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Books on the topic '20th century french literature - literary criticism'

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Author: Grafiati

Published: 26 July 2024

Last updated: 26 July 2024

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1

Pasco, Allan H. Allusion: A literary graft. Charlottesville, [Va.]: Rockwood Press, 2002.

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2

Pasco, Allan H. Allusion: A literary graft. Toronto: University of Toronto Press, 1994.

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3

Shaviro, Steven. Passion & excess: Blanchot, Bataille, and literary theory. Tallahassee: Florida State University Press, 1990.

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4

Fowlie, Wallace. Poem & symbol: A brief history of French symbolism. University Park: Pennsylvania State University Press, 1990.

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5

David, Carroll. French literary fascism: Nationalism, anti-Semitism, and the ideology of culture. Princeton, N.J: Princeton University Press, 1995.

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6

David, Carroll. French literary fascism: Nationalism, anti-semitism and the ideology of culture. Princeton, NJ: Princeton U.P., 1998.

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7

F, Motte Warren, ed. Oulipo: A primer of potential literature. Normal, Ill: Dalkey Archive Press, 1998.

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8

Australian Society for French Studies. Annual Conference. Soi-disant: Life-writing in French. Newark: University of Delaware Press, 2005.

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9

Guy, Michaud. Le symbolisme tel qu'en lui-même. Paris: A.G. Nizet, 1995.

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10

Giguère, Ronald Gérard. Ecrivains noirs d'Afrique et des Antilles. New York: P. Lang, 1997.

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11

Literature and material culture from Balzac to Proust: The collection and consumption of curiosities. Cambridge, U.K: Cambridge University Press, 1999.

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12

Simion, Eugen. The return of the author. Evanston, Ill: Northwestern University Press, 1996.

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13

Dubois, Maud. L'Œuvre sans fin. Réception des romans de Monique Saint-Hélier par la critique française (1932-1955). Genève: Librairie Droz, 2013.

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14

Radford, Andrew D., and Victoria Reid. Franco-British cultural exchanges, 1880-1940: Channel packets. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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15

Guerlac, Suzanne. Literary polemics: Bataille, Sartre, Valéry, Breton. Stanford, Calif: Stanford University Press, 1997.

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16

1958-, Wolfreys Julian, Brannigan John, and Robbins Ruth 1965-, eds. The French connections of Jacques Derrida. Albany: State University of New York Press, 1999.

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17

Newmark, Kevin. Beyond symbolism: Textual history and the future of reading. Ithaca, N.Y: Cornell University Press, 1991.

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18

Cryle, P. M. The thematics of commitment: The tower & the plain. Princeton, N.J: Princeton University Press, 1985.

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19

J, Hughes Edward. Writing marginality in modern French literature: From Loti to Genet. Cambridge, U.K: Cambridge University Press, 2001.

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20

Literary globalism: Anglo-American fiction set in France. Lewisburg [Pa.]: Bucknell University Press, 2005.

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21

Stephens, Bradley. Victor Hugo, Jean-Paul Sartre, and the liability of liberty. London: Legenda, 2011.

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22

Blizzard, Allison. Portraits of the 20th century self: An interartistic study of Gertrude Stein's literary portraits and early Modernist portraits by Paul Cézanne, Henri Matisse, and Pablo Picasso. Frankfurt am Main: Peter Lang, 2004.

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23

Poel-Knottnerus, Frédérique Van de. Literary narratives on the nineteenth and early twentieth-century French elite educational system: Rituals and total institutions. Lewiston, N.Y: E. Mellen Press, 2002.

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24

Jones, Kathryn N. Journeys of remembrance: Memories of the Second World War in French and German literature, 1960-1980. London: Modern Humanities Research Association and Maney Publishing, 2007.

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25

Susan, Sellers, ed. Hélène Cixous: Live theory. New York: Continuum, 2004.

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26

Marguerite, Duras. Woman to Woman. Lincoln, Neb: University of Nebraska Press, 2005.

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27

Marguerite, Duras. Woman to woman. Lincoln: University of Nebraska Press, 1987.

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28

Vicks, Meghan. Narratives of Nothing in 20th-Century Literature. Bloomsbury Publishing Plc, 2015.

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29

Pasco, Allan H. Allusion: A Literary Graft. University of Toronto Press, 1994.

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30

Paths To Contemporary French Literature. Transaction Publishers, 2011.

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31

Pasco, Allan H., and Pasco H. Allan. Allusion: A Literary Graft (Emf Reprints). Rookwood Press, 2002.

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32

Six Authors in Captivity: Literary Responses to the Occupation of France During World War II (Modern French Identities). Peter Lang Publishing, 2006.

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33

Pasco, Allan H. Allusion: A Literary Graft (Theory/Culture). University of Toronto Press, 1994.

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34

The Art Of The Text Visuality In Nineteenth And Twentiethcentury Literary And Other Media. University of Wales Press, 2013.

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35

European Literary Immigration Into The French Language Readings Of Gary Kristof Kundera And Semprun. Rodopi, 2008.

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36

Cox, Fiona. Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature (Legenda/Studies in Comparative Literature). Legenda, 2000.

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37

Cox, Fiona. Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature. Taylor & Francis Group, 2017.

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38

Cox, Fiona. Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature. Taylor & Francis Group, 2017.

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39

Cox, Fiona. Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature. Taylor & Francis Group, 2017.

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40

Cox, Fiona. Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature. Taylor & Francis Group, 2017.

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41

Motte, Warren. Oulipo: A Primer of Potential Literature. University of Nebraska Press, 1986.

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42

Cottenet, Cécile. Literary Agents in the Transatlantic Book Trade: American Fiction, French Rights, and the Hoffman Agency. Taylor & Francis Group, 2017.

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43

Poem and Symbol: A Brief History of French Symbolism. Pennsylvania State University Press, 1990.

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44

Severson, Marilyn. Masterpieces of French Literature. Greenwood, 2004. http://dx.doi.org/10.5040/9798400683596.

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This volume provides a critical introduction to eight landmark novels in 19th- and 20th-century French literature, includingThe Plague,Madame Bovary, andThe Little Prince. Timeless literary masterpieces—such as Victor Hugo'sThe Hunchback of Notre-Dame(1831) andThe Miserables(1862), Flaubert'sMadame Bovary(1857), and Camus'The Stranger(1942) andThe Plague(1947)—have been the subject of copious literary criticism since their publications. This volume has been developed specifically to help students and general readers reach a deeper understanding of eight French novels, enabling them to develop a true appreciation for why the works have been regarded as masterpieces. Lucid yet challenging literary analysis focuses on plot and character development, themes, style, and biographical and historical context. This guide offers a fuller sense of the historical and literary environment in which each author worked. Librarians and educators were consulted in determining which eight novels to include. In addition to those listed above, full treatment is given to Alexandre Dumas'The Three MusketeersandThe Count of Monte Cristo, and the perennially popular taleThe Little Prince. These eight works cover a time period of more than 100 years, reflecting the development of the French novel and the literary movements of this era. An introductory essay provides a concise overview of French literature through the 1800's and early 1900's, identifying additional seminal works beyond those fully discussed here. For readers desiring to pursue further research, an extensive bibliography has been compiled, offering sources for additional novels, criticism, reviews from the time of publication, and biographical information.

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45

Jollin-Bertocchi, Sophie, and Serge Linarès. Changer de Style: Écritures évolutives Aux XXe et XXIe Siècles. BRILL, 2019.

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46

Poetics of the literary self-portrait. New York: New York University Press, 1991.

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47

Ha, Marie-Paule. Figuring the East: Segalen, Malraux, Duras, and Barthes. State University of New York Press, 1999.

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48

The crisis of Negritude: A study of the Black movement against intellectual oppression in the early 20th century. Boca Raton: BrownWalker Press, 2008.

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49

Nooy, Juliana De, Joe Hardwick, and Barbara E. Hanna. Soi-disant: Life Writing In French. University of Delaware Press, 2005.

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50

Pathos, Poetry and Politics in Michel Houellebecq's Fiction. BRILL, 2019.

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