Academic literature on the topic '1930-2008 Criticism and interpretation'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1930-2008 Criticism and interpretation.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "1930-2008 Criticism and interpretation"
1
Siregar, Fritz Edwadr. "Indonesia Constitutional Court Constitutional Interpretation Methodology (2003-2008)." Constitutional Review 1, no. 1 (March 28, 2016): 1. http://dx.doi.org/10.31078/consrev111.
Full textAbstract:
Nine Indonesian Constitutional Justices have the authority to annul a law drafted by 550 Parliament members and the President. The Constitutional Court of the Republic of Indonesia (“the Court”), particularly in deciding cases of judicial review, has the capability to declare words, sentences, paragraphs, articles or the law unconstitutional. Consequently, it is essential for the Court to take into account legal arguments. The fundamental element of these legal arguments is constitutional interpretation, which serves as a parameter in determining constitutionality of the laws. However, in exercising its authority, the Court needs to interpret the Constitution as a basis for deciding a case. The standards for determining the constitutionality of a law must be the text of the Constitution, not what the judges would prefer the Constitution to mean. Constitutional supremacy necessarily assumes that a superior rule is what the Constitution says it is, not what the judges prefer it to be. [Craig R. Ducat: E3]. The Court period 2003–2008 were the Court’s the formative years, and as such are important to understand the methodology and interpretative approaches adopted by the Court. Many observers of the Court’s early decisions are still unsure of the overarching approach and methodology adopted by the Court. Thus, there is a need for a close analysis and criticism of the Court’s early decisions to determine which methods and approaches it has adopted and whether these are appropriate in the Indonesian context. The Court has openly referred to the experiences of foreign jurisdiction in constitutional law, and therefore it would be appropriate to analyze the court’s decisions in a broader comparative context of constitutional interpretative approaches from around the world.
2
Winarni, Retno, Ratna Endang Widuatie, Tri Chandra Aprianto, and Nurhadi Sasmita. "Perkembangan Perkebunan Partikelir di Jember (1850-an – 1930-an)." Historia 4, no. 1 (July 30, 2021): 1. http://dx.doi.org/10.19184/jhist.v4i1.28427.
Full textAbstract:
This study was aimed to track how the history of plantations in Jember from the 1850s-1930s. When did plantations arise in Jember? What types of plants were developed on Jember plantations? How was the development of the plantation quantitatively? And what was the impact of the existence of plantations on the development of Jember and its people. The method in this study is a historical method which includes heuristic, criticism, interpretation and historiography. The results of this study are that plantations in Jember developed along with the development of colonial power in the Belada Indies, precisely since the VOC era, but experienced rapid development starting from the implementation period culture stelsel, but reached its peak in liberal times, and plantations also experienced a period of ebb as colonial power receded as well. The conclusion is that there is a parrarel relationship between plantation development and the development of colonial power.
3
Mincheva, Elitsa. "Case Report on Kadzoev, 30 November 2009." European Journal of Migration and Law 12, no. 3 (2010): 361–71. http://dx.doi.org/10.1163/157181610x520418.
Full textAbstract:
AbstractThe detention periods authorized by Directive 2008/115 sparked significant criticism both within and without the EU. In its preliminary ruling of 30 November 2009, the Court of Justice countered concerns that a further erosion of the fundamental rights of irregular migrants might occur due to a broad interpretation of the directive by national courts.
4
Imadudin, Iim. "PERDAGANGAN LADA DI LAMPUNG DALAM TIGA MASA (1653-1930)." Patanjala : Jurnal Penelitian Sejarah dan Budaya 8, no. 3 (May 5, 2017): 349. http://dx.doi.org/10.30959/patanjala.v8i3.14.
Full textAbstract:
This article aims to reveal the dynamics of the pepper trade in Lampung in three political systems. The study uses historical method consists of heuristics, criticism, interpretation, and historiography. The struggle for influence in the region is created in the pattern of domination and subordination. Lampung as the pepper producer is under the influence of Banten, VOC, and the Dutch government. Thus, it is inevitable that there isthe economic exploitation in the relationship. The study shows that the dynamics of the pepper trade in Lampung cannot be separated from the various competing parties. The players are Sultanate of Banten, VOC, and the Dutch government. However, the role of local elites of Lampungis also taken into account. The waning of pepper trade, in addition to internal factors such as not optimal maintenance of pepper garden, also due to lower demand from the international market. The monopoly factor of the pepper trade by foreign powers also crushes the pepper trade system that has lasted long enough.
5
Mansyur, Mansyur. "MIGRASI DAN JARINGAN EKONOMI SUKU BUGIS DI WILAYAH TANAH BUMBU, KERESIDENAN BORNEO BAGIAN SELATAN DAN TIMUR, 1930-1942." Jurnal Sejarah Citra Lekha 1, no. 1 (February 27, 2016): 24. http://dx.doi.org/10.14710/jscl.v1i1.11850.
Full textAbstract:
The Bugis migration to Tanah Bumbu, Afdeeling Pasir en de Tanah Boemboe, Residentie Borneo’s Zuid en Oosterafdeeling continued until the early decades of the 20th century, especially in 1930-1942. It was indirectly indicates how strong economic motives of the Bugis. In an effort to survive in the midst of economic depression or malaise, Bugis migrants "creates" economic adaptation strategy to establish a network of fisheries Ponggawa (skipper) Bugis in the early 1930's. Most migrant Bugis also tried farmer (bahuma) for copra and coconut planting. Plantation crops are suitable and almost the same as plantation crops in South Sulawesi. In addition, in the field of marine migrant boat Bugis also developed business people to serve the marine transportation. This study uses the history of the historical method, which is a method to test and analyze critically the recording and relics of the past. The historical method comprises step heuristics, criticism of sources (external and internal), interpretation and historiography.
6
Carroll, Claire E. "Another Dodecade: A Dialectic Model of the Decentred Universe of Jeremiah Studies 1996—2008." Currents in Biblical Research 8, no. 2 (December 17, 2009): 162–82. http://dx.doi.org/10.1177/1476993x09346504.
Full textAbstract:
In the years since the publication of Robert Carroll’s ‘Surplus Meaning and the Conflict of Interpretations: A Dodecade of Jeremiah Studies (1984—95)’, in Currents 4 in 1996, major paradigm shifts in biblical studies have resulted in an unprecedented level of innovation. Increased engagements with the element of chaos in the text and the resultant innovative encounters with this problematic scriptural material include influential contributions from philosophy, cultural and literary theories. The present review surveys the current state of the field of Jeremiah studies by tracing the impact of post-structuralist methodologies of decentring on ways of thinking about and engaging with Jeremiah. It argues that in the aftermath of the widely acknowledged end of the hegemony of historical-criticism as the dominant paradigm of biblical interpretation articulated by Perdue as ‘the collapse of history’, Jeremiah studies has taken on the shape and nature of a dialectic between the principles of order and chaos.
7
Jodi, Jergian, and Badrun Badrun. "Eksistensi Kawasan Pecinan dalam Bentuk Pemenuhan Tata Ruang Kota Jember, 1930-1970." Local History & Heritage 2, no. 1 (May 23, 2022): 38–44. http://dx.doi.org/10.57251/lhh.v2i1.330.
Full textAbstract:
The formation of the district of Jember was influenced by Europeans who were interested in establishing a plantation in Jember. Jember which was originally part of the Bondowoso afdeeling then on January 9, 1883 the Governor of the Dutch East Indies made a change to a separate afdeeling and in 1928 the Dutch East Indies government issued a regulation to increase the status to Regentschap Djember as a district. Changes in status caused a large number of migrants to come, especially ethnic Chinese who made their place of residence namely the Chinatown village. The Chinatown area which is located in the city center is not only their place of residence, but their economic activities are also carried out in the area. The objectives to be achieved in this article are: (1) to determine the process of the formation of the Chinatown area in Jember Regency, (2) to determine the influence of the Chinatown area on the spatial planning of the city of Jember, 1930-1970. The method used in this study is a historical research method that contains four points, including: heuristics (data collection), verification (source criticism), interpretation, and historiography.
8
Fagniez, Guillaume. "Karl Löwiths Kritik der geschichtlichen Existenz." Deutsche Zeitschrift für Philosophie 67, no. 5 (December 2, 2019): 789–804. http://dx.doi.org/10.1515/dzph-2019-0058.
Full textAbstract:
Abstract This paper examines the “critique of historical existence” as a main theme in Karl Löwith’s philosophical works and discusses its emergence, its exact meaning and its contemporary relevance. First, the study shows that Löwith’s critique of History stems from his preoccupation with the question of nihilism. He first discusses the question of “the world as such” in the 1920’s in the context of his anthropological project, and then again in the 1930’s as part of his interpretation of the work of Nietzsche. Secondly, a distinction is proposed between, on the one hand, Löwith’s investigation into the “theological background of the philosophy of history” and, on the other hand, his radical criticism of history as a “historical world”. Finally, the paper sheds light on the difficulties that challenge the project of overcoming the modern historical paradigm, and goes on to discuss the new relevance that Löwith’s philosophy could have today in order to think anew the relationship between nature and history.
9
Hana, Muhamad Yusrul. "Dinamika Sosio-Ekonomi Pedagang Santri dalam Mengembangkan Industri Kretek di Kudus, 1912-1930." JUSPI (Jurnal Sejarah Peradaban Islam) 2, no. 1 (July 31, 2018): 15. http://dx.doi.org/10.30829/j.v2i1.1420.
Full textAbstract:
<p><em>This paper explain about study on local history on the economic action of santri trader in kretek industry in Kudus 1912-1930. The early trading system of kretek cigarettes was dominated by santri trader until Chinese began producing kretek cigarettes as well, which causes significant profit decline for santri trader. It raised socio-economic tension between the two ethnic due to economic rivalry relations. In the middle of 1912, Chinese merchants started taking over kretek cigarettes market in Kudus. The rivalry matters turns out to be a competition and reach its peak on October 1918 when santri Kudus commence attacking and destroying homes and shops owned by chinese. The falling economic of Chinese, has made Nitisemito and H.M Muslich (Santri trader figure) motivated to maximize their ability in developing kretek cigarette trading system in Kudus. There are several main points that will be explained furthermore in this study. First, the depict of construction between santri traders and chinese merchants in Kudus, second, the effort of Nitisemito and H.M. Muslich in founding kretek cigarettes factory, third, understanding of sosio-economic patterns and economic action of santri trader in Kudus. The methode that be used in this study is historical research contains heuristic, criticism, interpretation, and historiography.</em></p><p><strong>Keywords: </strong>economic action,<strong> </strong>santri trader, kretek industry</p>
10
Mutiarani, Diana, Arif Permana Putra, and Ana Nurhasanah. "Perkembangan Untirta Tv Tahun 2008-2013." Reslaj : Religion Education Social Laa Roiba Journal 4, no. 4 (February 23, 2022): 940–58. http://dx.doi.org/10.47467/reslaj.v4i4.1024.
Full textAbstract:
This study aimed to determine the development of Untirta TV in 2008-2013. This research method is historical, includes heuristics (data collection), source criticism, interpretation, and historiography. Data collection techniques with interviews, observations, and documentation were carried out at Untirta TV. The results of this study indicate that the forerunner to the birth of Untirta TV campus community television in 2008 was community television as a laboratory facility for television broadcast production courses. Untirta TV aims to prepare human resources who excel in communication science and have academic insight to compete in the practical world in real life in society. In its development in 2009-2013, it went through a long process to obtain a broadcasting operation permit (IPP). In 2009 Untirta TV was inaugurated as a community television and was the first broadcast on electronic mass media screens, namely analog-based conventional television using Ultra High-Frequency transmitters. Furthermore, in 2010-2012 Untirta TV struggled to get a Broadcasting Operation Permit (IPP). In 2012 Untirta TV succeeded in obtaining the first stage of the Broadcasting Operation Permit (IPP) from the Ministry of Communication and Information, namely conducting a trial. one year for television broadcasts. Furthermore, in 2013, the trial period for the broadcasting license has ended. It can be extended once until a permanent broadcasting operation license (IPP) is obtained. In 2013, along with increasingly rapid technological developments, Untirta TV finally switched to using a new mass media, namely the online media YouTube. Untirta TV community television contributed to the field of education in 2009-2013, namely as a forum for the aspirations and information of the Untirta TV academic community that is educative by holding a program of activities both internal and external activities carried out by Untirta TV as a medium of communication for students of Sultan Ageng Tirtayasa University.
Keywords: Progress, Community Television, Untirta TV, YouTube
Dissertations / Theses on the topic "1930-2008 Criticism and interpretation"
1
Church, Joanne. "Jennifer Johnston and the Bildungsroman heroine." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61281.
Full textAbstract:
Jennifer Johnston, a contemporary Irish novelist, has written nine novels thus far encompassing a wide thematic range. While her protagonists include both male and female, in the three novels, The Old Jest, The Christmas Tree, and The Invisible Worm we witness the emergence of a new kind of heroine: the female Bildungsroman protagonist. I begin my study with a discussion of the traditional Bildungsroman as a male project, which traces the growth and self-development of an adolescent as he approaches maturity. A reformulation is then established allowing for a female version of the genre while differentiating between stories of the failure of development, such as Jane Eyre, and Johnston's stories where development is realized. I propose to demonstrate how Johnston's works exemplify the Bildungsroman form and also explore questions relevant to female development such as the protagonist's relationship to work, to love, to family, to tradition, and to writing.
2
Rivard, Jacques. "L'Universalité du théâtre de Marcel Dubé." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56934.
Full textAbstract:
The works of Marcel Dube are a testimony of the French Canadian society's evolution, at a time when its cultural and social identity was being questioned. Beyond any doubt, his plays had a strong influence upon Quebecers during the fifties and sixties. Dube's dramatic works have instigated the interest of critics throughout Canada and also in the United States and Europe.This thesis represents an analysis of five plays written by Marcel Dube giving clear indication of the universality of his works, particularly based on unpublished documents. These plays were written almost thirty years ago; nevertheless, they are still alive and applauded nowadays, which corroborates their universality. Also, on the unpublished recording tapes, actress Monique Miller, actor Jean Duceppe and author and critic Jean Ethier-Blais dwell precisely on the universality of Dube's works. Therefore I thought advisable to study this particular topic in the following plays: Zone, Florence, le temps des lilas, Bilan and Au retour des oies blanches.
On these unpublished recording tapes, Marcel Dube talks about himself and his life as a writer. We learn about his childhood, the beginning of his career, the people who surrounded and encouraged him, the social, cultural, and political environment that prevailed at the time he wrote his most famous plays. He also acknowledges his mistakes, his weaknesses, his ambitions and talks about the motives that prompted him to become a writer.
Furthermore, well known author and critic Jean Ethier-Blais expresses his ideas and feelings regarding the author and his works. Actors and personal friends Monique Miller and Jean Duceppe recollect the circumstances and the effect the dramatic art of Marcel Dube has had on French Canadian culture.
3
Wilson, Sonia. "La symbolique maternelle dans quatre romans de Françoise Mallet-Joris /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59851.
Full textAbstract:
So far, Francoise Mallet-Joris has been categorized either as a Catholic novelist or as a moderate feminist. Accused of conservatism by some, perceived by others as immoral, she has been considerably underrated by a critical audience anxious to maintain traditional literary categories. This thesis attempts to demonstrate that faith and feminism, far from conflicting with each other, are linked in Mallet-Joris' work with the process of writing, thus forming a triple entity where the common denominator is the theme of maternity. This theme will be analysed in four of Mallet-Joris' novels, Les Mensonges, Les Signes et les Prodiges, Allegra, and La Tristesse du Cerf-volant, using a symbolic approach whose usefulness lies in the twofold definition of a symbol as, on the one hand, a materialisation of the inexpressible and on the other, a split unity. For the temporal modality and the concept of identity inherent in the maternal experience place it outside the narrative system, thus putting any author who wishes to tackle this area in the position of either inventing a new narrative form or attempting a compromise between already existing forms and the specific content of the maternal experience. It is this latter alternative that Francoise Mallet-Joris adopts. Although as far as form is concerned, Mallet-Joris can hardly be termed innovative, she demonstrates on an ideological plane an originality which is largely the product of using the symbol of the Virgin Mary as an intermediary between the maternal experience and the symbolic order.
4
Ocaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.
Full textAbstract:
This thesis constitutes an investigation into contemporary writing--both fictional and philosophical. More specifically, it is a comparative analysis of the work of British novelist Angela Carter, and French philosophers Gilles Deleuze and Felix Guattari, in the light of the concept of synthetic authenticity. It is divided into three chapters, "Becomings", "Events", and "Machines", and each chapter presents the work of both Carter and Deleuze and Guattari, respectively, in light of one of these topics. Chapter Two, however, focuses closely on Angela Carter's first novel, Shadow Dance, as it relates to the concept 'event'. And Chapter Three focuses on Carter's novel The Infernal Desire Machines of Doctor Hoffman, as it relates to and differs from the schizoanalytic notion of desiring machines.
5
Ghandeharian, Minoo. "Une analyse des Gommes, du Voyeur et de la Jalousie." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25408.
Full textAbstract:
Les Gommes, Le Voyeur, La Jalousie, les trois premiers romans de Robbe-Grillet, constituent la premiére phase de l'oeuvre de l'écrivain. Dans cette étude il s'agira de voir ce qui sépare la vision du monde et l'écriture de Robbe-Grillet de la tradition littéraire qui l'a précédé, ce qui, de cette tradition, subsiste encore chez lui, et ce en quoi consistent l'originalité et la spécificité de l'univers romanesque robbe-grilletien. D'une part, Robbe-Grillet rompt avec les formes et normes romanesques établies, d'autre part, il crée son propre univers romanesque. Cette rupture est manifeste dans Les Gommes comme l'est l'apparition d'un nouvel espace littéraire dans Le Voyeur, et surtout dans La Jalousie. Pour bien comprendre l'art et la position théorique de Robbe-Grillet, pour bien comprendre son oeuvre, il est absolument indispensable de connaltre la rupture d'avec l' " ancien " et le début d'un processus littéraire propre a Robbe-Griliet. L'une et l'autre se dessinent clairement dans Les Gommes, Le Voyeur, et La Jalousie.Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
6
Bernier, Jean 1976. "La vision politico-morale d'Alexandre Soljénitsyne /." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33271.
Full textAbstract:
This essay focuses on the moral aspect of Alexander Solzhenitsyn's political thought. It constitutes an extensive review and analysis of his work in the field of literature as well as social and political criticism. The first part deals with Solzhenitsyn's critique of Marxism, which remained for many years the main target of his attacks. The second part looks at Solzhenitsyn's historical analysis of the Soviet Communist experience. Subsequently, the essay examines the critique of the West expressed by the Russian writer during his exile in Europe and America. The last part deals with Solzhenitsyn's perception of post-Communism Russia and some of his major propositions for the future.
7
Beaulé, Sophie. "Cancer, fulgurance : Robbe-Grillet, de l'avant-garde au paralittéraire." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36544.
Full textAbstract:
The aim of this study is to analyse the web of meaning underlying the presence of plots and images from paralitterature in the work of Alain Robbe-Grillet. This presence is explained by a transformation in the bookmarket, cultural environment and literary landscape, and corresponds to the malaise in the social discourse raised by the crisis.The bookmarket changed rapidly in the years following the war. Its reorganization along industrial lines lead to recurrent periods of crisis. That part of the market consisting of mass produced books came under the influence of American popular fiction. This situation had repurcussions on the literary field. People no longer saw books and authors as special, and the readership of serious literature decreased markedly. The avant garde itself seemed exhausted. Works of paralitterature, on the other hand, entered in a process of legitimation.
The New Novelists, and especially Robbe-Grillet, find in paralitterature expressions of the social discourse more powerful than those available in canonical literature. Popular fictions, rife with violence and agression, capture the worries and pessimism about society and the alienation of the individual. In Robbe-Grillet's work, the world is conceived as containing a cancer, one that threatens the social order. Reality is distorted in his fiction, and the characters are fragmented and lost in their imaginary world. The image of a cancerous society is crystallized in the motif of the ritual sacrifice of a woman. For Robbe-Grillet, though, this motif also suggests the origin of fantasy, and in doing so might rejuvenate the creative impulse. Behind the violence and eroticism of his fiction, then, and behind the anomia contaminating literature, is the desire to retrace the lightening of fantasy in the hope of dealing with both the modern world and the predicament of the novel, and possibly find a catharsis through it.
8
Highman, Kathryn Barbara. "A study of Ted Hughes's Birthday letters." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002235.
Full textAbstract:
This thesis focusses on the literary self-reflexivity of Birthday Letters, Ted Hughes's collection of poems addressed to his long-dead first wife, poet Sylvia Plath. By close attention to the language of select poems and a discussion of cross-referencing images and allusions across the volume, and intertextually, I argue that the collection is more self-consciously ordered and designed than the mainly biographical criticism the work has met with suggests. The thesis focusses on the poets' art rather than the biographical context of Birthday Letters, though it does not draw a neat distinction between their lives and their poetry - rather it demonstrates how Birthday Letters itself treats the relationship of art to life thematically. The introduction outlines the context of the volume's genesis and publication and the notions of poetry, myth and drama out of which Hughes works, and introduces the central metaphor of metamorphosis as figured in Ariel's song "Full Fathom Five" from The Tempest, as well as the importance of that play to Plath. Each of the chapters that follow focusses on a cluster of inter-related imagery through a discussion of four or five key poems. Chapter One examines Hughes's portrayal of himself as imprisoned by Plath's poetic portraits, and relates this to the recurring motifs of the snapshot and the Medusa myth. The poems discussed emphasize Hughes's consciousness of the metamorphic and "magical" relationship of art to life. The second chapter discusses Hughes's use of the myth of the labyrinth and the Minotaur, tracing it back to Plath's writings and reading, and pointing out its self-reflexivity: the labyrinth figures Hughes's own loss as well as the labyrinthine nature of writing. The third chapter considers the themes of possession and loss, and how they attach themselves to images of houses and jewels. Possession and loss tum, self-reflexively, upon issues of inheritance and remembrance, notably Hughes's inheritance of Plath's poetic legacy, and his remembrance of her and her poetry through his own poetry. The conclusion pursues connections between the observations made in the separate chapters, outlining the larger context out of which the poems emerge, and returning to the trope of metamorphosis as figured in "Full Fathom Five"
9
Grimanis, Catherine. "The narrator in D.H. Lawrence's travel fiction : nostalgia, disillusion, and vision." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61874.
Full text
10
Adams, Melinda J. "Re-making the Auden canon : new readings and critical interpretations of W.H. Auden's 1930's poems based on revised texts." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/833006.
Full textAbstract:
Much of W. H. Auden's most brilliantly evocative poetry was written during the 1930's. His skill in catching the tones, the topics of his time, and his ability to evoke its moods and its social turbulence are unequalled among those of his generation writing of political unrest, international crises and revolution. It is no surprise that the word "Audenesque" has become part of the language of literary criticism describing a particular poetic style. Yet it was his poetry of the '30's that Auden later in his life revised and/or repudiated, creating textual problems involving basic critical issues related to literary interpretation, readers'responses to much-revised poems, and to the way that textual scholars approach the determinate relations among poems as first printed and subsequent, altered versions that are also authoritative. Traditional textual criticism cannot address all of the problems caused by Auden's extensive overhauling, nor can it provide evidence that some of Auden's harshest critics--the British Scrutiny group headed by F. R. Leavis and American critics Joseph Warren Beach and Randall Jarrell--may have dismissed him as a major poet too soon. But a method of textual treatment called versioning--the presentation of the complete texts of two or more different stages of a literary work--may be the most useful and efficient method of textual treatment for authors like Auden, and for readers and critics who might wish to assess the significance of Auden's revised works by comparing them with original texts.Department of English
Books on the topic "1930-2008 Criticism and interpretation"
1
Harold Pinter: Towards a poetics of his plays. New York: P. Lang, 1989.
Find full text
2
H, Gale Steven, ed. Harold Pinter: Critical approaches. Rutherford: Fairleigh Dickinson University Press, 1986.
Find full text
3
G, Gordon Lois, ed. Harold Pinter: A casebook. New York: Garland Pub., 1990.
Find full text
4
Harold Pinter. London: Faber and Faber, 2000.
Find full text
5
Viva Pinter. New York: Peter Lang, 2009.
Find full text
6
Angst und Furcht in den Dramen Harold Pinters. Frankfurt am Main: P. Lang, 1990.
Find full text
7
G, Gordon Lois, ed. Pinter at 70: A caseboook. New York: Routledge, 2001.
Find full text
8
Waggoner, Mark W. Bibliography of Balzac criticism, 1930-1990. Encinitas, CA, U.S.A: French Research Publications, 1990.
Find full text
9
H, Burkman Katherine, Kundert-Gibbs John L, Pinter Harold 1930-, and Pinter Festival (1991 : Ohio State University), eds. Pinter at sixty. Bloomington: Indiana University Press, 1993.
Find full text
10
Esslin, Martin. Pinter: The playwright. 5th ed. London: Methuen Drama, 2000.
Find full textBook chapters on the topic "1930-2008 Criticism and interpretation"
1
Mozharova, Marina A. "Textual Criticism of L.N. Tolstoy’s Unfinished Works of 1860–1870s." In L.N. Tolstoy: Moral Search and Creative Laboratory, 184–208. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lt-978-5-9208-0664-2-184-208.
Full textAbstract:
The article is devoted to L.N. Tolstoy’s unfinished works, published in academic Complete Works in 100 volumes (vol. 9, 2014). The author explores textual features of comedies “The Contaminated Family”, “The Nihilist” and the novel “The Decembrists”. Complications in studying the text of unfinished works arise from many factors, the main being the preservation of manuscript collection. Textual critic often has to reconstruct separate words or text fragments predicating on autographs and authorized copies. Another factor which greatly influences author’s text is the work of copyists. Their deliberate or unintentional meddling in the text usually results in losses but sometimes it becomes Tolstoy’s new source of inventive solutions. Another problem is the peculiarity of the writer’s handwriting which causes textual discrepancy. When it comes to selecting the main text source for the publication, the most difficult case is with “The Contaminated Family”. Although Tolstoy had finished the comedy, to this day we only have its unfinished copy as some manuscripts and the last version proofread by the author have not been preserved. The author of the article compares old publications of comedy (1928, 1930, 1936, 1982) and substantiates the main source for the academic edition. On the basis of detailed study of the preserved autographs and handwritten copies of Tolstoy’s unfinished works the progress of the writer’s work is shown, copyists’ work is analyzed and new interpretation of certain words is offered.