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Eryilmaz, Omer. "Turkey in the triangle of the 1950-1960 era, the 1960 military coup, and the 1961 Constitution." Thesis, Monterey, California: Naval Postgraduate School, 2014. http://hdl.handle.net/10945/41373.
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Approved for public release; distribution is unlimited.Turkey experienced military coups in 1960, 1971, and 1980. On the surface they appeared similar to coups in other countries. However, Turkey's experience differed from others in that contrary to other cases, in which coups were carried out to bring an end to democracy, Turkish military interventions claimed to be saving democracy. Moreover, while in some countries military governments ruled for long periods and in some others successive military interventions occurred, Turkey achieved its transition to democracy in a short period of time. This thesis examines three major events'the years between 1950 and 1960, the 1960 military coup, and the 1961 Constitution'in the history of the Turkish Republic in order to define their effects on the civil-military relations in Turkey. The thesis argues that a non-democratic action, the military coup, brought about creation of Turkey's most democratic constitution: the 1961 Constitution. Once involved in politics, however, the armed forces could not extricate themselves from politics until the beginning of the twenty-first century.
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Salvador, Luísa Grácio Nunes Sanchez. "Paisagem - Acção (1960-1970)." Master's thesis, Faculdade de de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2012. http://hdl.handle.net/10362/7517.
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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de
Mestre em História da ArteNas décadas de 1960 e 1970, o telos da Paisagem é alterado. Na História Ocidental Moderna, a Paisagem surgia através de mecanismos contemplativos. Encarava-se a Paisagem como algo estático e estanque, que era percepcionada passivamente pelo observador. A partir da segunda metade do século XX, no pós-guerra, e mais precisamente nas décadas de 1960 e 1970, surge uma nova forma de encarar a Paisagem, com novos tipos de acções e reflexões a elas associadas. Os artistas passarão de um modo de criação passivo-contemplativo paisagistíco, para agirem fisicamente. Também a própria História da Paisagem será alterada, com a emergência de novas disciplinas e redefinição das antigas, assumindo-se agora como global, plural, transdisciplinar e activa. O presente estudo reúne motivações, visões, opiniões, decisões e registos de várias acções (modernas, pós-modernas e contemporâneas) sobre a Paisagem
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Bailey, William J. "Countering-insurgency : a comparative analysis of campaigns in Malaya (1948-1960), Kenya (1952-1960) and Rhodesia (1964-1980)." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/579.
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History has lessons for the present; could this be the case for modern counterinsurgency operations in countries resembling Iraq and Afghanistan? This research set out to study three historical counter-insurgencies campaigns in, Malaya (1947-1960), Kenya (1952- 1960) and Rhodesia (1964-1980), with a view to establishing whether or not the Colonial authorities had a substantial advantage over modern forces when combating insurgencies. If this was the case, are these advantages transferable to aid forces involved in modern counterinsurgencies?
The research questions focussed on how important the role of the Colonial Forces was to the eventual outcome, examining the principal factors that contributed to their effectiveness? Included in this examination were aspects of strategy, together with an appreciation of the concept of ‘hearts and minds’, tactics and the evolution of counterinsurgency doctrine.
A qualitative research design was adopted, using a case study methodology based upon comparative analysis of the data collected. Case studies were constructed for the three conflicts, based around the narratives obtained from a series of semi-structured interviews, with surviving members of the security forces; predominately police and Special Branch. The primary data was coded, using a thematic framework developed from the Literature Review. These themes were then synthesised, analysed and interpreted in response to the research questions related to the perceived problem. Lastly, the findings were compared and contrasted to provide theoretical recommendations and conclusions.
The study indicated the significant role played by the Colonial Police Forces, especially Special Branch, which appears to have been instrumental in dominating initiatives against the rebels. Supporting the police, were Colonial army units together with locally recruited indigenous militias in a combined approach to prosecuting an effective counterinsurgency campaign. In addition, this was reinforced by the Colonial Government’s ability to apply draconian legislation in support of the strategic plan, to reinforce the rule of law by the police, coupled with its ability to garner popular support through civil projects, such as schools, clinics and housing. Evolving counter-insurgency doctrine advocated the need to cut off the insurgents from their supplies, by separating them from the general population. Separation was achieved by the forced movement of the population into ‘Protected Villages’ backed up by food control, harsh collective punishments, detention and curfews. Further key beneficial factors for the Colonial Forces included their knowledge of religious customs, culture and language, which enhanced their ability to gather vital intelligence direct from the population; rather than second hand.
Analysing the concept of ‘hearts and minds’ since 1947, indicated it was evolving as a strategy and was not operationally as well accepted as it is today. Although often considered a benevolent approach to gaining the support of the population, the research also demonstrated the antithesis of this approach occurred by the insurgents applying power over ‘minds’ of the population though intimidation, terrorism, and physiological control. This psychological control was achieved through sorcery, spirit mediums and the taking of oaths.
Ultimately, political solutions not military ones ended the insurgencies. The theoretical recommendations indicated that greater attention needs to be expended in training counter-insurgency forces to empathise with the local population when conducting overseas operations; especially improved knowledge of religious customs, culture and language. The outcome would enhance their capabilities through better population support resulting in superior intelligence.
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Fabre, Charlotte. "Ethnographie missionnaire africaine 1920-1960 /." [S.l.] : [s.n.], 2003. http://www.enssib.fr/bibliotheque/documents/dessid/rrbfabre.pdf.
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Rapport de recherche bibliographique Diplôme d'études supérieures spécialisées : Ingénierie documentaire : Villeurbanne, ENSSIB : 2003. Rapport de recherche bibliographique Diplôme d'études supérieures spécialisées : Ingénierie documentaire : Lyon 1 : 2003.
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Alvarez, Romero Ana. "L'empreinte ethnographique dans la littérature mexicaine des années 1950, 1960 et 1970." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30060.
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Ce travail analyse les relations de l'ethnographie avec un corpus divers de la littérature mexicaine publiée au cours des années 1950, 1960 et 1970. Ces relations sont examinées par ce que nous appelons «empreinte ethnographique», une frontière sémiotique (dans la terminologie de Yuri Lotman) où les intérêts et les méthodes de l'ethnographie sont traduits en termes littéraires. Grâce à ce concept, nous analysons: Juan Pérez Jolote: biografía de un tzotzil (1948), de Ricardo Pozas; El diosero (1952), de Francisco Rojas González; Benzulul (1959), de Eraclio Zepeda; Balún Canán (1957) et Los convidados de agosto (1964), de Rosario Castellanos; La tumba (1964), de José Agustín; Gazapo (1965), de Gustavo Sainz; Los hongos alucinantes (1964), de Fernando Benítez; Los albañiles (1963), de Vicente Leñero; Hasta no verte Jesús mío (1969) et La noche de Tlatelolco (1971), d’ Elena Poniatowska; Chin chin el teporocho (1971), d’Armando Ramírez; et Vida de María Sabina. La sabia de los hongos (1977), d’Álvaro Estrada. L'interconnexion est présentée par le travail littéraire axé sur la reconstruction des sujets inscrits et configurés par leur culture: si d'abord dans la littérature mexicaine l'accent était mis sur l'indigène, ultérieurement cette littérature essai d'expliquer la culture de l'habitant urbain. De cette façon, l’empreinte ethnographique dévoile comment un corpus apparemment divers est interconnecté. De même, nous proposons que cette empreinte ethnographique soit construite par ce qu'on appelle le «réalisme culturel»: un style d’écriture qui tente de rendre compte de cultures spécifiques selon le point de vue de ses acteursThis study analyzes ethnography’s relationship with a diverse corpus of Mexican literature published during the decades of 1950, 1960 and 1970. These relationships are analyzed through what we call “ethnographic imprint”, a semiotic frontier (in Yuri Lotman’s terminology) where ethnography’s interests and methods are translated into literary terms. Through this concept, we analyze Juan Pérez Jolote: biografía de un tzotzil (1948), by Ricardo Pozas; El diosero (1952), by Francisco Rojas González; Benzulul (1959), by Eraclio Zepeda; Balún Canán (1957) and Los convidados de agosto (1964), by Rosario Castellanos; La tumba (1964), by José Agustín; Gazapo (1965), by Gustavo Sainz; Los hongos alucinantes (1964), by Fernando Benítez; Los albañiles (1963), by Vicente Leñero; Hasta no verte Jesús mío (1969) and La noche de Tlatelolco (1971), by Elena Poniatowska; Chin chin el teporocho (1971), by Armando Ramírez; and Vida de María Sabina. La sabia de los hongos (1977), by Álvaro Estrada. The interconnection appears through literary work focused on rebuilding subjects framed and shaped by their culture: if the original focus was the native, in the later period the subject explained according to its culture was the urban dweller. Thus, the ethnographic imprint reveals how an apparently diverse corpus is interconnected. Similarly, we propose that this ethnographic imprint is constructed through what we call “cultural realism”: a writing style that tries to account specific cultures (with correspondence in the extratextual world) from the actors’ point of view
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Lo, Chávez Damián. "Comunismo rupturista en Chile (1960-1970)." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/113144.
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Informe de Seminario para optar al grado de Licenciado en HistoriaEsta tesis pretende estudiar el desarrollo de una tendencia política en la década de 1960. Se trata de una corriente a la que hemos llamado comunismo rupturista. ¿Por qué comunismo? Porque se trató de organizaciones que llegado un momento se organizaron en partidos monolíticos, concibieron la revolución por etapas, con fases de desarrollo, y enemigos principales y secundarios. Además su principal referente fue un Partido Comunista, el Partido Comunista de China, y un país socialista, la República Popular China. ¿Por qué rupturista? Porque estratégicamente aspiraba a la toma del poder político mediante la destrucción del estado y su reemplazo por la dictadura democrático-popular. Es decir asumía la concepción ortodoxa del estado en el marxismo. Concretamente me refiero a la Vanguardia Revolucionaria Marxista (VRM) y al Partido Comunista Revolucionario (PCR). La primera existió entre 1960 y 1970, y el segundo entre 1966 y 1981. Consideramos también, por su relevancia, la organización previa al PCR, el grupo Espartaco, que existió como tal entre 1963 y 1966.
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Skinner, A. "Growing old in Oxford 1930-1960." Thesis, Oxford Brookes University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289138.
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This thesis explores how old people in Oxford were cared for between 1930 and 1960, before and after the inception of the welfare state. Its purpose is to analyse how some families and professionals responded to the transition from the poor law to the welfare state, and examine any changes in this process. Admission to a state institution was usual for old people who were without financial and social resources. In Oxford the Cowley Road Hospital, originally built as a workhouse in the nineteenth century provided this treatment over this period of time. The thesis investigates the relationship of this institution to the broader community in relation to the care of old people. From the 1930s geriatric medicine, a speciality emerged spearheaded by Dr Marjory Warren, geriatric medicine. Early pioneers of geriatric medicine, working in state run institutions, were advocating the need for change in provision for old people, and this study examines their role in this process of change. Within this group of doctors, Dr Lionel Cosin, an initiator and influencer of change and policy in post-war care for old people, was appointed to the Cowley Road Hospital soon after the inception of the welfare state. This thesis, seeks to discover, in conjunction with the changes arising from the introduction of the welfare state, if old people in Oxford benefited from his position. By using oral histories as a major source of evidence, alongside documentary sources, this investigation aims to bring fresh perspectives to the study of the process of ageing. Within the context of national legislative changes, it discovers how a city responded to these, and juxtaposes how families cared for their older relatives. Each chapter examines aspects that contributed to changing provision and attitudes towards old people by professionals and relatives. Local evidence is compared with national to suggest that the city was progressive in its care and attitudes towards old people.
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Hinnfors, Jonas. "Familjepolitik : samhällsförändringar och partistrategier 1960-1990 /." Stockholm : Almqvist och Wiksell, 1992. http://catalogue.bnf.fr/ark:/12148/cb37602526x.
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Farren, Sean. "Culture and education in Ireland 1920-1960." Thesis, University of Ulster, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252797.
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Harrison, S. R. "American society, cinema and television, 1950-1960." Thesis, University of Manchester, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356104.
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Brivati, Leopoldo. "The campaign for democratic socialism 1960-1964." Thesis, Queen Mary, University of London, 1992. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1447.
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In early 1960 it seemed likely that the official Labour Party defence policy would be defeated by a unilateralist resolution at the Scarborough Conference. In response to this possibility the Campaign for Democratic Socialism, or CDS, was established. The CDS projected the image of a grass-roots movement inspired by Gaitskell's "fight and fight again" speech. But it was run by a Campaign Committee which included leading members of the Party like Tony Crosland, Roy Jenkins and Patrick Gordon Walker, as well as less well known members like Bill Rodgers, Dick Taverne, Philip Williams, Brian Walden, Denis Howell and David Marquand. This highly talented group launched an elaborate and successful lobbying, publicity and briefing operation which was influential in overturning the unilateralist vote at the Blackpool Conference of 1961. After Blackpool the Campaign helped many of its leading members find seats in the House of Commons while continuing to put the "revisionist" case through its newspaper Campaign. The importance of the CDS in the history of the Labour Party is, primarily, as the first internal pressure group organised by the right of the Party. It was also the first internal Party group to use such sophisticated lobbying techniques. Moreover, the subsequent careers of the leading members of the Campaign influenced the development of the Labour Party. The CDS was an important formative political action for many of them. Finally many of the CDS supporters set-up or joined the SDP when it was launched.
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Devlin, Paul. "Working class theatre in Ulster: 1920-1960." Thesis, Ulster University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668342.
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Lipede, Abiola Ade. "Pan Africanism in Southern Africa 1900-1960." Thesis, University of York, 1990. http://etheses.whiterose.ac.uk/9774/.
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Silveira, Marcele Cristiane da. "O azulejo na modernidade arquitetônica 1930 - 1960." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-25032010-154757/.
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No Brasil, os anos de 1930 a 1960 irão colher os frutos dos movimentos ocorridos no início do século XX: centralização do poder nas mãos do Estado, alfabetização em massa, uniformização da população, primeira grande guerra, pós-guerra, industrialização, tentativa de democratização. Em meio a esse período sócio-econômico-cultural conturbado, a arquitetura destaca-se como solução para a criação de uma identidade nacional e fortalecimento dos ideais do nosso país como nação. A denominada arquitetura moderna brasileira lança-se em comunhão com o governo, avança e torna-se ícone de renovação mundial. Com a ascensão da nova arquitetura, renasce a arte da azulejaria, adormecida pelos insistentes movimentos de repressão a tudo que se relacionava à arquitetura neocolonial. O processo de reavivamento do material decorreu do fato de o discurso moderno brasileiro casar a tradição com a modernidade e fazer dos materiais nacionais e tradicionais ponte de ligação entre o colonial e a vanguarda. Desse processo, nasce a dissertação, que objetiva estudar a arte da azulejaria durante o movimento moderno com recorte entre os anos de 1930 a 1960 como elemento integrante na conformação de um discurso e de uma arquitetura nacionais. Os estudos de caso elencados para se aprofundar no assunto da azulejaria são o Ministério da Educação e Saúde Pública, no Rio de Janeiro RJ e o Conjunto da Pampulha, em Belo Horizonte MG, composto este pelo Cassino, Casa do Baile, Iate Clube e Igreja de São Francisco de Assis. Perante um processo de globalização mundial e banalização da cultura, o entendimento do papel do azulejo na arquitetura brasileira pode auxiliar na preservação desse bem que é patrimônio nacional e evitar que essa memória seja esvaecida.In Brazil, the years from 1930 in 1960 will reap the benefits of the movements occurred at the beginning of the twentieth century: centralization of power in the hands of the state, mass literacy, uniformity of the population, first great war, post-war, industrialization, attempt to democratization. In the midst of that troubled socio-economic-cultural period, architecture is referred to as a solution for the creation of a national identity and strengthening the ideals of our country as a nation. The so-called modern Brazilian architecture launches itself in communion with the government, progresses and becomes an icon of worldwide renewal. With the rise of the new architecture, the art of ceramic tile is reborn, wich was dormant by repeated movements of repression to everything that related to the neocolonial architecture. The process of reviving the material was caused by the fact that the Brazilian modern speech joins tradition with modernity and makes the national and traditional materials as linking bridge between the colonial and the vanguard. From this process, a dissertation is born, which aims to study the art of ceramic tile during the modern movement cut between the years of 1930 to 1960 as an integral element in the conformation of a speech and a national architecture. The case studies listed to deepen on the subject of the tile are the building of the Ministério da Educação e Saúde Pública in Rio de Janeiro - RJ and the Conjunto da Pampulha in Belo Horizonte - MG, composed by Cassino, Casa de Baile, Iate Clube and Igreja de São Francisco de Assis. Faced with a word globalization process and the culture trivialization, understanding of the tile role in the Brazilian architecture can preserve this material which is a national treasure and prevent this memory from being erased.
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Heuva, William Edward. "The alternative press in Namibia, 1960-1990." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002888.
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The study seeks to document the development of the alternative press in Namibia from 1960 to 1990. It traces the reasons for its emergence and outlines the stated aims and objectives in order to illustrate its attempts to nurture a culture - of colonial resistance. It is argued that structural factors such as funding, distribution, advertisements and ownership enabled the alternative press to operate outside the South African apartheid hegemony. The study explains how the intellectuals used the alternative press in their attempts to mobilise and organise colonised Namibians for social change. They did this by formulating and disseminating ideologically constructed discourses (messages) which challenged the colonial discourse. These messages were produced and directed towards a specific audience, the masses to whom the intellectuals were organically linked. Their primary news definers were also drawn from the ranks of these masses. It is further argued that the alternative press came to represent the colonised masses by voicing their needs and aspirations which were marginalised by the mainstream colonial media. Finally, a relatively detailed analysis of the content, the language used and the'messages carried by the alternative press has been made to demonstrate its political agenda, which was to empower the masses to achieve their objective - the attainment of political independence. These issues are analyzed against a background of theoretical frameworks which seek to explain how subordinated groups and classes in a state of domination sought to establish alternative channels of communication in the creation of a counter hegemonic order.
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Cheregati, Jesus Henrique. "Estruturas formais : casa modernas brasileiras 1930-1960." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/11035.
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O presente estudo analisa a arquitetura residencial unifamiliar moderna brasileira, em São Paulo e no Rio de Janeiro, no período compreendido entre os anos de 1930 e 1960, a partir de suas estruturas formais, entendidas como o conjunto dos princípios geradores da identidade do edifício. Foram escolhidas 15 casas, classificadas em três grupos de estruturas formais. A análise de cada uma delas foi subsidiada pela teoria do Quaterno Contemporâneo, assim denominada pelo arquiteto Edson da Cunha Mahfuz. O trabalho analítico dos exemplos selecionados teve como objetivo apreender como a modernidade se expressou por meio da estrutura formal da arquitetura residencial, que se acredita abarcar um repertório de produção arquitetônica no Brasil cujas estruturas formais estão recheadas de significados. Através do estudo dessas estruturas é possível refletir sobre a história arquitetônica do século XX.The present research analyzes the architecture of the Brazilian modern residential houses in the cities of São Paulo and Rio de Janeiro, built between the decades of 1930 and 1960, understanding its formal structures as a group of principles that generates the identity of the building. There were chosen fifteen houses which were classified in three groups of formal structures. The analysis of each one of them was subsided by the theory of the Contemporary Quaternary as it was named by the architect Edson da Cunha Mahfuz. The analytical work of the selected examples had as an objective to comprehend the way which modernity was expressed through the formal structures present in the architecture of residential houses, once it is believed that these buildings hold a repertory of production of Brazilian architecture, where its formal structures are fulfilled with meanings. Throughout the study of these structures it is possible to reflect about the architectural history of 20th century.
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Senescal, Sylviane. "Poésie de femme au Nicaragua : 1960-1980." Toulouse 2, 1988. http://www.theses.fr/1988TOU20027.
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Nee sous le signe de la rebellion, la poesie de femme des annees 60 a 80 au nicaragua est l'expression d'une prise de conscience feminine et de la recherche d'une identite nationale inscrite au coeur du pays natal et sur fond de revolution sandiniste. Cette poesie a donne a la litterature nationale la voix de femme qi lui manquaitBorn of the rebellion, the women poetry from the 60's to the 80's in nicaragua is the expression of the women's sudden awareness and of the search for national identity rooted in the native country and founded upon the sandinist revolution. It was this poetry that gave the national literature the women's voice which was so missing from it
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Imbert, Alain. "Nouvelles directions en peinture américaine : 1960-1990." Nice, 1996. http://www.theses.fr/1996NICE2031.
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La problématique de la peinture américaine dans son évolution entre les années 60 et 80, telle que la pratique picturale la reflète, définit le sujet de cette étude. Le plan en deux parties éclaire le processus d'enchainement chronologique d'une mutation de l'art qui, avec l'apport des sciences humaines et la méfiance généralisée vis à vis de l'idéalisme, est passé de la conception essentialiste du modernisme (1ère partie) à celle de la post avant-garde (2eme partie), moins préoccupée de la nature de l'art que de sa fonction. La mythologie choisie consiste à soumettre l'interprétation "profonde" à la caution donnée par la description analytique, non exhaustive mais significative, des oeuvres prises dans leur émergence chronologique. L'étude des mouvements et des tendances est dissociée de celle des peintres qui s'y rattache de façon à préserver l'équilibre entre le substrat théorique des oeuvres et leur valeur expressive. Cette analyse veut rendre compte de ce moment de l'art américain ou le besoin d'harmonie a cédé la place à une approche scientifique plus complexe mais potentiellement créatrice qui reflète la dualité de l'homme entre spiritualisme et matérialismeThe subject of this study is the issue of the evolution of american painting between the 60s and 80s in light of its pictorial practice. The work, in two parts, explains the sequence of events leading to the drastic upheaval of art at this time. It explains how the contributions of science and a general distrust of idealism transfer us from the essentialist concept of modernism (part i) to that of post-avant-garde (part ii) which is less preoccupied with the nature of art than with its function. Because american painting has played a major role in this evolution, the study tends to evaluate the influence of the singularity of american thought during this process. The method chosen for this evaluation consists of collating the analytic description of the works with the "deep" interpretation. This method is by no means exhaustive but is nevertheless significant. The analysis of the various movements and tendancies in this period is removed from the artists themselves so as to preserve a balance between the theoretical substrata of the works and that of their expressive value. This study would like to submit this epoch in american art, where the need for harmony has given way to a more complex yet potentially creative scientific approach, as the reflexion of the dualism of human nature; that of spirituality and materialism
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Dietschy, Paul. "Football et société à Turin : 1920-1960." Lyon 2, 1997. http://www.theses.fr/1997LYO2A005.
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Conde, Peñalosa Raquel. "La novela femenina de posguerra (1940-1960) /." Madrid : Pliegos, 2004. http://catalogue.bnf.fr/ark:/12148/cb39951063b.
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Berman, Lila Corwin. "Presenting Jews : Jewishness and America, 1920-1960 /." Ann Arbor, MI : University Microfilms, 2004. http://proquest.umi.com/dissertations/preview/3152910.
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Bernardi, Ilaria <1985>. "Giulio Paolini, opere su carta 1960-1980." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/6541.
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La ricerca documenta e analizza le opere su carta realizzate da Giulio Paolini dal 1960 al 1980.
Il lavoro è suddiviso in tre volumi.
Il primo corrisponde al testo critico, il quale, dopo una preliminare riflessione sul disegno in Italia negli anni Sessanta-Settanta e sulla (s)fortuna critica/espositiva di quello di Paolini, prende in esame gli esemplari su carta mediante una classificazione per gesti e/o per motivi iconografico-concettuali ricorrenti, per poi approfondire le fonti (libri, cataloghi, riviste) da cui l’autore trae le immagini per realizzarli, nonché la valenza da lui attribuita ai media e alle tecniche utilizzate.
Il secondo e il terzo volume corrispondono invece al catalogo generale delle opere su carta di Giulio Paoli ad oggi identificate. Il catalogo, essendo passibile di continui aggiornamenti e modifiche, è tuttavia da considerarsi una proposta iniziale, non definitiva né esaustiva.
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Nguiabama-Makaya, Fabrice. "Les espaces carcéraux au Gabon (1887-1959)." Aix-Marseille 1, 2006. http://www.theses.fr/2006AIX10021.
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Au sortir de son désastre militaire de 1870, la France se trouve totalement affaiblie et ruinée. Pour restaurer sa puissance, elle prône l'expansion outre-mer. Le Gabon, entre autres, connut la première expérience de cette politique grâce à la mise en place d'un établissemnt de travaux forcés. Installé en 1887 à Libreville, chef-lieu de la colonie, le nouveau pénitencier fonctionna comme bagne et reçut pendant plus d'une dizaine d'années des condamnés asiatiques d'origine annamite. Mais très vite, cette entreprise se solde par un échec à cause des conditions climatiques et surtout de l'âpreté des premiers travaux de colonisation. Cet établissement qui ferme en 1900, ouvre une autre ère, celle des prisons dites coloniales destinées à accueillir les délinquants "nationaux" : il s'agit d'une rupture majeure au Gabon où les pratiques de punition et de contrôle social reposaient essentiellement sur la réparation. Ces espaces carcéraux qui firent face à la crise de 1914-1918 connurent une accélaration après 1920 grâce à la consolidation du régime colonial qui fit d'eux les principaux pourvoyeurs de main d'oeuvre bon marché. Si après 1945 de timides changements sont notés, c'est surtout après 1957 qu'apparaissent de profondes mutations dans l'organisation et le fonctionnement des prisons et cela jusqu'en 1959. Cet arsenal carcéral est vite récupéré par l'administration de la jeune République en 1960 pour réprimer et maintenir l'ordre social.
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Serenelli, Sofia. "1968 in provincia : famiglia, spazio e la memoria della vita quotidiana a Macerata, 1960-1980." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1444043/.
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This thesis explores and combines two underdeveloped areas concerning the events of 1968 in Italy: the movement in peripheral areas of the country and the issue of the family. * 1968* is understood as Tong 1968* (running right through the 1970s). the work focuses on Macerata - a small town in the Marche region in central Italy. The nucleus around which this period is studied is the family. How did 1968 transform the daily lives of activists (and others) and also their concept of the family as an institution, as well as ways of building alternatives to the family. The research uses oral historical and micro-historical methodologies, through interviews with over thirty-five ex-militants. Memories and narratives are analyzed as life-histories and stories about the self and the past and gender issues are central to the work. Other kinds of sources, such as Super8 films, homemade journals, leaflets - mainly collected from the interviewees themselves - have been used as frames of comparison with memory narratives, together with archive and newspaper research. The thesis is structured around the exploration of daily lives and the spaces where militants attempted to experience new life-styles and family forms. In the first chapters, it focuses on the development of the movement at Macerata, highlighting how the provincial context affected the local memory and experience of 1968. This part of the thesis also reconstructs the development of a critical view of the family and its impact on their family lives. The next two chapters are dedicated to the local spread of hippy culture and a pre-political attempt to create an alternative community. With the rise of the New Left and feminism, everyday life is analyzed in relation to the development of political militancy, which reveals both a structural and cultural overlap between families and the political groups. The last chapter is dedicated to a case study of a commune which was a rare local attempt to create a real alternative to the family. In conclusion, with regard to an Italian province with the role of the family has traditionally been hegemonic, the research examines the cultural and structural role of the family both in terms of the idea of the family as well as in lived experiences of alternative life styles and family forms, and the ways they have been remembered.
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Dougnac, Bernard. "Paul Faure (1878-1960) : biographie." Bordeaux 3, 2006. http://www.theses.fr/2006BOR30041.
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Des hommes politiques de l'Histoire du XXème siècle, Paul Faure (1878-1960) est assurément l'un des plus oubliés. Ce doctorat d'histoire a donc pour objectif premier de combler une lacune historiographique. Voici, présentées succinctement, les grandes lignes de son action politique. Paul Faure incarne, avec intransigeance et talent, les idées de la tendance guesdiste au sein de la fédération socialiste de la Dordogne de 1901 à 1914. En 1915, il s'oppose cependant à son maître Jules Guesde en défendant le pacifisme et l'internationalisme des " minoritaires " qui, après une longue lutte intestine (1915-1918), finissent par l'emporter. Favorable alors à la révolution russe, il souhaite reconstruire l'Internationale sur des bases plus révolutionnaires mais refuse, au Congrès de la S. F. I. O. à Tours, les vingt-et-une conditions de Moscou (décembre 1920). Devenu secrétaire général de la S. F. I. O. , il est de 1920 à 1924 le fer de lance de la renaissance du Parti amoindri par la scission, luttant à l'extérieur, à la fois contre les gouvernements en place, contre les communistes et contre les marchands de canons – qu'il n'hésite pas à défier dans leur propre fief (Le Creusot) – et à l'intérieur, contre les participationnistes et les " néo-socialistes " (1929-1933). Sous le Front populaire (1936-1938), il est ministre d'Etat à trois reprises – un ministre très militant –, servant surtout de lien entre le gouvernement et le Parti, soutenant constamment la politique menée par Léon Blum. Munichois et pacifiste jusqu'au déclenchement du conflit, Paul Faure se sépare des Blumistes (à partir du Congrès de Montrouge, en décembre 1938), se contentant, sous l'Occupation, de faire partie du Conseil national de Vichy pour " garder la place " en vue d'une éventuelle reprise de l'activité socialiste autour de sa tendance. Jugé collaborateur par les socialistes résistants, il est exclu en 1944 du parti qu'il avait dirigé pendant vingt ans, militant jusqu'à la fin de sa vie (1960) au Parti Socialiste Démocratique qu'il a créé en 1945, défendant désormais, avec ses fidèles " paul-fauristes ", un socialisme humaniste très anticommunisteAmong all the French politicians, Paul Faure (1878-1960) is most certainly one of the most forgotten. This doctorate aims to fill an historical gap. Here are the broad lines of his political actions. From 1901 to 1914, Paul Faure embodied – with intransigence and talent – the ideas of Guesde's sympathies within the Socialist Federation of Dordogne. However, in 1915, he clashed with his mentor Jules Guesde and he chose to defend the pacifism and the inrnationalism of the “minority” who, after a long internal fight, won at last. As he was favourable to the russian revolution, he wished to rebuild the International according to even more revolutionary ideas. But, during the Congress of the socialist party (“SFIO”) in Tours, he refused to sign the twenty-one conditions of Moscow's treaty (December 1920). Then he became the secretary-general of the “SFIO” and he was, from 1920 to 1924, the leader of this reborn party that has been weakened by the split. Paul Faure was fighting outside his party against the present government, the communists and the arms dealers that he dared to challenge in their own kingdom (Le Creusot). He was also fighting – inside his party – against the “participationnists” and the “new socialists” (1929-1933) He has been by three times senior minister during the Popular Front (1936-1938). He was the link between the present government and the Socialist Party and he was always supporting Léon Blum's policy. As he was a man of Munich and pacifist until the beginning of the conflict, Paul Faure separated from Blum's ideas (during the Congress of Montrouge in December 1938). During the Occupation he contented himself with being a member of the National Council of Vichy, planning to keep the place in case of a probable return of socialist actions. Being considered as a collaborateur by the French socialist Resistance, he was expelled from his party which he has been the leader for twenty years. Until the end of his life (1960), he has been a militant of the Democratical Socialist Party that he created in 1945, always defending the ideas of a very anticommunist and humanist socialism
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Жукова, В. В. "Жанрові модифікації української повісті 1950 - 1960-х років." Diss. of Candidate of Philological Sciences, Київсьий славістичний ун-т, 2011.
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Mainville, Amélie. "La vie musicale à Trois-Rivières, 1920-1960 /." Trois-Rivières : Université du Québec à Trois-Rivières, 2006. http://www.uqtr.ca/biblio/notice/resume/24676314R.pdf.
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Sitembolukbasi, S. "Aspects of Islamic revival in Turkey 1950-1960." Thesis, University of Manchester, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500651.
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Edwards, Jamie. "Arlanda flygplats och Sigtuna kommuns utveckling 1960-1980." Thesis, Uppsala universitet, Ekonomisk-historiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-314015.
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Denna uppsats undersöker Arlandas påverkan i närområdet under 1960 - 1980 på treområden: befolkning, näringslivsfördelning och pendling. Jämförelsekommuner, somhade liknande ekonomisk struktur eller som var möjliga alternativa placeringar förflygplatsen, används för att visa möjliga alternativa utvecklingsvägar. Resultaten visaratt flygplatsen har orsakat en kraftig befolkningstillväxt i Märsta, men inte i övriga delarav kommunen. Transportsektorn är den enda sektor som är märkbart påverkad avflygplatsens lokalisering, och sektorn är större i Sigtuna än i jämförelsekommuner.Övriga sektorer visar ingen skillnad. Data för pendling visar att Sigtuna har ett mycketstörre antal inpendlare än övriga kommuner, samt en större andel hemarbetare, vilkettyder på att flygplatsen har bidragit till att skapa ett betydande antal arbetstillfällen.
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Fernandes, Reginaldo Junior. "Revolução e democracia: vivências e representações (1960-1980)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-22042013-102258/.
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Este estudo teve por objetivo analisar como, no contexto da Guerra Fria, o comunismo de extração marxista-leninista foi sendo identificado às formas políticas totalitárias por representações circulantes em nível internacional e nacional e como a questão democrática ganhou proeminência no interior do movimento comunista no Brasil, com destaque para o Partido Comunista Brasileiro (PCB). Na década de 1960, movimentos de contra cultura e lutas sociais das esquerdas se contrapuseram ao golpe civil-militar acirrando ainda mais os conflitos entre as classes no Brasil. Tendo como fontes primárias documentos produzidos pelo Departamento de Ordem Política e Social (DOPS), acrescidos de processos-crime, jornais do período e de entrevistas realizadas, relativas à atuação dos comunistas e dos movimentos cultural e estudantil que tomou corpo na região de Londrina, Paraná, procedemos à análise das representações sobre o comunismo e o PCB ali consignadas, considerando os sujeitos e as condições na quais foram produzidas. Verificamos então como o partido foi paulatinamente assumindo a questão democrática pelas experiências históricas e crises que se instauraram em seu interior, situação explicitada na Declaração de Março de 1958. Finalmente, a experiência de integrantes do Comitê Central do Partido no exílio, em meados da década de 1970, introduziu a polêmica no interior do PCB, o qual incorporou as discussões do marxista Antonio Gramsci levadas a cabo principalmente pelos partidos comunistas italiano, francês e espanhol, de um lado, na vertente denominada eurocomunismo e, de outro, nas frações do partido que buscavam interpelar a questão da democracia valendo-se do pensamento gramsciano mas, preservando contudo, a tradição marxista-leninista. As duas vertentes nascidas do debate tinham como principais divergências as interpretações da relação entre democracia e socialismo. O ponto de convergência foi a necessidade de superação da regulação social pelo mercado como sendo um elemento incompatível com a ampliação e aprofundamento da democracia.The present study aimed at analyzing how, in a Cold War context, communism of a Marxist-Leninist extraction was gradually identified to the political-totalitarian forms by ongoing representations at national and international levels, and how the democratic issue gained prominence within the Communist Party in Brazil, with focus at the Brazilian Communist Party (Partido Comunista do Brasil PCB). During the 1960s, counterculture and social conflicts of the leftist entities opposed the civil-military putsch, enflaming even more the conflict of classes in Brazil. Having its primary sources from documents produced by Social and Political Order Department (Departamento de Ordem Política e Social - DOPS), increased with Criminal Proceedings, newspapers and interviews produced in such period, related to the activity of the communists and the arising students and cultural movements that took place at the region of the city of Londrina, State of Parana, Brazil, one proceeded to the analysis of the communist and PCB representations there established, considering the agents and the conditions in which they were produced. One has then verified how the party was gradually taking up the democratic issue by the historical experiences and crisis that arose within its interior, such situation which was made explicit by the Declaration of March 1958. Finally the experience of the members to the Partys Central Committee in exile, around the mid 1970s, introduced the polemics in the interior of PCB, which assumed the discussions of Marxist Antonio Gramsci, performed mainly by, on one side, the Italian, French and Spanish communist parties, in its side named Eurocommunism; and, on the other side, in the fractions of the party which attempted to apostrophize the democratic issue, betaking the Gramscian thought, yet preserving the Marxist-Leninist tradition Both sides originated from the debate diverged mainly about the relation between democracy and socialism. The converging point was the necessity to overcome the social regulation by the market as being an element incompatible with the broadening and deepening of democracy.
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Ccencho, Pari Abraham. "Producción agrícola y ganadera Pampachacra (Huancavelica, 1960-1980)." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2011. https://hdl.handle.net/20.500.12672/2356.
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Hasta este momento, el desarrollo científico y tecnológico, de manera general, nos ayuda a comprender nuestro origen y desarrollo filo y ontogenético. De la misma forma, vamos conociendo sobre la realidad nacional gracias a las investigaciones que desarrollan nuestros científicos sociales, siempre pioneros, sobre el origen y desarrollo del hombre peruano, de las diversas civilizaciones que se desarrollaron en nuestro suelo, sobre sus diversas actividades productivas, de sus debacles y posibilidades históricas.
Sin embargo, aún necesitamos más estudios sobre las realidades regionales y locales, estudios que nos aproximen al conocimiento de ellas, sus características empíricas concretas, su esencia histórica que nos permita comprender el sentido de su desarrollo. Esto demanda superar nuestras limitaciones en sabiduría, memoria oral, memoria escrita, para entender mejor las razones del presente histórico y superar las frustraciones, las malas experiencias y poder así construir una sociedad mejor en el futuro.
Es con esta preocupación que hemos realizado la presente investigación sobre la comunidad campesina de Pampachacra. No existe una bibliografía abundante, escrita sobre el tema, y por eso he trabajado con la memoria colectiva, la memoria oral de los propios protagonistas, para reconstruir y comprender el proceso histórico que atravesó esta comunidad. Comprendo bien que los datos de esta memoria no tiene la precisión del texto escrito, sino que confrontando una versión con otra hasta puede ser contradictoria sobre un mismo tema, pero eso mismo la hace interesante. Pero estoy seguro que esta memoria oral es la que organiza y configura el imaginario local. No solo recordando un pasado reciente, sino recordando selectivamente en función de las aspiraciones socioeconómicas de la actualidad.Tesis
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Langhamer, Claire Louise. "Women and leisure in Manchester, 1920-c.1960." Thesis, University of Central Lancashire, 1996. http://clok.uclan.ac.uk/21905/.
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The focus of this thesis is the complex relationship between women and the category 'leisure', a relationship which is only infrequently addressed within the historiography of leisure and only partially understood within the existing frameworks of that field. The research draws upon feminist scholarship to establish a fluid theoretical structure within which the leisure experiences of women may be better conceptualised, and re-thinks the methodologies necessary to access those experiences within a defined historical period: that of 1920-1960. Throughout, 'leisure' is approached less as self-defined, discrete activity, and more as a mutable category, open to changing meanings and inseparable from its contextual and historical background. To this end, the nature of 'leisure' is itself problematised: the study challenges definitions of the concept as directly oppositional to work/workplace and explores the problems inherent in the notion that leisure constitutes a reward for paid labour. Indeed, the sources suggest that 'leisure' and 'work' often interacted within women's lives and that notions of leisure as something 'earned' had a fundamental impact upon women's experiences over the life cycle. The thesis is built around interviews with Manchester women from working-class and lower middle-class backgrounds. However, it also uses local newspaper evidence, women's magazines and the contemporary work of a number of researchers with an interest in leisure during the period. The study examines changing experiences of leisure and shifting perceptions of the concept across social classes and over the historical period. It presents a picture of leisure at the local level, whilst suggesting a chronology of leisure which has implications for our understanding of the national experience. The fundamental originality of the project rests in its approach; it offers a holistic, life cycle based, approach to a field which largely consists of research of a topic-based nature. The central findings concern the role of life cycle stage in determining the relationship of women to leisure across both period and social classes. In particular, the thesis explores how the transition from youth to adulthood impacted upon women's ideas of appropriate leisure behaviour and entitlement, and asserts that a contrast may be drawn between the personal leisure of youth, and the 'family' leisure of adulthood.
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Andrade, Rogério Pontes. "Matrizes tectônicas da arquitetura moderna brasileira 1940 – 1960." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/22327.
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Tese (doutorado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, 2016.Submitted by Fernanda Percia França (fernandafranca@bce.unb.br) on 2016-12-21T15:03:55Z No. of bitstreams: 1 2016_RogérioPontesAndrade.pdf: 7924960 bytes, checksum: b1feb35dbe76557bd885afee71253af7 (MD5)
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A produção modernista brasileira alcançou autonomia, reconhecimento e influência no panorama internacional nas décadas de 1940 e 1950. Uma de suas peculiaridades mais notáveis foi o protagonismo das estruturas, intrínsecas às formas arquitetônicas, que acabavam por determinar e serem por elas determinadas, em sutis articulações. Tais articulações suscitaram a pertinência da utilização da teoria tectônica, numa variante das análises baseadas na percepção visual e geométrica da forma arquitetônica. A pesquisa historiográfica dessa produção revelou padrões morfológicos recorrentes, nos quais as composições arquitetônicas foram fundamentadas em estratégias construtivas, investigou suas manifestações pioneiras, seu desenvolvimento e sua historicidade, buscando a clarificação desses processos, à luz da tectônica.
The Brazilian modernist production reached autonomy, recognition and influence on the international scene in the 1940s and 1950s One of his most notable peculiarities was the protagonism of the structures, inherent in architectural forms, which had just determined and be determined by them, in subtle joints. Such joints raised the relevance of the use of tectonics theory, a variant of the analysis based on visual and geometric perception of architectural form. The historical research of this production revealed recurrent morphological patterns, in which the architectural compositions were based on constructive strategies investigated its pioneering manifestations, its development and its historicity, seeking clarification of these processes in the light of tectonics.
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Tavares, Maria Cecília Pereira. "Ruy Ohtake : arquitetura residencial dos anos 1960-1970." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/7269.
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Este trabalho pretende colaborar com o registro e esclarecimento da história da arquitetura moderna brasileira, a partir da produção do arquiteto Ruy Ohtake na década de 1960. Para isso, inicialmente apresenta o contexto histórico, político e cultural, nacional e internacional do período. Trata-se de um segundo momento para a arquitetura brasileira, após a fundação de Brasília, que faz com que a arquitetura brasileira seja respeitada e reconhecida internacionalmente. Focaliza a arquitetura paulista e a formação do arquiteto, em meio a um período de efervescência cultural. Aponta contingências e influências que vieram colaborar com a formação de um grupo coeso de arquitetos com uma produção que se destaca no cenário internacional. Em um segundo momento o trabalho se concentra na produção residencial do arquiteto no período em estudo, identificando particularidades e semelhanças dentro desta produção paulista. Busca referenciais nos precedentes nacionais, na arquitetura japonesa, e no raciocínio plástico vinculado ao abstracionismo geométrico derivado da convivência com as artes plásticas através de sua mãe, Tomie Ohtake. Uma breve apresentação de trabalhos de caráter público contrapõe a produção residencial. Enfim, trata-se de uma reflexão sobre a produção individual do arquiteto Ruy Ohtake, inserida na pluralidade de uma escola arquitetônica, através do exercício analítico de sua produção. Procurou-se identificar as raízes desta obra, suas bases conceituais, seus precedentes e suas particularidades e com isso colaborar para a compreensão de uma história recente em que a arquitetura protagoniza relações sociais, políticas e estéticas.
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Dirat, Jean-Raymond. "Financement et développement : l'exemple du Congo : 1960-1980." Paris 10, 1985. http://www.theses.fr/1985PA100122.
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Nyamding, Messanga Charlemagne Pascal. "Trente ans de relations franco-camerounaises, 1960-1990." Paris, INALCO, 1996. http://www.theses.fr/1996INAL0016.
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YOO, JAE KIL. "Le groupe de recherche d'art visuel (1960-1968)." Paris 8, 1987. http://www.theses.fr/1986PA080106.
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Le g. R. A. V. (1960-1968) est un groupe d'art visuel, fonde par les six membres ; h. Garcia rossi, j. Le parc, f. Morellet, f. Sobrino, joel stein, j. P. Yvaral, dans le but de regenerer l'art moderne par le cinetisme a travail collectif. Les oeuvres de ce goupe font preuve d'un classicisme optique et de l'art cinetique. Ils ont surtout voulu mettre l'accent sur : 1) l'organisation d'une nouvelle situation visuelle. 2) l'etablissement d'un rapport cooperatif entre l'oeuvre collective et le spectateur. Vont succeder le tableau objet, le tableau manufacture, l'oeuvre multiple, au profit de l'action collective. Dans ce travail il y a trois problematiques majeures : 1) l'influence de l'art cinetique sur le groupe et ses propositions generales. 2)la participation du spectateur. Le g. R. A. V. Est amene a prendre part activement au deroulement de l'oeuvre collective, par exemple :"labyrinthe"i. Ii. Iii, "une journee dans la rue" de 1966, "lumiere et mouvement", etc. . . 3) l'importance de la technique de representation et materiaux de ce groupe. Nous considerons les phenomenes visuels a la meme epoque et la lumiere artificielle du groupe avec son eventail d'applications de la technologie moderne. En conclusion, nous aborderons le probleme du travail collectif et sa contribution. En effet, pendant 8 ans, les activites du groupe de recherche d'art visuel de paris ont demystifie l'art moderne et transforme la structure socialeThe g. R. A. V. Is a group of optical art, established by six members : h. Garcia rossi, j. Le parc, f. Morellet, joel stein, j. P. Yvaral, with the aim of regeneration the modern art by the cinetism through collective work. Most of all, these artists wanted to emphasize the following: 1) the organization of a new visual situation. 2) the establishment of a co-operation between the collective work and the audience. The ready-made, the manufactured painting, and the multiple work will then replaced by the collective action. 3) majors problems are present in this work : 1e, the influence of the cinetism on the group itself as well as the general propositions of the g. R. A. V. 2e, the participation of the spectator. This group has created the collective work; for exemple "labyrinth" i. Ii. Iii, "one day on the street", "light and movement", etc. . . 3e, the importance of the technique of representation and this of the materials of the g. R. A. V. We will consider the visual phenomena at the same period and the artificial light of the group with the various applications of the modern technology. In conclusion, we will analize the problem of the collective work in this group and its contribution. During eight years, the activities of the g. R. A. V. Have certainly demystified the modern art and have transformed the social structure
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Romero, Leon Jorge. "La critique litteraire venezuelienne des annees 1960-1970." Paris 3, 1988. http://www.theses.fr/1989PA030053.
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La critique litteraire venezuelienne moderne est nee en 1900. Il y a trois tendances: le positivisme (gonzalo picon febres), le modernisme (jesus semprum) et le trascendantalisme (mariano picon salas, arturo uslar pietri, andres marino palacio; posterieurment, juan liscano, guillermo meneses, uscar sambrano urdaneta). A partir de 1960 nous trouverons trois autres tendances influencees fortement par la pensee philophique francaise de l'apres guerre: la perspective existentialiste (orlando araujo, ludivico silva, guillent perez, luis garcia morales), la perspective sociale (gustavo luis carrera, domingo miliani, oswaldo larrazabal) et la perspective immanente (jose balza, guillermo sucre). Les sujets de reflexion de la premiere sont: la liberte et l'engagement, la trascendance et l'histoire. Les sujets abordes par la deuxieme sont: la litterature comme representation de la societe, comme force revolutionnaire et comme expression ideologique des differentes classes sociales. Les sujets de reflexion de la troisieme sont: l'immanence du texte litteraire, la poetique, la critique comme creation et vice-versaModern literary criticism in venezuela dates from 1900. There are three main tendencies in this period: positivism (gonzalo picon febres) modernism (jesus semprum) and trascendentalism (mariano picon salas, arturo uslar pietri, andres marino palacio. Later guillermo meneses, juan liscano, uscar sambrano urdaneta). In 1960 there were three other tendencies which were influenced mainly by the philosophical reflexion in france after the second waorld war. They are: existentialism (urlan do araujo, ludovico silva, guillent perez, luis garcia morales), the sociology of literature (gustavo luis carrera, domingo miliani, oswaldo larrazabal) and immanentism (jose balza, guillermo sucre). The subjects of thr first one are: liberty and engagement, trascendence and history; and those of the second one: literature as representation of society and as a revolutionary force, literature as an ideological expression of social classes. The third one deals with: the immanence of the text, poetics, and the criticism as creation and vice-versa
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Niehues, Jeuffroy Isabelle. "La sociologie en R. F. A. : 1960-1980." Paris, EHESS, 1992. http://www.theses.fr/1992EHES0052.
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Au debut des annees 1980 en rfa la situation des sciences sociales, en particulier de la sociologie, est problematique. Jusqu'au debut des annees 1960 les universites scientifiques ("wissenschaftliche hochschulen") consolidaient la figuration scientifique ou se formaient cependant de petits etablissements non-universitaires de recherche - les sciences economiques et sociales constituaient le groupe numeriquement le plus important d'etablissements non-universitaires de recherche scientifique. Dans ce groupe les sciences sociales qui s'opposaient aux sciences economiques sont le centre d'un changement scientifique entre 1960 et 1980. Ce changement vient de la recherche sociale empirique ou l'usage critique de techniques de recherche renouvelle la methodologie scientifique - cet usage est permis par le developpement de financements au niveau etatique. Ce changement concerne aussi la sociologie comme discipline universitaire qui est redefinie comme systeme theorique ou comme systeme de problemes sociaux scientifiquement delimites. La situation problematique des sciences sociales et de la sociologie resulte de la figuration scientifique initiale et des processus qui la transformentAt the beginning of the 1980's in the frg the situation of the social sciences, especially of the sociology, is problematic. Until the beginning of the 1960's the scientific universities ("wissenschaftliche hochschulen") consolidates the scientific figuration where small non-academic establishments of research were revertheless forming - the economic and social sciences constituted the numerically most important group of non-academic establishments of scientific research. In this group the social sciences different clearly from the economic sciences and are the center for a scientific change between 1960 and 1980. This change comes from the empiric social research where the critical use of techniques renew the scientific methodology - this use has been made possible by the increasing inputs from the state. This change concerns the sociology as an academic discipline too - ,it is redefined as a theoretical system or as a system of social problems which are scientifically delimited. The problematic situation of the sciences and of the sociology at the beginning of the 1980's results from this scientific figuration and from the processes which alter it
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Fauconnier, David. "L'esprit grotesque dans le cinéma espagnol, 1960-1965." Paris 8, 2003. http://www.theses.fr/2003PA082253.
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Il existe dans le cinéma espagnol des films se caractérisant par une représentation du monde et une forme de dérision singulières. On en trouve des manifestations dans l'histoire de l'art et de la littérature espagnoles. De nombreux commentaires critiques se réfèrent au grotesque pour décrire les sujets représentés et analyser l'esthétique de ces oeuvres. Cette thèse consiste à montrer que, de Buñuel à Almodovar, des réalisations significatives du cinéma espagnol relèvent d'un esprit grotesque. Son expression est particulièrement manifeste dans la période 1960-1965. C'est au début de cette décennie que furent réalisés El cochecito (Marco Ferreri, 1960), Viridiana (Luis Buñuel, 1961), El verdugo (Luis G. Berlanga, 1963) et El extraño viaje (Fernando Fernan-Gomez, 1964). L'analyse de ces œuvres tend ainsi à étudier le dispositif de mise en scène par lequel s'exprime un esprit grotesque au cinémaIn Spanish cinema there are movies characterised by a representation of the world and a form of derision which are unusual. They can be found in art history and Spanish literature. Several critical commentaries refer to the grotesque to describe the subject which are represented and to analyse the aesthetic of those art works. This thesis consists in showing that, from Buñuel to Almodovar, significant films of Spanish cinema comes within a grotesque spirit. It was particularly expressed from 1960 to 1965. It was at the beginning of this decade that were directed El cochecito (Marco Ferreri, 1960), Viridiana (Luis Buñuel, 1961), El verdugo (Luis G. Berlanga, 1963) and El extraño viaje (Fernando Fernan-Gomez, 1964). Therefore, the analyse of those works aims at studying the set of production through which the grotesque spirit in cinema is expressed
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McDanel, Rodney A. "Minorities, gender, managerial jobs, and income, 1960-1990." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2882/.
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Changes in income and representation in managerial occupations is explored separately for women and men among the United States' eight largest race/ethnic minority groups for each decennial census of 1960, 1970, 1980 and 1990 to determine how much change has occurred between 1960 and 1990 in race and ethnic inequality, and in gender inequality within each race/ethnic group. Insights from gender theory are applied to minority group inequality and insights from minority group theory are applied to gender inequality with some degree of success. Economic change is uneven among the groups, with the largest specific change being the movement of women into managerial jobs. A clear pattern also emerged indicating that the higher the average representation of a minority group in managerial jobs, the greater the gap between women and men. The income of all persons with income, however, did not exhibit such a clear pattern across the different groups.
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Paulhan, Camille. "Du périssable dans l'art des années 1960-1970." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010547.
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Ce travail traite d'une rematérialisation de l'œuvre d'art au cours des années 1960 et 1970, à travers l'usage de matériaux périssables, tels que les déchets, les aliments ou encore les fluides corporels. Nous distinguons nettement pour cette recherche le périssable de l'éphémère, de par la tendance du premier à durer et à vieillir, à se dégrader sans forcément aller vers sa complète disparition. Cette thèse a pour point de départ la façon dont de nombreux artistes, de Dieter Roth à Daniel Spoerri en passant par Ed Ruscha, Arman, Gordon Matta-Clark, Dorothée Selz ou Roy Adzak, ont envisagé ces nouvelles matérialités; elle évoque le rapport parfois ambigu entretenu par ces artistes avec le musée, à travers des stratégies entristes ou anti-institutionnelles. Une première partie, « la poubelle ». vient poser les jalons de la contestation du musée par le biais du périssable; la deuxième, « la conserve», s'intéresse aux démarches parodiant le caractère enfermant de l'institution; enfin, la dernière partie, intitulée « la relique» s'attache à la dimension plus cultuelle du musée, les œuvres périssables se transformant en reliques de l'artisteThis research deals with a rematerialisation of the work of art during the 1960s and 1970s, through the use of perishable materials, such as waste, food or corporal fluids. Within this work, I clearly make a difference between the perishable and the ephemeral, since the first has a tendency to last and age, to degrade without necessarily tend to its total disappearance. For the starting point of this PhD, I chose the way several artist - from Dieter Roth to Daniel Spoerri to Ed Ruscha, Arman, Gordon Matta-Clark, Dorothée Selz or Roy Adzak - have considered these new materialities; I evoke the relation, sometimes ambiguous, maintained by these artists with the museum, through entryist or anti-institutional strategies. A first part, "the dustbin", establishes the groundwork of the contestation of the museum through the use of the perishable; the second once, "the can", is interested in the approaches that parody the imprisoning aspect og the institution; finally, the last part, entitled "the relic" is dedicated to the more religious dimension of the meseum : the perishable works of art transform into relics of the artists
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Lindvert, Jessica. "Feminism som politik : Sverige och Australien 1960-1990 /." Umeå : Boréa, 2002. http://books.google.com/books?id=ZZE_AAAAMAAJ.
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Waser, Anne-Marie. "Sociologie du tennis : genèse d'une crise : 1960-1990 /." Paris : l'Harmattan, 1995. http://catalogue.bnf.fr/ark:/12148/cb35767401n.
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Yoo, Jae-Kil. "Le Groupe de recherche d'art visuel, 1960-1968." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37610818v.
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Romero, Leon Jorge. "La Critique littéraire vénézuélienne des années 1960-1970." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376182540.
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Kassianides, Yoann. "La politique étrangère américaine à Chypre, 1960-1967 /." Paris ; Budapest ; Torino : l'Harmattan, 2005. http://catalogue.bnf.fr/ark:/12148/cb399924238.
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Ponton, Anthony W. "John F. Kennedy and West Virginia, 1960-1963." Huntington, WV : [Marshall University Libraries], 2004. http://www.marshall.edu/etd/descript.asp?ref=416.
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NASCIMENTO, Angela Cristina Moreira do. "Sudene, informação e educação em Pernambuco, 1960-1980." Universidade Federal de Pernambuco, 2011. https://repositorio.ufpe.br/handle/123456789/1353.
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Previous issue date: 2011O trabalho analisa a produção de informações sobre educação, elaborada pela Sudene, por meio de documentos institucionais produzidos durante os anos 1960 1980. Teve como pressuposto o uso das informações na adoção de políticas públicas e, como consequência, a alteração dos índices de escolaridade no Estado de Pernambuco. A Sudene, instituição escolhida como objeto de trabalho, é emblemática na história do Nordeste e, particularmente na de Pernambuco, por ter sido o Estado escolhido para sediá-la, a partir do final dos anos 50. Desde sua criação, quando o Brasil vivia várias crises: econômica, política e social, a trajetória da Sudene foi permeada de várias crises como o Golpe Militar de 1964; a reforma constitucional, que retirou os recursos vinculados, enfraquecendo-a financeiramente; e a redemocratização, com a volta de profissionais alijados pelo governo militar. A Sudene, que representou a esperança nordestina por dias melhores, fora concebida com ousadia e inovação e foi em certo momento um espaço democrático do debate sobre a questão regional. Tentamos identificar a possível usabilidade das informações, os mecanismos de divulgação e acesso, face à disponibilidade tecnológica, da qual, aliás, a autarquia sempre foi precursora e porque seu considerável estoque informacional acumulado ao longo de seu funcionamento não é tornado público devidamente, no sentido do acesso como apropriação cidadã, apesar das constantes inovações tecnológicas como veículo de divulgação. O ponto focal da pesquisa foi a área de educação, como elemento imprescindível ao desenvolvimento e consequente bem estar social da população do Nordeste
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Mainville, Amélie. "La vie musicale à Trois-Rivières, 1920-1960." Thèse, Université du Québec à Trois-Rivières, 2006. http://depot-e.uqtr.ca/1606/1/000132294.pdf.
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