Academic literature on the topic '1930-2019 Criticism and interpretation'
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Journal articles on the topic "1930-2019 Criticism and interpretation"
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Leone, Massimo. "Hi-Fi, Lo-Fi, No-Fi, and Wi-Fi Interpretation." Chinese Semiotic Studies 15, no. 3 (August 27, 2019): 411–27. http://dx.doi.org/10.1515/css-2019-0023.
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Abstract The article seeks to establish a dialog, from a semiotic point of view, with the grand cartography of methods in literary criticism proposed by Prof. Zhang Jiang in his famous essay “Imposed interpretation.” While acknowledging that Prof. Zhang Jiang identifies the most crucial weak points of the semiotic methodology, the article nevertheless takes these criticisms as occasions to improve the approach of semiotics, as regards especially the following oppositions: diagrammatic over-schematization versus quest for a more judicious application of the method; overenthusiastic adoption of mathematical formulas versus cautious cross-fertilization between humanities and scientific thought; frantic pursuance of theoretical uniformity versus humble acceptance of literary idiosyncrasies; fundamentalist proclamation of the self-reliance of the text versus thoughtful consideration of the evident links between the text and its contexts. This new theoretical approach, wherein traditional semiotics improves itself in dialog with Prof. Zhang Jiang’s criticisms, is exemplified with reference to the concept of interpretive fidelity, which is categorized into different levels and dimensions of adhesion between the textual structure and the discourse of the meta-language interpreting it: hi-fi, low-fi, no-fi, and wi-fi interpretation.
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Poljakova, Ekaterina. "Die Macht der Interpretation." Deutsche Zeitschrift für Philosophie 67, no. 4 (November 5, 2019): 539–71. http://dx.doi.org/10.1515/dzph-2019-0043.
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Abstract The article treats the problem of interpretation in its respect to reality by example of Umberto Eco’s moderate ‚realistic‘ position and his criticism of Friedrich Nietzsche, the “father” of postmodernism. Here the strongest arguments on both sides are evaluated: Eco’s “negative realism” pointing out the impossibility of some interpretations and Nietzsche’s thinking out the absolute absence of a privileged position proceeding from which it would be possible to unequivocally identify what is real. The article argues that the crucial point why some interpretations may prove to be stronger or weaker is best described in terms of the concept of power. One however should avoid misconceptions, since power itself is interpretation which nevertheless allows for the gradation of reality, the mobility of its horizons, their shifting and even their potential availability. A much-disputed question of prehistoric times as well as that of death as a limit of interpretability is inter alia included in the analysis. Both classical anti-realistic positions, such as that of Wittgenstein, and the argumentation of contemporary advocates of realism, such as Quentin Meillassoux, are taken into consideration.
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Bassford, Andrew Dennis. "Malebranche on Intelligible Extension: A Programmatic Interpretation." Metaphysica 21, no. 2 (October 25, 2020): 199–221. http://dx.doi.org/10.1515/mp-2019-0005.
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AbstractThe purpose of this essay is exegesis. I explicate Nicholas Malebranche’s concept of intelligible extension. I begin by detailing how the concept matured throughout Malebranche’s work, and the new functions it took on within his metaphysical system. I then examine Gustav Bergmann’s (1956. “Some Remarks on the Philosophy of Malebranche.” The Review of Metaphysics 10(2): 207–26) “axiomatic” interpretation, as well as the criticism of it offered by Daise Radner (1994. “Malebranche and the Individuation of Perceptual Objects.” In Individuation and Identity in Early Modern Philosophy, edited by Kenneth F. Barber, and Jorge J. E. Gracia, New York: SUNY Press). I argue that Radner’s criticism of the interpretation is only partly successful; some of her objections can be met; others cannot. I then develop a novel interpretation of the concept, given insights from this dispute. I call it the “programmatic interpretation.” I argue that this interpretation coheres well with Malebranche’s famous Vision in God thesis, as well as many of his other commitments. I conclude by considering a certain pertinent objection to my proposal, summarizing the dialectic, and forcefully restating my case.
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Winarni, Retno, Ratna Endang Widuatie, Tri Chandra Aprianto, and Nurhadi Sasmita. "Perkembangan Perkebunan Partikelir di Jember (1850-an – 1930-an)." Historia 4, no. 1 (July 30, 2021): 1. http://dx.doi.org/10.19184/jhist.v4i1.28427.
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This study was aimed to track how the history of plantations in Jember from the 1850s-1930s. When did plantations arise in Jember? What types of plants were developed on Jember plantations? How was the development of the plantation quantitatively? And what was the impact of the existence of plantations on the development of Jember and its people. The method in this study is a historical method which includes heuristic, criticism, interpretation and historiography. The results of this study are that plantations in Jember developed along with the development of colonial power in the Belada Indies, precisely since the VOC era, but experienced rapid development starting from the implementation period culture stelsel, but reached its peak in liberal times, and plantations also experienced a period of ebb as colonial power receded as well. The conclusion is that there is a parrarel relationship between plantation development and the development of colonial power.
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Fagniez, Guillaume. "Karl Löwiths Kritik der geschichtlichen Existenz." Deutsche Zeitschrift für Philosophie 67, no. 5 (December 2, 2019): 789–804. http://dx.doi.org/10.1515/dzph-2019-0058.
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Abstract This paper examines the “critique of historical existence” as a main theme in Karl Löwith’s philosophical works and discusses its emergence, its exact meaning and its contemporary relevance. First, the study shows that Löwith’s critique of History stems from his preoccupation with the question of nihilism. He first discusses the question of “the world as such” in the 1920’s in the context of his anthropological project, and then again in the 1930’s as part of his interpretation of the work of Nietzsche. Secondly, a distinction is proposed between, on the one hand, Löwith’s investigation into the “theological background of the philosophy of history” and, on the other hand, his radical criticism of history as a “historical world”. Finally, the paper sheds light on the difficulties that challenge the project of overcoming the modern historical paradigm, and goes on to discuss the new relevance that Löwith’s philosophy could have today in order to think anew the relationship between nature and history.
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Talukdar, Janmani. "Interpretation and Criticism of Buddhism by A.C. Bhaktivedanta Swami Prabhupāda." Pracya 11, no. 1 (January 1, 2019): 141–52. http://dx.doi.org/10.22271/pracya.2019.v11.i1.77.
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Imadudin, Iim. "PERDAGANGAN LADA DI LAMPUNG DALAM TIGA MASA (1653-1930)." Patanjala : Jurnal Penelitian Sejarah dan Budaya 8, no. 3 (May 5, 2017): 349. http://dx.doi.org/10.30959/patanjala.v8i3.14.
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This article aims to reveal the dynamics of the pepper trade in Lampung in three political systems. The study uses historical method consists of heuristics, criticism, interpretation, and historiography. The struggle for influence in the region is created in the pattern of domination and subordination. Lampung as the pepper producer is under the influence of Banten, VOC, and the Dutch government. Thus, it is inevitable that there isthe economic exploitation in the relationship. The study shows that the dynamics of the pepper trade in Lampung cannot be separated from the various competing parties. The players are Sultanate of Banten, VOC, and the Dutch government. However, the role of local elites of Lampungis also taken into account. The waning of pepper trade, in addition to internal factors such as not optimal maintenance of pepper garden, also due to lower demand from the international market. The monopoly factor of the pepper trade by foreign powers also crushes the pepper trade system that has lasted long enough.
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Mansyur, Mansyur. "MIGRASI DAN JARINGAN EKONOMI SUKU BUGIS DI WILAYAH TANAH BUMBU, KERESIDENAN BORNEO BAGIAN SELATAN DAN TIMUR, 1930-1942." Jurnal Sejarah Citra Lekha 1, no. 1 (February 27, 2016): 24. http://dx.doi.org/10.14710/jscl.v1i1.11850.
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The Bugis migration to Tanah Bumbu, Afdeeling Pasir en de Tanah Boemboe, Residentie Borneo’s Zuid en Oosterafdeeling continued until the early decades of the 20th century, especially in 1930-1942. It was indirectly indicates how strong economic motives of the Bugis. In an effort to survive in the midst of economic depression or malaise, Bugis migrants "creates" economic adaptation strategy to establish a network of fisheries Ponggawa (skipper) Bugis in the early 1930's. Most migrant Bugis also tried farmer (bahuma) for copra and coconut planting. Plantation crops are suitable and almost the same as plantation crops in South Sulawesi. In addition, in the field of marine migrant boat Bugis also developed business people to serve the marine transportation. This study uses the history of the historical method, which is a method to test and analyze critically the recording and relics of the past. The historical method comprises step heuristics, criticism of sources (external and internal), interpretation and historiography.
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Besbes, Khaled. "Theory-Inspired Rather than Theory-Based Criticism: Towards a Semeiocritical Method for the Interpretation of Literature." Studia Anglica Posnaniensia 54, no. 1 (March 1, 2019): 21–41. http://dx.doi.org/10.2478/stap-2019-0002.
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AbstractThe present article is written almost a decade and a half after the reticent announcement of the death of literary theory by a number of scholars around the world. But during all these years, the humanities have not managed to drive Theory out of the seminar rooms of English departments, nor have the anti-theory proponents managed to remove it from the syllabi of English studies or even from the shelves of specialized libraries. After all these years, English studies academicians find themselves still doing Theory: holding conferences on how to conduct literary studies, organizing debates on how to launch new approaches that could possibly replace critical theories, and encouraging research into less-theorized methods of literary interpretation that could respond to the ineluctable need for a method in studying literature. For good or ill, whether we admit it or not, the echoes of literary theories continue to linger behind the scenes of all debates about literature and literary studies. The question is therefore not how to bring those echoes to silence, but rather how to find a way out of the post-theory deadlock by proposing what I have chosen to name the semeiocritical method as a theory-inspired, rather than theory-based approach to literature. The present article seeks to answer two questions: (1) how can we benefit from the lessons of literary theory without systematically doing theory or being methodically loyal to theories? and (2) how can we maximize the effects of literary interpretation in such a way as to cover as many aspects as possible of the signifying processes in the literary text while maintaining interpretive consistency?
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Baits, Abdul. "Respon Masyarakat Muslim Terhadap Keberadaan Umat Kristen di Cikawungading Cipatujah Tasikmalaya Tahun 1996-2019." Historia Madania: Jurnal Ilmu Sejarah 3, no. 1 (August 27, 2020): 69–92. http://dx.doi.org/10.15575/hm.v3i1.9396.
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This study aims to explain how the Muslim community responded to the presence of Christians in Cipatujah, as it is known that Christians came to Cipatujah around 1936, namely Javanese people from Salatiga who were brought by the leadership of a Dutch missionary named Tuan A. Van Emmerik. The method used in this research is the historical method by carrying out the stages starting from data collection (heuristics), levers (criticism), interpretation (interpretation) and writing (historiography). Data collection techniques used in this research are text study, observation. and interviews. The results of this study show that there have been ups and downs of relations between Muslims and Christians in Cipatujah. This can be seen from several conflicts that have occurred from the riots in 1996 to the burning of churches and Christian settlements in 2001. Keywords: Response, Muslims, Christians, Cipatujah.
Dissertations / Theses on the topic "1930-2019 Criticism and interpretation"
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Church, Joanne. "Jennifer Johnston and the Bildungsroman heroine." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61281.
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Jennifer Johnston, a contemporary Irish novelist, has written nine novels thus far encompassing a wide thematic range. While her protagonists include both male and female, in the three novels, The Old Jest, The Christmas Tree, and The Invisible Worm we witness the emergence of a new kind of heroine: the female Bildungsroman protagonist. I begin my study with a discussion of the traditional Bildungsroman as a male project, which traces the growth and self-development of an adolescent as he approaches maturity. A reformulation is then established allowing for a female version of the genre while differentiating between stories of the failure of development, such as Jane Eyre, and Johnston's stories where development is realized. I propose to demonstrate how Johnston's works exemplify the Bildungsroman form and also explore questions relevant to female development such as the protagonist's relationship to work, to love, to family, to tradition, and to writing.
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Rivard, Jacques. "L'Universalité du théâtre de Marcel Dubé." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56934.
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The works of Marcel Dube are a testimony of the French Canadian society's evolution, at a time when its cultural and social identity was being questioned. Beyond any doubt, his plays had a strong influence upon Quebecers during the fifties and sixties. Dube's dramatic works have instigated the interest of critics throughout Canada and also in the United States and Europe.This thesis represents an analysis of five plays written by Marcel Dube giving clear indication of the universality of his works, particularly based on unpublished documents. These plays were written almost thirty years ago; nevertheless, they are still alive and applauded nowadays, which corroborates their universality. Also, on the unpublished recording tapes, actress Monique Miller, actor Jean Duceppe and author and critic Jean Ethier-Blais dwell precisely on the universality of Dube's works. Therefore I thought advisable to study this particular topic in the following plays: Zone, Florence, le temps des lilas, Bilan and Au retour des oies blanches.
On these unpublished recording tapes, Marcel Dube talks about himself and his life as a writer. We learn about his childhood, the beginning of his career, the people who surrounded and encouraged him, the social, cultural, and political environment that prevailed at the time he wrote his most famous plays. He also acknowledges his mistakes, his weaknesses, his ambitions and talks about the motives that prompted him to become a writer.
Furthermore, well known author and critic Jean Ethier-Blais expresses his ideas and feelings regarding the author and his works. Actors and personal friends Monique Miller and Jean Duceppe recollect the circumstances and the effect the dramatic art of Marcel Dube has had on French Canadian culture.
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Wilson, Sonia. "La symbolique maternelle dans quatre romans de Françoise Mallet-Joris /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59851.
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So far, Francoise Mallet-Joris has been categorized either as a Catholic novelist or as a moderate feminist. Accused of conservatism by some, perceived by others as immoral, she has been considerably underrated by a critical audience anxious to maintain traditional literary categories. This thesis attempts to demonstrate that faith and feminism, far from conflicting with each other, are linked in Mallet-Joris' work with the process of writing, thus forming a triple entity where the common denominator is the theme of maternity. This theme will be analysed in four of Mallet-Joris' novels, Les Mensonges, Les Signes et les Prodiges, Allegra, and La Tristesse du Cerf-volant, using a symbolic approach whose usefulness lies in the twofold definition of a symbol as, on the one hand, a materialisation of the inexpressible and on the other, a split unity. For the temporal modality and the concept of identity inherent in the maternal experience place it outside the narrative system, thus putting any author who wishes to tackle this area in the position of either inventing a new narrative form or attempting a compromise between already existing forms and the specific content of the maternal experience. It is this latter alternative that Francoise Mallet-Joris adopts. Although as far as form is concerned, Mallet-Joris can hardly be termed innovative, she demonstrates on an ideological plane an originality which is largely the product of using the symbol of the Virgin Mary as an intermediary between the maternal experience and the symbolic order.
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Ocaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.
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This thesis constitutes an investigation into contemporary writing--both fictional and philosophical. More specifically, it is a comparative analysis of the work of British novelist Angela Carter, and French philosophers Gilles Deleuze and Felix Guattari, in the light of the concept of synthetic authenticity. It is divided into three chapters, "Becomings", "Events", and "Machines", and each chapter presents the work of both Carter and Deleuze and Guattari, respectively, in light of one of these topics. Chapter Two, however, focuses closely on Angela Carter's first novel, Shadow Dance, as it relates to the concept 'event'. And Chapter Three focuses on Carter's novel The Infernal Desire Machines of Doctor Hoffman, as it relates to and differs from the schizoanalytic notion of desiring machines.
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Highman, Kathryn Barbara. "A study of Ted Hughes's Birthday letters." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002235.
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This thesis focusses on the literary self-reflexivity of Birthday Letters, Ted Hughes's collection of poems addressed to his long-dead first wife, poet Sylvia Plath. By close attention to the language of select poems and a discussion of cross-referencing images and allusions across the volume, and intertextually, I argue that the collection is more self-consciously ordered and designed than the mainly biographical criticism the work has met with suggests. The thesis focusses on the poets' art rather than the biographical context of Birthday Letters, though it does not draw a neat distinction between their lives and their poetry - rather it demonstrates how Birthday Letters itself treats the relationship of art to life thematically. The introduction outlines the context of the volume's genesis and publication and the notions of poetry, myth and drama out of which Hughes works, and introduces the central metaphor of metamorphosis as figured in Ariel's song "Full Fathom Five" from The Tempest, as well as the importance of that play to Plath. Each of the chapters that follow focusses on a cluster of inter-related imagery through a discussion of four or five key poems. Chapter One examines Hughes's portrayal of himself as imprisoned by Plath's poetic portraits, and relates this to the recurring motifs of the snapshot and the Medusa myth. The poems discussed emphasize Hughes's consciousness of the metamorphic and "magical" relationship of art to life. The second chapter discusses Hughes's use of the myth of the labyrinth and the Minotaur, tracing it back to Plath's writings and reading, and pointing out its self-reflexivity: the labyrinth figures Hughes's own loss as well as the labyrinthine nature of writing. The third chapter considers the themes of possession and loss, and how they attach themselves to images of houses and jewels. Possession and loss tum, self-reflexively, upon issues of inheritance and remembrance, notably Hughes's inheritance of Plath's poetic legacy, and his remembrance of her and her poetry through his own poetry. The conclusion pursues connections between the observations made in the separate chapters, outlining the larger context out of which the poems emerge, and returning to the trope of metamorphosis as figured in "Full Fathom Five"
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Grimanis, Catherine. "The narrator in D.H. Lawrence's travel fiction : nostalgia, disillusion, and vision." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61874.
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Adams, Melinda J. "Re-making the Auden canon : new readings and critical interpretations of W.H. Auden's 1930's poems based on revised texts." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/833006.
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Much of W. H. Auden's most brilliantly evocative poetry was written during the 1930's. His skill in catching the tones, the topics of his time, and his ability to evoke its moods and its social turbulence are unequalled among those of his generation writing of political unrest, international crises and revolution. It is no surprise that the word "Audenesque" has become part of the language of literary criticism describing a particular poetic style. Yet it was his poetry of the '30's that Auden later in his life revised and/or repudiated, creating textual problems involving basic critical issues related to literary interpretation, readers'responses to much-revised poems, and to the way that textual scholars approach the determinate relations among poems as first printed and subsequent, altered versions that are also authoritative. Traditional textual criticism cannot address all of the problems caused by Auden's extensive overhauling, nor can it provide evidence that some of Auden's harshest critics--the British Scrutiny group headed by F. R. Leavis and American critics Joseph Warren Beach and Randall Jarrell--may have dismissed him as a major poet too soon. But a method of textual treatment called versioning--the presentation of the complete texts of two or more different stages of a literary work--may be the most useful and efficient method of textual treatment for authors like Auden, and for readers and critics who might wish to assess the significance of Auden's revised works by comparing them with original texts.Department of English
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Phillips, Malcolm. "Experiment and representation : the domestic surreal in contemporary British and American poetry." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14707.
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In order to counter what I regard as premature and reductive formulations of a 'native' British postmodernism, I identify a specific tendency in contemporary writing which I name the domestic surreal, and which I trace through the poetry of John Ashbery, Frank O'Hara, Roy Fisher, Christopher Middleton, John Ash, Peter Didsbury and Ian McMillan. Through close reading and a comparative approach, I uncover key preoccupations with idiosyncratic perception, shared experience, urban space and poetic play. I also describe a network of allegiances and influence among these writers which reveals the domestic surreal to be one of the contemporary manifestations of an imaginative tradition which stretches back through the Surrealist and Cubist movements to Baudelaire and Rimbaud. For the poets of the domestic surreal, engagement with an aesthetic tradition is inextricably linked with their response to contemporary conditions. Drawing on dialectical and poststructuralist perspectives, I propose that the domestic surreal attempts to resist the constraints of social and aesthetic consensus in Britain and America in the period following the Second World War.
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Roncone, Natalie Maria. "Jackson Pollock, 1930-1955 : the influence of the Old Masters." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3048.
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The imagery in Jackson Pollock's three extant sketchbooks which date from c.1934-1939 is dependent on that of other artists, especially El Greco, Rubens and Tintoretto. By 1947 however, the painter achieved a mature synthesis, distinctly his, which influenced contemporary painting, and was seminal for the work of a number of artists of the succeeding era. This dissertation is an attempt to document the phases of Pollock's artistic style from the early 1930s through to the middle 1950s, and to investigate the forces which may have catalyzed his temperament and precipitated his late style. The early sketchbooks begun in c.1934 represent Pollock's engagement with the art of the Old Masters and the teaching techniques of Thomas Hart Benton that utilized works from the Renaissance. The third sketchbook from c.1937-1939 induced him to re-examine the work of the Old Masters in a dialectical approach which incorporated new masters with old, but remained preoccupied with the sacred imagery found in the first two books. It is a resolution of these seemingly opposing modes of representation which produced several influential paintings in the early 1940s, including Guardians of the Secret and Pasiphae. At the same time these works display structural emulations related to those of Old Master paintings that would become increasingly prominent in Pollock's art. The canvases of 1947-1950, produced in what is commonly termed the “Classic Poured Period,” appear to represent a quantum leap beyond the concerns of Old Master works and European precedents. By this point Pollock had developed a fluency and assurance in his use of color and line that seems to extend further than the studied paradigmatic repetitions of his early sketchbooks. However, despite the radically new technique his paintings still exhibit pictorial and formal infrastructures derived from Renaissance paintings which were absorbed into Pollock's new idiom with surprising ease. In 1951 Pollock enters what Francis V.O'Connor termed as ‘his fourth phase'. The Black paintings of 1951-1953 betray a further exploration and adaptation of Old Master ideas, both iconographic and aesthetic and were created in Triptychs and Diptychs, typical altarpiece formats. With these paintings Pollock's forms acquired a confident plasticity and invention derived from the sculptural practices of Michelangelo, and progressively fewer individual images are quoted verbatim. An understanding of Pollock's early preoccupation with old Master painting is essential to comprehend the formation of the aesthetics of much of his later art. Significantly the underlying infrastructure remains fixed to old Master precedents and it was precisely these models of Renaissance and Baroque art which became the medium through which his mature synthesis was achieved.
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Murray, Matthew. "Body Matters: Gary Snyder, The Self and Ecopoetics." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2513/.
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Gary Snyder has offered, in poems and essays, ways to acknowledge the interrelationships of humans with the more-than-human. He questions common notions of selfness as well as understandings of what it is to be human in relationship to other species and ecosystems, and he offers new paradigms for the relationship between cultures and the ecosystems in which these cultures reside. These new paradigms are rooted in a reevaluation of our attitudes toward our physical bodies which impacts our relationship to the earth and raises new possibilities for an ecological spirituality or philosophy. The sum of Snyder's endeavors is a foundation for an understanding of ecopoetics.
Snyder's poem "The Trail is Not a Trail" is an interesting place to begin examining how human perceptions of the self are central to the kinds of relationships that humans believe are possible between our species and everything else. In this poem there is a curious fusion of the speaker and the trail. In fact, with each successive line they become increasingly difficult to separate. The physical self is central to Snyder's poetry because his is a poetry of the self physically rooted in ever-shifting relationship with the biosphere.
The relationship of the self to the biosphere in Snyder's poetry also points toward a spiritual experience that can be called ecomysticism, by which I mean the space where new ecological paradigms and mystical understandings of the world overlap.
Ecomysticism goes beyond mysticisms that describe a spiritual being longing for supernatural experience while being "unfortunately" trapped in a physical body. Ecomysticism emphasizes the spiritual and physical interrelatedness or interconnectedness of all matter, the human and the more-than-human.
The integration of the spiritual and physical aspects of the self is only possible through an awareness of the interrelatedness of the self and the non-human. New paradigms for the self are thus central to ecopoetics, a poetics that seeks to heal the rift between humans and the biosphere.
Books on the topic "1930-2019 Criticism and interpretation"
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Waggoner, Mark W. Bibliography of Balzac criticism, 1930-1990. Encinitas, CA, U.S.A: French Research Publications, 1990.
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Elliott, Mark. Biblical interpretation using archeological evidence 1900-1930. Lewiston, N.Y: Edwin Mellen Press, 2002.
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Fiorentino, Emmanuel. Giuseppe Calì: 1846-1930. Valletta, Malta: Said International, 1991.
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Ana, Ojeda Bär, and Carbone Rocco 1975-, eds. Obra completa 1920-1930. Buenos Aires: El 8vo. loco Ediciones, 2008.
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Nikolaĭ Tarkhov: 1871-1930. Moskva: Iskusstvo--XXI vek, 2006.
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Thomas, Dylan. The notebook poems 1930-1934. London: J.M. Dent, 1989.
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1930-yŏndae Yŏngsi yŏnʼgu. Sŏul Tʻŭkpyŏlsi: Hansin Munhwasa, 1986.
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Le roman dénoué: Mauriac après 1930. Paris: Sedes, 1985.
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Beltrán, Pascual Pla y. Antología poética (1930-1961). [Valencia]: Excmo. Ayuntamiento de Valencia, 1985.
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György, Tverdota. József Attila tanulmányok és cikkek, 1923-1930. Budapest: Osiris, 1995.
Find full textBook chapters on the topic "1930-2019 Criticism and interpretation"
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Mozharova, Marina A. "Textual Criticism of L.N. Tolstoy’s Unfinished Works of 1860–1870s." In L.N. Tolstoy: Moral Search and Creative Laboratory, 184–208. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lt-978-5-9208-0664-2-184-208.
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The article is devoted to L.N. Tolstoy’s unfinished works, published in academic Complete Works in 100 volumes (vol. 9, 2014). The author explores textual features of comedies “The Contaminated Family”, “The Nihilist” and the novel “The Decembrists”. Complications in studying the text of unfinished works arise from many factors, the main being the preservation of manuscript collection. Textual critic often has to reconstruct separate words or text fragments predicating on autographs and authorized copies. Another factor which greatly influences author’s text is the work of copyists. Their deliberate or unintentional meddling in the text usually results in losses but sometimes it becomes Tolstoy’s new source of inventive solutions. Another problem is the peculiarity of the writer’s handwriting which causes textual discrepancy. When it comes to selecting the main text source for the publication, the most difficult case is with “The Contaminated Family”. Although Tolstoy had finished the comedy, to this day we only have its unfinished copy as some manuscripts and the last version proofread by the author have not been preserved. The author of the article compares old publications of comedy (1928, 1930, 1936, 1982) and substantiates the main source for the academic edition. On the basis of detailed study of the preserved autographs and handwritten copies of Tolstoy’s unfinished works the progress of the writer’s work is shown, copyists’ work is analyzed and new interpretation of certain words is offered.
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Waltman, Max. "Substantive Equality Prostitution Law, 1999–2019." In Pornography, 334–70. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197598535.003.0010.
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The chapter analyzes the impact of Sweden’s substantive equality prostitution law (a.k.a. Nordic Model) as a means of exploring potential challenges to pornography production. Comparisons of prostitution prevalence in Scandinavia, evidence of sex trafficking, sex purchasing, and attitudinal changes in the population are assessed. The law’s reduction of violence and increases in safety in prostitution are documented, along with evidence illustrating the importance of specialized exit programs. Critics, unwarranted skepticism, and symptomatic misinformation from academic sex industry apologists are addressed. Case law, rarely discussed outside Sweden, is critically reviewed, including early precedents that obstructed higher criminal penalties and civil remedies (e.g., damages and public support for prostitution exit). A civil rights amendment is proposed, which could be adopted via judicial interpretation or legislative means. The chapter concludes that comparatively seen, Sweden reduced prostitution extensively while making it safer. Similar effects are hypothesized to hold if the law applied to pornographers.
Conference papers on the topic "1930-2019 Criticism and interpretation"
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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.
Full textAbstract:
The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.
2
Xu, Manyan. "A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.
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