Journal articles on the topic '200513 Literature in Italian'

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1

Murphy, P. D. "Italian Environmental Literature." Interdisciplinary Studies in Literature and Environment 13, no. 1 (January 1, 2006): 271–73. http://dx.doi.org/10.1093/isle/13.1.271.

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2

De Marco, Alessandra. "Italian American literature." Literature Compass 13, no. 11 (November 2016): 693–700. http://dx.doi.org/10.1111/lic3.12354.

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3

Haywood (book editor), Eric, Cormac Ó. Cuilleanáin (book editor), and Antonio Franceschetti (review author). "Italian Storytellers. Essays on Italian Narrative Literature." Quaderni d'italianistica 12, no. 1 (April 1, 1991): 168. http://dx.doi.org/10.33137/q.i..v12i1.10539.

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4

Maran, Laura, and Giulia Leoni. "The contribution of the Italian literature to the international Accounting History literature." Accounting History 24, no. 1 (July 2, 2018): 5–39. http://dx.doi.org/10.1177/1032373218783333.

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Italian and Anglo-Saxon accounting scholarships are rather different in their philosophical foundations and conceptual categories. Such difference has implications for Italian scholars aiming at contributing to the international accounting history (AH) literature. This work aims to qualify the contribution of Italian scholars to the AH literature. By means of a review of the AH publication patterns of Italian scholars both in Italian and English language, from 2010 to 2016, the analysis compares Italian and international outlets. Furthermore, the comparison considers the entrenched bi-lingual and cultural aspects, by highlighting the textual similarities and differences of specific contributions. With its results, the study adds to prior literature on the publishing patterns in AH, by shedding light on how Italian accounting historiography has developed in an international context. Moreover, this work highlights the challenges for Italian scholars willing to disseminate AH research outside their national context and promotes cross-country collaborations to expand the pathways, time and foci of international AH.
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5

Santovetti, Olivia. "Self-reflection in Italian literature." Italianist 35, no. 3 (September 2, 2015): 309–17. http://dx.doi.org/10.1179/0261434015z.000000000137.

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6

Coppola, Manuela. "‘Rented spaces’: Italian postcolonial literature." Social Identities 17, no. 1 (January 2011): 121–35. http://dx.doi.org/10.1080/13504630.2011.531909.

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7

Cepparulo, S. "Benedetto Croce and Italian Literature." Язык и текст 9, no. 4 (2022): 30–36. http://dx.doi.org/10.17759/langt.2022090403.

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<p>This article analyzes the attitude of Benedetto Croce to the Italian literature of his time. The specifics of this attitude are determined by the main features of the literary criticism of the Italian philosopher. The main result of the article is the analysis of the deep subjectivism of this method.</p>
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8

Zanzotto, Andrea, John P. Welle, and Ruth Feldman. "[Italian]." World Literature Today 71, no. 2 (1997): 254. http://dx.doi.org/10.2307/40153031.

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9

Alù (book editor), Giorgia, Nancy Pedri (book editor), and Giuliana Sanguinetti Katz (review author). "Enlightening Encounters. Photography in Italian Literature." Quaderni d'italianistica 36, no. 2 (July 27, 2016): 312–15. http://dx.doi.org/10.33137/q.i..v36i2.26931.

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10

Brand (book editor), Peter, Lino Pertile (book editor), and Konrad Eisenbichler (review author). "The Cambridge History of Italian Literature." Quaderni d'italianistica 20, no. 1-2 (October 1, 1999): 265–67. http://dx.doi.org/10.33137/q.i..v20i1-2.9484.

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11

Russell (book editor), Rinaldina, and Antonio Franceschetti (review author). "The Feminist Encyclopedia of Italian Literature." Quaderni d'italianistica 18, no. 2 (October 1, 1997): 312. http://dx.doi.org/10.33137/q.i..v18i2.10021.

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12

Lepschy, Giulio, Peter Brand, and Lino Pertile. "The Cambridge History of Italian Literature." Modern Language Review 93, no. 4 (October 1998): 1126. http://dx.doi.org/10.2307/3736329.

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13

Potapova, I. M. "EPIGRAM IN 20TH-CENTURY ITALIAN LITERATURE." Тrаnscarpathian Philological Studies 1, no. 23 (2022): 289–93. http://dx.doi.org/10.32782/tps2663-4880/2022.23.1.55.

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14

Bystrova, Tatiana. "Mental Trauma in Contemporary Italian Literature." Stephanos. Peer reviewed multilanguage scientific journal 29, no. 3 (May 30, 2018): 114–20. http://dx.doi.org/10.24249/2309-9917-2018-29-3-114-120.

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15

ÖNOL, İlknur. "Cyprus Turkish Literature Italian Poet Dante." Journal of Turkish Studies Volume 4 Issue 8, no. 4 (2009): 1933–45. http://dx.doi.org/10.7827/turkishstudies.1064.

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16

Capozzi, Rocco, Peter Brand, and Lino Pertile. "The Cambridge History of Italian Literature." World Literature Today 72, no. 1 (1998): 118. http://dx.doi.org/10.2307/40153579.

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17

Mehrmand, Nicoletta Tinozzi. "Review: Women in Modern Italian Literature." Forum Italicum: A Journal of Italian Studies 28, no. 1 (March 1994): 183–84. http://dx.doi.org/10.1177/001458589402800133.

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18

Caruso, Martina. "Enlightening Encounters: Photography in Italian Literature." Italian Studies 71, no. 4 (September 20, 2016): 577–79. http://dx.doi.org/10.1080/00751634.2016.1223883.

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19

Ceserani, Remo, Peter Brand, and Lino Pertile. "The Cambridge History of Italian Literature." Italica 74, no. 3 (1997): 408. http://dx.doi.org/10.2307/479942.

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20

Lonergan, Corinna Salvadori, Peter Hainsworth, and David Robey. "The Oxford Companion to Italian Literature." Modern Language Review 99, no. 3 (July 2004): 796. http://dx.doi.org/10.2307/3739060.

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21

Not applicable (book author), Author, Julius A. Molinaro (book editor), and Marcel Danesi (review author). "Italian Canadiana." Quaderni d'italianistica 6, no. 2 (October 1, 1985): 285–86. http://dx.doi.org/10.33137/q.i..v6i2.11085.

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22

Machej, Zbigniew, Elżbieta Wójcik-Leese, and W. Martin. "Italian Chronicle." Chicago Review 46, no. 3/4 (2000): 233. http://dx.doi.org/10.2307/25304614.

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23

SEMANKI, DAVID. "ITALIAN MOVIE." Yale Review 93, no. 1 (January 2005): 84–85. http://dx.doi.org/10.1111/j.0044-0124.2005.00889.x.

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24

Covito, Carmen, and Francesca Novello. "In Search of the Italian Language: Integrated Italian." World Literature Today 71, no. 2 (1997): 309. http://dx.doi.org/10.2307/40153049.

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25

Savoia, Francesca. "Teaching Italian Language, Literature, and Culture through Performance: The Italian Theatrical Workshop." Italica 77, no. 4 (2000): 509. http://dx.doi.org/10.2307/480286.

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26

Pettini, Silvia. "Translating literature into playability." Journal of Internationalization and Localization 4, no. 2 (December 31, 2017): 100–119. http://dx.doi.org/10.1075/jial.00005.pet.

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Abstract From the perspective of Game Localisation (O’Hagan and Mangiron 2013, Bernal-Merino 2015), this paper examines the translation of Dante’s Inferno (Electronic Arts 2010) from English into Italian. Parallel excerpts from in-game dialogues are compared in order to analyse the relationship between the source and the target texts, while exploring the influence Dante’s masterpiece exerts on the Italian localisation. The objective is to show that, when a game is based on the target culture literature, the latter seems to constrain translation to ensure a successful local impact. As findings suggest, by means of quotations together with lexical, syntactic and stylistic choices, the Italian game is more literarily expressive than its English source, thus providing players with a multimedia interactive Dantesque experience.
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27

Somigli (book editor), Luca, Mario Moroni (book editor), and Cristina Caracchini (review author). "Italian Modernism. Italian Culture Between Decadentism and Avant-Garde." Quaderni d'italianistica 26, no. 2 (June 1, 2005): 137–39. http://dx.doi.org/10.33137/q.i..v26i2.9008.

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28

Galvagno, Marco. "The Italian contribution to the marketing literature." Italian Journal of Marketing 2022, no. 1 (February 21, 2022): 1–9. http://dx.doi.org/10.1007/s43039-022-00051-2.

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AbstractThe purpose of this study is to describe the contribution of Italian scholars to the international literature of marketing, and to identify the intellectual structure of Italian scholars’ production, by mapping the co-authorships network and the main researched themes. Results highlight that Italian marketing scholars significantly intensified their productivity in the last ten years from different viewpoints. There has been a growing process of internationalization, a grownup of articles published by multiple co-authors in journals with higher impact factor, and a better performance in terms of citations of Italian papers compared to the international average. These results are all positive signals of a dynamic and developing community.
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29

Blum (book author), Cinzia Sartini, and Franco Gallippi (review author). "Rewriting the Journey in Contemporary Italian Literature." Quaderni d'italianistica 30, no. 1 (January 1, 2009): 222–24. http://dx.doi.org/10.33137/q.i..v30i1.8447.

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30

Picchione (book author), John, Laura Pietropaolo (book editor), and Francesco Loriggio (review author). "Italian Literature in North America: Pedagogical Strategies." Quaderni d'italianistica 15, no. 1-2 (October 1, 1994): 301–4. http://dx.doi.org/10.33137/q.i..v15i1-2.10278.

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31

Madella, Laura. "Children's literature in Italian Journals: An Overview." Children's Readings: Studies in Children's Literature 18, no. 2 (2020): 464–68. http://dx.doi.org/10.31860/2304-5817-2020-2-18-464-468.

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32

Bystrova, Tat’yana A. "PIER PAOLO PASOLINI AND CONTEMPORARY ITALIAN LITERATURE." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2022): 114–21. http://dx.doi.org/10.28995/2686-7249-2022-3-114-121.

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The article is concerned with the perception of Pasolini’s works and ideas in the contemporary Italian literature. Many modern writers mention or refer to Pasolini in their works. For some of them he is a brilliant rebel of the 1970s (Elena Ferrante), others are still shocked by his death (Andrea Baiani), some turn to his literary heritage, borrowing individual ideas and images (the idea of Post-history cited by Antonio Scurati, the theme of duplicity by Sandro Veronesi, the theme of consumerism in modern society by Walter City) or echo by the very structure of their works (Giuseppe Genna). Pasolini becomes an example or a beacon for many modern writers, he is seen as a man who is undividedly devoted to the word and at the same time has a clear ideological position, who put above all the needs of his neighbors and who took on himself the role of the national conscience revealing the ills of modern society.
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33

Chirumbolo, Paolo. "Realisms in contemporary Italian literature and cinema." Incontri. Rivista europea di studi italiani 32, no. 1 (October 14, 2017): 101. http://dx.doi.org/10.18352/incontri.10203.

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34

Panagiotakes, Nikolaos M. "The Italian Background of Early Cretan Literature." Dumbarton Oaks Papers 49 (1995): 281. http://dx.doi.org/10.2307/1291716.

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35

RADZIIEVSKA, T. V., and V. M. Trub. "ITALIAN-UKRAINIAN CONTRASTIVE STUDIES: LINGUISTICS, LITERATURE, TRANSLATION." Movoznavstvo 315, no. 6 (December 17, 2020): 57–62. http://dx.doi.org/10.33190/0027-2833-315-2020-6-005.

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36

Bellesia, Giovanna. "Migrant Imaginaries. Figures in Italian Migration Literature." Journal of Modern Italian Studies 19, no. 4 (August 8, 2014): 490–92. http://dx.doi.org/10.1080/1354571x.2014.929901.

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37

Cremascoli, Ferdinanda. "Hypertexts in teaching Italian language and literature." ACM SIGWEB Newsletter 6, no. 1 (February 1997): 19–22. http://dx.doi.org/10.1145/278530.278533.

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38

Barreca, Regina. "Preface: Special issue on Italian American literature." Lit: Literature Interpretation Theory 13, no. 3 (July 2002): 167–71. http://dx.doi.org/10.1080/10436920213856.

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39

Ruberto, Laura E. "Immigrants Speak: Italian Literature from the Border." Forum Italicum: A Journal of Italian Studies 31, no. 1 (March 1997): 127–44. http://dx.doi.org/10.1177/001458589703100108.

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40

Gnisci, Armando, and Peter Cocozzella. "Contemporary Italian Literature from a Comparatist's Perspective." World Literature Today 71, no. 2 (1997): 247. http://dx.doi.org/10.2307/40153026.

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41

Walden, D. K. S. "A Grand Tour of Italian keyboard literature." Early Music 42, no. 1 (February 1, 2014): 141–43. http://dx.doi.org/10.1093/em/cau016.

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42

White (book author), Jonathan, and Anne Urbancic (review author). "Italian Cultural lineages." Quaderni d'italianistica 29, no. 2 (June 1, 2008): 200–202. http://dx.doi.org/10.33137/q.i..v29i2.8486.

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43

Russo (book author), Mauda Bregoli, and Julius A. Molinaro (review author). "Renaissance Italian Theater." Quaderni d'italianistica 7, no. 1 (April 1, 1986): 133. http://dx.doi.org/10.33137/q.i..v7i1.11021.

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44

Ferguson (book author), Ronnie, and Lucy Di Rosa (review author). "Italian False Friends." Quaderni d'italianistica 16, no. 1 (April 1, 1995): 145–46. http://dx.doi.org/10.33137/q.i..v16i1.10403.

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45

Rimanelli, Giose, and Michael Vena. "Italian Grotesque Theater." World Literature Today 76, no. 1 (2002): 204. http://dx.doi.org/10.2307/40157189.

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46

Ross, Cecilia, and Gian-Paolo Biasin. "Italian Literary Icons." World Literature Today 59, no. 4 (1985): 581. http://dx.doi.org/10.2307/40141982.

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47

Singh, G., Dana Gioia, and Michael Palma. "New Italian Poets." World Literature Today 66, no. 2 (1992): 329. http://dx.doi.org/10.2307/40148191.

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48

Rtall, Lucy. "Democracy, Italian Style." Cambridge Quarterly XVIII, no. 2 (1989): 226–32. http://dx.doi.org/10.1093/camqtly/xviii.2.226.

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49

Montante, Michela, and Sharon Wood. "Italian Women Writing." World Literature Today 69, no. 1 (1995): 119. http://dx.doi.org/10.2307/40150922.

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50

Shuffelton, Frank, and Fred L. Gardaphe. "Italian Signs, American Streets: The Evolution of Italian American Narrative." American Literature 69, no. 1 (March 1997): 243. http://dx.doi.org/10.2307/2928205.

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