Academic literature on the topic '450-1100 History and criticism'
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Journal articles on the topic "450-1100 History and criticism"
Reiner, Avraham (Rami). "Textual Variants and Textual Criticism in the Works of Rabbenu Tam: Between Theory and Practice." AJS Review 44, no. 1 (April 2020): 149–62. http://dx.doi.org/10.1017/s0364009419000928.
Full textBloemendal, Jan. "Scriptural Authority and Biblical Criticism in the Dutch Golden Age: God's Word Questioned. Dirk van Miert, Henk Nellen, Piet Steenbakkers, and Jetze Touber, eds. Oxford: Oxford University Press, 2017. xvi + 450 pp. $110." Renaissance Quarterly 72, no. 1 (2019): 341–43. http://dx.doi.org/10.1017/rqx.2018.77.
Full textKhattab, Emran R. Al. "Vowel Harmony: An Historical Account." Advances in Language and Literary Studies 9, no. 1 (February 1, 2018): 106. http://dx.doi.org/10.7575/aiac.alls.v.9n.1p.106.
Full textGustafsson, Jessica. "Community radio and peace-building in Kenya." Journal of Alternative & Community Media 1, no. 1 (April 1, 2016): 114–27. http://dx.doi.org/10.1386/joacm_00022_1.
Full textMatsumoto, Yuichi, Jason Nesbitt, Michael D. Glascock, Yuri I. Cavero Palomino, and Richard L. Burger. "INTERREGIONAL OBSIDIAN EXCHANGE DURING THE LATE INITIAL PERIOD AND EARLY HORIZON: NEW PERSPECTIVES FROM CAMPANAYUQ RUMI, PERU." Latin American Antiquity 29, no. 1 (November 16, 2017): 44–63. http://dx.doi.org/10.1017/laq.2017.64.
Full textMadhavan, Anugraha, and Sharmila Narayana. "Violation of Land as Violation of Feminine Space: An Ecofeminist Reading of Mother Forest and Mayilamma." Tattva Journal of Philosophy 12, no. 2 (January 27, 2021): 13–32. http://dx.doi.org/10.12726/tjp.24.2.
Full textPears, Ben, Antony G. Brown, Phillip S. Toms, Jamie Wood, David Sanderson, and Richard Jones. "A sub-centennial-scale optically stimulated luminescence chronostratigraphy and late Holocene flood history from a temperate river confluence." Geology 48, no. 8 (May 18, 2020): 819–25. http://dx.doi.org/10.1130/g47079.1.
Full textLaw, Jeanna Wallenta, Danny Idyro, Andrew Schrag, Frank Wolf, and Thomas D. Brown. "Abstract 445: Natural history of coagulopathy in patients with cancer infected with COVID19: A real-world data (RWD) analysis." Cancer Research 82, no. 12_Supplement (June 15, 2022): 445. http://dx.doi.org/10.1158/1538-7445.am2022-445.
Full textMotta, Irene, Mirella Filocamo, Marina Stroppiano, Erika Poggiali, Alfredo Dragani, and Maria Domenica. "A Multicenter Observational Study For Early Diagnosis Of Gaucher Disease In Patients With Splenomegaly and/Or Thrombocytopenia." Blood 122, no. 21 (November 15, 2013): 4712. http://dx.doi.org/10.1182/blood.v122.21.4712.4712.
Full text"Medieval Literary Theory and Criticism, c. 1100-c. 1375: The Commentary-Tradition.A. J. Minnis, A. B. Scott, David Wallace." Speculum 66, no. 2 (April 1991): 451–53. http://dx.doi.org/10.2307/2864194.
Full textDissertations / Theses on the topic "450-1100 History and criticism"
Abdalla, Laila. "The dialectical adversary : the satanic character and imagery in Anglo-Saxon poetry." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59563.
Full textCavell, Megan Colleen. "Representations of weaving and binding in Old English poetry." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610453.
Full textWoeber, Catherine. "A study of Christ and his saints as representatives of the values of Christian heroism in Old English poetry." Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/21143.
Full textThis dissertation investigates the concept of Christian heroism as it appears in a number of Old English poems, through a study of the figure of the miles Christi. These poems present a specific Christian heroism which, though couched in terms culled from Germanic heroism, nevertheless exists in its own right and is quite different from it. Christ and his saints are seen as heroes in themselves (Christian servants obedient to the will of God) rather than as heroic warriors as they are usually regarded (Germanic heroes fighting for a Christian cause). They are leaders and heroes in the sense of servants, and not only like kings and warriors of the Germanic code. A study of some poems from the Cynewulf canon shows that the poets understood Christian heroism to mean more than brave battling for the cause of good; in essence, it is complete submission to the will of God.
Bailey, Hannah McKendrick. "Misinterpretation and the meaning of signs in Old English poetry." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:880a2482-9573-4142-be27-ec8c87cfa3fb.
Full textBrooks, Britton. "The restoration of Creation in the early Anglo-Saxon vitae of Cuthbert and Guthlac." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:17b5d20e-446e-4891-90a6-f02a196a7409.
Full textMachado-Matheson, Anna-Maria. "Madness as penance in medieval Gaelic sources : a study of biblical and hagiographical influences on the depiction of Suibne, Lailoken and Mór of Munster." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609646.
Full textNelson, Nancy Susan. "Heroism and Failure in Anglo-Saxon Poetry: the Ideal and the Real within the Comitatus." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc332044/.
Full textFlight, Tim. "Apophasis, contemplation, and the kenotic moment in Anglo-Saxon literature." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:16f34b87-8c3a-4fe1-9dbb-d8c6e3545bd8.
Full textRogers, Janine. "The woman's voice in Middle English love lyrics /." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69671.
Full textIn the first chapter, I discuss critical perspectives on conventional courtly representations of women. In the second chapter, I locate Middle English women's songs in literary contexts other than courtly love: the Middle English lyrical tradition, the cross-cultural phenomenon of medieval women's songs, and the manuscript contexts of Middle English women's songs. In Chapter Three, I discuss the individual songs themselves and examine the range of perspectives found in woman-voiced lyrics.
My discussion of Middle English women's songs includes texts not previously admitted to the genre. This expanded collection of women's songs creates an alternative courtly discourse privileging female perspectives. Middle English women's songs create a space for women's voices in courtly love.
Djordjevic, Ivana. "Mapping medieval translation : methodological problems and a case study." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82856.
Full textHaving outlined the practical difficulties posed by the intricate textual tradition of Boeve and Beves, the multilingualism of medieval England, and the scarcity of concrete evidence regarding the audience for Middle English romance, I focus on methodological issues: the inability of equivalence-based definitions of translation to accommodate medieval translation practice, the futility of attempts to demarcate translation from adaptation, and the difficulty of integrating different textual levels in the study of translations.
In the first two analytical chapters of the dissertation I concentrate on those aspects of Beves that can best highlight the importance of translation processes in the constitution of the genre. I begin by examining the way in which the translator dealt with the most important translational constraints, some of which, like language, were beyond his control, while others, such as versification, were partly self-imposed. I then proceed to study the workings of the so-called laws of translation (explicitation, simplification, and repertorization) in the process whereby Boeve became Beves. The analyses carried out in these two chapters allow me to contest the received opinion according to which the author of Beves treated his original very freely. I show that, on the contrary, the distinctive features of the Middle English text result from a constant productive tension between source and target.
My study ends with an analysis of what happens when the translator's impulse to be faithful to his source is frustrated by the inaccessibility of the socio-historical context of the original. I examine the most closely translated sections of the poem to show how unrecognized topical references are flattened into literary cliches, which bring into the text their own generic connotations and disassemble some of the carefully constructed thematic parallels and analogies of the Anglo-Norman romance.
Books on the topic "450-1100 History and criticism"
D, Niles John, ed. Old English literature: A guide to criticism, with selected readings. West Sussex: Wiley-Blackwell, 2016.
Find full textBoris, Ford, ed. The New Pelican Guide to English Literature: 1. Medieval Literature Part One: Chaucer and the Alliterative Tradition. London: Penguin, 1991.
Find full textThe poetics of old English. Burlington, VT: Ashgate, 2010.
Find full textAuthors, audiences, and Old English verse. Toronto: University of Toronto Press, 2009.
Find full textM, Cain Christopher, and Anderson Rachel S, eds. A history of Old English literature. Malden, MA: Blackwell, 2003.
Find full textMedieval English Studies Symposium (8th 2009 : Poznaân, Poland), ed. Þe laurer of oure Englische tonge. Frankfurt am Main: Peter Lang, 2009.
Find full textOld English reader. Peterborough, Ont: Broadview Press, 2011.
Find full textOld English literature: A short introduction. Malden, MA: Blackwell Pub., 2004.
Find full textLees, Clare A. Cambridge History of Early Medieval English Literature. Cambridge University Press, 2016.
Find full textLees, Clare A. Cambridge History of Early Medieval English Literature. Cambridge University Press, 2013.
Find full textBook chapters on the topic "450-1100 History and criticism"
Brownlee, Kevin, Tony Hunt, Ian Johnson, Nigel F. Palmer, and James Simpson. "Vernacular literary consciousnessc. 1100–c. 1500: French, German and English evidence." In The Cambridge History of Literary Criticism, 422–71. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521300070.017.
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