Dissertations / Theses on the topic '1970s'
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Franks, Daniel. "Jazz in Hollywood (1950s – 1970s)." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/381456/.
Full textSimanavičiūtė, Daiva. "The Lithuanian World Community’s development 1940s – 1970s." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20090226_134525-99870.
Full textGausi emigracija ir naujų lietuvių bendruomenių formavimasis užsienio šalyse sudaro prielaidas tyrinėti ir migrantų draugijų bruožus, ir jų raidą istorinėje perspektyvoje. Svarbią reikšmę turi Pasaulio lietuvių bendruomenė, įsteigta Antrojo pasaulinio karo politinių pabėgėlių bangos atstovų, siekiant suvienyti pasaulyje pasklidusius lietuvius. Disertacijos tikslas rekonstruoti Pasaulio lietuvių bendruomenės organizacinius ir politinius raidos aspektus XX a. 5–8 dešimtmečiuose. Pirmoji dalis skirta apžvelgti Pirmosios Lietuvos Respublikos migracijos politikos pamokas, sprendžiant pasaulyje pasklidusių lietuvių telkimo problemas. Antrojoje dalyje aptariama Vakarų šalių politika sprendžiant politinių pabėgėlių likimą po Antrojo pasaulinio karo ir su tuo susijusi pasaulio lietuvių telkimo idėjų raida nuo kompaktinio emigravimo galimybės iki naujos, visai lietuvių išeivijai skirtos organizacijos (Pasaulio lietuvių bendruomenės) sukūrimo. Trečiojoje dalyje aprašomos Lietuvių bendruomenių steigimo atskiruose kraštuose sąlygos ir ypatumai; pristatomi PLB institucionalizavimo aspektai, rekonstruojamas PLB vaidmuo formuojant santykius su atskirų kraštų Lietuvių bendruomenėmis, apžvelgiama tų santykių raida; analizuojamas jaunosios išeivijos kartos telkimo klausimas, pristatoma PLB ir Pasaulio lietuvių jaunimo sąjungos bendradarbiavimo raida. Ketvirtojoje dalyje rekonstruojama ir analizuojama PLB veikla sprendžiant lietuvių išeivijos reprezentavimo ir politinio susiorganizavimo... [toliau žr. visą tekstą]
Alvarez, Romero Ana. "L'empreinte ethnographique dans la littérature mexicaine des années 1950, 1960 et 1970." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30060.
Full textThis study analyzes ethnography’s relationship with a diverse corpus of Mexican literature published during the decades of 1950, 1960 and 1970. These relationships are analyzed through what we call “ethnographic imprint”, a semiotic frontier (in Yuri Lotman’s terminology) where ethnography’s interests and methods are translated into literary terms. Through this concept, we analyze Juan Pérez Jolote: biografía de un tzotzil (1948), by Ricardo Pozas; El diosero (1952), by Francisco Rojas González; Benzulul (1959), by Eraclio Zepeda; Balún Canán (1957) and Los convidados de agosto (1964), by Rosario Castellanos; La tumba (1964), by José Agustín; Gazapo (1965), by Gustavo Sainz; Los hongos alucinantes (1964), by Fernando Benítez; Los albañiles (1963), by Vicente Leñero; Hasta no verte Jesús mío (1969) and La noche de Tlatelolco (1971), by Elena Poniatowska; Chin chin el teporocho (1971), by Armando Ramírez; and Vida de María Sabina. La sabia de los hongos (1977), by Álvaro Estrada. The interconnection appears through literary work focused on rebuilding subjects framed and shaped by their culture: if the original focus was the native, in the later period the subject explained according to its culture was the urban dweller. Thus, the ethnographic imprint reveals how an apparently diverse corpus is interconnected. Similarly, we propose that this ethnographic imprint is constructed through what we call “cultural realism”: a writing style that tries to account specific cultures (with correspondence in the extratextual world) from the actors’ point of view
Hui-Bon-Hoa, Alan. "Identity and marginality on the road: American road movies of the 1960s, 1970s and 1990s." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=107914.
Full textCette thèse examine deux périodes clés du genre cinematographique des 'road-movies' américains en se concentrant sur les formations identitaires telles qu'elles sont articulées à travers les thèmes de la marginalité, de la liberté, et de la rébellion. La première période, que je qualifierais de période fondatrice du genre 'road-movie', comprend six films des années 1960 et1970: Bonnie and Clyde d'Arthur Penn (1967), Easy Rider de Dennis Hopper (1969), The Rain People de Francis Ford Coppola (1969), Two-Lane Blacktop de Monte Hellman (1971), Vanishing Point de Richard Sarafian (1971), et Road Movie de Joseph Strick (1974). La deuxième période du genre, que j'identifierais comme celle du 'road-movie' « minoritaire », est produite en grande partie dans les années 1990 et comprend Thelma & Louise de Ridley Scott(1991), The Living End de Gregg Araki (1992), et Get on the Bus de Spike Lee (1996). En soulignant les univers cinématiques, les trajectoires narratives, et les politiques identitaires, je soutiens que les films «fondateurs», souvent homogènes dans leurs représentations identitaires, sont importants pour les « road-movies » minoritaires ultérieurs car ils établissent des points derébellion négociant entre des rapports sociaux de dominants a marginaux, eux-meme plus tard revisités par les films minoritaires. Ces « road-movies » minoritaires réinterpretent les matériaux génériques bruts du passé, mettant en valeur un certain nombre de sous-genres ainsi que les thèmes de la marginalité, la liberté, et la rébellion, afin d'introduire de nouvelles identités au genre. Le jeu des sous-genres est lui-meme important dans les nombreux échanges entre les deux périodes : je débats que plusieurs de ces films empruntent, critiquent et subvertissent les précédents génériques du passé.
Sanmanee, Sirichai. "Use of GIS to Identify and Delineate Areas of Fluoride, Sulfate, Chloride, and Nitrate Levels in the Woodbine Aquifer, North Central Texas, in the 1950s, 1960s, 1970s, 1980s, and 1990s." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2869/.
Full textRomano, Jose Ramon Lopez-Portillo. "Economic thought and economic policy-making in contemporary Mexico : international and domestic components." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308869.
Full textSzarycz, Ireneusz. "Poetics of Valentin Kataev's prose of the 1960s and 1970s." Thesis, University of Ottawa (Canada), 1987. http://hdl.handle.net/10393/5274.
Full textHodgson, James Neil. "Male homosexuality in Brazilian cinema of the 1960s and 1970s." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/male-homosexuality-in-brazilian-cinema-of-the-1960s-and-1970s(d1678b48-5d3c-47fa-9a06-b4b0d72ed49b).html.
Full textStraine, S. E. "The ground of drawing : graphic operations in the 1960s and 1970s." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1416487/.
Full textWherrett, Barbara Jill. "The struggle for inclusion : aboriginal constitutional discourse in the 1970s and 1980s." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31220.
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Bodling, Kurt Allen Thayer. "The Jesus Movement of the 1960s and 1970s as a "Great Awakening"." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.
Full text葉嘉敏 and Ka-man Yip. "A study of Hong Kong popular song lyrics from 1970s to 1990s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952896.
Full textBielby, Clare. "Print media representations of violent women in 1960s and 1970s West Germany." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3226.
Full textTiusanen, Tauno J. "Western direct investments in European CMEA countries in the 1970s and 1980s." Thesis, University of Glasgow, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284091.
Full textJiao, Lin. "Nation, fashion and women's everyday lives : breast-binding in China, 1910s-1970s." Thesis, SOAS, University of London, 2017. http://eprints.soas.ac.uk/24390/.
Full textMcMillon, Keri Leigh Rogers. "Comparison of College Student Leadership Programs from the 1970s to the 1990s." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc279328/.
Full textTreglia, Laura. "Guerrilla girls : rebellious women of the Japanese 1960s-1970s 'pinky violence' films." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.702934.
Full textYip, Ka-man. "A study of Hong Kong popular song lyrics from 1970s to 1990s." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199731.
Full textTimonina, Aleksandra <1994>. "The Russian Avant-Garde in the Curatorial Practice in the 1970s - 1980s." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12605.
Full textHerrick, Andrew Robert. "A hairy predicament the problem with long hair in the 1960s and 1970s /." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4932.
Full textDe, Michele Grazia. "'At the gates of civilization' : southern children in Turin primary schools, 1950s-1970s." Thesis, University of Reading, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603496.
Full textMAROJA, CAMILA SANTORO. "THREADING THE LABYRINTH: THE WORK OF ROBERT MORRIS IN THE YEARS 1960S-1970S." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8481@1.
Full textRejeitando a noção de uma produção artística pautada em uma linearidade, o trabalho de Robert Morris das décadas 1960-1970 escapa a rótulos como minimalista, arte processual ou arte de site-specific, embora seus escritos e obras tenham sido fundamentais para que críticos e historiadores de arte pudessem delimitar e/ou cunhar esses mesmos termos. A mobilidade adotada pelo artista - seja na adoção de um espaço e de um tempo da obra de arte como co-extensivos aos de seu público, seja na forma de obras que incorporam o observador - resulta numa ida em direção à experiência sensível vivida pelo espectador, que é transformado em um visitante/participante. Apesar de estarem inseridos em preocupações de seu momento histórico, esses trabalhos apontam para uma pesquisa estética que continua ainda hoje. Ao oferecerem, por meio de uma série de iniciativas exploratórias, os termos para uma experiência escultural, as obras de Morris impulsionam uma reflexão sobre as opções da escultura e de sua percepção. São obras cuja compreensão exige o tempo, o espaço e o corpo como condição da experiência estética.
In its refusal of the idea of an artistic production based on linearity, the work of Robert Morris in the years 1960s-1970s cannot be designated as minimalist art, process art or site-specific, although his writings and pieces were essential for critics and art historians to define and/or to create the definitions themselves. The mobility which the artist adopts - both in his performance pieces and his process pieces - leads viewers into a sensible space/time experience turning them into participants/visitors. Although the works of Robert Morris point to the concerns of its historical background, they also foresee an aesthetic research that has continued to this day. By offering a series of exploration initiatives, they compel a reflection about the options of sculpture and about its perception. They are works that entail time, space, and the body as conditions of an aesthetic experience.
Payling, Daisy Catherine Ellen. "'Socialist Republic of South Yorkshire' : activism in Sheffield in the 1970s and 1980s." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6587/.
Full textMcEvoy, Michael Desmond. "Madeirans in Cape Town: Immigration documentation, marriage and settlement, 1900s to the 1970s." University of the Western Cape, 2019. http://hdl.handle.net/11394/6644.
Full textThis thesis traces the immigration of Madeirans to Cape Town and their settlement from the 1900s to the 1970s. It focuses on how exclusionary legislation from 1902 affected Madeiran entry, how they managed to circumvent it and the documents required for immigration over this long period. Particular attention is drawn to the role of women in the migration process, the nature of the households and the impact of women in shaping a settled Madeiran population. The thesis examines the role Portuguese organisations played and continue to play in maintaining cultural and religious values and the extent to which these values have been retained in the second and later generations. This thesis seeks to ask to what extent the Madeiran migration experience bears commonalities with other groups, particularly Indians, or whether unique features are discernible. Indians and Madeirans were both regarded as ‘undesirable’ and subject to literacy tests, domicile certificates, permits and certificates of identity. Illegal entry was common to both groups. Chain migration featured in their decision to leave the poverty of their homeland. The split-household was the dominant household form. Once settled, Indian and Madeiran wives played a key role in the business and in passing on their cultural and religious values. Both groups established cultural organisations. Despite these commonalities, Madeiran migration displayed certain unique features compared to Indians.
Liu, Chaoqun. "Politics between public and private : land ownership transfer in socialist Beijing (1950s - 1970s)." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11206/.
Full textBaxter, Lisa Mary. "History, identity and meaning : Cape Town's Coon Carnival in the 1960s and 1970s." Master's thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/19684.
Full textWindsor, Carol A. "Industry policy, finance and the AIDC : Australia from the 1950s to the 1970s." Thesis, University of Queensland, 2009. http://espace.library.uq.edu.au/view/UQ:189307.
Full textMechen, B. D. "Everyday sex in 1970s Britain." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1473885/.
Full textKurdi, Walid Adnan. "The impact of structural adjustment on the Turkish economy : the 1980s and 1970s compared." Thesis, Durham University, 1993. http://etheses.dur.ac.uk/5661/.
Full textFeldman, Paula. "Made to order : American minimal art in the Netherlands, late 1960s to early 1970s." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414492.
Full textTan, Yeun Ling Lynette. "Gunfighter gaps : discourses of the frontier in Hollywood movies of the 1930s and 1970s." Thesis, Sheffield Hallam University, 1997. http://shura.shu.ac.uk/20422/.
Full textKIM, EUN KYUNG. "PATTERN ANALYSIS ON THE WORKS OF BONNIE CASHIN FROM THE 1960S TO THE 1970S." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021996954.
Full textYee, Alfred. "The rise, dominance, and passing of Chinese American supermarkets in Northern California, 1930s-1970s /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488192447428213.
Full textWilson, William Gilmore. "New venture performance in the 1970s." Thesis, University of Strathclyde, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314670.
Full textCaldwell, David. "German documentary prose of the 1970s /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691095606.
Full textEyre, Pauline Anne. "Permission to Speak : Representations of Disability in German Women's Literature of the 1970s and 1980s." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508630.
Full textBrown, L. "'Encountering each other' : love and emotional relationships between men and women in Britain, 1950s-1970s." Thesis, University of Sheffield, 2016. http://etheses.whiterose.ac.uk/16754/.
Full textGreene, Christina R. "'Our separate ways' : women and the Black Freedom Movement in Durham, North Carolina, 1940s-1970s." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Kerr_Diss_01.
Full textCuller, Jeremy Neal. "Toward a noncommercial technology the development of image-processed video in the 1960s and 1970s /." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0003100.
Full textRodriguez, Zina L. "Writing to survive nuyorican literary and cultural performativities across genres in the 1970s and 1980s /." Diss., UC access only, 2009. http://proquest.umi.com/pqdweb?did=1874932051&sid=1&Fmt=7&clientId=48051&RQT=309&VName=PQD.
Full textBratslavsky, Lauren. "From Ephemeral to Legitimate: An Inquiry into Television's Material Traces in Archival Spaces, 1950s -1970s." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13445.
Full textKallipoliti, Lydia. "Mission galactic household| The resurgence of cosmological imagination in the architecture of the 1960s and 1970s." Thesis, Princeton University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3560318.
Full textThis dissertation traces a resurgent cosmological imagination in the architecture of the 1960s and 1970s. It documents how the exploration of outer space fueled a radical ecological architectural debate that addressed the reinvention of the household and domestic economy, as both a scientific and an ontological project. I am arguing that in the anticipation of a cosmic view and the search for our coordinates in the universe, there was a disciplinary inflation of previous perceptions of habitation, amplifying the household to an interplanetary organism that can capture the immensity of the cosmos and the obscure density of living systems.
Reflecting the spectacle of a finite “spaceship-earth,” previous concepts of nature’s flawless preservation, as separated from the urban milieu, engendered a novel naturalism of artificial ecology, where the functions and operations of nature were copied as precise analogues in man-made systems. At this time, the space program played a fundamental role in the reformation of the building industry, effectively adopting, rationalizing and simulating nature’s operations in the cautious cycling of provisions. The potential for conversion of all waste materials into useful ones became eminently important, as a means of survival within the enclosed space of the spacecraft. However, NASA’s experiments were not only evoking unearthly fictions; they were a catalyst for re-thinking transformed social and technical relationships as architectural problems, particularly in the domestic sphere. The space program, as a paradigm of reinventing habitation in extreme physiological conditions and instrumentalizing human agency in terms of input and output invoked an ecological sense of inhabiting the world, as seen in houses equipped with digesters, hydroponic systems, composting devices, solar components and wind generators. The projection of humanity to outer space gestated a new type of a recirculatory house, a cybernetic laboratory that can reproduce the ecosystem in its totality in smaller closed systems.
In light of this lineage, my study explores the critical intersection between ecology, cybernetics and experimentation with materials and building processes. Bringing this discussion to face contemporary debates, it is worthwhile to observe that two major peripheral areas of the architectural discipline—computation and sustainability—that are considered in almost all cases as disjunctive or irrelevant fields stem from equivalent epistemological aspirations and converged at a time when cosmological imagination (and the idea of leaving the earth) was a core disciplinary preoccupation.
Field, Andrew Thomas. "How can performance act historiographically? : enacting the New York avant-gardes of 1960s and early 1970s." Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/3711.
Full textJeremiah, E. R. "Troubling maternity : mothering, agency and ethics in women's writing in German of the 1970s and 1980s." Thesis, Swansea University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637425.
Full textBrice, Nicola Charmaine. "Political dimensions of mothers' experiences in West German and Austrian novels of the 1970s and 1980s." Thesis, Birkbeck (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249247.
Full textLee, Sangdon. "The commune movement during the 1960s and the 1970s in Britain, Denmark and the United States." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/17068/.
Full textYu, Ying. "The Fantastic in the 1960s and 1970s: the Idea of Subversion and an Exploration of Style." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281620327.
Full textPark, Min A. "The Impact of United States' Food Aid on the South Korean Diet in the 1960s-1970s." Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1605541608025719.
Full textKhoo, Evelyn. "Under the arch of friendship culture, urban redevelopment and symbolic architecture in D.C. Chinatown, 1970s-1990s /." College Park, Md.: University of Maryland, 2009. http://hdl.handle.net/1903/9377.
Full textThesis research directed by: Dept. of History. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Ruhl, Melissa. ""Forward You Must Go": Chemawa Indian Boarding School and Student Activism in the 1960s and 1970s." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11484.
Full textHigh school student activism at Chemawa Indian School, a Native American boarding school in Oregon, transformed the curriculum, policies, and student life at Chemawa. Historians have neglected post-WWII boarding school stories, yet both the historical continuities and changes in boarding school life are significant. Using the student newspaper, the
Committee in charge: Dr. Ellen Herman, Chairperson; Dr. Jeffery Ostler, Member; Dr. Brian Klopotek, Member