Relevant bibliographies by topics / 1927-1952

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '1927-1952'

Author: Grafiati
Published: 29 July 2024
Last updated: 30 July 2024

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Journal articles on the topic "1927-1952"

1

Chartier, Roger. "La grève au Canada, 1927-1952." Relations industrielles 8, no. 2 (February 25, 2014): 166–89. http://dx.doi.org/10.7202/1022957ar.

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En face du phénomène social qu'est la grève, rares sont ceux qui ne se laissent pas entraîner à porter des jugements sommaires. L'auteur fait ici une analyse statistique poussée du mouvement des grèves au Canada durant les derniers vingt-cinq ans. Dans une seconde partie il essaie de voir jusqu'à quel point on est justifié d'interpréter les tendances et les corrélations que l'on peut découvrir. C'est la première étude du genre au pays.
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Valenzuela Rodríguez, Jesús Jorge. "Crónica parcial: cartas de Alfonso Reyes y Amado Alonso, 1927-1952. Pról. y ed. de Martha Elena Venier. El Colegio de México, México, 2008; 266 pp." Nueva Revista de Filología Hispánica (NRFH) 61, no. 1 (January 1, 2013): 292. http://dx.doi.org/10.24201/nrfh.v61i1.1141.

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Grechikhina, N. O. "Late Cretaceous Planktonic Foraminifera of the Mountainous Crimea in the MSU Earth Science Museum’s Collection." Палеонтологический журнал, no. 1 (January 1, 2023): 3–12. http://dx.doi.org/10.31857/s0031031x23010063.

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Planktonic foraminifers are widely distributed in the Upper Cretaceous deposits of the Mountainous Crimea. Marker species are of great importance for biostratigraphy and section correlation. Tests Globotruncanita stuarti (De Lapparent, 1918) and Pseudotextularia elegans (Rzehak, 1891) are used as index species for local and regional biostratigraphic scales, and tests of the genus Rugoglobigerina Brönnimann, 1952 are for the faunal layers. The article provides a systematic description of important biostratigraphic species Pseudotextularia elegans (Rzehak, 1891), Rugoglobigerina rugosa (Plummer, 1927), R. hexacamerata Brönnimann, 1952, R. milamensis Smith and Pessagno, 1973, R. macrocephala Brönnimann, 1952 и Globotruncanita stuarti (De Lapparent, 1918), on the basis of which the age of the rocks of five sections of the Mountainous Crimea was determined.
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Kalashian, M. Yu, M. G. Volkovitsh, and M. Niehuis. "Taxonomic notes on some Palaearctic species of Sphenoptera from the subgenus Chilostetha (Coleoptera: Buprestidae)." Zoosystematica Rossica 14, no. 1 (October 18, 2005): 77–86. http://dx.doi.org/10.31610/zsr/2005.14.1.77.

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S. (Chilostetha) eximia Jakovlev, 1886, S. (C.) pirazzolii Obenberger, 1952 and S. (C.) palea Obenberger, 1952 are downgraded to subspecies of S. (C.) canescens Motschulsky, 1860, S. (C.) basalis Morawitz, 1861 and S. (C.) cauta Jakovlev, 1904, respectively. New synonymy is established for the following taxa: S. (Chilostetha) basalis basalis Morawitz, 1861 (= chariessa Obenberger, 1920, aestivalis Obenberger, 1952, arcas Obenberger, 1952, arethusa Obenberger, 1952, carinivertex Obenberger, 1952, chankae Obenberger, 1952, diffusa Obenberger, 1952, elisa Obenberger, 1952, hero Obenberger, 1952, laevigatula Obenberger, 1952, nogaica Obenberger, 1952, permixta Obenberger, 1952, persephone Obenberger, 1952, phoebia Obenberger, 1952, phyllis Obenberger, 1952, sareptana Obenberger, 1952, sublica Obenberger, 1952, urania Obenberger, 1952, vernalis Obenberger, 1952, synn. n.), S. (C.) puberula Jakovlev, 1887 (= rauda Jakovlev, 1908, cataonia Obenberger, 1926, seriatosetosa Obenberger, 1926, inderiensis Obenberger, 1927, synn. n.), S. (C.) cauta cauta Jakovlev, 1904 (= maja Jakovlev, 1908, dryadis Obenberger, 1926, petriceki Obenberger, 1952, damascena Obenberger, 1952, oeneis Obenberger, 1952, synn. n.), S. (C.) cauta palea Obenberger, 1952, stat. n. (= ussuriensis Obenberger, 1952, xantho Obenberger, 1952, synn. n.), S. (C.) jugoslavica Obenberger, 1926 (= verecunda Obenberger, 1952, syn. n.), S. (C.) canescens canescens Motschulsky, 1860 (= divnogorskii Obenberger, 1952, syn. n.), S. (C.) canescens eximia Jakovlev, 1886, stat. n. (= karavajevi Obenberger, 1952, flora Obenberger, 1952, synn. n.), S. (C.) insidiosa Mannerheim, 1852 (= subcylindrica Marseul, 1865, forceps Jakovlev, 1908, erratrix Obenberger, 1920, belenois Obenberger, 1952, improbula Obenberger, 1952, iphis Obenberger, 1952, pseudoforceps Obenberger, 1952, shansiana Obenberger, 1952, zubaci Obenberger, 1952, synn. n.), S. (C.) substriata Krynicki, 1834 (= trebinjensis Obenberger, 1916, syn. n.), S. (C.) laportei Saunders, 1871 (= comita Obenberger, 1952, syn. n.), S. (C.) syriaca Jakovlev, 1908 (= blattnyi Obenberger, 1926, calosoma Obenberger, 1926, synn. n.), S. (C.) popovi Mannerheim, 1852 (= balthasari Obenberger, 1928, syn. n.), S. (C.) vestita Jakovlev, 1887 (= S. (Deudora) jagdievi Alexeev, 1979, syn. n.). Lectotypes are designated for 76 nominal species and 8 infrasubspecific taxa. Taxonomic, nomenclatural, and distributional notes including new records for many species are given.
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Jamdar, Sujeet, Kishor Shinde, and C. J. Hiware. "Infectivity of nematode parasites of the common toad, Duttaphrynus melanostictus (Schneider, 1799) Frost et al., 2006 (Anura: Bufonidae) from different localities of Aurangabad." Journal of Applied and Natural Science 4, no. 2 (December 1, 2012): 204–6. http://dx.doi.org/10.31018/jans.v4i2.250.

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The common toad, Duttaphrynus melanostictus, Schneider, 1799) Frost et al., 2006 from Aurangabad was found to harbor three species of nematodes; Oswaldocruzia goezei (Skrjabin and Schulz, 1952), Trichuris globusa (V. Linstow, 1901, Ransom, 1911), Oxysomatium macintoshii (Karve, 1927). Among all the parasites, Trichuris globulosa represents the accidental new host record for D. melanostictus in Maharashtra.
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Andrade, Bruno Garcia, Paulo Márcio Santos Costa, and Alexandre Dias Pimenta. "Taxonomic review of the genus Opaliopsis (Gastropoda: Nystiellidae) from Brazil, with description of a new species." Journal of the Marine Biological Association of the United Kingdom 91, no. 7 (February 28, 2011): 1561–66. http://dx.doi.org/10.1017/s0025315411000026.

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The genus Opaliopsis from Brazil is revised based on three deep-water species. Opaliopsis atlantis (Clench & Turner, 1952) is confirmed as occurring in north-eastern and south-eastern localities. Opaliopsis opalina (Dall, 1927) is reported for the first time in the south-western Atlantic. A new species, Opaliopsis cearense, is described from the north-eastern Brazilian coast, and is distinguished by its large number of fine spiral cords per teleoconch whorl.
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Read, Helen J. "El género de milpiés Cylindroiulus Verhoeff, 1894 (Diplopoda: Julida; Julidae) en España: citas recientes y descripción de tres nuevas especies del País Vasco, Navarra, Andalucía y Cataluña." Graellsia 78, no. 1 (April 5, 2022): e157. http://dx.doi.org/10.3989/graellsia.2022.v78.323.

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Se han examinado dos cuantiosas colecciones de Cylindroiulus (una del País Vasco y Navarra y otra de Andalucía), y se han suplementado con otras, más pequeñas, de otras áreas de España; en total se han encontrado 10 especies. Se han descrito tres nuevas especies: C. caramelos sp. nov., C. elosegiorum sp. nov. y C. karinhansorum sp. nov. Las otras siete especies fueron: C. londinensis (Leach, 1814), C. franzi Attems, 1952, C. punctatus (Leach, 1815), C. pyrenaicus Brölemann, 1897, C. sagittarius Brölemann, 1897, C. sanctimichaelis Attems, 1927 y C. unciger Attems, 1952. Se presenta información sobre esas especies, añadiéndola a la ya disponible. Se hacen comentarios sobre el difícil grupo londinensis, que parece ser especialmente rico en especies en la península ibérica. Se sugieren futuras líneas de investigación para este grupo, incluyendo estudios genéticos.
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Volkovitsh, M. G., and M. Yu Kalashian. "A new species of Sphenoptera (subgenus Chrysoblemma) from Iran with taxonomic notes on some Palaearctic species of Sphenoptera from subgenera Chrysoblemma, Hoplistura and Tropeopeltis (Coleoptera: Buprestidae)." Zoosystematica Rossica 11, no. 2 (June 25, 2003): 331–42. http://dx.doi.org/10.31610/zsr/2002.11.2.331.

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Sphenoptera (Chrysoblemma) zarudniana sp. n. from South Iran is described and compared with closely related species. The synonymy is established for the following taxa: S. (C.) striatipennis Jakovlev, 1885 (= potanini Jakovlev, 1889, procera Reitter, 1890, synn. n.), S. (C.) tamaricis Klug, 1829 (= asiatica Gory & Laporte, 1839, filiformis Gory & Laporte, 1839, walteri Reitter, 1890, dilotti Obenberger, 1929, pseudoignita Alexeev, 1978, synn. n.), S. (C.) amplicollis Jakovlev, 1899 (= phryne Jakovlev, 1905, obtusangula Obenberger, 1927, synn. n.), S. (C.) orichalcea Pallas, 1781 (= meyeri Gebler, 1830, australis Gory & Laporte, 1839, pruinosa Abeille de Perrin, 1891, chrysis Jakovlev, 1899, ostenta Jakovlev, 1908, phoebas Jakovlev, 1908, sinkiangensis Obenberger, 1927, synn. n.), S. (C.) tristicula Reitter, 1895 (= elegans Jakovlev, 1900, syn. n.), S. (C.) tomentosa Jakovlev, 1886 (= ahngeri Jakovlev, 1900, scintilla Jakovlev, 1908, synn. n.), S. (C.) punctatissima Reitter, 1895 (= venus Obenberger, 1927, syn. n.), S. (C.) jakowlewi Reitter, 1895 (= apta Jakovlev, 1903, syn. n.), S. (C.) pubescens Jakovlev, 1886 (= anniae Obenberger, 1927, amudarjensis Obenberger, 1929, synn. n.), S. (Hoplistura) semenovi Jakovlev, 1889 (= reitteri Jakovlev, 1891, sagitta Semenov, 1899, lamaica Obenberger, 1920, jedlickai Obenberger, 1927, synn. n.), S. balassogloi Jakovlev, 1885 (= protracta Jakovlev, 1885, flagrans Semenov, 1895, morawitzi Semenov, 1896, venusta Jakovlev, 1904, synn. n.), S. (H.) mesopotamica Marseul, 1865 (= turkestanica Jakovlev, 1885, fulgurans Obenberger, 1920, mesopotamica deserti Obenberger, 1920, mesopotamica sartica Obenberger, 1927, namanganensis Obenberger, 1927, synn. n.), S. (Tropeopeltis) servistana Obenberger, 1929 (= kambyses Obenberger, 1930, syn. n.), S. (T.) schneideri Reitter, 1898 (= lebedevi Obenberger, 1928, mujunkumensis Obenberger, 1928, synn. n.). A replacement name, S. (C.) obenbergeriana nom. n. proposed for the homonym S. amudarjensis Obenberger, 1952. Lectotypes are designated for 54 nominal species and 12 infraspecific taxa. Taxonomic, nomenclatural, distributional, and biological notes for many species are given.
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Pinto, João Alberto da Costa. "A trajetória intelectual e os primeiros escritos marxistas de Lucien Goldmann (1927-1952)." Tempos Históricos 24, no. 1 (October 23, 2020): 454–88. http://dx.doi.org/10.36449/rth.v24i1.22919.

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Neste artigo descrevo a trajetória biográfico-intelectual de Lucien Goldmann, um destacado autor nos quadros do que se convencionou chamar de “marxismo ocidental”. O artigo apresenta uma descrição dos seus experimentos políticos de juventude junto à esquerda judaica romena na década de 1920; destaca o período em Paris e Toulouse como refugiado político do fascismo romeno; descreve a sua prisão durante o Governo Vichy; e termina desenvolvendo uma análise pormenorizada dos estudos sobre Kant realizados na Suíça e a consequente formulação de um projeto teórico marxista independente no meio acadêmico francês da década de 1950, quando publicou o livro Ciências Humanas e Filosofia (1952).
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Ribeiro, Daniel Glaydson. "Jorge de Lima e os Nativos da Ilha: podeis frechar-nos índios atuais." Magma, no. 12 (December 15, 2015): 367. http://dx.doi.org/10.11606/issn.2448-1769.mag.2015.97903.

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Este ensaio percorre a relação do poeta, ensaísta e romancista Jorge de Lima (1893-1953) com a questão (a tragédia, o genocídio) indígena. O texto parte da Invenção de Orfeu (1952), mas retorna às origens da problemática relação através de obras menos conhecidas do autor, como Rassenbildung und rassenpolitik in Brasilien (1934), Salomão e as mulheres (1927), “Todos cantam sua terra...” (1929) e Anchieta (1934), desenhando um painel de ideologias controversas e feracidades contraideológicas. A semiofagia do grande poema, este experimento épico-nacional, só pode ser compreendida a partir de um duplo gesto, devorador de si próprio e violador de sua ascendência.
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Dissertations / Theses on the topic "1927-1952"

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Shahani, Uttara. "Sind and the partition of India, c.1927-1952." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290268.

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Sindhi Hindus comprise the world's most widespread South Asian diaspora. When the British divided their Indian empire in 1947, unlike Punjab, Bengal, and Assam, they did not partition Sind (today a part of Pakistan), despite the minority campaign for a partition of the region. Sind's partition in 1947 was a deterritorialised and demographic one, producing over a million 'non-Muslim' refugees who resettled in India and abroad. A frequently overlooked region in histories of South Asia, Sind is of profound importance to the history of the partition of India. In the decades preceding partition Sind formed the core of the demand for the creation of 'Muslim majority' provinces that later gave Pakistan its territorial basis. This thesis outlines a new history of partition from the pre-partition Sindhi movement for separation from the Bombay Presidency. It explores the hardening of communal identities in a province renowned for its blurred religious boundaries and the ambiguities of defining a 'Muslim majority' province in the run-up to the foundation of Pakistan. Partition histories emphasise the role of sudden and unexpected genocidal violence in creating refugees. The processes of nation-formation and establishing new political-legal sovereignties also shaped refugee flows. Sindhi Hindu migration at the time of partition is also located within their older histories of mobility and suggests a more complex picture of displacements at the time of partition. Largely unwelcome in India, Sindhi refugees exercised a considerable amount of initiative, in rehabilitating themselves and in challenging the state's slow response to their demands for rehabilitation. Using rarely studied legal archives, this thesis charts how, despite being a stateless minority, Sindhi refugees' legal campaigns shaped the Indian constitution and informed broader notions of Indian citizenship. Refugee initiatives to create a 'new' Sind and port in Kutch collided with the governmental agenda to secure the integration of the princely states and harness their economic resources to the Indian Union. By investigating the 'failures' of this attempt to re-establish 'Sind in India', this thesis provides unique insights into the fraught interaction between refugee resettlement and the birth of a new nation.
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Barnsley, Sarah Jayne Mary. "Mary Barnard, late imagist : a study of her poetry 1927-1952." Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434830.

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Polman, Mariëlle. "De keerzijde van het leven : Anton van Duinkerken als literatuurcriticus bij "De Tijd" (1927-1952) /." Nijmegen : Valkhof pers, 2000. http://catalogue.bnf.fr/ark:/12148/cb37725789p.

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Proefschrift--Letteren--Katholieke Universiteit Nijmegen, 2000.
La couv. porte comme nom d'auteur : Mariëlle Polman. Bibliogr. p. 473-487. Index. Résumé en français et en anglais. Les thèses de l'auteur sont jointes en feuille volante.
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Lécroart, Pascal. "Paul Claudel et la musique scénique du Christophe Colomb au Livre de Christophe Colomb (1927-1952) /." Lille : A.N.R.T, Université de Lille III, 1998. http://bibpurl.oclc.org/web/33267.

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Lécroart, Pascal. "Paul Claudel et la musique scénique : du Christophe Colomb au Livre de Christophe Colomb (1927-1952)." Paris 4, 1998. http://www.theses.fr/1998PA040172.

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"Paul Claudel a toujours manifesté un grand intérêt pour la musique ; dans sa jeunesse, il fut profondément marque par Wagner, et influencé par le cénacle mallarméen qui rêve à l'œuvre d'art totale. En 1912, alors que, pour la première fois, une de ses pièces est représentée, il fait la connaissance de Darius Milhaud, âgé d'à peine vingt ans ; c'est le début d'une fructueuse collaboration marquée par le travail sur l'Orestie d’Eschyle (1913-1924), que Claudel a traduite, la musique de scène de Protée (1913-1919), et le ballet L'homme et son désir (1917). Pourtant, il faut attendre 1927 pour que le dramaturge se lance véritablement dans l'expérimentation de multiples formes de rencontres entre le drame et la musique, ce que nous avons appelé la "musique scénique". Il s'agit alors de réaliser la musique de scène de drames déjà écrits, comme L'annonce faite à Marie, L'otage, Le père humilié, Le soulier de satin, Sous le rempart d'Athènes, ou d'expérimenter de nouvelles formules plus complexes, approchant de l'opéra (le livre de Christophe Colomb), de l'oratorio dramatique (Jeanne d'Arc au bûcher, la sagesse} ou de l'oratorio seul (La danse des morts). Claudel a ainsi collaboré avec des musiciens aussi différents que Darius Milhaud, Arthur Honegger, Germaine Tailleferre, Paul Collaer et Maria Scibor. Qu'ils s'agissent de musiciens confirmés ou amateurs, Claudel a toujours tenu à garder le rôle moteur dans le travail de collaboration, imaginant par avance la musique désirée, et attendant que le compositeur réalise sa propre conception, ouvrant ainsi une piste singulière et étonnante. Notre travail, après l'examen des sources et des influences, dresse un historique des collaborations avant d'examiner la question du rapport entre la parole et la musique, et d'affronter le problème essentiel du lien entre le drame et la musique, a la fois sur le plan de la construction, de la réception par les spectateurs, et de la symbolique musicale. "
Paul Claudel has always shown a great interest in music ; as a youth, he was deeply impressed by Wagner and influenced by the mallarmean circle who was dreaming of the total-art work. In 1912, as for the first time one of his plays was performed, he met Darius Milhaud, then just aged twenty; that was the beginning of a profitable collaboration marked by the outstanding work on the Orestie by Aeschylus (1913-1924) translated by Claudel, the incidental music for Protee (1913-1919) and the ballet L’homme et son désir (1917). However, it isn't before 1927 that the playwright really started to experiment on the numerous ways of mixing drama and music, which we choose to call "theatrical music". It was then a question of composing music for written dramas such as L'annonce faite à Marie, L'otage, Le père humilié, Le soulier de Satin, Sous le rempart d'Athènes, or experiment on new and more complex formulas, drawing nearer opera (le livre de Christophe Colomb) or dramatic oratorio (Jeanne d'arc au bûcher, la sagesse) or pure oratorio (la danse des morts). Thus Claudel collaborated with musicians who were as different as Darius Milhaud, Arthur Honegger, Germaine Tailleferre, Paul Collaer and Maria Scibor. Whether they were recognized musicians or amateurs, Claudel always insisted on playing a leading part when he worked in collaboration, imaging beforehand the music he wished and expecting the composer to realize his own creation, and by doing so, he opened a unique and astonishing way. Our work, after examining the sources and influences, makes a review of the collaborations before studying the question of the connection between words and music, and face the essential problem of the bond between drama and music : the construction, the spectators' reception as well as the musical symbolics
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Weber-Rigaudière, Angélica. "La participation des revues à la construction d’une discipline : the Musical Quarterly (1915-…) : revue de Musicologie (1917-…) : archiv für Musikwissenschaft (1918-1927 ; 1952-…)." Thesis, Avignon, 2009. http://www.theses.fr/2009AVIG1099.

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À partir d’une approche documentaire, éditoriale et historique du périodique musicologique est interrogée la participation des revues académiques à la construction d’une discipline.Composé de 122 titres américains, français et allemands du 20e siècle ainsi que de l’Archiv für Musikwissenschaft, de la Revue de Musicologie et du Musical Quarterly, le corpus est soumis à une double observation, macroscopique et microscopique, sur le temps long, ainsi qu’à une analyse des sommaires. Partant de l’idée que la musicologie est une forme d’écriture sur la musique, cette investigation a pour objectif d’éclairer les ambiguïtés et l’historicité du périodique savant sur la musique ainsi que de repérer la manière dont l’articulation entre science, écriture et musique agit sur la revue musicologique. Instrument rhétorique et de captation du lecteur, cette dernière régule, hiérarchise et contrôle un territoire disciplinaire qu’elle délimite. Espace de représentation, le périodique musicologique fabrique l’histoire et l’identité d’un collectif qu’il fédère et dont il constitue le support de communication. La capacité de la revue à accepter la différence et à relier, à laisser place aux polémiques et aux prises de position, ainsi qu’à faire circuler le discours en font un objet hétérogène en perpétuelle transformation que l’on envisage comme un objet culturel
Basing on a documentary, editorial and historical approach of the musicological periodical and considering musicology as a form of writing about music, we examine the contribution of journals to the construction of a discipline. Consisting of 122 american, french and german titles, as well as of three leading journals in musicology, the Archiv für Musikwissenschaft, the Revue de Musicologie and The Musical Quarterly, the corpus is submitted to a macroscopical and microscopical observation and to a content analysis. The aim of this investigation is to shed light on the ambiguities and the historicity of learned journals about music. As a rhetorical instrument, the periodical circumscribes a disciplinary territory. This medium of communication federates a collective of which it writes the story, elaborates the history and constructs the identity. By its faculty to accept differences, to link, to leave room to controversy as well as to put discourses into circulation, it can be viewed as a cultural and a heterogeneous object. The articulation between science, writing and music acts on the musicological periodical which is in perpetual transformation
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Gaulon, Aleth. "Les manifestations de scepticisme dans les textes non-fictionnels (1952-2002) de Martin WALSER." Toulouse 2, 2007. http://www.theses.fr/2007TOU20084.

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La perplexité suscitée par le discours que Martin Walser (né en 1927) a pronocé à Francfort, lors de la remise du Prix de la paix que les libraires allemands lui ont attribué en 1998, invite à s'interroger sur la cohérence dans la durée des nombreuses positions que l'auteur a prises depuis les années 1950 dans des essais, discours et interviews. La thèse proposée ici est celle de l'adoption par Walser d'une position foncièrement sceptique qui pourrait conférer intelligibilité à ses textes non-fictionnels et relativiser les apparentes contradictions de ses observations sur la société. Ces textes sont analysés suivant un plan thématique en trois parties traitant respectivement de la quête de reconnaissance de l'écrivain, de l'engagement de l'intellectuel au service de la démocratie et des souffrances de l'Allemand face à l'histoire. Il en ressort que le specticisme, chez Walser, joue à la fois un rôle de moteur et de frein en cela qu'il est un instrument heuristique qui l'accompagne dans sa recherche permanente de liberté d'évolution et d'expression individuelle et qui se différencie d'un pessimisme qui aurait pu conduire au mutisme
The perplexity incited by the speech Martin Walser pronounced for the Frankfurt Book Fair's prestigious Peace Prizein 1998, invites us to question the coherence of the numerous positions the author had taken in his essays, speeches and interviews since the 1950's. This thesis defends the adoption by Walser of a position fundamentally spectical as rendering his non-fictional texts intelligible. The aim of this work is to analyse these texts following a thematic plan in three parts : to respectively treat his search for recognition for writers, his commitment as an intellectual at the service of democracy and the suffering as a German dealing with the nation's past. We reach the conclusion that Walser's scepticism plays the role of both motor and brake-it being the instrument to accompany him in his ongoing research into the liberty of evolution and individual expression, his form of scepticism can be differentiated from a form of pessimism that could have otherwise conducted him to mutism
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Sene, Abib. "Sémiotique de l'espace et sémantique du discours littéraire dans les oeuvres de Ngugi wa Thiong'o, George Lamming et William Boyd." Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2030/document.

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Les sociétés africaines, caribéennes, et anglaises présentent, quoique partageant, d’une manière formelle, des caractéristiques, des profils divers en raisons des spécificités des milieux physiques dans lesquels elles se déploient. Ainsi, il a été important, dans ce travail, d’établir un lien nombrileux entre l’espace et le discours. En effet, l’analyse sémiotique de l’espace littéraire dans les oeuvres de Ngugi wa Thiong’o, George Lamming et William Boyd a conduit à une conclusion qui prend valeur d’importance dans des événements et des réalités politico-sociales. Etudiée sous un angle sémiotique, la nomenclature de ces réalités fait sens dans des contextes et cotextes communicationnels à travers lesquels se lisent des aspects pragmatiques. Les toits langagiers et les contenus énonciatifs laissent observer des logiques positionnelles et transformationnelles, lesquelles épousent fondamentalement des aspects de la continuité et de la discontinuité. Et cela fait du message textuel un récit anthropologique relaté dans un univers interactionnel qui forme un tout de signification
African, Caribbean, and English societies, in spite of the fact that they share common features, remain different in their profile on the grounds of the particularities of the physical spaces that witness their expressions and the specific goals they target within historical, cultural, political and economic data that form out their social stratification. In this way, it becomes important, as a main idea of this work, to put on surface the intrinsic link between space and discourse. A semiotic analysis of literary space in Ngugi wa Thiong’o’s, George Lamming’s and William Boyd’s works has led to a concluding argument which highlights social and political realities. Read through a semiotic stand, the nomenclature of these events and realities root their meaning in communicating scenarios which portray pragmatic aspects. Levels of language and nature of messages help to observe some logic of positions and transformations that imply continuity and discontinuity dimensions. What affects to the literary message an anthropological account narrated into a framework of interactions that articulate a totalizing significance
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Silva, Rogério Paulo da 1962. "Objetos de memória : entre imagem estática e imagem em movimento." Master's thesis, 2018. http://hdl.handle.net/10451/33647.

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Acompanha um DVD com 3 videos relativos ao Trabalho de Projeto: eraser river ; i remenber ; vanishing, apenas consultáveis na Biblioteca da FBAUL com a cota CDA 197 - ULBA018409
Objects of Memory is a master's dissertation in Multimedia Art with a theoreticalpractical nature, which we analyze the concept of memory associated with the postcard’s object. Starting from the aggregation of dichotomous concepts such as memory / myth and Gestalt / narrative unit, we explore relationships based in a construction of the visuality having as resource the static image and the moving image, which intersection is made from the photography with the video. For an interpretation of the postcard and its artistic faculties as an object, we evoke the Mail Art approaching the use of postcards by the Fluxus Group and by artists such as Robert Filliou and Ray Johnson, who in the late 1950s used postcards as artistic objects to communicate with other artists around the world. Gathering the works of Alain Resnais, Chris Marker, Marcel Broodthaers, Orhan Pamuk and Óscar Muñoz, we observed possible relations with the concept of memory within the scope of the project, specifically the work methodology inserted in narrative and visual discourse. For the Objects of Memory final project, we have been developed three videos - Eraser River, Vanishing and I Remember - each one representing a postcard to be projected through a device. From the intersection of images we explored a working methodology that allowed to create visual events with the purpose of transforming theperception of the postcard as a whole. For this, we connected static images (photography) with images in motion (video) through the process of cut, collage and assembly to ensure a logical and perceptive speech in the body’s postcard. Although independent, each one of these videos tries to express the concept of object of memory preserving, in this way, a relation with images of the past which appear analogous to the transformation of a still image into a moving image
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Books on the topic "1927-1952"

1

translator, Liu Woyu, ed. Yi ge Youtai ren de Shanghai ji yi: 1927-1952. Beijing Shi: Sheng huo, du shu, xin zhi san lian shu dian, 2018.

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Alfonso, Reyes. Crónica parcial: Cartas de Alfonso Reyes y Amado Alonso, 1927-1952. México, D.F: Colegio de México, 2008.

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Naḥḥās, Muṣṭafá. Mudhakkirāt Muṣṭafá al-Naḥḥās: Rubʻ qarn min al-siyāsah fī Miṣr, 1927-1952. Jārdin Sītī, al-Qāhirah: al-ʻUṣūr al-Jadīdah, 2000.

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Mateo, Rafael Company i. Cartografia, ideologia i poder: Els mapes etnogràfics del Touring Club Italiano (1927-1952). Valencia: Universitat de València, 2014.

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Montoito, Eugénio. Henrique Galvão: Ou a dissidência de um cadete do 28 de maio (1927-1952). Lisboa: Centro de História da Universidade de Lisboa, 2005.

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1932-, Lapointe Eugène, and Perbal Albert 1884-1971, eds. Correspondance entre François Laydevant et Albert Perbal, 1927-1952: Dialogue du missionnaire et du missiologue. Leiden: E.J. Brill, 1994.

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Polman, Mariëlle. De keerzijde van het leven: Anton van Duinkerken als literatuurcriticus bij De Tijd (1927-1952). Nijmegen: Valkhof, 2000.

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Laydevant, François. Dialogue du missionnaire et du missiologue: Correspondance entre François Laydevant et Albert Perbal, O.M.I., 1927-1952. Roma, Lesotho: St. Augustine's Seminary, 1993.

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Université de Paris IV: Paris-Sorbonne, ed. Paul Claudel et la musique scénique: Du Christophe Colomb au Livre de Christophe Colomb (1927-1952). Lille: A.N.R.T, Université de Lille III, 1998.

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Gwaltney, Janet M. The Carnegie survey of the architecture of the South, 1927-1943: Photographs by Frances Benjamin Johnston (1864-1952). Teaneck, N.J: Chadwyck-Healey, 1985.

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Book chapters on the topic "1927-1952"

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"Edgar Bogardus (1927–1958) Various Jangling Keys, 1952." In Firsts, 132–34. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300249644-049.

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"Edgar Bogardus (1927–1958) Various Jangling Keys, 1952." In Firsts, 132–34. Yale University Press, 2019. http://dx.doi.org/10.2307/j.ctvqc6g88.51.

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"The Vicariate of South-East Zhili (Xianxian) 1927–1952." In A Call to Mission - A History of the Jesuits in China 1842-1954, 427–60. ATF Press, 2018. http://dx.doi.org/10.2307/j.ctvh8qxws.17.

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"Preliminary material." In Correspondance entre François Laydevant et Albert Perbal, 1927-1952, I—IX. BRILL, 1994. http://dx.doi.org/10.1163/9789004319936_001.

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"INTRODUCTION." In Correspondance entre François Laydevant et Albert Perbal, 1927-1952, 1–24. BRILL, 1994. http://dx.doi.org/10.1163/9789004319936_002.

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"OEUVRES PUBLIÉES DU PÈRE FRANÇOIS LAYDEVANT." In Correspondance entre François Laydevant et Albert Perbal, 1927-1952, 25–28. BRILL, 1994. http://dx.doi.org/10.1163/9789004319936_003.

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"TEXTES NON-PUBLIÉS, DU PÈRE LAYDEVANT." In Correspondance entre François Laydevant et Albert Perbal, 1927-1952, 29–32. BRILL, 1994. http://dx.doi.org/10.1163/9789004319936_004.

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"LA CORRESPONDANCE DE F. LAYDEVANT ET DE A. PERBAL, O.M.I. 1927-1952." In Correspondance entre François Laydevant et Albert Perbal, 1927-1952, 33–248. BRILL, 1994. http://dx.doi.org/10.1163/9789004319936_005.

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"ÉPILOGUE." In Correspondance entre François Laydevant et Albert Perbal, 1927-1952, 249–51. BRILL, 1994. http://dx.doi.org/10.1163/9789004319936_006.

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"TABLES ANALYTIQUES." In Correspondance entre François Laydevant et Albert Perbal, 1927-1952, 253–62. BRILL, 1994. http://dx.doi.org/10.1163/9789004319936_007.

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Conference papers on the topic "1927-1952"

1

T.S., Starikova, Ponomareva E.N., and Startsev А.V. "GROWING DON FISH (VIMBA VIMBA) IN RAS." In II INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE "DEVELOPMENT AND MODERN PROBLEMS OF AQUACULTURE" ("AQUACULTURE 2022" CONFERENCE). DSTU-Print, 2022. http://dx.doi.org/10.23947/aquaculture.2022.138-142.

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The introduction of fish into the aquaculture of southern Russia is very important, given the fact that in recent years, in the period before the regulation of the Don runoff (1927-1952), fish catches were in the range from 110 tons to 590 tons, and the average long-term production in the Azov-Don region reached 270 tons. Don had a negative impact on the reproduction of fish. Dams prevent fish from accessing natural spawning grounds. The main goal of the study is experiments on growing young fish (Vimba vimba) on granular feed in a modernized facility to grow this valuable species. As a result of the experiment, we found that with the maintenance of fish spawners in RAS, better body weight gains were obtained than in running water. The delay in growth in the first case was associated with a decrease in the consumption and digestibility of the food eaten, as a result of a deterioration in water parameters associated with an increase in temperature and a deterioration in the gas regime.
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