Dissertations / Theses on the topic '1960s'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic '1960s.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Alvarez, Romero Ana. "L'empreinte ethnographique dans la littérature mexicaine des années 1950, 1960 et 1970." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30060.
Full textThis study analyzes ethnography’s relationship with a diverse corpus of Mexican literature published during the decades of 1950, 1960 and 1970. These relationships are analyzed through what we call “ethnographic imprint”, a semiotic frontier (in Yuri Lotman’s terminology) where ethnography’s interests and methods are translated into literary terms. Through this concept, we analyze Juan Pérez Jolote: biografía de un tzotzil (1948), by Ricardo Pozas; El diosero (1952), by Francisco Rojas González; Benzulul (1959), by Eraclio Zepeda; Balún Canán (1957) and Los convidados de agosto (1964), by Rosario Castellanos; La tumba (1964), by José Agustín; Gazapo (1965), by Gustavo Sainz; Los hongos alucinantes (1964), by Fernando Benítez; Los albañiles (1963), by Vicente Leñero; Hasta no verte Jesús mío (1969) and La noche de Tlatelolco (1971), by Elena Poniatowska; Chin chin el teporocho (1971), by Armando Ramírez; and Vida de María Sabina. La sabia de los hongos (1977), by Álvaro Estrada. The interconnection appears through literary work focused on rebuilding subjects framed and shaped by their culture: if the original focus was the native, in the later period the subject explained according to its culture was the urban dweller. Thus, the ethnographic imprint reveals how an apparently diverse corpus is interconnected. Similarly, we propose that this ethnographic imprint is constructed through what we call “cultural realism”: a writing style that tries to account specific cultures (with correspondence in the extratextual world) from the actors’ point of view
BARATIERI, Daniela. "Italian colonialism : memories and silences : 1930s-1960s." Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/10393.
Full textExamining Board: Professor Luisa Passerini (EUI and Università di Torino); Professor Bo Strath (EUI); Professor Nicola Labanca (Università di Siena); Professor David Forgacs (University College London)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
no abstract available
Cadioli, Giovanni. "Soviet economic thought and economic policy in the 1940s : influence on 1950s-1960s reforms." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:255012eb-5322-404d-b39a-ad11edb0640d.
Full textHui-Bon-Hoa, Alan. "Identity and marginality on the road: American road movies of the 1960s, 1970s and 1990s." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=107914.
Full textCette thèse examine deux périodes clés du genre cinematographique des 'road-movies' américains en se concentrant sur les formations identitaires telles qu'elles sont articulées à travers les thèmes de la marginalité, de la liberté, et de la rébellion. La première période, que je qualifierais de période fondatrice du genre 'road-movie', comprend six films des années 1960 et1970: Bonnie and Clyde d'Arthur Penn (1967), Easy Rider de Dennis Hopper (1969), The Rain People de Francis Ford Coppola (1969), Two-Lane Blacktop de Monte Hellman (1971), Vanishing Point de Richard Sarafian (1971), et Road Movie de Joseph Strick (1974). La deuxième période du genre, que j'identifierais comme celle du 'road-movie' « minoritaire », est produite en grande partie dans les années 1990 et comprend Thelma & Louise de Ridley Scott(1991), The Living End de Gregg Araki (1992), et Get on the Bus de Spike Lee (1996). En soulignant les univers cinématiques, les trajectoires narratives, et les politiques identitaires, je soutiens que les films «fondateurs», souvent homogènes dans leurs représentations identitaires, sont importants pour les « road-movies » minoritaires ultérieurs car ils établissent des points derébellion négociant entre des rapports sociaux de dominants a marginaux, eux-meme plus tard revisités par les films minoritaires. Ces « road-movies » minoritaires réinterpretent les matériaux génériques bruts du passé, mettant en valeur un certain nombre de sous-genres ainsi que les thèmes de la marginalité, la liberté, et la rébellion, afin d'introduire de nouvelles identités au genre. Le jeu des sous-genres est lui-meme important dans les nombreux échanges entre les deux périodes : je débats que plusieurs de ces films empruntent, critiquent et subvertissent les précédents génériques du passé.
Sanmanee, Sirichai. "Use of GIS to Identify and Delineate Areas of Fluoride, Sulfate, Chloride, and Nitrate Levels in the Woodbine Aquifer, North Central Texas, in the 1950s, 1960s, 1970s, 1980s, and 1990s." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2869/.
Full textAvrutin, Lilia. "The semiotic anthropology of Soviet film culture, 1960s-1990s." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ34731.pdf.
Full textFarrugia, Marisa. "The plight of women in Egyptian cinema (1940s-1960s)." Thesis, University of Leeds, 2002. http://etheses.whiterose.ac.uk/251/.
Full textSzarycz, Ireneusz. "Poetics of Valentin Kataev's prose of the 1960s and 1970s." Thesis, University of Ottawa (Canada), 1987. http://hdl.handle.net/10393/5274.
Full textLane, Margaret. "Women and domestic life in Hull, 1920s to the 1960s." Thesis, University of Hull, 2011. http://hydra.hull.ac.uk/resources/hull:5374.
Full textKeshmershekan, Abdolhamid. "Contemporary Iranian painting : neo-traditionalism during the 1960s and 1990s." Thesis, SOAS, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409536.
Full textBarbieri, Chiara. "Graphic design and graphic designers in Milan, 1930s to 1960s." Thesis, Royal College of Art, 2017. http://researchonline.rca.ac.uk/2816/.
Full textHodgson, James Neil. "Male homosexuality in Brazilian cinema of the 1960s and 1970s." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/male-homosexuality-in-brazilian-cinema-of-the-1960s-and-1970s(d1678b48-5d3c-47fa-9a06-b4b0d72ed49b).html.
Full textBarrow, Ondine. "Charity, relief and development : Christian Aid in Ethiopia, 1960s-1990s." Thesis, SOAS, University of London, 1998. http://eprints.soas.ac.uk/28961/.
Full textHamilton, Stephen Derek. "New Zealand English language periodicals of literary interest active 1920s-1960s." Thesis, University of Auckland, 1996. http://hdl.handle.net/2292/1146.
Full textLai, Victor Ming Hoi. "The influences of Taoism on postwar American abstract expressionism (1940s-1960s)." Thesis, Lancaster University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274225.
Full textDiSalvo, Mary Lorraine. "Redirecting Neorealism: Italian Auteur-Actress Collaborations of the 1950s and 1960s." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11518.
Full textRomance Languages and Literatures
Straine, S. E. "The ground of drawing : graphic operations in the 1960s and 1970s." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1416487/.
Full textSpeaks, Elyse Marie Deeb. "The architecture of reception : sculpture and gender in the 1950s and 1960s /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174676.
Full textBodling, Kurt Allen Thayer. "The Jesus Movement of the 1960s and 1970s as a "Great Awakening"." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.
Full textBielby, Clare. "Print media representations of violent women in 1960s and 1970s West Germany." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3226.
Full textBergfelder, Tim. "The internationalisation of the German film industry in the 1950s and 1960s." Thesis, University of East Anglia, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297478.
Full textHolbrook, Joseph. "Catholic Student Movements in Latin America: Cuba and Brazil, 1920s to 1960s." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/1013.
Full textTreglia, Laura. "Guerrilla girls : rebellious women of the Japanese 1960s-1970s 'pinky violence' films." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.702934.
Full textHaga, Koichi. "The critique of virtual shifting discursive space in Japanese literature, 1960s-1980s." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1682825951&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textZiefel, Jenny. "A living instrument : the clarinet in jazz in the 1950s and 1960s /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11284.
Full textVita. Includes transcript of interview, vita and discography of Bill Smith (leaves 257-286). Includes bibliographical references (leaves 240-256).
Pickett, Meagan Lynette. "Digital textile patterns inspired by themes from the late 1950s/early 1960s." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/2610.
Full textYang, Shu. "Grafted Identities: Shrews and the New Woman Narrative in China (1910s-1960s)." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20693.
Full textBurgon, Ruth Amy. "Pace, rhythm, repetition : walking in art since the 1960s." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25512.
Full textAmato, Jean M. "The representation of ancestral home and homeland in Chinese American fiction (1960s-1990s) /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181080.
Full textTypescript. Includes vita and abstract. Includes bibliographical references (leaves 307-317). Also available for download via the World Wide Web; free to University of Oregon users.
Herrick, Andrew Robert. "A hairy predicament the problem with long hair in the 1960s and 1970s /." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4932.
Full textPriebe, Janina. "Greenland's future : narratives of natural resource development in the 1900s until the 1960s." Doctoral thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-142073.
Full textMAROJA, CAMILA SANTORO. "THREADING THE LABYRINTH: THE WORK OF ROBERT MORRIS IN THE YEARS 1960S-1970S." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8481@1.
Full textRejeitando a noção de uma produção artística pautada em uma linearidade, o trabalho de Robert Morris das décadas 1960-1970 escapa a rótulos como minimalista, arte processual ou arte de site-specific, embora seus escritos e obras tenham sido fundamentais para que críticos e historiadores de arte pudessem delimitar e/ou cunhar esses mesmos termos. A mobilidade adotada pelo artista - seja na adoção de um espaço e de um tempo da obra de arte como co-extensivos aos de seu público, seja na forma de obras que incorporam o observador - resulta numa ida em direção à experiência sensível vivida pelo espectador, que é transformado em um visitante/participante. Apesar de estarem inseridos em preocupações de seu momento histórico, esses trabalhos apontam para uma pesquisa estética que continua ainda hoje. Ao oferecerem, por meio de uma série de iniciativas exploratórias, os termos para uma experiência escultural, as obras de Morris impulsionam uma reflexão sobre as opções da escultura e de sua percepção. São obras cuja compreensão exige o tempo, o espaço e o corpo como condição da experiência estética.
In its refusal of the idea of an artistic production based on linearity, the work of Robert Morris in the years 1960s-1970s cannot be designated as minimalist art, process art or site-specific, although his writings and pieces were essential for critics and art historians to define and/or to create the definitions themselves. The mobility which the artist adopts - both in his performance pieces and his process pieces - leads viewers into a sensible space/time experience turning them into participants/visitors. Although the works of Robert Morris point to the concerns of its historical background, they also foresee an aesthetic research that has continued to this day. By offering a series of exploration initiatives, they compel a reflection about the options of sculpture and about its perception. They are works that entail time, space, and the body as conditions of an aesthetic experience.
Kowal, Roman. "Krzysztof Penderecki's Actions and the Polish Jazz Awakening of the 1950s and 1960s." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70574.
Full textBaxter, Lisa Mary. "History, identity and meaning : Cape Town's Coon Carnival in the 1960s and 1970s." Master's thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/19684.
Full textAdams, Beverly. "Locating the international : art of Brazil and Argentina in the 1950s and 1960s /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004205.
Full textPerrill, Elizabeth A. "Contemporary Zulu ceramics, 1960s-present." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330798.
Full textTitle from PDF t.p. (viewed on Jul 21, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3782. Adviser: Patrick R. McNaughton.
Meadows, Rita Emily. "The portrayal of older adults in basal reading textbooks of the 1960s and 1980s." Gainesville, FL, 1986. http://www.archive.org/details/portrayalofolder00mead.
Full textChurchill, Lindsey Blake. "Imagining the Tupamaros resistance and gender in Uruguayan and U.S. revolutionary movements, 1960s-1980s /." Tallahassee, Florida : Florida State University, 2010. http://etd.lib.fsu.edu/theses/available/etd-04052010-215137.
Full textAdvisor: Robinson A. Herrera, Florida State University, College of Arts and Sciences, Dept. of History. Title and description from dissertation home page viewed on July 23, 2010. Document formatted into pages; contains vi, 168 pages. Includes bibliographical references.
Feldman, Paula. "Made to order : American minimal art in the Netherlands, late 1960s to early 1970s." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414492.
Full textGuest, Lacey. ""A Special Relationship of Peculiar Intimacy": Marriage Education in the United States, 1920s-1960s." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23808.
Full textKIM, EUN KYUNG. "PATTERN ANALYSIS ON THE WORKS OF BONNIE CASHIN FROM THE 1960S TO THE 1970S." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021996954.
Full textKim, Esther Songie. "Asian American Theatre History From the 1960s to 1990s: Actors, Playwrights, Communities, and Producers." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392814758.
Full textCarletti, Elena. "The Photographic Eye: Poetry and the Visual in 1950s and 1960s Italian Experimental Writers." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/22076.
Full textGilbert, Susannah. "Transgressive networks : mail art, circulation and communication in and out of Latin America, 1960s-1980s." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605175.
Full textGroves, Zoe Rebecca. "Malawians in colonial Salisbury : A social history of migration in central Africa, c. 1920s-1960s." Thesis, Keele University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534310.
Full textPaulo, Mah Silva Luis. "Strategic actions and public policy choices : leadership and institutional change in South Korea, 1960s-1990s." Thesis, London School of Economics and Political Science (University of London), 2004. http://etheses.lse.ac.uk/2670/.
Full textHurina, Anna. "Representations of urban spaces and their transformations in Soviet cinema of the 1920s and 1960s." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11340/.
Full textCuller, Jeremy Neal. "Toward a noncommercial technology the development of image-processed video in the 1960s and 1970s /." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0003100.
Full textWhite, Margaret. "Ideas, representations and relationships : communities of practice in art, early childhood, and education, 1900s-1960s." Thesis, The University of Sydney, 2001. https://hdl.handle.net/2123/27705.
Full textNeves, Ana Catarina da Palma. "Empresas e sistemas de informação em perspectiva histórica - a Fábrica Saupiquet em Setúbal (1960s-1980s)." Master's thesis, Universidade de Évora, 2006. http://hdl.handle.net/10174/16307.
Full text