Dissertations / Theses on the topic '1926-1984 Criticism and interpretation'
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Rau, Asta. "Supervision : a Foucaultian exploration of institutional and interpersonal power relations between postgraduate supervisors, their students and the university domain." Thesis, Rhodes University, 2005. http://hdl.handle.net/10962/d1003671.
Full textKeet, Emma Alice. "New title : traversing uncertain co-ordinates in search of alternative trajectories." Thesis, Stellenbosch : Stellenbosch Universitty, 2015. http://hdl.handle.net/10019.1/96935.
Full textENGLISH ABSTRACT: This thesis traverses the complexities and entanglement of theoretical and practical processes in a Post-structural age. Through the deconstruction of stable systems of knowledge and thought, this age has become synonymous with uncertainty. In an attempt to navigate a time of continual change, Foucault proposes a toolkit. Foucault advocates deconstruction, critical engagement and reflection. In addition to these tools, this thesis moves through genealogical, mapping, archaeological and glass (blowing) methodologies. My practice cannot be separated from theory, it is excavated concurrently. Foucault, Derrida, Nietzsche, Deleuze and Guattari open up knowledge systems in an effort to uncover alternative thought trajectories and create a space in which complexity can exist. Knowledge circulating in this space is not fixed, it manifests in moments. My practical project, Fleeting Certainty, also aims to create an open space. It does not culminate in one, autonomous work, but is rather an archive of moments. Viewers will also be equipped with a toolkit of light and lenses with which to create moments of their own. Therefore moments will generate continuously. These theoretical and practical processes do not culminate in a coherent conclusion. There is a pause, a comma, but there are many more trajectories or lines to follow.
AFRIKAANSE OPSOMMING: Hierdie tesis deurkruis die ingewikkeldhede en verstrengeling van teoretiese en praktiese prosesse binne ’n Post-strukturele tydperk. Hierdie tydperk het, deur die dekonstruksie van stabiele stelsels van kennis en denke, gelykstaande aan onsekerheid geword. In a poging om ’n tydperk van voortdurende verandering te verken, stel Foucault sekere hulpmiddels voor. Foucault bepleit, dekonstruksie, kritiese betrokkenheid en besinning. Benewens hierdie hulpmiddels, maak hierdie tesis gebruik van genealogiese, karterings-, argeologiese en glas (blaas) metodologieë. Die praktiese komponent van my werk hou ten nouste verband met die teoretiese en kan nie van mekaar geskei word nie. Foucault, Derrida, Nietzsche, Deleuze and Guattari stel kennisstelsels oop in ’n poging om alternatiewe gedagtegange te ontbloot en skep ’n ruimte waarin kompleksiteit kan bestaan. Kennis wat in hierdie ruimte bestaan, is nie vas of bepaald nie, maar kom in oomblikke voor. My praktiese projek, Fleeting Certainty, poog ook om ’n ‘oop’ ruimte te skep. Die projek loop nie uit op een selfstandige werk nie, maar dien as ’n versameling of argief van oomblikke. Kykers sal ook toegerus word met hulpmiddels in die vorm van lig en lense waarmee hulle oomblikke van hul eie kan skep. Oomblikke sal dus voortdurent geskep word. Hierdie teoretiese en praktiese prosesse loop ook nie op ’n samehangende gevolgtrekking uit nie. Daar is ’n pouse, ’n komma, maar daar is baie meer bane of lyne om te volg.
Francisco, Alessandro de Lima. "Calçando os tamancos de Paul-Michel: um estudo sobre a psicologia na problematização filosófica de Michel Foucault com base nos manuscritos inéditos dos anos 1950." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20710.
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This research refers mainly to Jacques Lagrange’s unpublished manuscripts related to courses offered by Michel Foucault at École Normale Supérieure de Paris, and deposited at Institut Mémoires de l’Édition Contemporaine. It also refers to those by Michel Foucault himself recently deposited at Bibliothèque Nationale de France. The latter focus on files concerning the 1950s –a period not to be ignored if one intends to understand the development of his researches, in order to apprehend the role of Psychology in Michel Foucault’s philosophical problematic. This research intends to show that – leaving from a discourse on psykhé (Psychology) and reaching a conduction of psykhé (Psykhogogía) - , Foucault’s considerations adopt an anti-psychologic posture, while they allow a new understanding of subjectivity
Cette recherche est consacrée à l’étude des manuscrits inédits de Jacques Lagrange en ce qui concerne les cours proférés par Michel Foucault à l’École Normale de Paris pendant les années 1950, déposés à l’Institut Mémoires de l’Édition Contemporaine, et ceux de Michel Foucault lui-même récemment déposés à la Bibliothèque Nationale de France, plus spécialement les dossiers relatifs aux années 1950 – période qui ne peut être négligée si l’on souhaite entendre le développement de recherches de Michel Foucault –, pour comprendre le rôle de la psychologie dans sa problématisation philosophique, en essayant encore de soutenir qu’en partant d’un discours sur la psyché (psychologie), dans les années 1950, et en arrivant à une conduction de la psyché (psycagogie), les réflexions de Foucault, d’un côté, adoptent une posture antipsychologiste, mais, d’un autre côte, rendent possible une nouvelle compréhension de la subjectivité
Esta pesquisa se debruça mormente sobre os manuscritos inéditos de Jacques Lagrange relativos aos cursos ministrados por Michel Foucault na École Normale de Paris, depositados no Institut Mémoires de l’Édition Contemporaine, e aqueles do próprio Michel Foucault recentemente depositados na Bibliothèques Nationale de France, concentrando-se nos dossiês concernentes aos anos 1950 – período que não pode ser negligenciado se se pretende entender o desenvolvimento de suas pesquisas –, para compreender o papel da Psicologia na problematização filosófica de Michel Foucault, buscando defender que, partindo de um discurso sobre a psykhé (Psicologia) e alcançando uma condução da psykhé (Psykhagogía), as reflexões de Foucault adotam uma postura antipsicologista, possibilitando, contudo, uma nova compreensão da subjetividade.
Pires, Neto Luiz de Camargo. "Teatro filosófico: uma concepção de filosofia à luz de Michel Foucault." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21571.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Michel Foucault (1926-1984) is a thinker well recognized for establishing a peculiar relationship with philosophy: he constantly affirms that he cannot be considered a philosopher, criticizes the way that philosophy is exercised, rigorously and creatively proposing another form of practicing it. Interested in understanding the transformations of thought, he investigates the past to diagnose the present, invents concepts, constructs ideas, and destroys evidences. Passionate to novelty and always willing to take risks, he develops his intellectual trajectory in search of new ways of acting and thinking. This paper investigates a conception of philosophy in the light of Michel Foucault. Using the resource of metaphor, this conception is presented as a philosophical theater. In “The stage of philosophy”, Foucault states that his life is dedicated to "the theater of truth", a "story of the scene", a story of how sickness, madness and crime were staged. On the other hand, the inventiveness of the Foucauldian thought evokes the vitality of the theatrical performance. In the first chapter the relations between Foucault and the theater appear. The next three chapters summon the theatrical stage as an epistemic and heterotopic space of the philosophy, the actor as a professor, engaged philosopher, endowed with philosophical gestures, and the staging as "radical journalism", diagnosis of the present, "impatience of freedom", transgressive and limit-experience. Facing all these relations, to conceive philosophy as a philosophical theater, means to signalize the possibility of "thinking differently than one thinks, and perceiving differently from what one sees"
Michel Foucault (1926-1984) é um pensador reconhecido por estabelecer uma relação peculiar com a filosofia: afirma numerosas vezes que não pode ser considerado filósofo, critica a maneira como ela é exercida e propõe, de forma rigorosa e criativa, outra maneira de praticá-la. Interessado em compreender as transformações do pensamento, ele investiga o passado para diagnosticar o presente, inventa conceitos, constrói ideias e destrói evidências. Apaixonado pelo novo e disposto a correr riscos, desenvolve sua trajetória intelectual em busca de novas formas de agir e de pensar. Este trabalho investiga uma concepção de filosofia à luz de Michel Foucault. Utilizando o recurso da metáfora, esta elaboração é apresentada como teatro filosófico. Em A cena da filosofia, Foucault afirma que sua vida é dedicada ao “teatro da verdade”, uma “história da cena”, história de como se encenaram a doença, a loucura, o crime. Por outro lado, a inventividade do pensamento foucaultiano evoca a vitalidade do fazer teatral. No primeiro capítulo figuram as relações entre Foucault e o teatro. Os três capítulos seguintes convocam o palco teatral como espaço epistêmico e heterotópico da filosofia, o ator como professor, filósofo engajado, dotado de gestos filosóficos, e a encenação como “jornalismo radical”, diagnóstico do presente, “impaciência da liberdade”, experiência-limite e transgressora. Diante de todas essas relações, conceber a filosofia como teatro filosófico significa assinalar a possibilidade de “pensar diferentemente do que se pensa, e perceber diferentemente do que se vê”
Jordan, Linda. "German science-fiction magazines of Hugo Gernsback, 1926-1935." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65493.
Full textFalkowska, Janina. "Dialogism in the political films of Andrzej Wajda : Man of Marble, Man of Iron and Danton." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41116.
Full textTang, Ching Hay. "Rereading Michel Foucault's genealogy of power through Johnnie To's film." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/818.
Full textRabelo, Murilo Sérgio Almeida. "Dois momentos da problematização foucaultiana do sujeito ético-epistemológico: exemplos colhidos em História da loucura e Hermenêutica do sujeito." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20758.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
This dissertation aims to discuss the epstemological ethical subject in Focault in two specific moments of his work: in the chapter The great confinement from The History of Madness and the class taught in January 6th 1982 in the course The Hermeneutics of Subject. The first chapter discusses the passage The great confinement from The History of Madness, which was a thesis published in 1961. At first, we consider that this text presented, in Focault‟s thought, the relationship between madness and reason and the conjuction of knowledge and power which, in modernity, lead to the marginalisation of madness in the epstemological constitution of the cartesian subject in Descartes‟ Meditations and other metaphysical writings. Later, this dissertation shows that this approach resulted in a polemic between Focault and Jacques Derrida (1930-2009). This theoretical dispute did not appear to have meaningful impact, however, the theoretical dispute resulted in vigorous problems. In the second chapter, it is discussed the way in which Focault, at the first class in the course The Hermeneutics of Subject (1981-1982), brings back issues such as the subject of knowledge and their relationship with the truth, associated with the know yourself of and the care of oneself in ancient ethical tradition. At this course, Focault points out keys for interpretation that will allow us to conclude that the relationship between the know yourself of oneself and the care of oneself in the field of acient subject‟s practical conduct. Therefore, the dissertation aims to emphasize and discuss two moments of problematization which, according to different emphasis, goes through Focault‟s writing
Esta dissertação tem o objetivo de discutir o tema do sujeito ético epistemológico em Foucault em dois momentos precisos de seus trabalhos: no capítulo “A grande Internação” de História da loucura na Idade Clássica, e na aula de 6 de janeiro de 1982 do curso A Hermenêutica do Sujeito. O primeiro capítulo aborda a passagem “A Grande Internação” da História da loucura na Idade Clássica, tese publicada em 1961. Num primeiro momento deste capítulo, consideramos que este texto apresentou, no pensamento foucaultiano, a relação entre loucura e razão e a conjunção de saberes e poderes que, na modernidade, levaram à marginalização da loucura na constituição epistêmica do sujeito cartesiano em as Meditações Metafisicas de Descartes. Num segundo momento, mostramos que essa abordagem de Foucault desencadeou uma polêmica entre ele e Jacques Derrida (1930-2009). Essa disputa teórica aparentava ser transitória e desprovida de maior impacto, todavia, o embate teórico travado produziu problemas vigorosos. O segundo capítulo discute o modo pelo qual Foucault, na primeira aula do curso A Hermenêutica do sujeito (1981-1982), recupera questões referentes ao tema do sujeito de conhecimento e sua relação com a verdade, associado ao conhecimento de si e cuidado de si na tradição ética antiga. Nesse curso, Foucault indica chaves de interpretação que nos permitirão concluir que a relação entre “conhecimento” e “cuidado de si” decorre da problematização do sujeito elaborada por Foucault no início da década de 1980. No recorte de A Hermenêutica do sujeito, identificaremos a ocorrência do cuidado de si no campo da conduta prática do sujeito antigo. Desse modo, a dissertação procura destacar e discutir dois dos momentos de uma problematização que, segundo diferentes ênfases, percorre os escritos de Foucault: a problematização do sujeito
Dodge, Jason J. "Resisting Con(texts); Spacing, Language, and the University." Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/DodgeJJ2009.pdf.
Full textHarano, Mami. "Anatomy of Mishima's Most Successful Play Rokumeikan." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/387.
Full textStratford, Madeleine. "Entre les mots et les silences : la crise créative (et existentielle) dans la dernière phase de la poésie de Ingeborg Bachmann et de Alejandra Pizarnik." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19611.
Full textPalazzolo, Ândrea Cristina Pimentel. "Instituições de Sequestro em Michel Foucault." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20973.
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The present study consists of a theoretical exercise, of a bibliographic character, destined to compose a master's thesis in Philosophy. The theme chosen is intended to accompany the reflections of Michel Foucault (1926-1984) on the so-called "kidnapping institutions". The way forward is to follow the footsteps of Michel Foucault's trajectory from his broader scope (the general panorama of his thinking) to the particular theme of "kidnapping institutions", especially through the moment of that trajectory in which they appear explicitly. To achieve such a purpose, there is an introduction about the intellectual path of the philosopher in (his) three moments, followed by the discipline and its generalization. Then, the study focuses the appearance of a disciplinary society, researching the "kidnapping institutions" in Modernity, in order to answer the question: after all, what is the very first function of "kidnapping institutions"?
O presente estudo consiste em um exercício teórico, de caráter bibliográfico, destinado a compor uma dissertação de mestrado em Filosofia. O tema escolhido tem o intuito de acompanhar as reflexões de Michel Foucault ( 1926-1984) sobre as assim chamadas “instituições de sequestro”. O caminho percorrido busca seguir os passos da trajetória de Michel Foucault desde seu âmbito maior ( o panorama geral do seu pensamento) até o tema particular das “ instituições de sequestro” , passando, especialmente pelo momento daquela trajetória na qual elas aparecem de modo explícito. Para tanto há uma introdução sobre a trajetória intelectual do filósofo em seus três momentos. Trata-se, em seguida, da disciplina e sua generalização. Na sequência, o estudo explicita o surgimento da sociedade disciplinar, para, então, investigar as “instituições de sequestro”, na Modernidade, e responder à pergunta: afinal, qual é a função precípua das “instituições de sequestro” ?
Yaffe, Phyllis Cohen 1948. "The 'artist and model' theme in Picasso's work between 1926 and 1963 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74042.
Full textPelegrini, Mauricio Aparecido 1977. "Michel Foucault e a revolução iraniana." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279681.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Em 1978, Michel Foucault escreveu uma série de artigos jornalísticos para o periódico italiano "Corriere della Sera". Intituladas "reportagens de ideias", tinham como objetivo acompanhar o nascimento das ideias no cruzamento com os acontecimentos do tempo presente. No âmbito deste projeto, realizou duas viagens ao Irã (em setembro e novembro), onde acompanhou de perto a movimentação popular durante os eventos da Revolução Islâmica. Para compreender as raízes da oposição ao governo do xá Reza Pahlavi em seus diversos locais de manifestação, Foucault não se restringiu a conversar com os líderes revolucionários, mas entrevistou diferentes categorias de manifestantes, desde os trabalhadores organizados até os profissionais liberais e intelectualizados, passando pelos diversos níveis de organizações religiosas espalhadas pelo país, dos mulás líderes tribais aos aiatolás das grandes cidades de Qom e Teerã. O que lhe interessava era assistir ao nascimento de uma nova forma de pensar entre os iranianos, e isto só seria possível se ele estivesse lá, em meio ao fervilhar revolucionário. O conjunto de textos, que compreende também artigos, manifestos e entrevistas publicados na imprensa francesa, foi objeto de enorme polêmica, principalmente devido aos desdobramentos posteriores à revolução, com a instauração de uma ditadura teocrática de caráter persecutório às minorias e aos direitos humanos, e permaneceram até hoje pouco explorados teoricamente. Esta dissertação pretende analisar as reportagens iranianas de Foucault a partir de sua construção textual, dos conceitos introduzidos e das diversas interpretações que as cercam. Estrutura-se, assim, em três eixos: o primeiro tem o objetivo de recuperar a trama conceitual interna às reportagens; o segundo, analisar as críticas recebidas e seu contexto teórico; o terceiro, apresentar a espiritualidade política como principal inovação introduzida no corpus teórico foucaultiano. Pretende-se destacar, ainda, ressonâncias dos textos iranianos em outras questões elaboradas por Foucault
Abstract: In 1978 Michel Foucault wrote a series of news articles for the Italian newspaper "Corriere della Sera". Called "journalism of ideas", the articles had the purpose of following the birth of ideas upon its crossing with present times¿ events. Within the scope of this project, he made two trips to Iran (in September and November), where he followed up close the popular movement during the events of the Islamic Revolution. In order to grasp the roots of the opposition to the Shah Reza Pahlavi government in its several places of manifestation, Foucault did not restrain himself to talking to revolutionary leaders but rather also interviewed different categories of protestors, from organized workers to independent and intellectualized professionals, going through the several level of religious organizations spread out through the country, from mullah tribal leaders to Ayatollahs of the large cities of Qom and Tehran. Foucault was interested in witnessing the birth of a new form of thinking among Iranians and it would only be possible if he would be there present, amidst the revolutionary effervescence. The set of texts, which comprises also articles, manifestos and interviews published by the French press was object of great polemic, mainly due to the unfolding of events following the revolution, with the instauration of a theocratic dictatorship having a persecutory nature against minorities and human rights, and remaining until nowadays not much theoretically explored. This dissertation has the purpose of analyzing the Iranian reportages by Foucault from its textual construction, of concepts introduced and several interpretations surrounding them. Therefore, this paper is structured in three axis, the first having the purpose of retrieving the internal conceptual scheme of the reportages; the second being the analysis of criticism received and its theoretical context; the third being to present the political spirituality as the main innovation introduced to Foucault¿s theoretical framework. It is intended to emphasize yet the resonances of the Iranian texts in other issues elaborated by Foucault
Mestrado
Historia Cultural
Mestre em História
Dewa, Nonhlanhla. "Interrogating gender constructions in the Daily Sun: an analysis of the coverage of the 'Charter for a Man' campaign against gender violence between November and December 2007." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002879.
Full textJackson, Patrick. "Drogue et expérience littéraire dans l'oeuvre de Henri Michaux." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26280.
Full textHope, Laura Lee. "John Fowles' narrative stylistics in The Collector, Daniel Martin, and A Maggot." CSUSB ScholarWorks, 1990. https://scholarworks.lib.csusb.edu/etd-project/564.
Full textMcEwen, Caryn. ""How did I get this lucky?" : issues of power, intimacy and sexuality in the construction of young women's identities within their heterosexual relationships." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1007595.
Full textPhillips, Malcolm. "Experiment and representation : the domestic surreal in contemporary British and American poetry." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14707.
Full textZipp, Collin. "A theoretical exploration of the transformative properties of experience." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Art, 2011, 2011. http://hdl.handle.net/10133/3243.
Full textvi, 64 leaves : col. ill. ; 29 cm
Slater, Jennifer. "Direct experience of God in contemporary theology." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1016265.
Full textHapp, Julia Stephanie. "Literarische Dekadenz : Denkfiguren und poetische Konstellationen bei Thomas Mann, Hugo von Hofmannsthal und Rainer Maria Rilke." Thesis, University of Oxford, 2009. https://ora.ox.ac.uk/objects/uuid:bb5baef5-de44-499c-a246-b609a3f0caff.
Full textPrice, Amanda C. "Author(ity) figures : anxieties of authorship, freedom, and control." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/241.
Full textBachelors
Arts and Sciences
English
Menzies, Erica L. "The portrayal and function of relationships between women in selected Erzählungen by Ingeborg Bachmann /." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81505.
Full textBailey, Lucille Marie. "Sex-marked language differences : a linguistic analysis of lexicon and syntax in the female and male dialogue in the eight original plays of Lillian Hellman." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/776720.
Full textDepartment of English
Schneider, Ulrich Johannes. "Bilderpolitik: Michel Foucault (1926 - 1984)." Ideengeschichte der Bildwissenschaft / hrsg. von Jörg Probst. Frankfurt am Main : Suhrkamp, 2009, S. 117-136 ISBN 978-3-518-29537-3, 2009. https://ul.qucosa.de/id/qucosa%3A12776.
Full textVale, Julio. "O modernista no antiquário = Pedro Nava, as Memórias e o modernismo." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270231.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Este estudo pretende compreender as Memorias de Pedro Nava enquanto um produto tardio do movimento modernista. Para isto, investiga especialmente as relações desta obra com o modernismo de Mário de Andrade, de cujas ideias o memorialista julga-se devedor. Progressivamente, a análise encaminha-se de modo a demonstrar as peculiaridades da obra de Nava, notadamente a sua atração pela literatura fin de siècle e, sobretudo, a sua peculiar concepção de tempo - traço mais visível quando comparada à obra de outros colegas de movimento, como Carlos Drummond de Andrade e Murilo Mendes (outros memorialistas tardios) ou ainda Oswald de Andrade. Esta peculiar concepção de tempo colaborará para, na "Conclusão" do trabalho, compor a feição tardia do ciclo naviano, então entendido numa chave saidiana (isto é, de acordo com Edward Said em Estilo Tardio). Com isto, espera-se justificar, mais especificamente, a posição insular das Memórias no contexto do modernismo brasileiro
Abstract: This work examines the Pedro Nava's Memorias as a late product of the Modernist movement. In this sense, we study the relationship of this text with the Modernism conceived by Mario de Andrade (whose ideas have influenced a lot Nava in the 20s). Subsequently, the analysis aims to demonstrate the peculiarities of Nava's Memorias, highlighting the importance of Symbolist-Decadent movement and the peculiar concept of time proposed in this memorial narrative. In the latter case, the Memorias are compared with other modernist works: late memoirists as Carlos Drummond de Andrade and Murilo Mendes (besides, in another chapter, Oswald de Andrade's poems) illustrate this critical path. In the "Conclusion", this peculiar conception of time is important to understand this memories as late work (according to the ideas of Edward Said in his book On Late Style). This is intended to describe the insular position of Nava's Memorias in the context of Brazilian Modernism
Doutorado
Literatura Brasileira
Doutor em Teoria e História Literária
Riepma, Lindsy. "Mor' better, mor' worse : the effects of marriage on the valuing of art." Honors in the Major Thesis, University of Central Florida, 1998. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/49.
Full textBachelors
Arts and Sciences
Art History
James, Ian. "Re-making urban space : writing social realities in the British city." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/10606.
Full textAlves, Fernanda Andrade do Nascimento 1983. "As entonações de algumas metaforas cortazarianas : em torno da fotografia e do ato de narrar." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270127.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O presente estudo está pautado pela possibilidade de leitura da obra cortazariana com base em um aspecto relevante de sua trajetória: a dedicação não apenas à ficção, mas também à crítica. Partindo da poética de Cortázar acerca do conto, surgem algumas metáforas e comparações para definir o gênero e para tratar do ato de narrar. Essas metáforas têm diversas entonações ao longo da obra, configurando não apenas uma recorrência temática que atravessa textos ensaísticos e narrativos, mas também uma contaminação dos registros ficcional e crítico. As referências à fotografia e ao jazz, como parâmetros para a construção literária, são temas de reflexão em ensaios que assumem alguns traços ficcionais e são motivos narrativos em contos perpassados pela dimensão crítica. Os contos assumem o discurso crítico dentro de sua própria estrutura, questionando o ato de narrar; os ensaios, muitas vezes, têm a estratégia argumentativa baseada na constituição de uma imagem e no recurso ao anedótico; os textos que compõem os livros-almanaque transitam entre a ficção, o autobiográfico e o ensaístico. Desse modo, a comparação entre conto e fotografia, discutida em "Algunos aspectos del cuento" (1962), já havia sido ficcionalizada no conto "Las babas del diablo" (1959) e é retomada em "Apocalipsis de Solentiname" (1977) e em "Ventanas a lo insólito (1978); a busca por uma linguagem desautomatizada, proposta no ensaio "Para una poética" (1954), é trabalhada em "Las babas del diablo" e em "Diario para un cuento" (1982); o princípio analógico explicitado em "Para una poética" culmina no conceito de figura - uma nova forma de percepção da realidade e um efeito buscado nos contos -, retomado em "Cristal con una rosa dentro" (1969), texto cujo gênero é difícil definir e que compõe um dos livrosalmanaque cortazarianos; os "takes", propostos em "Melancolía de las maletas" (1967) como parâmetro para a literatura, parecem definir o movimento narrativo de "Las babas del diablo" e de "Diario para un cuento".
Abstract: This work aims at identifying the reading possibilities in Cortázar's works, based on an important aspect of the author?s path: his commitment not only to fiction, but also to literary criticism. From Cortázar's poetics regarding short stories, it is possible to identify metaphors and similes created in order to define the literary genre and to address the narrative act. Such metaphors assume several intonations throughout the author's work, configuring not only the recurrence of themes which is present in essays and narratives, but also the traces of contamination of fictional writings and critiques. The references to photography and to jazz as parameters for the literary construction are the object of analysis in essays that assume some fictional traces and constitute narrative motifs in short stories which span the dimension of criticism. Cortázar's short novels assume the critical discourse in its own structure, questioning the narrative act; the essays, many times, adopt an argumentative strategy based on the constitution of an image and resort to the anecdotal; the texts that compose the "almanac" books shift between fiction, autobiography and essay. Therefore, the comparison between short story and photography, which is discussed in "Algunos aspectos del cuento" (1962), had already been turned into fiction in the short story entitled "Las babas del diablo" (1959) and is discussed again in "Apocalipsis de Solentiname" (1977) and in "Ventanas a lo insólito" (1978); in "Las babas Del diablo" and "Diário para um cuento", Cortázar is in the quest for a language that is not automated, and such quest is also present in the essay "Para una poética" (1954); the analogy principle shown in "Para una poética" reaches its highest point with the concept of figure - a new form of perception of reality and effect which Cortázar looks for in his short stories -, which is recurrent in "Cristal con una rosa dentro" (1969), a text whose genre cannot be easily defined and that is part of one of Cortázar's "almanac" books; the "takes" proposed in "Melancolía de las maletas" (1967) as literary parameter seem to establish the narrative movement in "Las babas del diablo" and "Diario para un cuento".
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Lawrence, Faith. "'True receivers': Rilke and the contemporary poetics of listening (Part 1) ; Poems: Small weather (Part 2)." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7418.
Full textPiza, Suze de Oliveira 1971. "Crítica em Kant e Michel Foucault : semântica transcendental e semântica transcendental-histórica (sobre produção de Filosofia)." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281299.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Esse texto se insere no debate contemporâneo sobre as aproximações entre Kant e Foucault. A relação entre essas duas Filosofias é, ao mesmo tempo, de ruptura e continuidade. Por um lado, o método arqueologia-genealogia levará a resultados que se opõem a muitas teses de Kant sobre o ser humano, o conhecimento e a história. Por outro lado, Foucault não abandona em nenhum momento as fôrmas kantianas de fazer Filosofia e seu método está mergulhado no modelo kantiano e na atitude crítica. Foucault nega o a priori formal, mas afirma um a priori histórico; nega o sujeito transcendental e, consequentemente o idealismo transcendental, mas afirma analogamente um transcendental histórico; inverte categorias kantianas fundamentais e produz algumas de suas principais teses acerca do sujeito moderno. Foucault inverte categorias kantianas, assim como ao longo da história da Filosofia, grandes pensadores subverteram seus mestres criativamente. Foucault assume a atitude crítica, adota o modelo da Filosofia transcendental, usando, portanto, as fôrmas de Kant, contudo, troca o seu conteúdo. Nossa tese caracteriza o que o próprio Michel Foucault indicou como sendo sua filiação kantiana; isto é, se este se inscreve de alguma forma na tradição filosófica, o é na tradição crítica de Kant. Procuramos examinar que tipo de filiação é essa em uma perspectiva de compreensão do como e com o quê essa Filosofia foi produzida. Trabalhamos durante todo o tempo com a hipótese de que o kantismo de Foucault é um exemplo digno de nota de uma relação criativa (e não subserviente) de um filósofo com sua tradição. A elaboração de nossa hipótese e a chegada aos resultados só foi possível podendo considerar toda a obra foucaultiana a partir de uma dada leitura da obra de Kant feita por Z. Loparic. A tese de Loparic é de que a Filosofia de Kant é uma semântica transcendental. À luz dessa interpretação de Kant - especialmente, de uma releitura das teorias do conceito e da verdade, em que aparece o conceito de domínio de interpretação - é que se tornou possível uma leitura adequada da extensão e do tipo de kantismo de Foucault, especialmente no que tange ao conceito de epistémê. A tese percorre o caminho que vai da leitura que Foucault faz de Kant, da maneira como Foucault usa Kant e da indicação do método e alguns de seus operadores conceituais, sempre em relação a Kant. Defendemos que ambas as Filosofias (kantiana e foucaultiana) são filosofias críticas e são semânticas transcendentais, carecendo a segunda, para ser mais bem definida, de um adjetivo: uma semântica transcendental histórica. Como pano de fundo das ideias aqui apresentadas está nosso tema de maior interesse: a produção de Filosofia e as possíveis relações do filósofo com a tradição de pensamento filosófico ocidental. Foucault com Kant é um exemplo elucidativo para se compreender tal produção e uma das maneiras de sua efetivação
Abstract: This text is applicable to the contemporary debate on the similarities between Kant and Foucault. The relationship between these two philosophies is one of both rupture and continuity. On one hand, the archaeological-genealogical approach produces results that contradict many of Kant¿s studies on the human being, knowledge and history. On the other hand, Foucault by no means abandons the Kantian models to produce Philosophy, and his method dives into the Kantian model and the critical attitude. Foucault denies the formal a priori, but affirms the historical a priori; in other words, he denies the transcendental subject and, as a consequence, the transcendental idealism, but analogically affirms a "transcendental-historical". He inverts Kantian ideas and produces some of his principal works on the modern subject. Foucault changes the Kantian categories, just as throughout the history of Philosophy, great thinkers creatively overturned their masters. Foucault is critical in his attitude, adopting the transcendental philosophy model. He does, however, use Kant¿s molds, although with altered content. Our thesis characterizes what Michel Foucault himself indicated as being his Kantian affiliation; namely, if in some way it applies to the philosophical tradition, it will apply to Kant¿s critical tradition. The objective here is to examine what type of affiliation this is, from a perspective of understanding how and with what this philosophy was produced. The hypothesis adopted in this study gives that Foucault¿s Kantianism is a noteworthy example of a creative relationship (and one that is not subservient) between a philosopher and his tradition. It was only possible to elaborate this hypothesis and reach the achieved results by considering the complete work of Foucaultian, by studying Z. Loparic¿s interpretation of Kant¿s work. According to Loparic¿s thesis, Kant¿s philosophy is a transcendental semantic. In light of Kant¿s interpretation ¿ particularly from the re-creation of the theories of concept and truth, in which appears the concept of the domain of interpretation - it was possible to thoroughly study the extension and type of Foucault¿s Kantianism, particularly in terms of the episteme concept. The thesis follows the theory that emerges from Foucault¿s interpretation of Kant, in the way that Foucault uses Kant, the indication of the method and some of its conceptual operators, always in relation to Kant. The present study defends the argument that both Philosophies (Kantian and Foucaultian) are critical and transcendental semantics; the second, in order to be better defined, requires an adjective: a transcendental-historical semantic. The backdrop to the ideas presented in this study is the subject of greatest interest: the production of philosophy and the possible relationships between the philosopher and the tradition of western philosophical thinking. Foucault together with Kant is a clear example that can be used to understand this production and one of the ways that it can be effective
Doutorado
Filosofia
Doutora em Filosofia
Ponton, Ivan. "Les généalogies foucaldiennes." Thesis, Lille 3, 2019. http://www.theses.fr/2019LIL3H006.
Full textThe purpose of this work is to analyze the different forms of genealogy that mark the Foucauldian path of thought. If we call genealogy the process of challenging the claim of certain discourses to autonomy, knowledge discourses, moral, political or aesthetic discourses, by anchoring them in the power relations within which they are constituted, then it is indeed a question of showing that Foucault's thought is animated from beginning to end by a genealogical effort. It is a question, by an analysis trying to describe and understand in their detail, their singularity and their sequence, the different genealogical devices successively mobilized by Foucault, to show that his thought doesn’t stop, explicitly or not, to confront the genealogical scheme, to confront the problems it poses, to propose specific elaborations, to enter for this purpose into debate with other models of genealogy, and to engage in multiple reconfigurations.This work should thus make it possible to reveal genealogy, no longer as a kind of well-known general method, characterizing a simple "period" of Foucaultan thought, but as a specific scheme, fundamental to understand the very singular forms and evolutions of this thought. But it must also, by making the Foucault's work appear to be a true laboratory for genealogy, make it possible to highlight that this approach goes well beyond the thinking of Foucault or even that of Nietzsche, and constitutes one of the main schemes innervating thought since Kant, the one that undoubtedly allows the most radical questioning, but also the one whose evidence is paradoxically the least questioned. A study of Foucauldian genealogies must thus be able to initiate, in its very movement, a general reflection on the forms that can be taken by the genealogical motif and on the types of problems it poses. It aims to lay the first foundations of an epistemology of genealogy or a genealogical grammar, an essential prerequisite for the renewal of this unique scheme
Cauduro, Maria de Lourdes Fernandes. "Escrita e ensino : ecos do discurso pedagógico." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/12857.
Full textThis work, based on the French theory of Discourse Analysis, investigates the relationships between pedagogic discourse and the written productions of graduate students, trying to identify the effects of written texts on the constitution of their identities. The corpus consists of texts written by students of a Course of Engineering of a public university of the state of Rio Grande do Sul, Brazil, in a graduate course entitled “Laboratory of Writing”, during two years. The research is based on the works of Pêcheux (1990, 1993, 1995), Orlandi (1987, 1988, 1996, 2002a) and Foucault (2001, 2002) mainly. From this point of view, the pedagogic discourse is described as a authoritarian and homogeneous discourse which can be broken by “interpretation gestures” (ORLANDI, 1996).The analysis of the texts written by these students considered the presence of linguistic elements as adjectives, adverbs and pronouns, which, according to the linguistic theory, mark discursive positions taken by the students. The analysis gives visibility to interpretation process as a result of the pedagogic work developed in the activities of the course, which used to emphasize the production of meaning. It also gives visibility to interpretation and to identificatory processes emerging on the texts which I suppose is due to the pedagogic discourse of the “Laboratory of Writing”, which emphasized the practices of reading and writing as significant practices. From this point of view subjects and discourse are not homogeneous. I analyze the school practices of writing, the relations of power which characterize the actors of the pedagogic process, considering these relations can be transformed, being the school a place where the students can produce meanings and constitute their identities. I interpretate the textual and grammatical disorganization which can be perceived in a great number of texts written by students as “echos” of the dominant pedagogic discourse practiced in school, which mainly emphasizes the rules of grammar and the correct orthography. This research also intends, in a great extension, to theorize about the teaching of writing in school, starting from a point of view which considers the heterogeneity as being constitutive of subjects and of discourse.
Huang, Hai Rong. "Du "piège" de la rhétorique à la critique de la critique : la pensée occidentale de la rhétorique de Friedrich Nietzsche à Jacques Derrida, Michel Foucault, Paul de Man et Roland Barthes." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030091.
Full textThis thesis is a study of the contemporary Western critical approach to the problem of rhetoric pioneered by Nietzsche, in which rhetoric presents itself as a profound and radical questioning as well as a re-vision of the nature of language itself, and consequently of all aspects of social and cultural life. This study mainly addresses the rhetorical thinking of four critics — Jacques Derrida, Michel Foucault, Paul de Man and Roland Barthes — who, in their common inheritance from and critique of Nietzsche’s own critical approach, have revealed a dual-nature of rhetoric which not only characterizes the mechanism of metaphysics, but also inevitably enmeshes all human thinking — including critical thinking — in a trap of deconstruction. This double-edged character of rhetoric sets a dual-task for critical thinking: an endless criticism [demystification] and self-criticism. Critical thinking thus turns out to be a “critique of criticism” as a reflection on the limit of critical thinking itself, that is, a critique — in the Kantian sense of the word — of the [im]possibility of rational thinking. Accordingly, this study focuses on two points: firstly, the dual-nature of rhetoric as expounded by each one of the critics from his specific intellectual perspective; secondly, the strategy for critical thinking proposed and employed by each of them
Beilings, Christopher. "Entrepreneurship: a foucauldian analysis of enterprise development and the Post-Apartheid subject." Thesis, 2019. https://hdl.handle.net/10539/29355.
Full textSet in the context of a post-Apartheid South Africa, this research report constitutes a Foucauldian analysis of how state institutional support for SMME resonates with neoliberal governmentality and the consequent attempt to prompt the post-Apartheid subject. Relevant herein, are the state institutions that are mandated to further the states initiative of enterprise development. Primarily making use of archival analysis, policy data from these institutions were sought out and analysed. Analysing enterprise development from a historical perspective, it is evident that intentions have evolved with regard to two factors. Firstly, the ever-permeating growth in the promotion of ‘entrepreneurial culture’; and secondly, the differentiation of targeted subjects. Through studying these findings, it is argued that there is an attempt by the state to condition entrepreneurial subjectivities. It can further be argued that, as a consequent to the former, the agenda of the state is to outsource fiscal liabilities to informal markets. This research report ultimately constitutes a Foucauldian interpretation of these two cardinal findings.
NG (2020)
Leininger-Ogawa, Michael. "Michel Foucault's anti-ontologies." Phd thesis, 2012. http://hdl.handle.net/1885/150838.
Full textCooklin, Katherine Lowery 1967. "Poststructural subjects and feminist concerns : an examination of identity, agency and politics in the works of Foucault, Butler and Kristeva." 2004. http://hdl.handle.net/2152/12754.
Full textFisher, Cozza Robin Lee 1960. "The writings and art songs of John Duke : 1917-1945." 2001. http://hdl.handle.net/2152/10312.
Full text"論況周頤詞及其詞論." 2006. http://library.cuhk.edu.hk/record=b5896457.
Full text"2006年7月"
論文(哲學碩士)--香港中文大學, 2006.
參考文獻(leaves 199-207).
"2006 nian 7 yue"
Abstracts also in English.
Xu Wei.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2006.
Can kao wen xian (leaves 199-207).
緒論 --- p.1
Chapter 第一節 --- 硏究目的 --- p.1
Chapter 第二節 --- 前人硏究回顧 --- p.3
Chapter 第三節 --- 硏究方法 --- p.8
Chapter 甲部 --- 況周頤詞析論 --- p.10
Chapter 第一章 --- 況周頤詞集槪述及其分期 --- p.11
Chapter 第一節 --- 況周頤詞集簡介 --- p.11
Chapter 第二節 --- 況周頤詞的分期 --- p.14
Chapter 第二章 --- 論《蕙風詞》的命名與況周頤詞的主調 --- p.25
Chapter 第一節 --- 小引 --- p.25
Chapter 第二節 --- 「蕙風」二字的意義及其相關問題 --- p.26
Chapter 第三節 --- 「內冤結而心傷」的況周頤詞 --- p.31
Chapter 1. --- 美好事物的消逝 --- p.35
Chapter 甲、 --- 從季節的變化寫美好事物的消逝 --- p.37
Chapter 乙、 --- 對過去的繾綣 --- p.42
Chapter 丙、 --- 知愛斷絶 --- p.44
Chapter 2. --- 勞生之感 --- p.49
Chapter 3. --- 芳姿誤人的悲歎 --- p.56
Chapter 4. --- 「大」之旨的表現 --- p.61
Chapter 第四節 --- 小結 --- p.66
Chapter 第三章 --- 「沈思獨往」一論況周頤詞的章法結構、化用前人詩詞處、用字 --- p.67
Chapter 第一節 --- 引言 --- p.67
Chapter 第二節 --- 況周頤詞的章法結構 --- p.70
Chapter 1. --- 善於鋪敘,層次分明´ة於轉折處筆法尤細 --- p.71
Chapter 2. --- 渾然一體,一氣流轉 --- p.76
Chapter 3. --- 組詞內容新穎,結構綿密 --- p.81
Chapter 第三節 --- 況周頤詞化用前人詩詞處 --- p.86
Chapter 第四節 --- 論況周頤詞用字 --- p.94
Chapter 第五節 --- 餘論 --- p.98
Chapter 第四章 --- 「務極悠揚流美之致」一論況周頤詞的聲律 --- p.102
Chapter 第一節 --- 引言 --- p.102
Chapter 第二節 --- 律調 --- p.103
Chapter 第三節 --- 腔調 --- p.108
Chapter 第四節 --- 用韻 --- p.110
Chapter 第五節 --- 總結 --- p.113
Chapter 第五章 --- 況周頤詞綜論 --- p.115
Chapter 乙部 --- 況周頤詞論舉要 --- p.118
Chapter 第六章 --- 小引 --- p.119
Chapter 第一節 --- 況周頤詞論著作槪述 --- p.119
Chapter 第二節 --- 況氏詞論之硏究方法 --- p.121
Chapter 第七章 --- 詞外求詞一兼論況周頤對詞人與詞作關係的處理 --- p.126
Chapter 第一節 --- 引言 --- p.126
Chapter 第二節 --- 「言爲心聲」與「詞固不可槪人」 --- p.127
Chapter 第三節 --- 性靈、性情與讀書 --- p.132
Chapter 第四節 --- 餘論 --- p.139
Chapter 第五節 --- 小結 --- p.142
Chapter 第八章 --- 論「詞境」、「詞心」 --- p.143
Chapter 第一節 --- 引言 --- p.143
Chapter 第二節 --- 「詞境」和「詞心」的意涵 --- p.143
Chapter 第三節 --- 論學者釋「詞境」與「詞心」 --- p.147
Chapter 第四節 --- 況氏之「詞境」與王國維的「境界」 --- p.150
Chapter 第九章 --- 論「寄託」與「真」 --- p.155
Chapter 第一節 --- 清代詞論家的寄託說 --- p.155
Chapter 第二節 --- 況周頤的寄託說 --- p.158
Chapter 第三節 --- 況氏的「真」與其寄託說的關係 --- p.160
Chapter 第十章 --- 論「重、拙、大」及其相關問題 --- p.162
Chapter 第一節 --- 引言 --- p.162
Chapter 第二節 --- 論「重」 --- p.164
Chapter 第三節 --- 論「拙」 --- p.174
Chapter 第四節 --- 論「大」 --- p.179
Chapter 第五節 --- 論「深靜」與「穆之一境」 --- p.186
Chapter 第六節 --- 小結 --- p.190
Chapter 第十一章 --- 餘論 --- p.191
總結 --- p.197
參考書目 --- p.199
附錄一 況周頤生平簡表 --- p.208
附錄二 趙尊嶽述《玉梅詞》中有關桐娟詞作之本事商榷 --- p.225
附錄三《蕙風詞話》鑑賞資料統計 --- p.235
附錄四後人對況周頤詞論的回應 --- p.256
Amaral, Joao Cesar Moreira Rato. "Genesis and development of the peasant Christ in Dario Po's Mistero Buffo." Thesis, 2014. http://hdl.handle.net/10539/15534.
Full textEidt, Jacob Ivan. "Deus absconditus: gnosticism, the secularization process, and philosophical modernity in the works of Rainer Maria Rilke." Thesis, 2004. http://hdl.handle.net/2152/1956.
Full textLemmer, Erika. "Ingrid Winterbach, 'n derde kultuur en die neo-Victoriaanse romantradisie (1984-2006)." Thesis, 2010. http://hdl.handle.net/10500/3889.
Full textAfrikaans
D.Litt. et Phil. (Afrikaans and Theory of Literature)
Duncan, James Bryan. "Narrative frames and the works of John Coltrane." Thesis, 1999. http://hdl.handle.net/1957/33659.
Full textGraduation date: 1999
Ayres, Jonathan Peter. "Foucault's asceticism and the subject of AIDS." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116255.
Full textHenderson, Margaret Annette. "Water in visual art : an investigative study of selected paintings by Joseph Mallord William Turner, Oscar Claude Monet and Pat Steir." Thesis, 2004. http://hdl.handle.net/10413/2869.
Full textThesis (M.A.)-University of Kwazulu-Natal, Pietermaritzburg, 2004.
Savilonis, Margaret Frances. ""--give us the history we haven't had, make us the women we can't be": motherhood & history in plays by Caryl Churchill and Pam Gems, 1976-1984." Thesis, 2004. http://hdl.handle.net/2152/1257.
Full textEngledow, Sarah Elizabeth Sylvia. "The anomaly : a contextual introduction to the novels of James Kelman, 1984-1994." Phd thesis, 2002. http://hdl.handle.net/1885/151059.
Full textCastro, María Elena. "El conflicto entre la realidad y el deseo en la poesía surrealista de la Generación del 27." 2001. http://hdl.handle.net/2152/10711.
Full textMarais, Guillaume François. "M.E.R. se beskouing van die Afrikaner en afrikanernasionalisme vergeleke met die beskouinge van N.P. van Wyk Louw, J.J. Degenaar en J.C. Steyn." Thesis, 1992. http://hdl.handle.net/10500/18122.
Full textPride of place belongs to Mrs Maria Elizabeth Rothmann (1875 - 1975), in Afrikaans literature widely known as M.·E.R. The key conceptions are Afrikaner and Afrikanernationalism. Theye are differing opinions about the meaning of the name Afrikaner, but for our purpose it means an Afrikaans speaking white. Afrikaner nationalism has been defined over the past century by leaders like Kruger, Steyn, Reitz, De la Rey, De Wet, Hertzog, Malan, Strydom and Verwoerd. The second chapter portrays the views of some representative authors and politicians on the Afrikaner and Afrikaner nationalism. In the next chapter M.E.R.'s opinion in this regard is discussed and compared and contrasted with the opinions of Louw, a generation after her, and J.C. Steyn, a generation after Louw. Degenaar, born two decades after Louw and thirteen years before Steyn, is used mainly as resonator because his views differ radically from the other three. although Louw turned more "liberal" since the early sixties. Forthwith M. E .R. 's first-hand narratives about Kruger, Steyn, Hertzog and Verwoerd are tested by the accepted standards of good biQJZraphy. Where L.o.tw) Sbe-1vi ....a ~~tLLy. possible her views are compared with those of the trio,.., The next chapter treats M.E.R. 's estimate of and compassion with desperately poor Afrikaners, as portrayed in her Chapter V B of the Carnegie Commission Report. Her indication of the causes of Afrikaner poverty is noted. Her concern with Afrikaner children by way of her many children's books occupies a subsequent chapter. Then follow her views on the Afrikaner's religion and on racial relations, whereafter her My beskeie deel (My allotted portion) is assessed as the autobiography of an Afrikaner woman. The last two chapters discuss the language and style of the four writers concerned as well as their role as teachers of the Afrikaner nation. In conclusion their views are summarised. M.E.R. and Steyn believe in the Afrikaner's right of self-determination. Since the early sixties Louw has regarded the Cape Coloureds as part of the Af rikanervolk, al though he has advocated territorial separation of the Black peoples. Degenaar is in favour of a unitary state entrenched by regionalism, a human rights charter and an independent judiciary.
Afrikaans & Theory of Literature
D. Litt. et Phil. (Afrikaans)