Academic literature on the topic '1939-1945 Literature and the war'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1939-1945 Literature and the war.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "1939-1945 Literature and the war"

1

Verma, Neil. "Writing the radio war: Literature, radio and the BBC, 1939–1945." Journal of Radio & Audio Media 26, no. 1 (January 2, 2019): 187–89. http://dx.doi.org/10.1080/19376529.2019.1570658.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Böhler, Jochen, and Jacek Andrzej Młynarczyk. "Collaboration and Resistance in Wartime Poland (1939–1945) – A Case for Differentiated Occupation Studies." Journal of Modern European History 16, no. 2 (May 2018): 225–46. http://dx.doi.org/10.17104/1611-8944-2018-2-225.

Full text
Abstract:
Collaboration and Resistance in Wartime Poland (1939-1945) - A Case for Differentiated Occupation Studies This article aims to diffenenciate the often simplistic depiction of war and occupation in Europe between 1939 and 1945 as a fight of good against evil. Such a description can be found not only in popular culture, but also, though less blatantly, in historical literature. Without questioning the overall responsibility of the Axis powers for the horrendous crimes committed during the war, this article argues for a more nuanced approach that takes into account the often complex nature of interaction between the occupiers and the occupied. Instead of invoking moral judgment, the authors aim to prioritize the historical analysis of the reality of Poland's occupation by the Nazis, recognizing that the parties involved had their own agency and often conflicting agendas. The authors apply this approach to two major phenomena: collaboration with, and resistance against the occupying forces. It thereby becomes clear that violence was exchanged not only between the occupants and the occupied, but also between different political and ethnic groups of the Polish society.
APA, Harvard, Vancouver, ISO, and other styles
3

Dinsman, Melissa. "Writing the Radio War: Literature, Politics, and the BBC. 1939–1945 by Ian Whittington." Modernism/modernity 28, no. 1 (2021): 202–4. http://dx.doi.org/10.1353/mod.2021.0005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Chan, Julia. "Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War." Modernist Cultures 17, no. 3-4 (November 2022): 297–318. http://dx.doi.org/10.3366/mod.2022.0376.

Full text
Abstract:
This article examines W. H. Auden and Christopher Isherwood’s co-authored travelogue, Journey to a War (1939), as a product of the interwar global left culture, exemplified by the Popular Front campaign that spanned Europe and Asia (1936–1939). Set out to observe and report on the Sino-Japanese War (1937–1945), a less popular but more exotic alternative to the contemporaneous Spanish Civil War, the two writers found themselves caught in the impossible task of reconciling the ravages of war with images of Shangri-La that mediated Popular Front discourses on wartime China. Nonetheless, Auden and Isherwood’s difficult negotiations with Orientalist discourses also made the text a generative site for translations, exchanges and appropriations. This essay offers an account of the travelogue’s composition and contemporary reception in China, how it became a composite, mobile text.
APA, Harvard, Vancouver, ISO, and other styles
5

Ławniczak, Sonia. "Diary Writing during the Second World War in Sweden. Astrid Lindgren’s War Diaries 1939-1945." Revue belge de philologie et d'histoire 98, no. 3 (2020): 733–52. http://dx.doi.org/10.3406/rbph.2020.9433.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hangen, Tona. "The Songs That Fought the War: Popular Music and the Home Front, 1939?1945." Journal of Popular Culture 40, no. 3 (June 2007): 560–61. http://dx.doi.org/10.1111/j.1540-5931.2007.00411.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Sowiński, Andrzej J. "Przetrwać i zachować tożsamość. O pedagogii instytucji opiekuńczo-wychowawczych dla dzieci i młodzieży w Warszawie (1939-1945)." Język. Religia. Tożsamość. 1, no. 23 (December 15, 2021): 89–97. http://dx.doi.org/10.5604/01.3001.0015.6150.

Full text
Abstract:
It’s not easy to discuss,and think about the pedagogy when the nation suffers during the military conflict and invasion, which was the case of Poland during the Second World War – during such dramatic times the priority is survival. However, many years after the war, it is worth pointingout the effort and the dedication of teachers/educators who stayed with their students until the end. They remained in schools, orphanages and other educational institutions where kids could need them. Based on documents, literature and the personal experiencesof the author, the paper “Survive and save your identity” describes in a detail the activity of the Female Scouts who were the part of the RGO, an Organisation For the Youth of Warsaw in the years 1939-1945. The article manifests the importance of pedagogical and moral principles during the nations fight for survival.
APA, Harvard, Vancouver, ISO, and other styles
8

Марцинкявичюс, Андрюс. "Professor A. A. Sokolsky – A Russian Emigrant from Lithuania Who Rewrote the History of Saint-Petersburg in Florida." Literatūra 64, no. 2 (December 14, 2022): 8–27. http://dx.doi.org/10.15388/litera.2022.64.2.1.

Full text
Abstract:
The article explores biography and various aspects of public activity of the Russian refugee from Lithuania, lawyer, professor of Russian language and literature at the University of South Florida Anatole Sokolsky (1993–2006). Memoirs and articles published by him in the USA were used as the basic empirical material and the documents from the Lithuanian Central State Archive and private collection of the Sokolsky family served as auxiliary sources for the research. There is a lack of studies that analyze the history of representatives of Russian intelligentsia who were forced to escape Lithuania in the period of World War II (from 1939 to 1945) because of the danger of the Soviet regime. Publications by Sokolsky do not represent an example of professional literature, but it allows us to find out more not only about personal destiny and worldview of the author, the results of his social activities in favor of the Russian diaspora, but also about the life of Russian intelligentsia in the periods of interwar, World War II and emigration to the West.
APA, Harvard, Vancouver, ISO, and other styles
9

Malé, Jordi. "“Remaining for the moment without an audience”: The Literary and Civil Commitment of Carles Riba." Journal of Catalan Intellectual History 1, no. 11 (October 1, 2017): 33–42. http://dx.doi.org/10.1515/jocih-2016-0003.

Full text
Abstract:
AbstractCarles Riba (1893–1959) wrote several articles in which he showed his commitment to literature and reflected on the role of literature in society, as “Socrates in front of the judges” (1926), “Politicians and Intellectuals” (1927), “Literature and Rescuing Groups” (1938) and the presentations of the Revista de Catalunya (1939 and 1955). Many of these texts were written in turbulent political contexts: the dictatorship of Primo de Rivera (1923–1929), the Spanish Civil War (1936–1939) and the post-war period under Franco (1939–1959). The aim of this paper is to study these articles and analyse Riba’s view of writers and intellectuals.
APA, Harvard, Vancouver, ISO, and other styles
10

Hubert, Rosario. "World Literature, Diplomacy, and War." Journal of World Literature 2, no. 4 (2017): 475–87. http://dx.doi.org/10.1163/24056480-00204003.

Full text
Abstract:
The Belgian poet Henri Michaux (1899–1984) visited Argentina in 1936 as guest of honor of the first South American PEN Club Congress. After publishing his impressions of the country in 1938 in an essay that the Argentinean officials considered utterly “undiplomatic” he was denied permission to return in 1939. This article explores the double function of diplomacy as institutional practice and rhetorical gesture by situating Michaux’s essay within a network of interwar textualities, namely, nationalist narratives of the South American landscape and emerging protocols of ethnographic discourse. This approach highlights international channels of circulation of literary texts and imaginaries beyond academia and the market that have not been significantly explored in debates on world literature in the Latin American context.
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "1939-1945 Literature and the war"

1

Whittington, Ian. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=119399.

Full text
Abstract:
The social and political transformations of the Second World War in Britain required a massive coordination of public opinion and effort. "Writing the Radio War: British Literature and the Politics of Broadcasting, 1939-1945" examines the mobilization of British writers through their involvement in radio broadcasting. Drawing on theories of mass communication from the 1930s to the present day, this dissertation argues that the power of radio as a medium of propaganda and national identity-formation lay in its ability to generate an aura of intimacy that encouraged listener identification with the national community. Capitalizing on this intimacy, writers imagined listening publics that were at odds with official projects of national unity. Confronted with the Anglophone fascism of pro-Nazi broadcaster William Joyce, Nancy Mitford and Rebecca West used their writings to neutralize the threat of autochthonous extremism by depicting Joyce as a laughable ideological non-national subject. Even among patriotic Britons, political fractures appeared, as when J.B. Priestley used his radio "Postscripts" to frame debates about postwar British society along socialist lines. In the mixed documentary-dramatic genre of the radio "feature," Louis MacNeice modelled collective gain through collaborative effort in The Stones Cry Out, Alexander Nevsky, and Christopher Columbus. On the Overseas Service, George Orwell and E.M. Forster attempted subtle compromises to keep Indian listeners loyal to the Empire, while Jamaican poet Una Marson repurposed the BBC's networks in order to imagine alternative communities. Marson turned the program Calling the West Indies into an incubator for a vibrant Caribbean literary scene. Collectively, these writers used the wireless to guide British listeners through the social and political changes brought on by the war: having entered the conflict as an imperial nation riven by class and ideology, Britain emerged ready to embark on the massive social experiment of the multicultural postwar welfare state with a renewed sense of possibility and promise.
Les transformations sociales et politiques de la deuxième guerre mondiale en Grande-Bretagne ont nécessité une mobilisation énorme d'opinion et d'effort publique. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945" examine la participation des écrivains britanniques dans cette mobilisation au niveau de leur engagement dans la radiodiffusion. Cette thèse utilise diverses théories de communication datant des années 1930 jusqu'au présent pour démontrer la puissance de la radio comme moyen de propagande et de gestion d'identité nationale en raison de sa capacité d'engendrer une semblance d'intimité entre les auditeurs et leur communauté nationale. Les écrivains de cette période ont pris avantage de cette intimité pour imaginer des publiques qui contredisaient les projets officiels d'unification nationale. Face au fascisme anglophone de William Joyce, un propagandiste pronazi, Nancy Mitford et Rebecca West se sont servies de leurs écrits pour rendre neutre la menace d'une extrémisme autochtone en décrivant Joyce comme une aberration idéologique, risible et étranger. Les divisions politiques sont apparues même parmi les Britanniques patriotiques; avec son programme "Postscripts" sur la BBC, J.B. Priestley a poursuit un avenir socialiste pour la Grande Bretagne, ce qui contrevenait les intentions du gouvernement pendant la guerre. Avec ses productions documentaires et dramatiques, incluant The Stones Cry Out, Alexander Nevsky, et Christopher Columbus, Louis MacNeice a modelé un processus de travail collectif au bénéfice du collectif. Dans le Overseas Service du BBC, George Orwell et E.M. Forster tentaient des compromis subtils pour assurer la fidélité des auditeurs indiens à l'Empire Britannique. La poète jamaïquaine Una Marson a profité des réseaux impériaux pour imaginer des communautés autres que celui de l'Empire en transformant le programme Calling the West Indies en incubateur pour une scène littéraire caraïbe dynamique. Ensemble, ces écrivains ont profité de la radiodiffusion pour piloter le public britannique à travers les changements sociopolitiques de la guerre. Ayant rentré dans la guerre une nation impériale fendu par l'idéologie et par les classes sociales, la Grande Bretagne est ressortie avec un esprit de possibilité et se trouvait prêt à embarquer sur la grande expérimentation de l'état social démocratique de caractère multiculturelle.
APA, Harvard, Vancouver, ISO, and other styles
2

Westerfield, Lillian Leigh. ""This anguish, like a kind of intimate song" : resistance in women's literature of World War II /." Amsterdam ; New York : Rodopi, 2004. http://catalogue.bnf.fr/ark:/12148/cb40037120p.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Turković, Dajana. ""Death to all fascists! liberty to the people!" : history and popular culture in Yugoslavia 1945-1990." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99611.

Full text
Abstract:
This essay analyzes the changing portrayal of Yugoslavia's World War II experience in music, film, and literature. It argues that the disappearance of unifying themes from the cultural sphere opened the doors to the popularization of controversial and divisive subjects. Shifting perceptions of how Yugoslavs fought and survived the Second World War contributed to the destruction of Yugoslavia.
The first chapter focuses on World War II in Yugoslavia. The second chapter discusses the early development of Yugoslav culture and its dependence on the Second World War. The third chapter follows the development of Yugoslav culture through the 1960s and 1970s when political liberalization promoted greater freedom in the arts. Aside from inspiring artists to address new themes and approach old themes from a fresh perspective, it also permitted the stirrings of political dissent. The fourth chapter addresses the disappearance of the Yugoslav idea from the cultural realm during the 1980s.
APA, Harvard, Vancouver, ISO, and other styles
4

Goudie, Teresa Makiko. "Intergenerational transmission of trauma and post-internment Japanese diasporic literature." Thesis, Goudie, Teresa Makiko (2006) Intergenerational transmission of trauma and post-internment Japanese diasporic literature. PhD thesis, Murdoch University, 2006. https://researchrepository.murdoch.edu.au/id/eprint/45/.

Full text
Abstract:
The thesis examines the literary archive of the Japanese diaspora in North America and uncovers evidence of an intergenerational transmission of trauma after the internment of all peoples of Japanese descent in America during World War Two. Their experience of migration, discrimination and displacement was exacerbated by the internment, the single most influential episode in their history which had a profound effect on subsequent generations. It is argued the trauma of their experiences can be located in their writing and, drawing on the works of Freud and trauma theoreticians Cathy Caruth and Ruth Leys in particular, the thesis constructs a theoretical framework which may be applied to post-internment Japanese diasporic writing to reveal the traces of trauma in all generations, traces that are linked to what Freud referred to as a posterior moment that triggered an earlier trauma which the subject may not have experienced personally but which may be lodged in her / her psyche. An examination of the literature of the Japanese diaspora shows that trauma is carried in the language itself and impacted upon the collective psyche of the entire community. The theoretical model is used to read the tanka poetry written by the immigrant generation, a range of texts by the first American-born generation (including an in-depth analysis of four texts spanning several decades) and the texts written by the third-generation, many of whom did not experience the internment themselves so their motivation and the influence of the internment differed greatly from earlier generations. The thesis concludes with an analysis of David Mura's identification of the link between identity, sexuality and the influence of the internment experience as transmitted by his parents. The future of the Japanese American community and their relationship with their past traumatic experience also makes its way into the conclusion.
APA, Harvard, Vancouver, ISO, and other styles
5

Goudie, Teresa Makiko. "Intergenerational transmission of trauma and post-internment Japanese diasporic literature." Goudie, Teresa Makiko (2006) Intergenerational transmission of trauma and post-internment Japanese diasporic literature. PhD thesis, Murdoch University, 2006. http://researchrepository.murdoch.edu.au/45/.

Full text
Abstract:
The thesis examines the literary archive of the Japanese diaspora in North America and uncovers evidence of an intergenerational transmission of trauma after the internment of all peoples of Japanese descent in America during World War Two. Their experience of migration, discrimination and displacement was exacerbated by the internment, the single most influential episode in their history which had a profound effect on subsequent generations. It is argued the trauma of their experiences can be located in their writing and, drawing on the works of Freud and trauma theoreticians Cathy Caruth and Ruth Leys in particular, the thesis constructs a theoretical framework which may be applied to post-internment Japanese diasporic writing to reveal the traces of trauma in all generations, traces that are linked to what Freud referred to as a posterior moment that triggered an earlier trauma which the subject may not have experienced personally but which may be lodged in her / her psyche. An examination of the literature of the Japanese diaspora shows that trauma is carried in the language itself and impacted upon the collective psyche of the entire community. The theoretical model is used to read the tanka poetry written by the immigrant generation, a range of texts by the first American-born generation (including an in-depth analysis of four texts spanning several decades) and the texts written by the third-generation, many of whom did not experience the internment themselves so their motivation and the influence of the internment differed greatly from earlier generations. The thesis concludes with an analysis of David Mura's identification of the link between identity, sexuality and the influence of the internment experience as transmitted by his parents. The future of the Japanese American community and their relationship with their past traumatic experience also makes its way into the conclusion.
APA, Harvard, Vancouver, ISO, and other styles
6

Isherwood, Ian Andrew. "The greater war : British memorial literature, 1918-1939." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3462/.

Full text
Abstract:
This thesis concerns non-fiction ‘war books’ published in the inter-war period. War books were mostly written by participants in the First World War who contributed to Britain’s memory culture afterwards through the publication of their accounts. The war books catalogue represents diversity in terms of the experiences depicted and the geographic locations represented. Though they went through distinctive periods of popularity, war books were published throughout the inter-war period, and in great numbers. The publishing industry was receptive to martial literature and encouraged its publication. The breadth of the war books catalogue challenges the cultural uniformity of an ‘age of disillusionment’ by demonstrating the different ways that the war was remembered by its participants. War books had widespread interpretative breadth on the meaning of the war to veterans/participants in the years afterwards.
APA, Harvard, Vancouver, ISO, and other styles
7

Smihula, John Henry. ""Where a thousand corpses lie" critical realism and the representation of war in American film and literature since 1960 /." abstract and full text PDF (free order & download UNR users only), 2008. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3339147.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Boykin, Dennis Joseph. "Wartime text and context Cyril Connolly's Horizon /." University of Sydney, 2007. http://hdl.handle.net/2123/1959.

Full text
Abstract:
Doctor of Philosophy (PhD)
This thesis examines the literary journal Horizon, its editor Cyril Connolly, and a selection of its editorial articles, poems, short stories and essays in the context of the Second World War, from 1939-45. Analyses of these works, their representation of wartime experience, and their artistic merit, serve as evidence of a shared and sustained literary engagement with the war. Collectively, they demonstrate Horizon’s role as one of the primary outlets for British literature and cultural discourse during the conflict. Previous assessments of the magazine as an apolitical organ with purely aesthetic concerns have led to enduring critical neglect and misappraisal. This thesis shows that, contrary to the commonly held view, Horizon consistently offered space for political debate, innovative criticism, and war-relevant content. It argues that Horizon’s wartime writing is indicative of the many varied types of literary response to a war that was all but incomprehensible for those who experienced it. These poems, stories and essays offer a distinctive and illuminating insight into the war and are proof that a viable literary culture thrived during the war years. This thesis also argues that Horizon, as a periodical, should be considered as a creative entity in and of itself, and is worthy of being studied in this light. The magazine’s constituent parts, interesting enough when considered separately, are shaped, informed, and granted new shades of meaning by their position alongside other works in Horizon. Chapters in the thesis cover editorials and editing, poetry, short stories, political essays, and critical essays respectively. Analyses of individual works are situated in the context of larger concerns in order to demonstrate the coherence of debate and discourse that characterised Horizon’s wartime run. In arguing that Horizon is a singular creative entity worthy of consideration in its own right, this thesis locates itself within the emerging field of periodical studies. Further, by arguing that the magazine demonstrates the value of Second World War literature, it articulates with other recent attempts to reassess the scope and quality of that literature. More specifically, this thesis offers the first focused and in-depth analysis of Horizon’s formative years.
APA, Harvard, Vancouver, ISO, and other styles
9

Brunetaux, Audrey. "Charlotte Delbo une ecriture du silence /." Diss., Connect to online resource - MSU authorized users, 2008.

Find full text
Abstract:
Thesis (Ph. D.)--Michigan State University. Dept. of French, Classics and Italian, 2008.
Title from PDF t.p. (viewed on Apr. 1, 2009) Includes bibliographical references (p. 256-262). Also issued in print.
APA, Harvard, Vancouver, ISO, and other styles
10

Webb, Rosemary Ferguson. "Australian girl readers, femininities and feminism in the Second World War (1939-1945) a study of subjectivity and agency /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050706.111946/index.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "1939-1945 Literature and the war"

1

World War II: 1939-1945. New York, NY: AV2 by Weigl, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

World War II, 1939-1945. New York: Chelsea House, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Black, Hermann. World War II, 1939-1945. Redding, Conn: Brown Bear Books, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Global war: The Second World War, 1939-1945. Harlow, Essex, UK: Longman, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Termopile literackie: Polska 1939-1945. Warszawa: Instytut Wydawniczy Pax, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sokół, Zofia. Rzeszowska prasa konspiracyjna, 1939-1945. Rzeszów: Wydawn. Wyższej Szkoły Pedagogicznej w Rzeszowie, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

John Steinbeck: The war years, 1939-1945. Lewisburg: Bucknell University Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Wolny, Kazimierz. Reportaże wojenne Melchiora Wańkowicza: 1939-1945. Kielce: Tarcza, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

World War II. Minneapolis: Lerner Publications, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

1950-, Gay Martin, ed. World War II. New York: Twenty-First Century Books, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "1939-1945 Literature and the war"

1

Zeikowitz, Richard E. "The War Years: 1939–45." In Letters between Forster and Isherwood on Homosexuality and Literature, 87–134. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614147_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Czapliński, Przemysław. "Declaring War: Attitudes Toward the Years 1939–1945 in Polish Literature of the Post-1990s." In Germany, Poland, and Postmemorial Relations, 131–45. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137052056_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hammond, Andrew. "Beyond Containment: The Left-Wing Movement in Literature, 1945–1989." In The Palgrave Handbook of Cold War Literature, 123–42. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38973-4_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Maslen, Elizabeth. "‘Witness Literature’ in the Post-war Novels of Storm Jameson and Doris Lessing." In The History of British Women’s Writing, 1945–1975, 210–23. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1007/978-1-137-47736-1_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Carls, Alice-Catherine, and Stephen D. Carls. "The home fronts, 1939–1945." In Europe from War to War, 1914–1945, 291–329. Abingdon, Oxon : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315159454-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Douglas, Roy. "Japan, 1939-41." In The World War 1939–1945, 111–26. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003187998-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wunderlich, Bernhard. "Years of War, 1939–1945." In A Science Career Against all Odds, 34–66. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11196-9_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hentschel, Klaus. "Physics at War: 1939–1945." In Physics and National Socialism, 207–331. Basel: Springer Basel, 1996. http://dx.doi.org/10.1007/978-3-0348-0203-1_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Laurence, Patricia. "Snapshots of War (1939–1945)." In Elizabeth Bowen, 181–90. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71360-7_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Douglas, Roy. "Atlantic partnership, 1939-41." In The World War 1939–1945, 97–110. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003187998-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "1939-1945 Literature and the war"

1

Kroll, David. "The Other Architects Who Made London: Building Applications in Richmond 1886 -1939.” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3987pr6js.

Full text
Abstract:
Successive house building booms from the late 19th century until the Second World War shaped London’s built environment decisively. In terms of the sheer size of area covered, the dispersed, suburban London of terraced, semi- and detached houses that we know today was to a large extent created then, and much of it was built speculatively - by private firms for an assumed demand. Despite this legacy, the questions of who those involved in the design were and how they did it is an under-researched topic surrounded by assumptions that are often difficult to substantiate. Speculative housing of the period has long been regarded as an example of vernacular architecture, made by craftsmen using standard templates, so-called pattern books, without architect’s or otherwise professional involvement. The idea – in its extreme, ‘ultra’ form - is that designers were hardly necessary, as builders could simply copy house designs found in popular books and build from these. This idea of house building without architects or designers is also reflected in some of the literature but has been questioned more recently in academic research. This paper will discuss the key occupations involved in the design and planning of speculative housing 1880s – 1939 through a survey of Building Applications for Richmond. These can only be understood in the context of its working world where boundaries between building and design roles were often less specialized than today. The evidence suggests that housing design was not as standardised as it appears, by simply reusing templates, but that much of it was in fact designed, usually for a number of dwellings at a time - by builders, architects and also by other professionals. These were the other ‘architects’ who made the London we know today.
APA, Harvard, Vancouver, ISO, and other styles
2

Isupov, V. "Birth Rate and Marriage in Wartime Conditions (Rear Population of the RSFSR), 1939-1945." In XIII Ural Demographic Forum. GLOBAL CHALLENGES TO DEMOGRAPHIC DEVELOPMENT. Institute of Economics of the Ural Branch of RAS, 2022. http://dx.doi.org/10.17059/udf-2022-1-10.

Full text
Abstract:
Historical demography in Russia as a scientific field is experiencing rapid growth. Since the late 1980s, numerous works have been published on various issues of demographic history. Considerable attention is now being paid to the demographic aspects of the World War II. While the issue of human losses in the USSR is of great interest, much less attention is drawn to the problem of population reproduction in 1939-1945. Simultaneously, reproduction processes underwent such a significant distortion during the war years that they should be taken into account when determining the scale of the demographic catastrophe that shook Russia. The main purpose of this article is to identify the leading trends and features of marriage and birth rate of the Russian population during the World War II.
APA, Harvard, Vancouver, ISO, and other styles
3

Eryücel, Ertuğrul. "A Comparative Analysis on Policy Making in Western Countries and Turkey in the Context of Eugenics." In International Conference on Eurasian Economies. Eurasian Economists Association, 2017. http://dx.doi.org/10.36880/c08.01847.

Full text
Abstract:
The word eugenics was coined in 1883 by the English scientist Francis Galton, who took the word from a Greek root meaning “good in birth” or “noble in heredity”. Eugenics aimed to assist states in implementing negative or positive policies which would improve the quality of the national breed. The intensive applications of eugenic policies coincide between two World Wars. İn the decades between 1905 and 1945, eugenics politics implemented in more than thirty countries. The method of this study is based on a literature survey on the sources of the eugenic subject. The sources of the data are documents such as books, articles, journals, theses, projects, research reports about the politics and legal regulations of the countries on the family, population, sport, health and body. This study comparatively examines eugenic policy-making in Turkey and in Western countries: Britain, United States, France, Germany (1905-1945). This study aims to discuss the relation of eugenic politics in countries with nation building process, ethnic nationalism, and racism. This is a basic claim that the eugenic practices in Turkey contain more positive measures and that there is no racial-ethnic content of eugenics in Turkey.
APA, Harvard, Vancouver, ISO, and other styles
4

"The Three-Hundred-Year Demographic History of Ekaterinburg: Sources and Historiography." In XII Ural Demographic Forum “Paradigms and models of demographic development”. Institute of Economics of the Ural Branch of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.17059/udf-2021-1-12.

Full text
Abstract:
The paper presents the results of the historical study of the population formation in Ekaterinburg over a 300-year period. Historical sources and the process of accumulating knowledge about the number of city residents were examined. Analysis of population data revealed that the process of collecting demographic information on Russia (and, accordingly, on Ekaterinburg) took a century and a half (from the 18th century until almost the 1870s). The role of the head of the Ekaterinburg mining plants, academician I. F. Herman, in the development of population tables is shown. Since 1873, when the first one-day census of the city’s population was conducted, and then 1887, statistical and demographic information has become representative. The main source for examining the population formation of the city were the censuses of 1897, 1920, 1923, 1926, 1931, 1937, 1939, 1959, 1979, 1989, 2002, 2010, as well as the current population records. A brief review of historical literature showed that the study of the population of Ekaterinburg is in its infancy.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography