Relevant bibliographies by topics / 1937-1972

Academic literature on the topic '1937-1972'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "1937-1972"

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Meira Carneiro Bellini, Nerynei. "«A primeira só» e «Palacio de muñecas»: encontros estéticos em narrativas de Colasanti e Esteban Erlés." Brumal. Revista de investigación sobre lo Fantástico 10, no. 2 (January 16, 2023): 269–91. http://dx.doi.org/10.5565/rev/brumal.772.

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Este artigo traz uma análise temático-formal que coteja duas ficções flash fantásticas: «A Primeira Só» (1979), da escritora ítalo-brasileira Marina Colasanti (1937), e «Palacio de muñecas» (2012/2016), da autora espanhola Patricia Esteban Erlés (1972). O objetivo desta investigação, de cunho bibliográfico, é demonstrar que, em ambas as narrativas, são revitalizados aspectos estruturais dos contos de fada tradicionais, resultando em reflexões importantes sobre o papel social das mulheres. Do embasamento teórico-crítico constam relevantes conceitos de David Roas (2017, 2020), Zipes (2015), Coelho (2012), Bourdieu (2012), Zolin (2009), Propp (1972, 2006), Todorov (1992), Showalter (1985), Held (1980), Beauvoir (1980, 2019), Candido (1972, 1974), Jolles (1972), Mabille (1940), entre outros. Demonstra-se, por fim, que esses microrrelatos, independentemente dos diferentes contextos de produção, empreendem recursos estéticos semelhantes e contribuem para a fruição e reflexão do leitor contemporâneo.
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Dziri, M. "A Class of Integral Operators and Bessel Plancherel Transform on." Journal of Function Spaces and Applications 2012 (2012): 1–15. http://dx.doi.org/10.1155/2012/419578.

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For the relation between Bessel Plancherel transform and a wide class of integral operators we establish some results generalizing the corresponding results for the cosine transform, given by Goldberg (1972) and Titchmarsh (1937). Building on these results we obtain a new properties of certain well-known integral transforms associated with the eigenfunction of the Bessel differential operator defined on (0, ∞) by , . We also construct a class of integral operators which commute with Bessel Plancherel transform.
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Coakley, John. "Resolving international border disputes: The Irish experience." Cooperation and Conflict 52, no. 3 (January 17, 2017): 377–98. http://dx.doi.org/10.1177/0010836716684881.

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This article explores the value of a specific model of norm replacement in accounting for the circumstances leading to Ireland’s Good Friday agreement (1998), which formally and finally settled the long-running territorial dispute between Ireland and the United Kingdom (UK). Drawing on the theoretical literature, it identifies three phases in this process. First, from the creation of the Irish Free State in 1922 until the civil unrest in Northern Ireland peaked in 1972 the irredentist norm was substantially unchallenged. It was embedded in the 1937 constitution, which defined the national territory as extending over the whole island of Ireland – including Northern Ireland, a part of the UK. The second phase, from about 1972 to 1998, was one of norm competition. The irredentist norm was severely challenged by new political realities in Northern Ireland, and was potentially destabilising for the state itself. It was increasingly challenged by an alternative ‘consent’ norm, one embracing in effect the geopolitical status quo. The third phase, from 1998 onwards, was one of consolidation of the new norm, now written into the Irish constitution to replace the wording of 1937. The article suggests that this model plays a valuable role in accounting for the changing status of the Irish border, but also that the Irish experience has implications for the broad shape of the model.
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Abreu, Luciano Aronne de, and Luis Rosenfield. "CONSERVADORISMO, AUTORITARISMO E LEGITIMAÇÃO POLÍTICA DO ESTADO NOVO: NOTAS SOBRE OS “COMENTÁRIOS À CONSTITUIÇÃO DE 1937” DE PONTES DE MIRANDA." Novos Estudos Jurí­dicos 24, no. 3 (December 9, 2019): 736. http://dx.doi.org/10.14210/nej.v24n3.p736-756.

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Em que pese a vasta historiografia existente sobre o Estado Novo, o mesmo não se pode dizer a respeito da Constituição de 1937, sobre a qual os estudos existentes são ainda muito pouco numerosos. O eloquente silêncio a seu respeito talvez se deva a um comum desprezo de juristas e historiadores por essa Carta, geralmente vista como obra pessoal de Francisco Campos e mero instrumento de legitimação do regime. Ao contrário disso, porém, a Constituição de 1937 deve ser inserida no contexto mais amplo e complexo do debate político e jurídico que se travou no Brasil desde a década de 1920 a respeito da crise do liberalismo, de sua inadequação à realidade nacional e da formulação de um novo modelo político-institucional e jurídico para o país, de tipo autoritário e corporativista. Sob o ponto de vista estritamente jurídico e constitucional, pode-se dizer que a Constituição de 1937 é uma não Constituição que se limitou ao período do Estado Novo e, ainda assim, sem que pudesse ter o seu modelo completamente implementado pelo regime. Já em termos políticos, pode-se dizer que essa Constituição representa, ao mesmo tempo, uma síntese e uma tentativa de institucionalização do pensamento conservador-autoritário brasileiro do período. Ao longo desse estudo, portanto, se propõe uma análise dos fundamentos de legitimidade jurídica e política da Constituição de 1937 sob o olhar de Francisco Cavalcanti Pontes de Miranda (1892-1972), um dos principais juristas contemporâneos brasileiros e dos poucos comentadores daquela Carta
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Rodenbeck, Judith. "Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space." ARTMargins 11, no. 1-2 (February 2022): 50–80. http://dx.doi.org/10.1162/artm_a_00319.

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Abstract From 1972 to 1977 the West German artist Marianne Wex (1937-2020) undertook an extensive photographic research project that eventually was published as a book: Let's Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures (1979). Both visual analysis and homeopathic demonstration of the patriarchal state's performative effect on somatic physical expression, the book is as much a work of renegade feminist sociology as it is a work of photo-conceptualism. This essay performs an archaeology of Let's Take Back Our Space, reading it in the context of contemporaneous aestheticopolitical discourses, including feminist autodidacticism.
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LEWIS, JOHN G. E. "A revision of the rugulosus group of Otostigmus subgenus Otostigmus Porat, 1876 (Chilopoda: Scolopendromorpha: Scolopendridae)." Zootaxa 2579, no. 1 (August 30, 2010): 1. http://dx.doi.org/10.11646/zootaxa.2579.1.1.

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To facilitate a revision of Otostigmus (Otostigmus) which currently comprises 61 species, the subgenus is here subdivided into nine species groups based on Attems’ (1930a) monograph. The largest, the rugulosus group, is the subject of this paper. In most cases, the type material is redescribed and variation discussed. The following species are valid: Otostigmus rugulosus Porat, 1876, O. spinosus Porat, 1876, O. astenus (Kohlrausch, 1881), O. punctiventer (Tömösváry, 1885) (lectotype designated), O. olivaceus Attems, 1934, O. noduliger Verhoeff, 1937 (lectotype designated), O. angusticeps schindleri Würmli, 1972, O. martensi Lewis, 1992, and O. beroni Lewis, 2001. O. feae Pocock, 1891, O. fossuliger Verhoeff, 1937 and O. rugulosus striaturatus Verhoeff, 1937 are retained as valid but more data are required to establish their true status. Reasons for previous confusion between O. rugulosus and O. scaber Porat, 1876 are discussed as are reasons for specimens of O. astenus being identified as O. punctiventer and some O. punctiventer as O. spinosus. A lectotype is designated for Otostigmus armatus Attems, 1958 which is a junior subjective synonym of O. multidens Haase, 1887. Otostigmus owenii Pocock, 1892, is a junior subjective synonym of O. rugulosus and O. lewisi Song et al., 2005 a junior subjective synonym of O. beroni. Otostigmus rugulosus var. mertoni Ribaut, 1912, O. celebensis Attems, 1934, and O. dammermani Chamberlin, 1944, are nomina dubia. A key to the species is provided.
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Klee. "Assembling “The Camp”: Agricultural Labor and the Wartime Carceral State in Chesterfield, Missouri, 1937–1972." Agricultural History 95, no. 4 (2021): 633. http://dx.doi.org/10.3098/ah.2021.095.4.633.

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Bleaney, Brebis. "Sir Mark (Marcus Laurence Elwin) Oliphant, A.C., K.B.E. 8 October 1901 – 14 July 2000." Biographical Memoirs of Fellows of the Royal Society 47 (January 2001): 383–93. http://dx.doi.org/10.1098/rsbm.2001.0022.

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Marcus Oliphant was a gifted physics student from the University of Adelaide who came to work with Rutherford in Cambridge for his doctorate. In 1937 he became Poynting Professor of Physics at the University of Birmingham, where he promoted the development of centimetre–wave research for radar and was active in connection with the atomic bomb. He returned to Australia in 1950 as Professor of the Physics of Ionized Gases in Canberra, but his efforts there to achieve a thermonuclear reaction were unsuccessful. He became the founding President of the Australian Academy of Sciences, received a knighthood in 1959 and was appointed Governor of Southern Australia in 1972.
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Mavko, Gary, and Amos Nur. "The effect of a percolation threshold in the Kozeny‐Carman relation." GEOPHYSICS 62, no. 5 (September 1997): 1480–82. http://dx.doi.org/10.1190/1.1444251.

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One of the most important properties of reservoir rocks, and perhaps the most difficult to predict, is permeability. Laboratory studies have shown that permeability depends on a long list of parameters: porosity, pore size and shape, clay content, stress, pore pressure, fluid type, saturation—a nearly overwhelming complexity. In spite of this, the essential behavior can often be expressed successfully using the remarkably simple Kozeny‐Carman (Kozeny, 1927; Carman, 1937, 1956; Bear, 1972; Scheidegger, 1974) relation [Formula: see text]where κ is the permeability, ϕ is the porosity, S is the specific surface area (pore surface area per volume of rock), and B is a geometric factor.
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Quesney, Chantale. "« Un foyer pour chaque enfant ! »." Revue d’histoire de l’Amérique française 65, no. 2-3 (August 29, 2013): 257–82. http://dx.doi.org/10.7202/1018246ar.

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La Société d’adoption et de protection de l’enfance à Montréal fut, de 1937 à 1972, la plus importante agence de placement « hors murs » de la province. Pionnière dans le domaine au Québec, elle aura oeuvré à l’implantation des conditions légales et minimales nécessaires à la désinstitutionnalisation adéquate des enfants sans famille. De fait, le passage du placement asilaire comme mode de protection privilégié à celui en foyer d’accueil ou d’adoption, soulève des enjeux juridiques nouveaux tout comme il appelle la mise en place de pratiques et de savoirs inédits. Dans le cadre de cet article, nous nous concentrons sur deux de ceux-ci, à savoir la tutelle tierce et la technique du casework.
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Dissertations / Theses on the topic "1937-1972"

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Lewis, Jeffrey William. "Continuity in German science, 1937-1972 : genealogy and strategies of the TMV/molecular biology community." Connect to resource, 2002. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1259777082.

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Bailey, James A. "Hype, headlines and high profile cases : J. Edgar Hoover, print media and the career trajectories of top North Carolina G-Men, 1937-1972." Thesis, Swansea University, 2003. https://cronfa.swan.ac.uk/Record/cronfa42260.

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This thesis examines the relationship between J. Edgar Hoover and North Carolina State Bureau of Investigation directors and their career trajectories from 1937 to 1972 as a result of their public relations practices in high profile case investigations in the print media. Although researchers argue that leadership characteristics impact law enforcement executives' careers, an overlooked component is the relationship between directors' career trajectories and print media when reporting on high profile cases. This thesis examines the consequences of high profile case investigations in the print media and directors' career trajectories. Namely, J. Edgar Hoover and State Bureau of Investigation directors' career trajectories are examined to demonstrate how directors used the print media to prolong their tenure. This thesis argues that State Bureau of Investigation directors modeled their public relations style in the print media and high profile investigations after Hoover's in order to accomplish a positive career trajectory. This thesis also argues that career trajectory outcomes of State Bureau of Investigation directors who emulated Hoover's style of using the print media in high profile investigations were distinguished by prolonged career tenures. State Bureau of Investigation directors less efficacious in emulating Hoover's style were characterized with negative career trajectories. In order to better understand this career advancement outcome, the research problem is examined on the basis of a triangular relationship between Hoover's public relations practices, the State Bureau of Investigation's public relations practices that were modeled after Hoover, and print media's coverage of high profile case investigations from both agencies. This thesis concludes that there is a direct correlation between law enforcement directors' career advancements and their public relations practices related to print media coverage of high profile cases.
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Paschall, Steven. "Metaphrastic materiality : the typographic archive of Ezra Pound and Susan Howe." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0108.

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En rapport avec la tradition du poète-historien du vingtième siècle, la poétique documentaire pratiquée par Ezra Pound et Susan Howe de manières distinctes mais liées sert de base à une étude de la matérialité complexe au sein du processus compositionnel des deux écrivains. Fondée sur les matériaux d'archives des deux séquences, une analyse détaillée des « Malatesta Cantos » de Pound et de « Marginalia de Melville » de Howe permet une réflexion sur le développement de la transformation typographique dans le domaine de la poésie. Tout au long de cette critique, Steven Paschall aborde les processus de la signification de la matérialité en parallèle aux conceptions et expériences Poundiennes et Howiennes de l'archive historique et de la production littéraire. Pour Pound l'interprétation du quattrocento et de la saga de Sigismond Malatesta, et pour Howe celle des notes marginales et des ébauches manuscrites, a mené à la composition des poèmes innovateurs qui, à partir des sources textuelles, redéfinissent les idées conventionnelles de l'historiographie et de la pratique interprétative poétique au moyen des techniques structurelles et formelles. En examinant les opérations de l'appropriation littéraire, de la révision du langage écrit et de la page visuo-spatiale, Paschall avance un lien généalogique entre la matérialité archivistique du « poème contenant l'histoire » de Pound et les expériences visuelles d'articulation effectuées dans les reconfigurations palimpsestiques de Howe
Set against the tradition of the 20th-century poet-historian, the documentary poetics practiced in distinct yet related ways by Ezra Pound and Susan Howe serves as the basis of this study's investigation of the complex materiality underpinning each writer's compositional process. Pound's "Malatesta Cantos" and Howe's "Melville's Marginalia" are the focus of detailed analysis specifically grounded in the archival materials for each sequence in order to explore the development of typographic metaphrasis. Throughout this critical work, Steven Paschall sets the processes of materiality's signification in parallel to Pound and Howe's conceptions of, and engagements with, the historical archive and literary production. Pound's reading of the quattrocento and the saga of Sigismondo Malatesta, and Howe's reading of marginalia and manuscript drafts, resulted in unique source-based poems, the structural and formal techniques of which redefine conventional notions of historiography and interpretative poetic practice. In addressing the mechanics of literary appropriation, editing written language, and the visio-spatial page, Paschall asserts a genealogical thread between the archival materiality of Pound's "poem containing history" and the visual experiments in articulation of Howe's palimpsestic reconfigurations thereof
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Yazeva, Alexandra. "Communication en tant que prédestination et authenticité d'une personne dans l'oeuvre de Valentin Raspoutine et Alexandre Vampilov." Phd thesis, Université de Strasbourg, 2013. http://tel.archives-ouvertes.fr/tel-01023916.

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Valentin Raspoutine (né le 15 mars 1937) et Alexandre Vampilov (19 août 1937-17 août 1972) sont deux auteurs dont l'œuvre présente un intérêt particulier pour la critique littéraire contemporaine. La pénétration émotionnelle et philosophique dans la nature de " l'Autre " et l'aspiration à sa reconstitution esthétique sont caractéristiques de Valentin Raspoutine comme d'Alexandre Vampilov. Le rôle de l'anthropologie artistique dans l'esthétique des deux créateurs reste toujours un champ vaste de réflexion et d'interprétation. La thèse prouve que ce sont les espaces communicatifs des œuvres de Raspoutine et de Vampilov qui contiennent des repères de l'authenticité et de la prédestination de la personnalité de fiction. L'étude met en évidence le but de l'existence artistique de la personnalité unique du narrataire, du héros et du narrateur dans l'œuvre de l'écrivain et celle du dramaturge.
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Quesney, Chantale. "De la charité au bonheur familial : une histoire de la Société d'adoption et de protection de l'enfance à Montréal, 1937-1972." Thèse, 2010. http://www.archipel.uqam.ca/3590/1/D1972.pdf.

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La Société d'adoption et de protection de l'enfance (SAPE) à Montréal est, de 1937 à 1972, la plus importante agence de placement en adoption du Québec. Elle regroupe, de fait, les services d'adoption des trois principales crèches franco-catholiques de la métropole. L'étude de cette agence permet ainsi de jeter un regard historique sur les origines de l'adoption légale au Québec; sur les enjeux suscités à la suite de l'avènement des nouvelles techniques de placement hors murs; sur les traitements que l'on réservait aux enfants sans famille (illégitimes pour la plupart), aux mères biologiques et aux parents adoptifs; ainsi que sur le rôle de l'État provincial dans la question de l'adoption. S'appuyant en bonne partie sur le dépouillement des fonds issus du Centre Jeunesse de Montréal et des archives du gouvernement provincial, nous pensons que cette thèse saura combler un vide historiographique manifeste puisqu'aucune analyse n'a été menée jusqu'à présent sur l'ensemble des principaux aspects touchant l'histoire de l'adoption au Québec. Ce faisant, on verra à travers cette étude que si seuls les enfants illégitimes ou sans parent peuvent, à partir de 1925, bénéficier des bienfaits de l'adoption légale, ils s'avèrent également les premières victimes du marché noir de l'adoption puisqu'aucune loi ne les protège ni ne régule leur circulation. Or, une telle discrimination ne manque pas d'avoir un impact déterminant sur l'évolution de la SAPE. En effet, le mandat initial de la SAPE, loin de se limiter à l'adoption des bébés, vise également le soutien de l'ensemble des enfants en difficulté. Des enjeux politiques et idéologiques l'amènent cependant, après la Seconde Guerre mondiale, à renoncer à de telles ambitions. Elle investira dès lors l'essentiel de ses ressources dans la promotion et le placement des enfants en adoption. Mais la SAPE ne pourra s'appuyer totalement sur les savoirs théoriques et techniques développés ailleurs en Amérique du Nord pour mener à bien sa mission. Plusieurs facteurs sociaux, dont celui d'un marché de l'adoption qui ne favorise guère la clientèle infantile, la contraignent, en effet, à concevoir son propre ordre de priorités dans l'application de ses pratiques. Elle saura néanmoins, avec la Révolution tranquille, adapter son administration aux nouveaux impératifs de la rationalité managériale afin de «vider les crèches» comme jamais auparavant. C'est également à cette époque que l'État se met de la partie pour favoriser une solution perçue comme la meilleure pour régler le «problème des enfants seuls» en mettant en place, notamment, une politique de soutien à la promotion de l'adoption. C'est cependant la réforme du Code civil et de la loi d'adoption, ainsi que l'application de mesures universelles d'assistance économique qui s'avèreront parmi les stratégies les plus efficaces pour régler cette question. Cependant, la véritable solution au problème ne viendra pas tant de la SAPE ou de l'État, mais bien des mères naturelles elles-mêmes qui, à la fin des années 1960, garderont leur bébé auprès d'elles, boudant dorénavant les crèches et les orphelinats qui, pourtant, constituèrent pendant très longtemps le mode privilégié d'assistance à l'enfant sans famille. Au final, le regard que l'on porte sur l'évolution de la pratique de l'adoption et du discours y afférant, se fait l'écho d'une transformation sociétale beaucoup plus profonde, alors qu'un ordre de régulation basé sur le collectif fortement normé que constitue l'institution familiale fait graduellement place à un mode d'insertion sociale plus individualiste qui caractérise aujourd'hui la majorité de nos sociétés occidentales. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Adoption, enfant naturel, illégitimité, histoire du Québec, XXe siècle, agence de placement, lois, fille-mère, mère célibataire, parent biologique, famille adoptive, foyer d'accueil, protection de l'enfance, assistance à l'enfance en difficulté, institution familiale, politique familiale, Children's Aid Societies
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Vieira, Nuno Miguel de Sousa 1971. "O ateliê - do mundo para o lugar : sala de exposição (1971-2015)." Doctoral thesis, 2015. http://hdl.handle.net/10451/24634.

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Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2016
Anexo: "Uma vida inteira - peça de representação" disponível em suporte papel
A investigação conducente a esta tese desenvolve-se no interior de uma práxis artística que procura, em cada momento, estabelecer um vínculo profundo com uma realidade contextual que a motiva, circunscreve e abre em momentos sucessivos de exibição. Neste sentido, a pesquisa parte dessa prática artística com o fim principal de pensá-la no próprio processo que a gera e sustenta, procurando focar melhor e aprofundar as questões do enraizamento contextual da obra ou as relativas às necessidades de circulação a que os produtos criativos estão sujeitos nos dias de hoje, bem como a consequente possibilidade de desmaterialização de vínculos que estes sucessivos movimentos podem provocar nas obras. Sala de exposição – Parte II, obra artística central na investigação, tem como antecessora Sala de exposição, projeto que partilha como denominador comum o ateliê, que foi sempre o mesmo, e a sala de exposição, adicionada à própria obra. É esse ateliê, sediado numa antiga fábrica, o lugar de origem do processo gerador da obra e um seu constituinte. Mas, no enunciado desse lugar, considera-se também, uma sala de exposição, o local (onde na própria fábrica se expunham os objetos produzidos) como parte integrante da obra, que transita para os novos locais de visibilidade. Por outro lado, o ateliê é também o lugar ao qual todas as obras são devolvidas, física ou virtualmente, pelo que entender esse ateliê como lugar de regresso converte-o duplamente num referente contextual determinante para o estabelecimento da teia de relações que estrutura conceptualmente a obra em variadas situações de visibilidade. À procura de entendimento do papel na práxis criativa assumido pelo ateliê como lugar de regresso e da sala de exposição como lugar de alteridade, associa-se, complementarmente, a identificação de estratégias e metodologias criativas usados por outros artistas com propósitos idênticos, reforçando e problematizando a reflexão no interior do processo criativo.
The research conducing to this thesis has been developed inside an artistic praxis that demands, at each time, to establish a deep bond with a contextual reality that motivates, circumscribes and opens it at consecutive moments of exhibition. To this extent, the research stems from this artistic practice, aiming to consider it within the process that generates and sustains it, looking to focus and deepen issues of contextual rooting of the work or on those relating to the circulation needs creative products are subject to today, as well as the consequent possibility of dematerialisation of bonds these successive movements may bring to the works. Sala de Exposição – Parte II, an artwork key to this research, stems from Sala de Exposição, a project sharing as common denominator the studio, which was always the same, and the exhibition rooms that kept being added to the work itself. It is this studio, located on the premises of a former factory, the place of origin of the process generating the work and also its constituent. But, in that site’ statement, it is also considered an exhibition room, the place (where in the factory were exhibited the produced objects) integral to the work, which transits to the new sites of visibility. On the other hand, the studio is also the place to where all works come back, physically or virtually, and therefore understanding it as a place of return doubly turns it into a contextual reference determinant for the establishment of the web of relations that conceptually structures the work in varied visibility situations. To the search for an understanding of the role played in the creative praxis by the assumption of the studio as place of return and of the exhibition room as place of alterity, is associated the recognition of creative strategies and methodologies used by other artists with similar purposes, reinforcing and problematising the reflection within the creative process.
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Schieder, Chelsea Szendi. "Coed Revolution: The Female Student in the Japanese New Left, 1957-1972." Thesis, 2014. https://doi.org/10.7916/D8V69GSC.

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Violent events involving female students symbolized the rise and fall of the New Left in Japan, from the death of Kanba Michiko in a mass demonstration of 1960 to the 1972 deaths ordered by Nagata Hiroko in a sectarian purge. This study traces how shifting definitions of violence associated with the student movement map onto changes in popular representations of the female student activist, with broad implications for the role women could play in postwar politics and society. In considering how gender and violence figured in the formation and dissolution of the New Left in Japan, I trace three phases of the postwar Japanese student movement. The first (1957-1960), which I treat in chapters one and two, was one of idealism, witnessing the emergence of the New Left in 1957 and, within only a few years, some of its largest public demonstrations. Young women became new political actors in the postwar period, their enfranchisement commonly represented as a break from and a bulwark against "male" wartime violence. Chapter two traces the processes by which Kanba Michiko became an icon of New Left sacrifice and the fragility of postwar democracy. It introduces Kanba's own writings to underscore the ironic discrepancy between her public significance as a "maiden sacrifice" and her personal relationship to radical politics. A phase of backlash (1960-1967) followed the explosive rise of Japan's New Left. Chapter three introduces some key tabloid debates that suggested female presence in social institutions such as universities held the potential to "ruin the nation." The powerful influence of these frequently sarcastic but damaging debates, echoed in government policies re-linking young women to domestic labor, confirmed mass media's importance in interpreting the social role of the female student. Although the student movement imagined itself as immune to the logic of the state and the mass media, the practices of the late-1960s campus-based student movement, examined in chapter four, illustrate how larger societal assumptions about gender roles undergirded the gendered hierarchy of labor that emerged in the barricades. The final phase (1969-1972) of the student New Left was dominated by two imaginary rather than real female figures, and is best emblematized by the notion of "Gewalt." I use the German term for violence, Gewalt, because of its peculiar resonances within the student movement of the late 1960s. Japanese students employed a transliteration--gebaruto--to distinguish their "counter-violence" from the violence employed by the state. However, the mass media soon picked up on the term and reversed its polarities in order to disparage the students' actions. It was in this late-1960s moment that women, once considered particularly vulnerable to violence, became deeply associated with active incitement to violence. I explore this dynamic, and the New Left's culture of masculinity, in chapters five and six.
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Books on the topic "1937-1972"

1

Ballin, Malcolm. Irish Periodical Culture, 1937–1972. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751.

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Hayes, R. M. A Walt Disney filmography, 1937-1972. Jefferson, N.C: McFarland, 2001.

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Ballin, Malcolm. Irish periodical culture, 1937-1972: Genre in Ireland, Wales, and Scotland. New York: Palgrave Macmillan, 2008.

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Irish periodical culture, 1937-1972: Genre in Ireland, Wales, and Scotland. New York: Palgrave Macmillan, 2008.

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Thomas, S. Bernard. Season of high adventure: Edgar Snow in China. Berkeley: University of California Press, 1996.

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John, Eidinow, ed. Bobby Fischer goes to war: How the Soviets lost the most extraordinary chess match of all time. New York, NY: Ecco, 2005.

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John, Eidinow, ed. Bobby Fischer goes to war: The true story of how the Soviets lost the most extraordinary chess match of all time. London: Faber and Faber, 2004.

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Netherlands. Kabinet voor Nederlands-Antilliaanse Zaken. Inventaris van het archief van het Kabinet van de Vice-Minister-President, vanaf 1972, Kabinet voor Surinaamse en Nederlands-Antilliaanse Zaken (1937) 1959-1975 (1981). Winschoten: Centrale Archief Selectiedienst, 1986.

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Cixous, Hélène. Volleys of humanity: Essays 1972- 2009. Edinburgh: Edinburgh University Press, 2011.

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Ewing, William A. Edward Steichen: In high fashion, the Condé Nast years, 1923-1937. Minneapolis: Foundation for the Exhibition of Photography, 2008.

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Book chapters on the topic "1937-1972"

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Ballin, Malcolm. "Periodicals, Genres, and Audiences." In Irish Periodical Culture, 1937–1972, 1–22. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_1.

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Ballin, Malcolm. "Periodicals and the Post-Revolutionary Moment." In Irish Periodical Culture, 1937–1972, 23–43. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_2.

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Ballin, Malcolm. "Reviews: The Voice of Authority." In Irish Periodical Culture, 1937–1972, 45–65. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_3.

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Ballin, Malcolm. "Miscellanies: Dialogism in the Periodical." In Irish Periodical Culture, 1937–1972, 67–94. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_4.

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Ballin, Malcolm. "Little Magazines: Counter Cultures." In Irish Periodical Culture, 1937–1972, 95–115. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_5.

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Ballin, Malcolm. "Periodicals in Northern Ireland: Uncertain Forms." In Irish Periodical Culture, 1937–1972, 117–45. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_6.

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Ballin, Malcolm. "Periodicals in Wales: Shifting Genres." In Irish Periodical Culture, 1937–1972, 147–72. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_7.

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Ballin, Malcolm. "Periodicals in Scotland: Genre Migration." In Irish Periodical Culture, 1937–1972, 173–99. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_8.

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Ballin, Malcolm. "Conclusion: The Persistence of Genre." In Irish Periodical Culture, 1937–1972, 201–19. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613751_9.

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Forbush, Scott E. "Cosmic ray diurnal anisotropy 1937–1972." In Cosmic Rays, the Sun and Geomagnetism: The Works of Scott E. Forbush, 447–55. Washington, D. C.: American Geophysical Union, 1993. http://dx.doi.org/10.1029/sp037p0447.

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