Relevant bibliographies by topics / 20th century spanish literature - literary criticism

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  2. Dissertations / Theses
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Academic literature on the topic '20th century spanish literature - literary criticism'

Author: Grafiati
Published: 29 July 2024
Last updated: 30 July 2024

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Journal articles on the topic "20th century spanish literature - literary criticism"

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Tumin, Aleksandr D. "The Modern Rationale for the Spanish National Idea of Espaholidad and the Problem of Spanish “Historical Nationalities”." Imagologiya i komparativistika, no. 16 (2021): 174–86. http://dx.doi.org/10.17223/24099554/16/11.

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The main particularity of the Spanish civic collective identity is that its doctrine, Espanolidad, was initially formulated as theocratic, proclaiming the unity of the Spanish nation under the aegis of the Spanish Empire. However, after the Spanish War of Independence of 1808-1814, Espanolidad became the banner of opposite political forces: conservative on the one hand and liberal on the other. Espanolidad as the basic factor of the formation of the Spanish civic collective identity in the course of the 19th century favored Castelano-centrismo, which consisted in the centralization of the Spanish economy around Madrid and in the cultural Castilization of the Spanish state, the principal mechanism of which was the universal introduction of the Castilian language. Basque and Catalan regional nationalists being partial towards Castelanocentrismo considered the federalization of the Spanish state as an alternative to it already at the beginning of the 20th century. Conservative elements of Espanolidad received their distinct shape in the Francoist cultural doctrine of Nacionalcatolicismo, which had to justify the Spanish monoethnic state resting on the Christian unity. The Spanish “transition to democracy” is the transformation of the Francoist monoethnic state into the Spanish State of Autonomous Communities. Nevertheless, the rejection of Nacionalcatolicismo, symbolized by the slogan Spain is difference, put the unity of the Spanish nation into question and led to the intensification of regional separatist movements (Catalan and Basque). The criticism of the principle of ethnic nationalism, partly related to Nacionalcatolicismo, fostered the adoption of Constitutional Patriotism as the dominant Spanish cultural strategy. While postulating unity in variety, Constitutional Patriotism gives new breath to the old Espanolidad asserting national unity through the State of Autonomous Communities. The equal legal status of Spanish regions resting on the principles of solidarity and economic utility is upheld by the leveling of the inequalities of economic development between the rich and the poor autonomous communities.
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Pujante, Ángel-Luis. "The French Influence on Early Shakespeare Reception in Spain: Three Cases of Unacknowledged Sources." Sederi, no. 20 (2010): 103–19. http://dx.doi.org/10.34136/sederi.2010.5.

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Shakespeare criticism in Spain began in 1764 and has been on the increase ever since. The main source of information on the subject has long been the tremendous work done by Alfonso Par from the beginning of the 20th century until his death in 1936: without his Shakespeare en la literatura española (1935) none of the later studies could have been written, or at least they would have taken a good deal longer to write. On the other hand, Par’s book includes gaps and errors which need to be corrected. Among these are three cases of supposedly original texts which have turned out to be appropriations of foreign originals whose sources were not acknowledged. This article sets out to analyze these cases, examine their critical implications and thus contribute to a better knowledge and understanding of the Spanish reception of Shakespeare.
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García, María Isabel Maldonado. "The Spanish Women Poet’s Contribution To The Literature Of The 20th Century." Pakistan Journal of Gender Studies 10, no. 1 (March 8, 2015): 129–43. http://dx.doi.org/10.46568/pjgs.v10i1.230.

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The 20th century offers us a wealth of literary authors. The Spanish poets of the 20th century that usually come to mind are mainly male due to the fact that the female poets never received proper recognition and were ignored for many years. The historical events of the 20th century could have ceasedthe literary works of the Spanish authors. However, instead, the Spanish utilized the poetry of protest as a means of rebelling towards their social reality. Not only male poets but also women were extremely prolific in their craft. First during the Civil War and after during the thirty six years of dictatorship that followed in spite of the hardships, censorship and vigorous opposition. A few of these women are Carmen Conde, Rosa Chacel, Ernestina de Champourcin and others. This research studies thecontribution of a few outstanding women poets to the 20th century Spanish literature and language.
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Herman, David. "How Jewish Refugee Critics Changed British Literary Criticism, 1970–2020." Humanities 9, no. 3 (August 14, 2020): 80. http://dx.doi.org/10.3390/h9030080.

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During the mid- and late 20th century, a small group of Jewish refugee critics changed the way British culture thought about what kind of literature mattered and why. These outsiders went on to have an enormous impact on late 20th-century British literary culture. What was this impact? Why in the last third of the 20th century? Why did British literary culture become so much more receptive to critics like George Steiner, Gabriel Josipovici, Martin Esslin and SS Prawer and to a new canon of continental Jewish writers? The obstacles to Jewish refugee critics were formidable. Yet their work on writers like Kafka, Brecht and Paul Celan, and thinkers like Heidegger and Lukacs had a huge impact. They also broke the post-war silence about the Holocaust and moved the Jewish Bibl from the margins of English-speaking culture.
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Vatazhko, Elvira. "THE CONCEPTS OF ‘METATEXTUALITY’ AND ‘METAFICTION’ IN LITERARY CRITICISM." Слово і Час, no. 2 (March 25, 2021): 100–109. http://dx.doi.org/10.33608/0236-1477.2021.02.100-109.

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Undoubtedly, the second half of the 20th century and the early 21st century are notable for the extensive artistic experiment, including metatextual and metafictional phenomena. Such scholars as Gérard Genette, Anna Wierzbicka, Patricia Waugh, Linda Hutcheon, Robert Sholes, and many others focused on the mentioned issues in their research work. Therefore, this paper considers metatextuality and metafiction in the theoretical perspective tracing the origins of metatextuality and its connections with postmodern literature. The terms ‘metatext’ and ‘metafiction’ appeared as rather close in time. Notably, both of them are based on the discursive practices of the late 20th century. However, the term ‘metatext’ originated in the scholarly practice of structuralism. It is obvious that ‘metatext’ was constructed by analogy with the concept of ‘metalanguage’. Either of them does not exist without the initial text (or language). Metatextual elements are important for analyzing styles, genres, types of expression, discursive functions, and more. On the other hand, the term ‘metafiction’ has an obvious connection with genre studies. Metafiction qualifies as a special kind of literary text that became characteristic of the postmodern era. Such features as self-referentiality of artistic expression, introspection, and self-consciousness became essential for postmodern aesthetics. Metatextuality relates to the narrative theory and metacritiсism, while metafictionality is applicable within the intertextual analysis. Thus, the paper highlights an advance of metadiscourse in the cultural consciousness of the late 20th century.
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Zhang, Jie, and Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”." Neophilology, no. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mechanism of reproducing the meanings of literary texts and images. We analyze the functions of literary criticism and explain the interaction and harmony of objective historical facts of literature and the compiler’s personality in the study. We define three currents of Russian and Soviet literary criticism of the 20th century: religious and cultural criticism, real literary criticism, and aesthetic criticism. We prove that history reflects not only the objectivity of factors, but also its compiler’s personality, which is an indicator. We explain the need to coordinate the objectivity of historical facts and the subjectivity of the compiler, and we present a value-based reflection of a scientific linguistic personality in the Chinese ethnoculture.
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Le, Quoc Hieu. "KIEU THANH QUE AND HIS MONOGRAPH “LITERARY CRITICISM”." UED Journal of Social Sciences, Humanities and Education 11, no. 1 (June 21, 2021): 22–27. http://dx.doi.org/10.47393/jshe.v11i1.919.

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The literary legacy of the writer Kiều Thanh Quế can be considered a “fertile land” and an “opening structure” which suggest/require numerous interpretations and judgments. Understanding Kieu Thanh Que’s essential contributions to the formation of theoretical fundamentals of literary criticism helps re-evaluate his role and position in Vietnamese literature of the first half 20th century, especially in literary criticism - Kieu Thanh Que’s most dynamic and productive area of work. This article aims to: 1, introduce his monograph Literary Criticism; 2, point out several features of Kieu Thanh Que’s reasoning and critical thinking; and then 3. highlight his contributions to literary criticism of Vietnamese literature over the period 1932-1945. Contextualizing his book Literary Criticism in such early stage of literary criticism allows us to see clearly how he contributed with his ability to recognize and represent some theoretical and current issues in the field of literary criticism.
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Al-Rubaiee, Assist Instructor: Ahmed Abdulrazzaq. "The Creativity Literary of Gongora." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 222, no. 1 (November 5, 2018): 1–12. http://dx.doi.org/10.36473/ujhss.v222i1.383.

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Luis de Góngora y Argote, (1561-1627), Spanish poet, is one of the most influential Spanish poets of his era. His Baroque, convoluted style, known as Gongorism was so exaggerated by less gifted imitators that his reputation suffered after his death until it underwent a revaluation in the 20th century.. In his literary works has expressed very well his feelings and emotions perfectly, especially the thought of his time and the themes of criticism and disappointment of the Baroque. His poetic work breaks molds and inaugurates a new language whose virtuality, still unsurpassed, continues to mark the course of contemporary poetry. This investigation is divided in two chapters, the first presnte the biography and style of Gongora besides its works that comprise the satire. The second chapter is concerned Cultism and gonorismo, besides the Architecture of the sonnets of Góngora
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Kisieliūtė, Ingrida. "Literature and Economics. Another Way to Read the Text." Respectus Philologicus 28, no. 33 (October 25, 2015): 31–40. http://dx.doi.org/10.15388/respectus.2015.28.33.3.

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At the end of the 20th century, the study of literature was supplemented by such new methods as biopoetics, geopoetics, new historicism, etc. The New Economic Criticism, a new approach to the literary text, was found in the United States in the late 20th century. The present article discusses the main aspects of the aforementioned area of the study of literature and as well presents the possible approaches to literary texts from the economic perspective. The New Economic Criticism does not aim to become a method or tendency; thus, it givesthe freedom for a researcher to choose the perspective on the relationship between the literature and economics. The above-mentioned kind of analysis may be found in the English-speaking countries; whereas, the Russian literature has still remained unconsidered; however, Russian scholars are attempting to look at their fiction through the eyes of an economist. In Lithuania, the kind of research has not been found yet. Therefore, the article suggests one of the possible economic approaches, i.e., the analysis of the financial practices of the protagonist of The Gambler by F. Dostoyevsky.
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Ivanovic, Aleksandra. "Serbian medieval poetry: 20th-century literary-historical and theoretical interpretations." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 88 (2022): 79–92. http://dx.doi.org/10.2298/pkjif2288079i.

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This paper examines how national literary histories written in the twentieth century define medieval Serbian poetry. Grounded in the canon of Byzantine liturgical poetry and dedicated to cult practice, hymnography often did not conform to modern poetic principles, originality, and metrical form. Formalist approaches to poetry shaped the anthologies of Serbian medieval literature published in Yugoslavia in the 1960s. The editors transformed sequences from narrative prose into poetic texts, thus creating medieval poems. These cases draw attention to the importance of textual criticism and the social context in defining medieval literary genres. Exploring hymnography as a linguistic and liturgical event - a poem sung to an engaged audience - introduces new perspectives on its interpretation.
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Dissertations / Theses on the topic "20th century spanish literature - literary criticism"

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Fasey, Rosemary J. "Writers in the service of revolution : Russia's ideological and literary impact on Spanish poetry and prose, 1925-36." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14655.

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This thesis is a comparative literary study which is conducted by placing the reception of Russian literature in Spain during the period 1918-36 within the context of the interplay of literature and the social and political situations in which it is written. It first places the boom in the publication of Russian literature in the late 1920s and 1930s within the context of the history of the reception of Russian literature in Spain, providing a comprehensive survey of that history. Next, it describes the impact of the Russian Revolution and the formative years of the Soviet Socialist state on the political situation in pre-Civil War Spain, including the ideological links between the political situations of both countries. In pre-Civil War Spain, the revolutionary atmosphere changed the mood, subject matter and style of literature, and certain writers, recognizing their civic duty, began to produce literature that had a socially critical and didactic role. During that period, given the political context and the development of politically committed literature, Spanish intellectuals and artists of a Marxist persuasion derived incentive from their Russian counterparts. Russian literature has traditionally been the forum for social criticism, and has had a profoundly revolutionary dimension. Pre-revolutionary writers such as Dostoevsky and Andreev have been perceived by outsiders as revolutionary writers, and, in that capacity, have enjoyed great popularity abroad, including Spain. In the Soviet era, Mayakovsky was often considered to be the "Poet of the Revolution", and Gorky was the chief spokesman in the promotion of socialist ideals in literature in the twenty years following the Revolution. In Spanish pre-Civil War fiction, both the social novel and poetry were instrumental in conveying overtly Marxist messages. The thesis concludes with a comprehensive study about certain Spanish writers and their works, in the domains of poetry and the novel, specifically seeking evidence of the impact of the literature and ideology which was emanating from Russia in the first third of the twentieth century.
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Diaz, Ruiz Fernando. "Malditismo y subversión en la poética de Fernando Vallejo: un estudio sobre su obra, recepción y estrategia literaria." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209393.

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Este trabajo analiza la gestación, funcionamiento y recepción de la estrategia literaria de Fernando Vallejo, en especial, el malditismo y la subversión que caracterizan su controvertida poética. Para hacerlo, adopta un enfoque metodológico que tiene en cuenta tanto los aportes de la Sociología de la literatura como los de disciplinas como la Estética de la recepción y el Análisis del discurso, sin olvidarse de estudiar los códigos narrativos, afectivos y culturales que favorecen los efectos subversivos de sus textos, entre los que destaca el pacto ambiguo firmado con sus lectores por el autor colombiano, único en la narrativa actual en español.

Ante la ausencia de un marco teórico sobre este tipo de obras subversivas o malditas, de manera más específica se intentan desentrañar las claves principales de las poéticas del mal y de la subversión, llegando a proponer un cuadro explicativo con los rasgos que, en base al estudio pluridisciplinar de nociones como la “desviación social”, el “mal” y la “subversión”, presentan los textos literarios subversivos y malditos. En este sentido, los no hispanistas pueden leer esta tesis como un case study o materialización de dicha propuesta

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Ce travail analyse la gestation, le fonctionnement et la réception de la stratégie littéraire de Fernando Vallejo, et plus particulièrement la malédiction et la subversion qui caractérisent sa poétique controversée. Dans ce but, l’étude adopte un point de vue méthodologique qui tient compte tant des apports de la Sociologie de la littérature que de l’Esthétique de la réception et de l’Analyse du discours. Seront également étudiés les codes narratifs, affectifs et culturels qui favorisent les effets subversifs des textes, parmi lesquels ressort l’ambiguïté du pacte signé par l’écrivain colombien avec ses lecteurs, unique dans la littérature contemporaine de langue espagnole.

Devant l’absence de cadre théorique sur ce type d’œuvres subversives ou maudites, il s’agit d’identifier de manière plus spécifique les éléments clés des poétiques du mal et de la subversion, pour arriver à proposer un cadre explicatif. Celui-ci comprend les caractéristiques que présentent, sur base de l’étude pluridisciplinaire de notions telles que la “déviation sociale” et la “subversion”, les textes littéraires subversifs et maudits. En ce sens, les non hispanistes pourront lire cette thèse comme une étude de cas ou comme la matérialisation d’une telle proposition théorique.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished

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Magerski, Christine 1969. "The constitution of the literary field in Germany after 1871 : Berlin modernism, literary criticism and the beginnings of the sociology of literature." Monash University, German Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8724.

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Zambelli, Sessona Anna. "Intertextual strategies and the poetics of identity in Imīl Ḥabībī's literary works." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711596.

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Wilson, Rachelle. "Historical Memory and Ethics in Spanish Narrative." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062813/.

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This study traces the current status of Spanish ethics as seen through the optics of historical memory. Starting from the Spanish Civil War in 1936, the thesis relates contemporary themes to their proposed origin throughout three additional distinctive eras of the 20th and 21st century in Spain: 1982-1996 (Socialist Spain), 1997-2010 (Post-modern Spain), and 2011-present (current Spain). Spanish narratives ranging from Los Abel by Matute, La magnitud de la tragedia by Monzó, "Fidelidad" of Ha dejado de llover by Barba and Las fosas de Franco by Silva are contextualized through their ethical architecture, in accordance with their socio-political context, and relationship to past historical traumas. This work proposes that the themes of anticlericalism, the pursuit of social equality, anti bureaucracy, and political distrust are trends culminating from Kohlberg's third level of morality. The thesis aims to be an exposition and legitimization of different ethical schemas that might otherwise be polarized as wrong and inferior by others.
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甘李國冰 and Lee Kwok-ping Vivien Kam. "The literary profession and domestic politics in the People's Republicof China, 1950-1980." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31207625.

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Behin, Bahram. "Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction /." Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phb419.pdf.

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Maximenkov, Leonid. "An analysis of the genesis and growth of literary Staliniana." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39503.

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Staliniana is an eclectic genre of Russian literature of the Soviet period. It deals with the fictional image of I. V. Stalin and the impact of his life and politics on history. For several decades it was the core of socialist realist literature and Stalin's personality cult.
The first chapter discusses the phenomena of Stalin's personality cult in the context of the intellectual history of the post-revolutionary Soviet society in the 1920s and 1930s. Chapter two offers different classifications of a vast amount of fiction written on Stalin. The genesis and documented development of staliniana is discussed in the third chapter. Special attention is paid to the manipulations in the genre exercised by ideological and cultural authorities in the USSR from the 1920s to the 1970s. The fourth chapter discusses some aspects of staliniana in Western Europe as contrasted to Soviet literature. In the fifth chapter a detailed analysis of key elements of the codified literary image of Stalin is undertaken. Chapter six explores the folklore background of Stalin's cult and its interaction with the cult of V. I. Lenin. The final chapter offers an analysis of the development of the language used by Stalin as a fictional character in works of literature. This study uses the recently declassified materials from Soviet archives in order to demonstrate that staliniana was not only a key element of the Stalin cult but also a cornerstone of Soviet literature.
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Elston, Suzanne Poteet. "Garrison Keillor and American Literary Traditions." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500338/.

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Although Garrison Keillor is perhaps best known as the creator and host of Minnesota Public Radio's A Prairie Home Companion (1974-1987), the focus of this study is his literary career. Keillor's literary accomplishments include a successful career as a writer for The New Yorker and two best-selling books about the fictional town of Lake Wobegon, Minnesota, entitled Lake Wobegon Days (1985) and Leaving Home (1987). His literary style incorporates elements from several traditions in American literature--the precise, sophisticated "New Yorker style" practiced by writers such as E. B. White and James Thurber; the oral tradition prominent in the works of Mark Twain and the nineteenth-century literary comedians; and the satiric realism associated with the small-town literature of writers such as Sherwood Anderson and Sinclair Lewis.
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Roy, Alain. "L'écriture minimaliste; suivi de Journée programmée." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59429.

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This master's thesis in creative writing is divided into two parts. The first constitutes a critical analysis of "minimalist" writing, a term which has been used to describe the work of certain contemporary American writers but which might equally be applied to a portion of the world literature. This literary form has two fundamental characteristics from an aesthetic point of view: brevity and realism. In fact, it could be defined as the short story taken to its ultimate expression. Furthermore, it represents one of two poles by which we can evaluate all literature. The second part of the thesis is a collection of short stories which embody the minimalist aesthetic with everyday life and relationships between couples as their central theme.
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Books on the topic "20th century spanish literature - literary criticism"

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1976-, Sánchez Conejero Cristina, ed. Spanishness in the Spanish novel and cinema of the 20th - 21st century. Newcastle, UK: Cambridge Scholars, 2007.

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Jean, Andrews. Spanish reactions to the Anglo-Irish literary revival in the early twentieth-century: The stone by the elixir. Lewiston, N.Y., USA: Edwin Mellen Press, 1991.

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H, Brower Keith, Fitz Earl E, and Martinez-Vidal Enrique E, eds. Jorge Amado: New critical essays. New York: Garland Pub., 2000.

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Loureiro, Angel G. The ethics of autobiography: Replacing the subject in modern Spain. Nashville, Tenn: Vanderbilt University Press, 2000.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Twentieth-century literary criticism. Edited by Gale Group. Detroit, Mich: Gale, 2009.

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Trudeau, Lawrence J. Twentieth-century literary criticism. Detroit, Mich: Gale, 2011.

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P, Rama R., ed. Critical interactions: Reading 20th century literary texts. Jaipur, India: Pointer Publishers, 1992.

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Saldívar-Hull, Sonia. Feminism on the border: Chicana gender politics and literature. Berkeley: University of California Press, 2000.

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Wiszniowska, Marta. Studies in 20th century literary-cultural Britain. Warszawa: Wydawn. Uniwersytetu Kardynała Stefana Wyszyńskiego, 2011.

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Jorge, Cornejo Polar, ed. César Vallejo: A critical bibliography of research. London: Tamesis, 2002.

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Book chapters on the topic "20th century spanish literature - literary criticism"

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Fabiani, Anita. "Spagne di fine millennio." In Biblioteca di Rassegna iberistica. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/007.

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This article offers a survey on how Spain is discussed in the Italian press in the second half of the 20th century (the time of Franco’s death, the Transición period, the newly born democracy). In particular, newspapers such as La Repubblica and L’Unità will be analysed, as their interest for Spanish culture and literature was continuous over the years. The analysis concentrates on the press, rather than on institutional discourse and academic criticism, in order to better trace the patterns of Italian cultural reception of Spanish topics, especially when intellectuals (such as Marcoaldi) and journalists decide to ‘report on’ and ‘narrate’ Spain’s literary identity. The essay analyses a selection of articles by a number of different authors, to make perceptible the polyphonic effect of the various ‘Spains’.
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Barberio, Michele Gabriele, and Donata Ippolito. "La letteratura spagnola nelle riviste italiane del secondo Novecento Verso un primo censimento." In Biblioteca di Rassegna iberistica. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/008.

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This article examines the results of a research conducted within Italian literary journals of the second half of the 20th century, with the aim of verifying the presence of Spanish-speaking literature in the Italian literary field of journals. The presence of Spanish and Spanish-American literature in this cultural field could be, in fact, indicative of a greater or lesser reception of such authors by the Italian public and cultural agents. After a brief presentation of the applied methodology, the results of the research will be discussed.
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Vinogradov, Igor A. "“Taras Bulba” and Russian History of the 19th–20th Centuries." In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3, 97–168. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-97-168.

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The article is devoted to the study of readers’ receptions of N.V. Gogol “Taras Bulba” in Russia. This work, imbued with a deep religious and patriotic intention, occupies such a significant place in Russian culture that the reviews of readers and critics, the assessments and interpretations of its researchers, dramatizations in the theater, opera and ballet, etc. allows to analyze not only history of the story’s existence, but also to trace the key moments of Russian life in the second half of the 19th–20th centuries. The interaction of the patriotic story’s spiritual lyricism with the contradictory socio-political processes of the era identifies the most significant features of the poetics of Gogol’s work. Enthusiastically received by contemporaries, including A.S. Pushkin, “Taras Bulba” was subsequently met with hostility from domestic liberalradical and Polish nationalist criticism. Continuing to be one of the favorite works of the domestic and foreign readers, the story after 1917 was removed from the Soviet school curriculum and again restored in rights only during the Great Patriotic War. The article presents a detailed analysis of the assessments and interpretations of “Taras Bulba” for more than a century and a half.
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Kaznina, Olga A. "The Book by I.A. Bunin “Liberation of Leo Tolstoy” in the Context of Russian Emigre Literary and Philosophical Criticism." In Russian Émigré Literature, 1920–1940. Writer in Literary Process (to the 150th Anniversary of I.A. Bunin’s Birth), 95–206. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0685-7-97-208.

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The present article is devoted to the multidimensional analysis of the book by I.A. Bunin “Liberation of Leo Tolstoy” (1937). Attention is devoted to the history of its creation and to its unique structure, combining the genres of memoirs, journalistic sketch, diary, epistles and literary portrait with philosophical contemplation. Special consideration is paid to the properties of style of the text as well as to the development of the artistic image of Leo Tolstoy. The center of the research is occupied by the problem of the spiritual and religious quest of Tolstoy in the latest decades of his life, to his multifaceted concept of liberation and also to the enigma of his last flight from Yasnaya Poliana. Bunin’s interpretations are investigated on the complex background of literary, philosophical and theological evaluations of Tolstoy’s worldview, as it took shape after the spiritual crisis of his later years. Different reactions to his final escape are also taken into account. The article reflects the positions of G. Adamovitch, V. Hodasevitch, V. Maklakov, I. Shahovskoy, S. Bulgakov, as well as many other literary critics, philosophers and theologians. Bunin’s book is investigated as a source for the studies of spiritual and intellectual quest on the verge of the centuries, i.e. the end of the 19th and the beginning of the 20th century. Bunin’s book is presented also in the context of Russian émigré literary and philosophical criticism.
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Janjatović, Violeta. "ALTERNATIVA ŠEKSPIROVOJ „BURI”: GDE JE KALIBAN U ROMANU ĐAVOLJI NAKOT MARGARET ATVUD?" In JEZIK, KNJIŽEVNOST, ALTERNATIVE/LANGUAGE, LITERATURE, ALTERNATIVES - Književna istraživanja, 375–86. Filozofski fakultet u Nišu, 2022. http://dx.doi.org/10.46630/jkal.2022.26.

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The end of the 20th and the beginning of the 21st century saw the publication of many studies, interpretations, and adaptations of Shakespeare’s play “The Tempest.” One of the most significant recently published adaptations is the novel Hag-Seed: The Tempest Retold, by the Canadian author Margaret Atwood, created as a part of the Hogarth Press project and in celebration of the 400th birthday anniversary of William Shakespeare. The “Hag-Seed,” or the “devil’s seed,” an insult that Prospero directs to Caliban alluding to his origin, and at the same time the title of Atwood’s novel, unequivocally indicates to readers that the topic of this alternative Shakespeare’s “Tempest” might be Caliban. However, while most of the characters in Shakespeare’s play are easily recognizable in this adaptation set in the contemporary Canadian society, the character of Caliban is disembodied, fully reconstructed, and it indirectly reaches readers through the voices and characters of the Fletcher Correctional Center inmates. Analyzing Hag- Seed: The Tempest Retold from the perspective of postcolonial literary criticism, this paper concludes that Atwood’s exclusion of Caliban from the world of its adaptation cruelly depicts his dehumanization and the status of the “other” in Shakespeare’s play. The inmates easily identify with Caliban, his predicament, his subordinate position and attempt to oppose it. Demonized and marginalized by the society in which they live, they are also distant and unwanted “other” in the world of this modern “Tempest.” Relying in the analysis on a newer theory of adaptation according to which it is a creative process whose basic premise is to preserve the story from the original literary work, but also to create a new reading, and to suit the adaptation to an alternative purpose, function or environment, this paper examines the concept of the “other” and analyzes its transformation in the new environment.
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Rados, Zvjezdana. "Proces integracije lokalne zadarske sastavnice hrvatske književnosti u središnju nacionalnu književnost – od (pred)romantizma do moderne." In Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze, 389–407. University of Silesia Press, 2021. http://dx.doi.org/10.31261/pn.4028.24.

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The paper will analyze Zadar’s components of Croatian literature in the period from 1840s until the first decade of the 20th century, marked by nationalintegrative processes and forming a modern national identity. The research object will be the specifics of the development of that part of Croatian literature as well as its relations to literary and historical processes in the center, the mainstream, of national literature – from national revival movements or the period of preromanticism and romanticism, through pre-realism and realism to the period of moderna and stronger integration of Zadar’s (provincial, Dalmatian) segment into central, national Croatian literature. Considerable attention will be paid to the processes of mutual permeating, accepting and rejecting, affirming and negating of Zadar’s periphery, one of the most important peripheries of the Croatian literary canon, and its national center, Zagreb’s mainstream. This issue will be presented through paradigmatic writers and journals that marked key periods of Croatian linguistic and literary homogenization: in the period of (pre)romanticism, during 1840s, this implies the journal Zora dalmatinska and paradigmatic personalities of the literary circle formed around that revival journal (Šime Starčević and Petar Preradović, even Ana Vidović); in the period of folk-enlightenment (pre)realism, from the sixties to the end of the eighties, this includes paradigmatic personality of the Croatian National Revival in Dalmatia – politician and writer Mihovil Pavlinović, as well as Iskra journal and its editor Nikola Šimić (a writer who created a specific peripheral genre of folk stories from rural life); in the time of disintegration of realism and turning towards modernist styles this implies the initiator of Croatian modern literary criticism Jakša Čedomil and the prominent names of the Croatian literary canon in the period of moderna – Ivo Vojnović, Vladimir Nazor and Milan Begović, as well as Lovor magazine of Milutin Cihlar Nehajev.
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Calvo Martinez, Jose Luis, and Natalia N. Arsentieva. "The philosophy of solitude (Beatus ille theme) in the “estate” poetry of Europe: Horace, Fray Luis de León, I.A. Bunin." In Estate real — estate literary: vectors of creative transformation, 230–48. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0676-5-230-248.

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The article examines the themes of withdrawal from the world (Beatus ille) and the solitary contemplation of nature in the “estate” poetry and prose of I.A. Bunin, a Russian writer of the late 19th to the mid-20th century and traces the sources of his inspiration to the thought of philosophers and writers of classic antiquity (Horace, etc.) and to the Renaissance (Luis de León, etc.). The transition from Neoclassicism and the cult of the arts to the Neoplatonic philosophy of nature in Russian Literature, which took place from the end of the 18th century through the early 19th century, led to the rebirth of an aesthetics based on immediate impressions of reality. The “estate culture” from that period, with its linking of culture and nature, allowed Russian authors to convey complex thoughts and feelings rising from their cultivation of solitude and the contemplation of nature. In Bunin’s legacy, the aesthetic value of the Russian estate is largely due to its proximity to the world of wild uncultured nature. An innovative feature of the Bunin poetic landscape is the fusion of man with the holy universe in light of the cosmological ideas of the Renaissance and the doctrine of the World Soul. A comparative analysis of the ode “The Life Removed” by Luis de Leon, a representative of the Golden Age of Spanish Renaissance poetry, and the motif of solitude in Bunin’s creative work reveal a common metaphysics. Moreover, our research also focuses on the mystery motif of the “liturgy of light” in both authors, which can be traced to the magical practice of communion with God in the hermetic tradition of late Hellenism. Finally, we analyze Bunin’s interpretation of the artist’s separation from the contemplation of beauty as grace during the destruction of the Russian “estate culture”.
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Andreichuk, Kseniia R. "Trends in Swedish Reception of F. Dostoevsky’s Notes from Underground." In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America, 388–404. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-388-404.

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Notes from Underground became a relevant text for Sweden only in the second half of the 20th century, primarily due to the appearance of translations and criticism, but also in connection with the construction of a ‘the people’s home’ (‘folkhemmet’), which is what a Swede thinks about when reading about Crystal Palace. However, it is not only social ideas that attract Swedish writers in Notes from Underground; the problems of the human isolation, the desire and inability to love another person more than yourself, as well as the whole vision of the world through the eyes of a paradoxalist are also relevant to them. The multi-layered text of Notes from Underground by F.M. Dostoevsky suggested that his literary reception would have several lines that go back to the problems lying on different levels of the story. The article considers several kinds of the reception of Notes from Underground in Swedish literature, namely the social and philosophical (Sven Delblank, Lars Ahlin), socio-religious (Birgitta Trotzig), existentialist (Lars Gyllensten) reception and reception of the artistic method (Lars Ahlin). It is worth mentioning that even when referring to Dostoevsky’s work in social debates, Swedish writers almost do not lose the philosophical context, do not narrow down universal human issues to momentary and purely social ones.
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