Relevant bibliographies by topics / 1925-2008 Criticism and interpretation

Academic literature on the topic '1925-2008 Criticism and interpretation'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "1925-2008 Criticism and interpretation"

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Salam, Abdul. "Samaun Bakri: Nationalist Portrait in 1925-1948." Yupa: Historical Studies Journal 2, no. 1 (May 31, 2018): 44–54. http://dx.doi.org/10.30872/yupa.v2i1.115.

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Samaun Bakri is one of many figures from Nagari Kurai Taji Pariaman West Sumatra, which enliven the national political stage. His movement in the Dutch Colonial period, began when he attended in Sumatra Thawalib Padang Panjang. The Kuminih movement, fronted by Communist propagandists, has changed its paradigm of thinking from moderate to radical. Sometimes Samaun is often the target of arrest with allegations of infidelity. This paper is compiled based on historical method, consist of; heuristics, criticism, interpretation, and historiography. The world of Islamic movement and modernization has indeed influenced the way of Samaun thinking. Several times, he was involved in the press, ranging from Persamaan, Sasaran, Penabur, and often wrote harsh criticisms of the Dutch government. After the Silungkang incident, he crossed over to the Partai Nasional Indonesia (PNI). During the Japanese occupation, he was involved in the management of PUTERA and Jawa Hokokai. His political career post-independence immediately dashed, when he served as Deputy Governor of West Java in 1946, KNIP members represent West Java, and became Deputy Resident of Banten in 1946-1948.
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Siregar, Fritz Edwadr. "Indonesia Constitutional Court Constitutional Interpretation Methodology (2003-2008)." Constitutional Review 1, no. 1 (March 28, 2016): 1. http://dx.doi.org/10.31078/consrev111.

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Nine Indonesian Constitutional Justices have the authority to annul a law drafted by 550 Parliament members and the President. The Constitutional Court of the Republic of Indonesia (“the Court”), particularly in deciding cases of judicial review, has the capability to declare words, sentences, paragraphs, articles or the law unconstitutional. Consequently, it is essential for the Court to take into account legal arguments. The fundamental element of these legal arguments is constitutional interpretation, which serves as a parameter in determining constitutionality of the laws. However, in exercising its authority, the Court needs to interpret the Constitution as a basis for deciding a case. The standards for determining the constitutionality of a law must be the text of the Constitution, not what the judges would prefer the Constitution to mean. Constitutional supremacy necessarily assumes that a superior rule is what the Constitution says it is, not what the judges prefer it to be. [Craig R. Ducat: E3]. The Court period 2003–2008 were the Court’s the formative years, and as such are important to understand the methodology and interpretative approaches adopted by the Court. Many observers of the Court’s early decisions are still unsure of the overarching approach and methodology adopted by the Court. Thus, there is a need for a close analysis and criticism of the Court’s early decisions to determine which methods and approaches it has adopted and whether these are appropriate in the Indonesian context. The Court has openly referred to the experiences of foreign jurisdiction in constitutional law, and therefore it would be appropriate to analyze the court’s decisions in a broader comparative context of constitutional interpretative approaches from around the world.
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Kholis Sofiah, Asri Nur, and Ajid Hakim. "Sejarah PLTA Lamajan Pangalengan Sebagai Situs Peninggalan Belanda di Kabupaten Bandung Tahun 1925." Historia Madania: Jurnal Ilmu Sejarah 4, no. 1 (July 30, 2020): 129–46. http://dx.doi.org/10.15575/hm.v4i1.9192.

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This study aims to determine how the history of the Lamajan Hydroelectric Power in 1925, both in terms of the geographical, demographic conditions of Pangalengan and also the components that still exist in Lamajan. Lamajan is a Dutch hydroelectric power plant (PLTA) which was built in 1924 in Pangalengan, Bandung and has been operating since 1925. Lamajan has three generator units, the engine used by Lamajan supplied from the Dutch factories Heemaf and Smit Slikkerveer, initiated by V.H Willem Smith & Co. and R.W.H. Hofstede Crull. The method used in this study is a qualitative method, namely by collecting data through literature and documentation. This method is carried out through four stages namely, heuristics, criticism, interpretation, and historiography. The results of this study show this hydroelectric power plant was built during the Dutch colonial era in 1920-1924 and operated in 1925. This power plant was initially built by a Dutch engineer named Willem Beyerinc K. for the electricity needs of sugar factories but over time was used to illuminate the area of Bandung and its surroundings, this power plant utilizes the flow of water from the Cisarua and Cisangkuy rivers.
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Mincheva, Elitsa. "Case Report on Kadzoev, 30 November 2009." European Journal of Migration and Law 12, no. 3 (2010): 361–71. http://dx.doi.org/10.1163/157181610x520418.

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AbstractThe detention periods authorized by Directive 2008/115 sparked significant criticism both within and without the EU. In its preliminary ruling of 30 November 2009, the Court of Justice countered concerns that a further erosion of the fundamental rights of irregular migrants might occur due to a broad interpretation of the directive by national courts.
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Carroll, Claire E. "Another Dodecade: A Dialectic Model of the Decentred Universe of Jeremiah Studies 1996—2008." Currents in Biblical Research 8, no. 2 (December 17, 2009): 162–82. http://dx.doi.org/10.1177/1476993x09346504.

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In the years since the publication of Robert Carroll’s ‘Surplus Meaning and the Conflict of Interpretations: A Dodecade of Jeremiah Studies (1984—95)’, in Currents 4 in 1996, major paradigm shifts in biblical studies have resulted in an unprecedented level of innovation. Increased engagements with the element of chaos in the text and the resultant innovative encounters with this problematic scriptural material include influential contributions from philosophy, cultural and literary theories. The present review surveys the current state of the field of Jeremiah studies by tracing the impact of post-structuralist methodologies of decentring on ways of thinking about and engaging with Jeremiah. It argues that in the aftermath of the widely acknowledged end of the hegemony of historical-criticism as the dominant paradigm of biblical interpretation articulated by Perdue as ‘the collapse of history’, Jeremiah studies has taken on the shape and nature of a dialectic between the principles of order and chaos.
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Ismarini, Ani. "KEDUDUKAN ELIT PRIBUMI DALAM PEMERINTAHAN DI JAWA BARAT (1925-1942)." Patanjala : Jurnal Penelitian Sejarah dan Budaya 6, no. 2 (June 1, 2014): 179. http://dx.doi.org/10.30959/patanjala.v6i2.193.

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AbstrakTerbentuknya Province West-Java lebih karena munculnya tuntutan dari masyarakat Hindia Belanda saat itu yang memang sudah mengalami dinamisasi, perkembangan, dan kemajuan dalam berbagai aspek kehidupan. Tuntutan yang mereka ajukan adalah otonomi yang lebih besar yang berkait aspek-aspek politik. Di samping itu, penduduk pun menuntut makin meningkatnya pelayanan pemerintah dalam berbagai aspek kehidupan yang mereka butuhkan. Guna menjawab tuntutan itu dibentuklah pemerintahan Province West-Java. Dalam rangka menjalankan roda pemerintahan diangkatlah sejumlah pejabat yang kebanyakan berasal dari penduduk bumi putera. Momentum ini merupakan kesempatan awal bagi elit pribumi terlibat dalam birokrasi pemerintahan modern. Selanjutnya pengalaman ini menjadi bekal mereka dalam mengelola pemerintahan pada masa-masa berikutnya. Penelitian ini menggunakan metode sejarah yang meliputi empat tahapan kerja: heuristik, kritik, interpretasi, dan historiografi. AbstractWest-Java Province is formed because emerging demands of Nederland-Indie society at that time who had dynamic, growth, and progress in various aspects of life. Their conspicuous demand was greater autonomy related to political aspects. Besides, the people also demanded better government service in many aspects of life. Therefore, West-Java Province government formed. To run the government, some officials who mostly come from native citizen appointed. This momentum is early oppurtunity for the indigenous elite to get involved in the bureaucracy of modern government. In addition, this experience into their stock in managing the government in the sequent periods. This research uses historical method includes four phases, that are heuristic, criticism, interpretation, and historiography.
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Aqimuddin, Jafar Tahmid, Fajriudin Fajriudin, and Dina Marliana. "Pemikiran Politik K.H. Moenawar Chalil (1908-1961)." Historia Madania: Jurnal Ilmu Sejarah 5, no. 2 (December 30, 2021): 193–209. http://dx.doi.org/10.15575/hm.v5i2.15324.

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K.H. Moenawar Chalil is an important figure who is almost forgotten in Indonesian history. He is one of the Indonesian scholars who existed in his time. He has several famous works that he has written since becoming a member of the Sarekat Islam in 1925 at the age of 17 years. Some of his works have been published in articles, newspapers, and the biggest one is in a book that is until now widely known, The Complete Date of the Prophet Muhammad. It turned out that he not only published books on the history of the Prophet Muhammad, but other books such as religious themes, and also politics. This research aims to reconstruct the political thought of K.H. Meonawar Chalil in Indonesia which is contained in his work, both from articles, newspapers and books. The study used four stages, namely Heuritics, Criticism, Interpretation and Historiography.
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Siti Heidi Karmela, Eva Meliana Magdalena Panggaribuan,. "AGAMA KATOLIK DI KOTA JAMBI 1925 – 2013." Istoria: Jurnal Ilmiah Pendidikan Sejarah Universitas Batanghari 4, no. 2 (April 23, 2021): 68. http://dx.doi.org/10.33087/istoria.v4i2.91.

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AbstractThis research is a historical research with the theme of religion which examines religion from an empirical point of view rather than from a normative point of view. As for what is being researched is about the growth and development of Catholicism in the city of Jambi. Therefore, the purpose of this research is to explain historically the dynamics of Catholicism in Jambi City from the initial process of its spread to its development since the Dutch colonial period, the Japanese occupation, to independence, and to describe the existence of missionary groups who were important figures in the process of its spread. The method used is the historical method starting from the heuristic, criticism, interpretation, and historiographic stages. Some of the theories used refer to the theory from E.B. Taylor on the "theory of the soul" or "anima", Stephen K, Anderson on the "theory of stages of religious development", and the theory of R.N. Bellah on the evolution of religion. In the end, the findings obtained after conducting field research were that the Catholic religion that developed in Jambi City has gone through a long process in its history, was carried and spread by missionary groups (priests, brothers, nuns), and contributed a lot to the lives of the population starting from field work. religious, social, and economic.Keywords: Religion, Catholicism, Missionary, Jambi City AbstrakPenelitian ini merupakan penelitian sejarah yang bertemakan bertemakan agama yang mengkaji agama dari sudut empiris bukan dari segi normatifnya. Adapun yang diteliti adalah tentang pertumbuhan dan perkembangan agama Katolik di Kota Jambi. Oleh karenanya tujuan penelitian ini adalah menjelaskan secara historis dinamika agama katolik di Kota Jambi mulai dari proses awal penyebaran hingga perkembangannya sejak periode Kolonial Belanda, Pendudukan Jepang, hingga kemerdekaan, serta mendeskripsikan keberadaan kelompok misionaris yang menjadi tokoh penting dalam proses penyebarannya. Metode yang digunakan adalah metode sejarah mulai dari tahapan heuristik, kritik, interpretasi, dan historiografi. Beberapa teori yang dipakai mengacu pada Teori dari E.B. Taylor tentang “teori jiwa” atau “anima”, Stephen K, Anderson tentang “teori tahapan perkembangan agama”, dan teori dari R.N. Bellah tentang evolusi agama. Pada akhirnya hasil temuan yang didapat setelah melakukan penelitian lapangan adalah bahwa agama Katolik yang berkembang di Kota Jambi telah melewati proses panjang dalam sejarahnya, dibawa dan disebarkan oleh kelompok misionaris (pastor, bruder, suster), dan banyak berkontribusi bagi kehidupan penduduk mulai dari karya bidang keagamaan, sosial, dan ekonomi.Kata Kunci : Agama, Katolik, Misionaris, Kota Jambi
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Mutiarani, Diana, Arif Permana Putra, and Ana Nurhasanah. "Perkembangan Untirta Tv Tahun 2008-2013." Reslaj : Religion Education Social Laa Roiba Journal 4, no. 4 (February 23, 2022): 940–58. http://dx.doi.org/10.47467/reslaj.v4i4.1024.

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This study aimed to determine the development of Untirta TV in 2008-2013. This research method is historical, includes heuristics (data collection), source criticism, interpretation, and historiography. Data collection techniques with interviews, observations, and documentation were carried out at Untirta TV. The results of this study indicate that the forerunner to the birth of Untirta TV campus community television in 2008 was community television as a laboratory facility for television broadcast production courses. Untirta TV aims to prepare human resources who excel in communication science and have academic insight to compete in the practical world in real life in society. In its development in 2009-2013, it went through a long process to obtain a broadcasting operation permit (IPP). In 2009 Untirta TV was inaugurated as a community television and was the first broadcast on electronic mass media screens, namely analog-based conventional television using Ultra High-Frequency transmitters. Furthermore, in 2010-2012 Untirta TV struggled to get a Broadcasting Operation Permit (IPP). In 2012 Untirta TV succeeded in obtaining the first stage of the Broadcasting Operation Permit (IPP) from the Ministry of Communication and Information, namely conducting a trial. one year for television broadcasts. Furthermore, in 2013, the trial period for the broadcasting license has ended. It can be extended once until a permanent broadcasting operation license (IPP) is obtained. In 2013, along with increasingly rapid technological developments, Untirta TV finally switched to using a new mass media, namely the online media YouTube. Untirta TV community television contributed to the field of education in 2009-2013, namely as a forum for the aspirations and information of the Untirta TV academic community that is educative by holding a program of activities both internal and external activities carried out by Untirta TV as a medium of communication for students of Sultan Ageng Tirtayasa University. Keywords: Progress, Community Television, Untirta TV, YouTube
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Pusparani, Rina, Nuraida Kubangun, and Efilina Kissiya. "SISTEM PEMERINTAHAN NEGERI DI PULAU AMBON DAN PULAU-PULAU LEASE (1824-2008)." PEDAGOGIKA: Jurnal Pedagogika dan Dinamika Pendidikan 5, no. 2 (February 5, 2020): 69–90. http://dx.doi.org/10.30598/pedagogikavol5issue2page69-90.

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Government land on the island of Ambon and Lease Islands experienced changes very significantly in each period. For this study wanted to see how the development of the State Government in Central Maluku in the early 20th century until 1942. To get an answer to problems above do research using the historical method consists of four stages: heuristics, external and internal criticism, interpretation and historiography. In analyzing the dta applied to some of the concepts and theories of other social sciences to get a historical explanation. The results of this study concluded that the rules regulating government turns the country on the island of Ambon and Lease Islands is not just limited to 2004 because there are rules issued by the local government to better explain the procedures for land administration system on the island of Ambon and Lease Islands. From 1824 until now there have been changes in the lowest administration system in Indonesia, including Maluku, causing conflict between communities within a country on the island of Ambon and Lease Islands. For the archives of these rules will respont the problems that have been faced by people in Maluku.
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Dissertations / Theses on the topic "1925-2008 Criticism and interpretation"

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Vrba, Marya. "The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.

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This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the dream's ancient role as fixtional template and its specific significance in the destabilised environment of German Central Europe during the early twentieth century. Alfred Kubin's Die andere Seite (1909), which uses the 'other side' as metaphor for both oneiric and artistic experience, reveals the inherent dualism of the literary dream and its close relationship with creativity. In Robert Musil's Die Verwirrungen des Zdglings Tdrlefi (1906), the protagonist serves as the model for a new type of self-determining subject who draws on the knowledge of dreams and irrationality. Franz Kafka's texts reveal techniques for integrating the dream into fictional worlds that are already dreamlike through the prevalence of (literalised) metaphor and free association. Gustav Meyrink, in Der Golem (1915), shares Kafka's interest in concretised metaphor, but also explores the dream's associations with occult practices, used as a defence against the threatening claims of science. Finally, Arthur Schnitzler's literary dreams offer a direct confrontation with psychoanalysis and a dismantling of nineteenth-century ideals of gender and bourgeois love. Overall, it is argued that the literary dreams by these authors hold varied responses to fragmentation of the Ich in the face of psychological 'vivisection', theories of relativity, and the collapse of old social orders. The dream, as a nightly 'psychosis', crystallised the pervasive fears of self-loss during this period; however, in its perennial role as micro-narrative, it also provided a site for re-construction of the subject. The incorporation of dreams in fictional lives served as a metonymical guide for the integration of un- and subconscious experience overall.
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Ocaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.

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This thesis constitutes an investigation into contemporary writing--both fictional and philosophical. More specifically, it is a comparative analysis of the work of British novelist Angela Carter, and French philosophers Gilles Deleuze and Felix Guattari, in the light of the concept of synthetic authenticity. It is divided into three chapters, "Becomings", "Events", and "Machines", and each chapter presents the work of both Carter and Deleuze and Guattari, respectively, in light of one of these topics. Chapter Two, however, focuses closely on Angela Carter's first novel, Shadow Dance, as it relates to the concept 'event'. And Chapter Three focuses on Carter's novel The Infernal Desire Machines of Doctor Hoffman, as it relates to and differs from the schizoanalytic notion of desiring machines.
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Berry, Robert James. "Conrad and Dostoevsky : an unsuspected brotherhood." Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2015.

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This thesis attempts a comparative study of Conrad and Dostoevsky. In doing so, it proposes a significant relationship between the ideological, political and literary worlds of both authors. The work is undertaken in eight chapters. Chapter One explores Conrad and Dostoevsky's respective national and cultural identities. It reflects on Conrad's recorded reactions to Dostoevsky and his work, and speculates on the latter's likely response to Conrad. Chapter Two challenges established critical formulae that suggest Dostoevsky is a purely 'Dionysian' writer. The view that Conrad is a consummate 'Apollonian' artist is similarly brought into question. Chapter Three considers Conrad and Dostoevsky as major literary innovators. To support my argument, Bakhtin's critical concepts of 'polyphony' and 'monology' are introduced, and applied in a Dostoevskyan and Conradian context. Especially highlighted is my debate on Conrad's 'polyphonic' narrative technique in Lord Jim (1900). The notable fusion of disparate literary genres in Conrad and Dostoevsky's novels is explored in Chapter Four. Elements of 'adventure', 'thriller', 'romance', and 'detective' fiction are identified in each novelist's world. My argument, however, restricts itself to an extensive analysis of the surprising importance of the 'Gothic' elements in both writers' worlds. Chapters Five and Six, concentrate on Conrad and Dostoevsky's profound insights into the fundamental character of the human personality. Chapter Five considers their parallel interpretations of mankind's quintessentially materialist nature. Chapter Six looks at their strikingly similar visions of man's violent and carnal identity, and his primary urge to dominate other weaker individuals. Chapters Seven and Eight consider two central themes in Conrad and Dostoevsky's fiction, that of anarchist politics and nihilism respectively. Their political and ideological responses to these issues are investigated in some detail, and significant interpretive parallels established. Finally, the conclusion undertakes to once again assure the reader of the surprising and unsuspected bonds that exist between these two seemingly alien writers.
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Bourassa, Alan. "Calvino's desiring machines : literature and the non-human in Deleuze and Calvino." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56803.

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This thesis stages a meeting between the work of French philosopher Gilles Deleuze and the short fiction of Italian writer Italo Calvino. This meeting has as its subject the question of the human and the non-human. What forces make up the human? What assemblages of elements make up language, literature, subjectivity? And what does it mean that these forces come from outside the human at the same time as they create the human? Calvino is often accused of being an unemotional writer, lacking in human warmth. With this I agree completely. Calvino does lack human warmth because he allows non-human forces to penetrate his writing, taking it beyond conventionalized and banal prefabricated emotion into a dimension of new intensities. Deleuze will provide us with a vocabulary of concepts with which to discuss these non-human forces and their potential for moving the human out of itself and into a new assemblage of thoughts, passions and actions.
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Ghandeharian, Minoo. "Une analyse des Gommes, du Voyeur et de la Jalousie." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25408.

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Les Gommes, Le Voyeur, La Jalousie, les trois premiers romans de Robbe-Grillet, constituent la premiére phase de l'oeuvre de l'écrivain. Dans cette étude il s'agira de voir ce qui sépare la vision du monde et l'écriture de Robbe-Grillet de la tradition littéraire qui l'a précédé, ce qui, de cette tradition, subsiste encore chez lui, et ce en quoi consistent l'originalité et la spécificité de l'univers romanesque robbe-grilletien. D'une part, Robbe-Grillet rompt avec les formes et normes romanesques établies, d'autre part, il crée son propre univers romanesque. Cette rupture est manifeste dans Les Gommes comme l'est l'apparition d'un nouvel espace littéraire dans Le Voyeur, et surtout dans La Jalousie. Pour bien comprendre l'art et la position théorique de Robbe-Grillet, pour bien comprendre son oeuvre, il est absolument indispensable de connaltre la rupture d'avec l' " ancien " et le début d'un processus littéraire propre a Robbe-Griliet. L'une et l'autre se dessinent clairement dans Les Gommes, Le Voyeur, et La Jalousie.
Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
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Bernier, Jean 1976. "La vision politico-morale d'Alexandre Soljénitsyne /." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33271.

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This essay focuses on the moral aspect of Alexander Solzhenitsyn's political thought. It constitutes an extensive review and analysis of his work in the field of literature as well as social and political criticism. The first part deals with Solzhenitsyn's critique of Marxism, which remained for many years the main target of his attacks. The second part looks at Solzhenitsyn's historical analysis of the Soviet Communist experience. Subsequently, the essay examines the critique of the West expressed by the Russian writer during his exile in Europe and America. The last part deals with Solzhenitsyn's perception of post-Communism Russia and some of his major propositions for the future.
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Beaulé, Sophie. "Cancer, fulgurance : Robbe-Grillet, de l'avant-garde au paralittéraire." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36544.

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The aim of this study is to analyse the web of meaning underlying the presence of plots and images from paralitterature in the work of Alain Robbe-Grillet. This presence is explained by a transformation in the bookmarket, cultural environment and literary landscape, and corresponds to the malaise in the social discourse raised by the crisis.
The bookmarket changed rapidly in the years following the war. Its reorganization along industrial lines lead to recurrent periods of crisis. That part of the market consisting of mass produced books came under the influence of American popular fiction. This situation had repurcussions on the literary field. People no longer saw books and authors as special, and the readership of serious literature decreased markedly. The avant garde itself seemed exhausted. Works of paralitterature, on the other hand, entered in a process of legitimation.
The New Novelists, and especially Robbe-Grillet, find in paralitterature expressions of the social discourse more powerful than those available in canonical literature. Popular fictions, rife with violence and agression, capture the worries and pessimism about society and the alienation of the individual. In Robbe-Grillet's work, the world is conceived as containing a cancer, one that threatens the social order. Reality is distorted in his fiction, and the characters are fragmented and lost in their imaginary world. The image of a cancerous society is crystallized in the motif of the ritual sacrifice of a woman. For Robbe-Grillet, though, this motif also suggests the origin of fantasy, and in doing so might rejuvenate the creative impulse. Behind the violence and eroticism of his fiction, then, and behind the anomia contaminating literature, is the desire to retrace the lightening of fantasy in the hope of dealing with both the modern world and the predicament of the novel, and possibly find a catharsis through it.
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Vigneault, Louise 1965. "La question identitaire dans l'art moderne québécois /." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36725.

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The following study traces modern Quebecois art from the beginning of the twentieth century with specific reference to the question of the redefinition of identity. The study mainly consists of an analysis of different strategies used by certain progressive artists like Paul-Emile Borduas, Francoise Sullivan and Jean-Paul Riopelle to impose a new reality which was simultaneously contemporary, rooted and distinct in the context of a Quebec that was emerging in modernization. By using popular or marginalized artistic forms and by seizing certain ancient models belonging to the distant past---in the non-western world or precolonial America---and by using different strategies of deconstruction and transgression of normative codes defined by the dominant ideology, these artists were able to avoid current hegemonic models in order to assert new spaces for expression and representation. Taking on modern Quebecois art from an approach belonging to diverse social sciences and humanities, this study aims to renew the analytical parameters of the traditional art history. The main challenge lies in zeroing in on the ways in which the development of modern identity (meaning the affirmation of the right to be different and to self-determination, and the development of subjectivism and expressivism) influenced avant-garde artistic productions, and which strategies artists used to replace the values imposed by traditional institutions and the dominant ideology, which in turn sparked a renewal of identity. Modern identity is based upon a principle that is modeled on two foundations: on the image that the subject will have of himself, and the impression that the Other (a bordering neighbour, cultural cousin, colonial authority or political oppressor) will have of him. In fact, this "stranger" will essentially assume the role of guaranteeing the recognition of the proposed identity. The phenomena of mythical constructions of symbolical imagination and of primitivism, in this study,
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Almeida, Adriana Antunes de. "Uma possível leitura irônica das colunas femininas de Clarice Lispector." reponame:Repositório Institucional da UCS, 2015. https://repositorio.ucs.br/handle/11338/1347.

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A escritora e jornalista Clarice Lispector escreveu durante nove anos, entre as décadas de 1950 e 19560, colunas femininas para três jornais cariocas. Suas colunas eram intituladas: “Entre mulheres”, “Feira de utilidades” e “Correio feminino”. Cada coluna era assinada por um pseudônimo, Tereza Quadros, Helen Palmer e a ghost writer lka Soares, respectivamente. Seus textos abordavam assuntos relacionados ao universo feminino, em que se podem observar a cultura e o comportamento social em que a mulher desse período estava inserida. Esta tese propõe-se a ler esses textos pelo viés da ironia, buscando comprovar que é possível lê-los como contradiscurso ao sistema patriarcal conservador e opressor presente na sociedade de então.
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La escritora y periodista Clarice Lispector iscrivió por nueve años, entre las décadas de 1950 y 1960, colunas femeninas hasta três periódicos cariocas. Sus páginas eran llamadas: “Entre mulheres”, “Feira de utilidades” y “Correio feminino”. Cada página era firmada por un seudónimo, “Tereza Quadros”, “Helen Palmer” y la ghost writer “lka Soares”, respectivamente. Sus textos tratavan de asuntos relacionados al universo femenino, donde era posible mirar la cultura y el comportamiento social donde la mujer de eso tiempo estava viviendo. Esa tese se propone a leer esos textos por la vía de la ironía, buscando comprobar que és posible leer como contradiscurso al sistema patriarcal, conservador y opressor presente en la sociedad de entonces.
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Stander, Aletta Sophia. "Taal wat stamel, stotter en struikel : Marlene van Niekerk se "Die sneeuslaper" (2010) as mineurletterkunde." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20061.

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Abstract:
Thesis (MA)--Stellenbosch University, 2012.
ENGLISH ABSTRACT: The focus of this study will be on the unique way in which language is used in Marlene van Niekerk‟s collection of short stories, Die sneeuslaper (2010). When reading Die sneeuslaper it is impossible not noticing the number of Dutch words, as well as words and phrases from other foreign languages, as Bargoens, Rotwelsch, German, French, Italian, Hebrew, Greek and Maltese. Some of the characters‟ speech, as well as so called sound poems (or nonsense verses) are characterised by a number of newly invented words. However, the meaning of some of these words or phrases remains unclear. Other themes in the four short stories which will be analysed are the so called political responsibility of the artist, as well as music, rhythm and bird-noises. As a theoretical basis of this study, Deleuze and Guattari‟s Kafka Toward a Minor Literature will be used. In Kafka Toward a Minor Literature Deleuze en Guattari formulate their ideas regarding minor literature. They describe a major language as a language of dominance and power, while a minor language is a language without any power. According to them the three characteristics of minor literature are: the minor deterritorializes the major, minor literature is always political, and minor literature always has a collective function. Deleuze and Guattari‟s, as well as Bogue‟s writing regarding the territorialization and deterritorialization of the refrain, is also explored briefly. Deleuze en Guattari‟s theories regarding minor literature is used in this study to read Die sneeuslaper. In the end it is concluded that the unconventional use of language in this short story collection can be associated with the political nature of some of the stories. The unique usage of language in Die sneeuslaper, the way in which Afrikaans is transformed into a language that stammers, stutters and mumbles, can be seen as a subtle form of political protest. Therefore this collection of short stories can be seen as a form of minor literature.
AFRIKAANSE OPSOMMING: Hierdie studie fokus op die vreemde wyse waarop taal in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper (2010), aangewend word. Met die lees van Die sneeuslaper is die hoeveelheid Nederlandse woorde, asook enkele woorde en frases uit ander vreemde tale, soos Bargoens, Rotwelsch, Duits, Frans, Italiaans, Hebreeus, Grieks en Maltees, opvallend. Verder is daar in die karakters se spraak, sowel as in klankgedigte (of onsinverse), vele nuutskeppings waarvan die betekenis nie altyd so duidelik blyk nie, teenwoordig. Ander temas wat in die vier verhale figureer en ondersoek sal word is kunstenaarskap, die sogenaamde politieke verantwoordelikheid van die kunstenaar, asook musiek, ritme en voëlgeluide. As teoretiese vertrekpunt vir die studie word Deleuze en Guattari se Kafka Toward a Minor Literature, waarin hul idees oor mineurlettekunde geformuleer word, gebruik. Deleuze en Guattari onderskei tussen ‟n dominante majeurtaal en ‟n mineurtaal wat sonder mag is. Volgens Deleuze en Guattari is daar drie kenmerke van mineurletterkunde, naamlik dat die mineur die majeur deterritorialiseer, dat mineurletterkunde altyd polities is, en laastens dat mineurletterkunde altyd kollektief van aard is. Bykomend word daar ook kortliks gekyk na Deleuze en Guattari, sowel as Bogue, se skrywe oor territorialisering en deterritorialisering in die refrein. Deleuze en Guattari se teorie oor mineurletterkunde word in hierdie studie as ‟n agtergrond gebruik om Die sneeuslaper te lees. Daar word uiteindelik tot die gevolgtrekking gekom dat die onkonvensionele taalgebruik in die kortverhaalbundel wel geassosieer kan word met deterritorialisering en dat dit aansluit by die politieke aard van sommige van die verhale. Die wyse waarop Afrikaans in Die sneeuslaper getransformeer word na ‟n taal wat stamel, stotter en struikel, kan dus as subtiele, politieke protes gesien word en daarom kan dié kortverhaalbundel inderdaad as ‟n vorm van mineurletterkunde beskou word.
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Books on the topic "1925-2008 Criticism and interpretation"

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Bibliografia degli scritti su Eugenio Montale: (1925-2008). Roma: Edizioni di storia e letteratura, 2012.

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1925-, Rauschenberg Robert, Joseph Branden W, and Steinberg Leo, eds. Robert Rauschenberg. Cambridge, MA: MIT Press, 2002.

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Jaẏenaudadīna, Khāleka Bina. Rokanujjāmāna Khāna Dādābhāi, 1925-1999. Ḍhākā: Bāṃlā Ekāḍemī, 2001.

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1925-2008, Rauschenberg Robert, and Museum of Modern Art (New York, N.Y.), eds. Robert Rauschenberg. New York: Museum of Modern Art, 2009.

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1925-, Rauschenberg Robert, ed. Robert Rauschenberg: Works, writings and interviews. Barcelona, Spain: Ediciones Polı́grafa, 2006.

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Roy Turner Durrant, 1925-1998. Bristol: Sansom, 2011.

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Murakami Haruki sutadīzu, 2008-2010 =: Murakami Haruki studies, 2008-2010. Tōkyō: Wakakusa Shobō, 2011.

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Rājkautaman̲. A. Mātavaiyā, 1872-1925: Vāl̲vum paṭaippum. Bangalore: Kāvyā, 1995.

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Mićović, Milutin. Dani Njegoševi 2008/2009. Nikšic: Književno društvo "Njegoš", 2010.

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Baena, Pablo García. Poesía completa (1940-2008). 3rd ed. Madrid: Visor Libros, 2008.

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"realities they name. Though corrupt, they remain dictions, fissures, discord, repressions, aporias, etc. divinely given and the poet’s burden is to purify the Inasmuch as their response is a product of their language of his own tribe. Words have been ‘wrested time, so is mine for I remain caught up in a vision of from their true calling’, and the poet attempts to the poem I had during my graduate years at the wrest them back in order to recreate that natural lan-University of Cambridge when I began seriously to guage in which the word and its reality again merge. read it. What I had anticipated to be an obscure alleg-Like Adam, he gives names to his creatures which ory that could be understood only by an extended express their natures. His word-play is a sustained study of its background became more clear the more and serious effort to plant true words as seeds in the I read it until I had the sense of standing at the reader’s imagination. In Jonson’s phrase, he ‘makes centre of a whirling universe of words each in its pro-their minds like the thing he writes’ (1925– per order and related to all the others, its meanings 52:8.588). He shares Bacon’s faith that the true end constantly unfolding from within until the poem is of knowledge is ‘a restitution and reinvesting (in seen to contain all literature, and all knowledge great part) of man to the sovereignty and power (for needed to guide one’s personal and social life. In the whensoever he shall be able to call the creatures by intervening years, especially as a result of increasing their true names he shall again command them) awareness of Spenser’s and his poem’s involvement which he had in his first state of creation’ (Valerius in Ireland, as indicated by the bibliographies com-Terminus). Although his poem remains largely piled by Maley in 1991 and 1996a, and such later unfinished, he has restored at least those words that studies as McLeod 1999:32–62, but best shown in are capable of fashioning his reader in virtuous and Hadfield 1997, I have come to realize also the pro-gentle discipline. What is chiefly needed to under-found truth of Walter Benjamin’s observation that stand the allegory of The Faerie Queene fully is to ‘there is no document of civilization that is not at the understand all the words. That hypothesis is the basis same time a document of barbarism’. The greatness of my annotation. of The Faerie Queene consists in being both: while it My larger goal is to help readers understand ostensibly focuses on Elizabeth’s court, it is impos-why Spenser was honoured in his day as ‘England’s sible even to imagine it being written there, or at any Arch-Poët’, why he became Milton’s ‘Original’ and place other than Ireland, being indeed ‘wilde fruit, the ‘poet’s poet’ for the Romantics (see ‘poet’s poet’ which saluage soyl hath bred’ (DS 7.2). in the SEnc), and why today Harold Bloom 1986: If Spenser is to continue as a classic, criticism must 2 may claim that he ‘possessed [mythopoeic power] continue to recreate the poem by holding it up as a . . . in greater measure than any poet in English mirror that first of all reflects our own anxieties and except for Blake’, and why Greenblatt 1990b:229 concerns. It may not be possible, or even desirable, may judge him to be ‘among the most exuberant, to seek a perspective on the poem ‘uncontaminated generous, and creative literary imaginations in our by late twentieth century interests and beliefs’, as language’. Stewart 1997:87 urges, and I would only ask with As I write in a year that marks a half century of my him that we need to be aware of ‘historical voices engagement with the poem, I have come to realize other than our own, including Spenser’s’. As far as the profound truth of Wallace Stevens’s claim that possible criticism should serve also as a transparent ‘Anyone who has read a long poem day after day glass through which to see what Spenser intended as, for example, The Faerie Queene, knows how the and what he accomplished in ‘Fashioning XII Morall poem comes to possess the reader and how it nat-vertues’. Of course, we cannot assume that under-uralizes him in its own imagination and liberates standing his intention as it is fulfilled in the poem him there’ (1951:50). It has been so for me though, necessarily provides a sufficient reading, but it may I also recognize, not for many critics today whose provide a focus for understanding it. Contemporary engagement with the poem I respect. With Mon-psychological interpretation of the poem’s characters trose 1996:121–22, I am aware that ‘the cultural reads the poem out of focus, and the commendable politics that are currently ascendant within the aca-effort to see the poem embedded in its immediate demic discipline of literary studies call forth condem-sociopolitical context, chiefly Spenser’s relation to nations of Spenser for his racist / misogynist / elitist the Queen, fails to allow that he wrote it ‘to liue with." In Spenser: The Faerie Queene, 40. Routledge, 2014. http://dx.doi.org/10.4324/9781315834696-38.

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