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1

Štefko, Jozef, Anton Osvald, Linda Makovická Osvaldová, Pavol Sedlák, and Jaroslava Štefková. Model Fire in a Two-Storey Timber Building. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82205-7.

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2

United States. National Park Service. Harpers Ferry National Historical Park. and United States. National Park Service. National Capital Region., eds. Historic structures report: Frederick A. Roeder Store, Building 5; White Hall Tavern, Building 7, Harpers Ferry National Historical Park. [Williamsport, Md.]: Dept. of the Interior, National Park Service, Harpers Ferry National Historical Park, Williamsport Preservation Training Center, National Capital Region, 1995.

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3

author, Shockley Jay, ed. A.I. Namm & Son Department Store, 450-458 Fulton Street (aka 1-7 Hoyt Street), Brooklyn: Built 1924-25 and 1928-29 : Robert D. Kohn and Charles Butler, architects. New York, N.Y: Landmarks Preservation Commission, 2005.

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4

Wiesner, David. Sector 7. New York: Clarion Books, 1997.

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5

Wiesner, David. Sector 7. New York: Clarion Books, 1996.

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6

Wiesner, David. Sector 7. New York: Clarion Books, 1999.

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7

L'Abate, Alberto, and Lorenzo Porta, eds. L'Europa e i conflitti armati. Florence: Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-786-7.

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Frutto di uno dei più importanti convegni tenutisi in Italia sul ruolo dei Corpi civili di pace europei nella prevenzione dei conflitti armati, il volume raccoglie i contributi di alcuni tra i migliori studiosi italiani e stranieri che si sono occupati di peacekeeping e di peace building, costituendo uno strumento importante per la diffusione di questi temi nelle scuole superiori e all'Università secondo quanto previsto da un progetto ministeriale approvato. Due scritti introduttivi dei curatori, Alberto L'Abate e Lorenzo Porta, lo aggiornano agli avvenimenti più recenti e nel contempo illustrano indirizzi e contraddizioni delle politiche dell'UE in materia di prevenzione dei conflitti e di disarmo. Una particolare sezione è poi dedicata al conflitto serbo-albanese in Kossovo e al rischio di una nuova esplosione delle ostilità, analizzati attraverso le voci dialoganti di esponenti delle parti opposte. Sullo stesso tema pone l'accento anche la premessa di Antonio Cassese, ex presidente della Corte dell'Aia per i crimini di guerra in ex Jugoslavia e docente di Diritto internazionale all'Università di Firenze, che presenta delle interessanti proposte incentrate sul ruolo di mediazione dell'UE. Completano infine il volume le appendici che offrono un compendio della storia della nonviolenza indiana e delle Shanti Sena. Seguono documenti sugli esiti del più recente dibattito europeo su resistenza nonviolenta, difesa e intervento civile in zona di conflitto. Rassegna stampa: GAIA, giugno 2009: Una strategia vincente: costruire la pace dal basso
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8

Rambsy, Kenton. The Geographies of African American Short Fiction. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496838728.001.0001.

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A history of short stories by Black writers is long overdue. The Geographies of African American Short Stories reveals the importance of thinking about character situated in locales and key cultural settings when engaging short fiction by Black writers. In the process of composing multiple brief narratives, Charles Chesnutt, Zora Neale Hurston, Richard Wright, Ralph Ellison, James Baldwin, Toni Cade Bambara, Alice Walker, Edward P. Jones, and more plotted a diverse range of characters across multiple locations—small towns, a famous metropolis, city sidewalks, rural wooded areas, apartment buildings, theaters, prisons, and more. Ultimately, black short story writers made the depiction of Black characters in varied places and spaces integral to the art of storytelling. The history of short stories also involves the circulation of compositions across dozens of literary collections for nearly a century. Anthology editors, who reprinted hundreds of writers, solidified the significance of a core group of short story writers, whom we might refer to as the Big 7. Using quantitative data and extensive bibliographies, this project reveals how editorial practices shaped the canonical formation of African American short fiction.
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9

Wiesner, David. Sector 7. Grimm Press, 2000.

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10

Sector 7. Clarion Books, 1999.

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11

Wiesner, David. Sector 7. Houghton Mifflin Harcourt Publishing Company, 2014.

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12

Brief History of the Halton Miniature Railway Society: The Story of the Building of Its One Mile Long 7. 25 Gauge Scenic Line. Independently Published, 2021.

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13

Quint, David. Reversing the Fall in Book 10. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691161914.003.0008.

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This chapter places the reconciliation of Adam and Eve in book 10 against the preceding first two-thirds of book 10, which have described the building by Sin and Death of their bridge over Chaos and Satan's return to hell. Each of these appears to be a “triumphal act,” allusively associated with the triumph of Augustus depicted on the shield of Aeneas in Aeneid 8, the chronological “ending” of Virgil's poem. However, allusion equally returns both demonic acts to the beginning of the Aeneid, the storm and shipwreck off of Carthage, and suggests the recursive shape of evil in the larger book 10—a book in which the narrative sequence of events seems to run in a loop. Therefore, these satanic acts of heroism are now understood as mock-triumphs that parody the real triumphs of the Son—true endings that foreshadow apocalyptic ones—at the respective ends of books 6 and 7.
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14

Little Women: A Kaplan Vocabulary-Building Classic for Young Readers. Kaplan Publishing, 2006.

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15

Rowling, J. K. Harry Potter and the Deathly Hallows, Book 7. Bloomsbury, 2008.

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16

Rowling, J. K. Harry Potter e i doni della morte vol. 7. French & European Pubns, 2014.

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17

Harry Potter and the Deathly Hallows (Harry Potter #7). London: Bloomsbury, 2008.

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18

Rowling, J. K. Harry Potter and the Deathly Hallows (Harry Potter, Book 7). Scholastic, Incorporated, 2023.

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