enabling the formation of a shared normative infrastructure on which multi stakeholder projects can proceed. In addition, while borrowing from Management Science, this thesis also makes a contribution to it, specifically in the area of boundary critique, through the way in which Habermas' ideal speech criteria arc practically implemented.

Driving can be a lonely activity. While there has been a lot of research and technical inventions concerning car-to-car communication and passenger entertainment, there is still little work concerning connecting drivers. Whereas tourism is very much a social activity, drive tourists have few options to communicate with fellow travellers. The proposed project is placed at the intersection of tourism and driving and aims to enhance the trip experience during driving through social interaction. This thesis explores how a mobile application that allows instant messaging between travellers sharing similar context can add to road trip experiences. To inform the design of such an application, the project adopted the principle of the user-centred design process. User needs were assessed by running an ideation workshop and a field trip. Findings of both studies have shown that tourists have different preferences and diverse attitudes towards contacting new people. Yet all participants stressed the value of social recommendations. Based on those results and a later expert review, three prototype versions of the system were created. A prototyping session with potential end users highlighted the most important features including the possibility to view user profiles, choose between text and audio input and receive up-to-date information. An implemented version of the prototype was evaluated in an exploratory study to identify usability related problems in an actual use case scenario as well as to find implementation bugs. The outcomes of this research are relevant for the design of future mobile tourist guides that leverage from benefits of social recommendations.

The purpose of this study is to explore how attending a blues music festival can influence an attendees image of the destination, the image of the festival and their intention to return. Predicting attendee behavior intentions have been a constant focus of academics and festival organizers. It has been shown that the festival environment (venue and facilities) are influential, that positive interactions with festival staff and vendors affect attendee satisfaction and depending on the study the aspect surrounding the musical performance can influence future behavior. This study has incorporated an area previously found to be important to attendee satisfaction but so far has not been studied with the other aspects of how a festival performs. This study investigated the influence of those four factors (venue, services, core product and safety) on attendees’ perception of their satisfaction with the festival and the subsequent influence on their image of the destination and festival.

The thesis is an examination of Aboriginal cultural tourism based on interviews with national and international tourists. The research found that the opportunity for tourists to share personal intimacy with Aboriginal people often outweighed the attraction to the cultural aspects of the tours and that this can contribute to the discourse of reconciliation.