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Author: Grafiati
Published: 25 July 2024
Last updated: 30 July 2024

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1

Antonio, Bardem Juan, ed. Mis charlas con Juan Antonio Bardem. Valladolid: Quirón Ediciones, 1996.

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2

Robert, Sklar, and Zagarrio Vito, eds. Frank Capra: Authorship and the studio system. Philadelphia: Temple University Press, 1998.

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3

François, Truffaut, ed. Jean Renoir. New York: Da Capo Press, 1992.

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4

Harun, Farocki, ed. Speaking about Godard. New York: New York University Press, 1998.

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5

Michael, Welsh James, and Tibbetts John C, eds. The cinema of Tony Richardson: Essays and interviews. Albany, N.Y: State University of New York Press, 1999.

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6

ek, Slavoj Z. iz. The fright of real tears: Krzysztof Kieślowski between theory and post-theory. London: BFI Pub., 2001.

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7

James, Gunn, ed. All I really need to know about filmmaking I learned from The toxic avenger. New York: Berkley Boulevard Books, 1998.

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8

Bernard, Bastide, ed. Varda. Paris: Editions Cahiers du cinéma, 1994.

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9

Andrew, Sarris, and Levy Emanuel 1947-, eds. Citizen Sarris, American film critic: Essays in honor of Andrew Sarris. Lanham, Md: Scarecrow Press, 2001.

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10

Adolphe, Nysenholc, and International Charles Chaplin Conference (1st : 1989 : Paris, France), eds. Charlie Chaplin: His reflection in Modern times. Berlin: Mouton de Gruyter, 1991.

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11

Lucy, Johnson, and British Film Institute, eds. Talking pictures: Interviews with contemporary British film-makers. London: British Film Institute, 1997.

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12

1900-, Buñuel Luis, ed. Conversaciones con Buñuel: Seguidas de 45 entrevistas con familiares, amigos y colaboradores del cineasta aragonés. Madrid: Aguilar, 1985.

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13

1956-, Gerard Fabien S., Kline T. Jefferson 1942-, and Sklarew Bruce H, eds. Bernardo Bertolucci: Interviews. Jackson: University Press of Mississippi, 2000.

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14

1956-, Gerard Fabien S., Kline T. Jefferson 1942-, and Sklarew Bruce H, eds. Bernardo Bertolucci: Interviews. Jackson: University Press of Mississippi, 2000.

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15

Katz, Steven D. Film directing shot by shot: Visualizing from concept to screen. Studio City, CA: Michael Wiese Productions in conjunction with Focal Press, 1991.

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16

Pedro Almodovar (Signo E Imagen / Sign and Image). 2nd ed. Ediciones Catedra S.A., 1999.

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17

Pedro Almodovar (Signo E Imagen / Sign and Image). 3rd ed. Catedra, 2006.

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18

The modernist poetics and experimental film practice of Maya Deren, (1917-1961). Lewiston: Edwin Mellen Press, 2002.

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19

L' anticonformista: Bernardo Bertolucci e il suo cinema. Fiesole, Firenze: Cadmo, 1998.

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20

Lois Weber: The director who lost her way in history. Westport, Conn: Greenwood Press, 1996.

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21

The films of Luis Buñuel: Subjectivity and desire. Oxford: Clarendon Press, 1995.

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22

Lindsay Anderson: Maverick Film Maker (Film Studies). Cassell, 1999.

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23

Lindsay Anderson: Maverick film maker. London: Cassell, 1998.

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24

(Editor), David Forgacs, Sarah Lutton (Editor), and Geoffrey Nowell-Smith (Editor), eds. Roberto Rossellini: Magician of the Real. British Film Institute, 2001.

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25

Nelson Pereira dos Santos (Contemporary Film Directors). University of Illinois Press, 2003.

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26

(Editor), James Naremore, ed. Nelson Pereira dos Santos (Contemporary Film Directors). University of Illinois Press, 2003.

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27

Fred Zinneman: Films of character and conscience. Jefferson, N.C: McFarland & Company, Inc., 2003.

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28

The films of Roberto Rossellini. Cambridge [England]: Cambridge University Press, 1993.

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29

John Huston's filmmaking. Cambridge: Cambridge University Press, 1997.

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30

The films of Jean-Luc Godard. Albany: State University of New York Press, 1997.

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31

Directing: Film techniques and aesthetics. 3rd ed. Amsterdam: Focal Press, 2003.

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32

Directing: Film Techniques and Aesthetics, Second Edition. 2nd ed. Focal Press, 1996.

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33

James Williamson: Studies and documents of a pioneer of the film narrative. Madison [N.J.]: Fairleigh Dickinson University Press, 1998.

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34

The cinema of Satyajit Ray. New Delhi: National Book Trust, India, 1994.

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35

Robert Altman's subliminal reality. Minneapolis: University of Minnesota Press, 2002.

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36

Hitchcock's films revisited. New York: Columbia University Press, 2002.

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37

Hitchcock's films revisited. London: Faber and Faber, 1991.

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38

Digital Film Event. Taylor & Francis Group, 2012.

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39

Digital Film Event. Taylor & Francis Group, 2012.

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40

The Digital Film Event. Routledge, 2005.

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41

The Digital Film Event. Routledge, 2005.

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42

The theatre of Robert Wilson. Cambridge: Cambridge University Press, 1996.

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43

(Foreword), Leonard Maltin, ed. Out Of The Inkwell: Max Fleischer And The Animation Revolution. University Press of Kentucky, 2005.

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44

Out of the Inkwell: Max Fleischer and the Animation Revolution. University Press of Kentucky, 2005.

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45

Antonioni, or, The Surface of the world. Berkeley: University of California Press, 1985.

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46

Indecent exposures: Buñuel, Saura, Erice & Almodóvar. London: M. Boyars, 1995.

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47

Ozu and the poetics of cinema. London: BFI Pub., 1988.

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48

Charlie Chaplin: His Reflection In Modern Times. Mouton De Gruyter, 1991.

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49

Charlie Chaplin: His Reflection in Modern Times. De Gruyter, Inc., 2014.

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50

The women who knew too much: Hitchcock and feminist theory. New York: Methuen, 1988.

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