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Journal articles on the topic '1920s'

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1

Saleniece, Irēna, and Maija Grizāne. "Searching for New Identities: The Belarusian Minority in the Latvian-Belarusian Borderlands from the 1920s to the 1990s." Lithuanian Historical Studies 28, no. 1 (2024): 131–67. http://dx.doi.org/10.30965/25386565-02801005.

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The research presented here is based on life stories that were collected during fieldwork in the Latvian-Belarusian borderland from 2003 to 2020 by the Oral History Centre of Daugavpils University. These oral testimonies of Belarusians disclose the circumstances that facilitated or interfered with their involvement in local society, and the changes which occurred in their sense of self-identity. The results of a comparison of three groups of Belarusians demonstrate major differences between identity, formed during the existence of the independent state, the Soviet period, and the post-Soviet p
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Burlutskyi, Andriy. "Scenic Speech in the «New Ukrainian Theatre»: Specificity of Functioning." Bulletin of KNUKiM. Series in Arts, no. 34 (June 5, 2016): 10–19. https://doi.org/10.31866/2410-1176.34.2016.158193.

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The paper identifies specificity of forming and functioning of scenic speech in the period of formation of the «new Ukrainian theatre», whose framework chronologically unites the «silver» era (the 1920s) and the Ukrainian soviet theatre (the political theatre of the 1930s–1950s, the theatre of war time, the theatre of aesthetic innovations of the 1950s–1960s, and the «searching» theatre of the 1970s–1980s).
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Adom Getachew Talks to Ashish Ghadiali. "World makers of the Black Atlantic." Soundings 75, no. 75 (2020): 180–98. http://dx.doi.org/10.3898/soun.75.11.2020.

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In Worldmaking After Empire, Adom Getachew challenges standard histories of decolonisation, which chart the story of a simple shift from empire to independent nationhood. She shows that supporters of decolonisation have always sought to create something much more than nationalisms: they have engaged in a dynamic and rival system of revolutionary worldmaking, seeking an alternative international system that could replace the old inequitable dispensation. She charts this decolonial project from its roots in the works of Black Atlantic thinkers like W.E.B. Du Bois and C.L.R. James in the 1920s an
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Duan, J., L. Wang, L. Li, and Y. Sun. "Tree-ring-inferred glacier mass balance variation in southeastern Tibetan Plateau and its linkage with climate variability." Climate of the Past 9, no. 6 (2013): 2451–58. http://dx.doi.org/10.5194/cp-9-2451-2013.

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Abstract. A large number of glaciers in the Tibetan Plateau (TP) have experienced wastage in recent decades. And the wastage is different from region to region, even from glacier to glacier. A better understanding of long-term glacier variations and their linkage with climate variability requires extending the presently observed records. Here we present the first tree-ring-based glacier mass balance (MB) reconstruction in the TP, performed at the Hailuogou Glacier in southeastern TP during 1868–2007. The reconstructed MB is characterized mainly by ablation over the past 140 yr, and typical mel
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Duan, J., L. Wang, L. Li, and Y. Sun. "Tree-ring inferred glacier mass balance variation in southeastern Tibetan Plateau and its linkage with climate variability." Climate of the Past Discussions 9, no. 4 (2013): 3663–80. http://dx.doi.org/10.5194/cpd-9-3663-2013.

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Abstract. A large number of glaciers in the Tibetan Plateau (TP) have experienced wastage in recent decades. And the wastage is different from region to region, even from glacier to glacier. A better understanding of long-term glacier variations and their linkage with climate variability requires extending the presently observed records. Here we present the first tree-ring-based glacier mass balance (MB) reconstruction in the TP, performed at the Hailuogou Glacier in southeastern TP during 1865–2007. The reconstructed MB is characterized mainly by ablation over the past 143 yr, and typical mel
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Gracheva, Alla Mikhailovna. "N. V. GOGOL AND A. M. REMIZOV: AESTHETIC CONSTANT AND ANNIVERSARY VARIABLES." Russkaya literatura 4 (2022): 58–71. http://dx.doi.org/10.31860/0131-6095-2022-4-58-71.

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The article analyzes the evolution of the Gogol theme in the writer’s work. In the mid-1900s — early 1920s, Remizov followed in Gogol’s footsteps, creating his own version of the «Petersburg text». From the late 1920s and into the 1930s, he mythologized the personality of the author of the Dead Souls, treating him as a half-demon, «stuck» between the two circles of a mystical universe, and as a prophetic writer who could share his «insights» with the readers. For Remizov, Gogol was one of the writers who subscribed to the «Russian mode theory». In the late 1940s and 1950s, Remizov plunged into
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Didenko, К. "INVOLVEMENT OF THE THEORY OF SOCIAL CONSTRUCTION FOR CONSIDERATION OF ARCHITECTURAL AND CITY BUILDING PRACTICE." Municipal economy of cities 1, no. 154 (2020): 185–91. http://dx.doi.org/10.33042/2522-1809-2020-1-154-185-191.

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Social aspects of the formation of architectural complexes in metropolian Kharkov have not yet been analyzed in homeland architectural theory. The study into "Kharkov constructivism", due to unfortunate historical ocurrence, is still in fact at the initial stage. Thesises of Kharkov authors illuminate this phenomenon in general or analyze some of the most significant sights. Approaches to the study of social aspects of architecture and urban development went through several stages. Architectural theory of the late 1940s- the beginning of 1950s was sharply critical of the architectural and urba
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Pope, Rachel. "Processual archaeology and gender politics. The loss of innocence." Archaeological Dialogues 18, no. 1 (2011): 59–86. http://dx.doi.org/10.1017/s1380203811000134.

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AbstractProviding a younger woman's perspective, and born out of the 2006 Cambridge Personal Histories event on 1960s archaeology, this paper struggles to reconcile the panel's characterization of a ‘democratization’ of the field with an apparent absence of women, despite their relative visibility in 1920s–1940s archaeology. Focusing on Cambridge, as the birthplace of processualism, the paper tackles the question ‘where were the women?’ in 1950s–1960s archaeology. A sociohistorical perspective considers the impact of traditional societal views regarding the social role of women; the active gen
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9

Kim, Jiyoung. "The Multilayered Construction of Modern Mountain Tourism and Mt. Jiri Tourism Space: From 1920s to the 1960s." Center for Asia and Diaspora 13, no. 1 (2023): 5–45. http://dx.doi.org/10.15519/dcc.2023.02.13.1.5.

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This study examines the multi-layered construction of the tourism space of Mt. Jiri by tracing how various actors spatially constructed both tourism in Mt. Jiri (starting in the 1920s) as well as the designation of Jirisan National Park in 1967. Modern tourism was introduced to Mt. Jiri in the 1920s, and Mt. Jiri tourism took shape between the mid-1930s and the late 1940s. As mountaineering resumed in the mid-1950s after the Yeosu-Suncheon Rebellion and the Korean War, the foundation for full-scale mountain tourism was laid. The Corea Alpine Club (CAC) and scholars’ academic research played a
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10

Decker, Todd. "Fancy Meeting You Here: Pioneers of the Concept Album." Daedalus 142, no. 4 (2013): 98–108. http://dx.doi.org/10.1162/daed_a_00233.

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The introduction of the long-playing record in 1948 was the most aesthetically significant technological change in the century of the recorded music disc. The new format challenged record producers and recording artists of the 1950s to group sets of songs into marketable wholes and led to a first generation of concept albums that predate more celebrated examples by rock bands from the 1960s. Two strategies used to unify concept albums in the 1950s stand out. The first brought together performers unlikely to collaborate in the world of live music making. The second strategy featured well-known
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Torma, Franziska. "Frontiers of Visibility." Transfers 3, no. 2 (2013): 24–46. http://dx.doi.org/10.3167/trans.2013.030203.

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This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous div
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Krasilnikova, E. I. "Historical Past and Historical-Cultural Heritage of Buryats as Reflected in Journal ‘Sibirskie Ogni’ (1920s-1980s): Memory Politics Aspect." Nauchnyi dialog 13, no. 4 (2024): 408–29. http://dx.doi.org/10.24224/2227-1295-2024-13-4-408-429.

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The aim of the article is to characterize representations of the history and historicalcultural heritage of the Buryats in the pages of the Sibirskie Ogni journal from the early 1920s to the late 1980s in the context of state memory politics. The methodological framework of the study was the field of “Memory Studies.” Conclusions were drawn about the intense ideologization of the historical past of the Buryats on the pages of the Sibirskie Ogni journal at all stages of the Soviet period, as well as the journal's disregard for Buryat heritage associated with the traditions of Buddhist East. Six
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Booker, Vaughn. "“An Authentic Record of My Race”: Exploring the Popular Narratives of African American Religion in the Music of Duke Ellington." Religion and American Culture: A Journal of Interpretation 25, no. 1 (2015): 1–36. http://dx.doi.org/10.1525/rac.2015.25.1.1.

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AbstractEdward Kennedy “Duke” Ellington (1899–1974) emerged within the jazz profession as a prominent exponent of Harlem Renaissance racial uplift ideals about incorporating African American culture into artistic production. Formed in the early twentieth century's middle-class black Protestant culture but not a churchgoer in adulthood, Ellington conveyed a nostalgic appreciation of African American Christianity whenever hewrote music to chronicle African American history. This prominent jazz musician's religious nostalgia resulted in compositions that conveyed to a broader American audience a
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Eero, Margit. "Reconstructing the population dynamics of sprat (Sprattus sprattus balticus) in the Baltic Sea in the 20th century." ICES Journal of Marine Science 69, no. 6 (2012): 1010–18. http://dx.doi.org/10.1093/icesjms/fss051.

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Abstract Eero, M. 2012. Reconstructing the population dynamics of sprat (Sprattus sprattus balticus) in the Baltic Sea in the 20th century. – ICES Journal of Marine Science, 69: 1010–1018 . Long time-series of population dynamics are increasingly needed in order to understand human impacts on marine ecosystems and support their sustainable management. In this study, the estimates of sprat (Sprattus sprattus balticus) biomass in the Baltic Sea were extended back from the beginning of ICES stock assessments in 1974 to the early 1900s. The analyses identified peaks in sprat spawner biomass in the
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Torres-Rouff, David. "Becoming Mexican: Segregated Schools and Social Scientists in Southern California, 1913––1946." Southern California Quarterly 94, no. 1 (2012): 91–127. http://dx.doi.org/10.1525/scq.2012.94.1.91.

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““Becoming Mexican”” traces the establishment of segregated schools for children of Mexican descent in southern California in the 1910s and 1920s. The resulting substandard education led to poor test results. Based on these low scores, social scientists in the 1930s and 1940s concluded that Mexican students were inherently inferior, buttressing a biological definition of racial inferiority with far-reaching consequences.
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Кукулин [Kukulin], Илья [Ilya]. "Приватизация бунта: “вторая жизнь” раннесоветского монтажа [Privatization of a riot: “Second life” of the early Soviet montage]". Sign Systems Studies 41, № 2/3 (2013): 266–311. http://dx.doi.org/10.12697/sss.2013.41.2-3.08.

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Privatization of a riot: “Second life” of the early Soviet montage. This paper deals with montage in the broad sense of the term: it is discussed not as a principle of film editing, but as an aesthetic method based on the contrasting combination of elements; in the case of literary narrative, montage can be defined as a contrasting parataxis. Being understood in that sense, montage became an international “grand style” of the post-WWI epoch. In the Soviet Union this new method had many ideological connotations. It represented history (the historical process as such) as creative and cruel viole
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17

Presnyakova, Inga A. "Swing Era’s Jazzing the Classics: Pro et Contra." Problemy Muzykal'noj Nauki / Music Scholarship, no. 4 (2022): 76–86. http://dx.doi.org/10.56620/2782-3598.2022.4.076-086.

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The birth of jazzing the classics – the practice of jazz transcriptions of classical music – dates back to the Swing Era (from the second half of the 1920s to the first half of the 1940s). The most pronounced trend in jazzing the classics of the era of Swing was the transformation of themes from classical musical compositions (mostly, of a song-like romantic nature) into pop song and dance compositions. The high classics were losing their status of music for serious performance and listening, turning into “foot music” and a commodity for the music business. At the same time, some of the musica
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18

Horáček, Martin. "Czy to zawsze kwestia stylu? Problem właściwej terminologii architektonicznej w renowacjach zamków w Czechach i na Morawach od lat 90-tych XIX wieku do lat 20-tych XX wieku." Protection of Cultural Heritage, no. 18 (December 30, 2023): 35–59. http://dx.doi.org/10.35784/odk.3447.

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This study addresses castle renovations from the turn of the twentieth century up until the present, focusing on their stylistic aspect. Although castles (both ruined and inhabited) have been considered prominent subjects of heritage conservation since the beginning of the conservation movement, they require architectural additions to further their integration into contemporary life, even if a strictly conservationist approach is applied. In contrast to nineteenth-century European attitude to conservation, the twentieth- and twenty-first-century conservation professionals mostly recommend that
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19

Sopin, Artyom Olegovich. "The Individual and Contemporary in Yuliy Raizman's Late Work." Journal of Flm Arts and Film Studies 3, no. 3 (2011): 144–53. http://dx.doi.org/10.17816/vgik33144-153.

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The article examines the films made in the 1960s and 1970s by the filmmakers who became popular in the 1920s and 1930s. Some particular aspects of their adaptation to the new means of artistic expressiveness and adherence to certain themes are analyzed as exemplified by the work of Yuliy Raizman who collaborated with screenwriter Ye. I. Gabrilovich, namely, by their mutual films Your Contemporary (1967), A Strange Woman (1977) and Raizman's Courtesy Call (1972).
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Arekeeva, S. T., and L. P. Fedorova. "ROLE AND PLACE OF PERIPHERAL WRITERS’ ARTISTIC CREATION IN THE HISTORY OF UDMURT LITERATURE." Bulletin of Udmurt University. Series History and Philology 32, no. 4 (2022): 889–94. http://dx.doi.org/10.35634/2412-9534-2022-32-4-889-894.

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The article studies the role and place of peripheral writers in the history of the development of Udmurt literature on the example of Tatarstan and Bashkortostan representatives. It highlights four generations of authors: a) generation of the 1900s-1920s, b) 1920s-1950s, c) 1950s-1970s, and d) 1980s-2010s. It identifies iconic figures of each period and studies the historical and cultural backgrounds that caused the phenomenon of their emergence. For the first time in the history of Udmurt literature, it attempts to make a comparative analysis of the socio-cultural factors that influenced the
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Kiselev, Mikhail. "Carl Schmitt in the USSR." Sotsiologicheskoe Obozrenie / Russian Sociological Review 19, no. 2 (2020): 276–309. http://dx.doi.org/10.17323/1728-192x-2020-2-276-309.

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The article is devoted to the problem of the perception in the USSR of C. Schmitt and his works. It is shown that the Russian Empire paid attention to and criticized Schmitt’s 1912 work Law and Judgment. Soviet readers in the 1920s–1940s were already acquainted with the content of Schmitt’s key works such as Political Romanticism, Dictatorship, The Historical and Spiritual State of Modern Parliamentarism, Political Theology, The Concept of Political, The Age of Neutralizations and Depoliticizations, and On the Three Types of Juristic Thought, and a discussion of these works was a part of the i
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Bogdanova, Olga A. "The Reception of Dostoevsky’s Novel The Adolescent in the Studies of Russian Authors in 1900s-1940s: Religious and Philosophical Understanding, Biography, Psychoanalysis." Dostoevsky and World Culture. Philological journal, no. 3 (2021): 157–95. http://dx.doi.org/10.22455/2619-0311-2021-3-157-195.

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The history of the perception of Fyodor Dostoevsky’s novel The Adolescent in the first half of the 20th century is divided into two large, qualitatively different periods: the Silver Age and the 1920s–1940s. The peculiarity of the first one is the discovery of Dostoevsky as a philosopher and religious thinker, while the second the awareness of him as an original artist. Therefore, in the first period, “ideological” and “spiritual” interpretations of The Adolescent prevailed, in the second – scientific studies of his poetics and especially of the manuscript corpus. The main areas of study of Th
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Bogdanova, Olga A. "The Reception of Dostoevsky’s Novel The Adolescent in the Studies of Russian Authors in 1900s-1940s: Religious and Philosophical Understanding, Biography, Psychoanalysis." Dostoevsky and world culture. Philological journal, no. 3 (2021): 157–95. http://dx.doi.org/10.22455/2541-7894-2021-3-157-195.

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The history of the perception of Fyodor Dostoevsky’s novel The Adolescent in the first half of the 20th century is divided into two large, qualitatively different periods: the Silver Age and the 1920s–1940s. The peculiarity of the first one is the discovery of Dostoevsky as a philosopher and religious thinker, while the second the awareness of him as an original artist. Therefore, in the first period, “ideological” and “spiritual” interpretations of The Adolescent prevailed, in the second – scientific studies of his poetics and especially of the manuscript corpus. The main areas of study of Th
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24

Zheng, Jingyun, Yingzhuo Yu, Xuezhen Zhang, and Zhixin Hao. "Variation of extreme drought and flood in North China revealed by document-based seasonal precipitation reconstruction for the past 300 years." Climate of the Past 14, no. 8 (2018): 1135–45. http://dx.doi.org/10.5194/cp-14-1135-2018.

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Abstract. Using a 17-site seasonal precipitation reconstruction from a unique historical archive, Yu-Xue-Fen-Cun, the decadal variations of extreme droughts and floods (i.e., the event with occurrence probability of less than 10 % from 1951 to 2000) in North China were investigated, by considering both the probabilities of droughts/floods occurrence in each site and spatial coverage (i.e., percentage of sites). Then, the possible linkages of extreme droughts and floods with ENSO (i.e., El Niño and La Niña) episodes and large volcanic eruptions were discussed. The results show that there were 2
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Powell, Douglas R., and Karen E. Diamond. "Approaches to Parent-Teacher Relationships in U.S. Early Childhood Programs during the Twentieth Century." Journal of Education 177, no. 3 (1995): 71–94. http://dx.doi.org/10.1177/002205749517700306.

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The nature of parent-teacher relationships in early childhood programs, including interventions for children with disabilities, is examined within a sociopolitical context across five eras of the twentieth century. Two general approaches are discerned: practices that view parents as learners in need of expert information and advice about child rearing, prevalent through the 1950s, and strategies involving parents as partners with educators in program decision-making, which began to surface in the 1960s. Attention is given to the influence of the Parent Teacher Association in the early 1900s as
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Hounshell, David A. "Automation, Transfer Machinery, and Mass Production in the U.S. Automobile Industry in the Post–World War II Era." Enterprise & Society 1, no. 1 (2000): 100–138. http://dx.doi.org/10.1017/s1467222700015615.

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First experimented with in the 1920s and 1930s in the production of automobile engines, transfer machines became dominant in U.S. engine plants in the 1940s and 1950s, as automakers invested heavily in this equipment to meet pent-up demand following the war. Transfer machines thus became identified with “Detroit automation”. But with the advent of a “horsepower race”, firms found that transfer machines could not accommodate even minor changes in design. Late in the 1950s the industry developed and applied “building-block automation” to transfer machines to attain greater flexibility. Examining
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Swedberg, Richard. "European Economic Sociology, 1920s-1960s." Current Sociology 35, no. 1 (1987): 42–52. http://dx.doi.org/10.1177/001139287035001006.

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Soucy, Rick D., Eric Heitzman, and Martin A. Spetich. "The establishment and development of oak forests in the Ozark Mountains of Arkansas." Canadian Journal of Forest Research 35, no. 8 (2005): 1790–97. http://dx.doi.org/10.1139/x05-104.

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The disturbance history of six mature white oak (Quercus alba L.) – northern red oak (Quercus rubra L.) – hickory (Carya spp.) stands in the Ozark Mountains of northern Arkansas were reconstructed using tree-ring and fire-scar analysis. Results indicate that all six stands originated in the early 1900s following timber harvesting and (or) fire. These disturbances initiated a pulse of oak-dominated establishment. Most sites were periodically burned during the next several decades. Abrupt radial growth increases in all stands during the 1920s to 1940s reflected additional disturbances. These per
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Bashilov, V. A., and V. I. Gulyaev. "A Bibliography of Soviet Studies of the Ancient Cultures of Latin America." Latin American Antiquity 1, no. 1 (1990): 5–22. http://dx.doi.org/10.2307/971707.

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The study in the Union of Soviet Socialist Republics of the earliest history of native Latin Americans falls into two distinct periods. The first, associated with an interest in the ancient Mexican and Peruvian civilizations, can be divided into two stages: the 1920s to the early 1940s, when Soviet scholars first acquainted themselves with antiquities from the region and used them for historical parallels; and the late 1940s and early 1950s, when Soviet historians turned to an analysis of Latin American materials. The second period went through three stages: the first, from the early 1950s to
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Bang, Hak-jin. "Analysis of ‘Anti-Japanese Music’ through Text Mining." Academic Association of Global Cultural Contents 62 (February 28, 2025): 87–121. https://doi.org/10.32611/jgcc.2025.2.62.87.

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This study finally analyzed 631 songs, excluding 170 overlapping songs and 129 songs with unknown production date, among 930 songs published in the <330 anti-Japanese music collection> and <600 songs of independence sung again>. After dividing the songs to be analyzed into 1900s, 1910s, 1920s, 1930s, and 1940s, frequency and TF-IDF analysis, N-gram analysis, CONCOR analysis, and emotional vocabulary analysis were performed using text mining for each period. As a result of the analysis, the words appearing in the lyrics of anti-Japanese music reflected the appearance of each era fro
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Tsyryapkina, Yulia N. "Evolution of Language Policy in Afghanistan Education System in the 1920s-2010s." Izvestiya of Altai State University, no. 5(139) (December 6, 2024): 70–78. https://doi.org/10.14258/izvasu(2024)5-09.

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The article considers the processes of development of Afghanistan education system in the context of evolution of language policy in the years 1920s — 2010s. It was made clear that multi-level education system in Afghanistan was formed in the years of 1920s — 1930s and finally confirmed in the 1960s years. The most widely spread language in the sphere of business correspondence and education was Dari. The article finds out that Pashto as the language of the state-constituting ethnic group was enforced in the years 1930s — 1940s. On the basis of statistics data it has been proved that in 1960s
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ZHURKOVA, DARIA A. "Reflecting on “Red Laughter”: English-Language Studies of Soviet Comedy." Art and Science of Television 18, no. 4 (2022): 13–40. http://dx.doi.org/10.30628/1994-9529-2022-18.4-13-40.

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In this article, I address foreign English-language works on Soviet film comedy, tracing the waves of researchers’ interest to it, and identifying the time periods as well as film directors attracting scholars most often. The first surge of interest in Soviet film comedy came in the first half of the 1990s and was largely associated with the fall of the Iron Curtain. The major subject of research during those years were Soviet avant-garde cinema of the 1920s, musical comedies of the 1930s, and films of the Perestroika period. The second wave came in the 2010s with the emigration of a large num
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Crawford, C. J. "Evidence for spring mountain snowpack retreat from a Landsat-derived snow cover climate data record." Cryosphere Discussions 7, no. 3 (2013): 2089–117. http://dx.doi.org/10.5194/tcd-7-2089-2013.

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Abstract. A Landsat snow cover climate data record (CDR) of visible mountain snow-covered area (SCA) across interior northwestern USA during spring was compared with ground-based snow telemetry (SNOTEL) snow-water-equivalent (SWE) measurements and mean surface temperature and total precipitation observations. Landsat spring SCA on 1 June was positively correlated with 15 May and 1 June SWE, negatively correlated with spring temperatures (April–June), and positively correlated with March precipitation. Using linear regression with predicted residual error sum-of-squares (PRESS) cross-validation
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Chernysheva, Natal'ya, and Maria Butskikh. "AGRICULTURAL RESETTLEMENTS IN THE USSR IN THE MID-1920S – EARLY 1950S: MAIN STAGES, SCALE AND RESULTS." Socio-economic and humanitarian magazine, no. 1 (March 13, 2025): 63–73. https://doi.org/10.36718/2500-1825-2025-1-63-73.

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The objective of the study is to analyze agricultural resettlement in the USSR from the moment planned resettlement began until the beginning of the Virgin Lands Campaign. The analysis of stages, scales and determination of results of agricultural resettlement in the USSR in the mid-1920s – early 1950s is conducted. The stages of implementation of resettlement campaigns are determined, characteristics are given for each of them, the connection between resettlement and other types of migration are indicated. General scientific, special historical and statistical methods were used in the study.
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Jaiser, Gerhard. "Tense Harmony: Thai Cinema and Popular Music." Plaridel 15, no. 1 (2018): 55–66. http://dx.doi.org/10.52518/2018.15.1-04jaiser.

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This paper follows the development of the special connection between Thai cinema and Thai popular music from the 1920s onward. The main argument is that the two dominant musical styles of luk krung and luk thung have become representative of different social groups within Thailand and that this diversification can also be found in Thai cinema. Luk thung, identified with the rural poor, was mostly rejected by producers and audience during the 1950s and 1960s. Only from the 1970s onward did a cinematic style that represented this sector of Thai society and culture develop. In this sense, one can
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Mamonova, Irina G. "Kinetic Art: The Leningrad Experience, the 1920s–1990s." Vestnik of Saint Petersburg University. Arts 13, no. 3 (2023): 489–507. http://dx.doi.org/10.21638/spbu15.2023.306.

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Kinetic works of Leningrad artists have never been studied as a separate topic. In 1965–1967, kinetic art broke into the Leningrad art scene with bright projects of a Moscow artist collective called “Dvizhenie” (“the Movement”). Soon, several young Leningrad artists became active members of the collective. At the beginning of the 1970s, the impulse given by the “Dvizhenie” led to the formation of an independent Leningrad art collective which worked on color music kinetic art performances but broke up short afterwards. Is it possible to talk about some kind of a separate Leningrad branch of kin
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Podlubnova, Yulia S. "Between the Russian Village and the Industrialization: an Essay About the Works of A. I. Zavalishin." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 28, no. 1 (2022): 58–69. http://dx.doi.org/10.15826/izv1.2022.28.1.006.

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The article offers an overview of the work of the writer and playwright Alexander Ivanovich Zavalishin starting with his texts of the 1910s and ending with the book “The Budenny’s hut” (1938). The feuilletons of the 1920s published in the newspaper “The Soviet Truth” (Chelyabinsk) are considered for the first time. The evolution of A. I. Zavalishin is outlined. It associated with the formation of the Ural writer within “newspaper literature” and further steps towards the success of the Soviet author. He did not only portray the current everyday life but also promote the values that were actual
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Sereda, Oksana. "«True art» — «the need for the soul to express itself»: Hryhoriy Smolsky’s publicism." Proceedings of Research and Scientific Institute for Periodicals, no. 9(27) (2019): 422–36. http://dx.doi.org/10.37222/2524-0331-2019-9(27)-26.

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The article deals with the journalistic achievements of the Ukrainian artist, local historian and publicist Hryhoriy Smolsky, analyzes the problems and genre of his articles in the Lviv press during the 1920s and 1970s. The long and thorny path of H. Smolsky to art was revealed. It is highlighted that this artist managed to restore his historical and artistic studios in Lviv only at the age of 28 years due to the then military situation in the Western Ukraine. It is emphasized that H. Smolsky was one of the five first students of the O. Novakivsky Art School and this was the defining moment in
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Introvigne, Massimo. "“Theosophical” Artistic Networks in the Americas, 1920–1950." Nova Religio 19, no. 4 (2016): 33–56. http://dx.doi.org/10.1525/nr.2016.19.4.33.

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Latin American scholars have discussed interbellum “Theosophical networks” interested in new forms of spirituality as alternatives to Catholicism, positivism and Marxism. In this article I argue that these networks included not only progressive intellectuals and political activists but also artists in Latin America, the United States and Canada, and that their interests in alternative spirituality contributed significantly to certain artistic currents. I discuss three central locations for these networks, in part involving the same artists: revolutionary Mexico in the 1920s; New York in the la
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Quinn, Norman W. S. "Reconstructing Changes in Abundance of White-tailed Deer, Odocoileus virginianus, Moose, Alces alces, and Beaver, Castor canadensis, in Algonquin Park, Ontario, 1860-2004." Canadian Field-Naturalist 119, no. 3 (2005): 330. http://dx.doi.org/10.22621/cfn.v119i3.142.

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The history of White-tailed Deer, Odocoileus virginianus, Moose, Alces alces, and Beaver, Castor canadensis, in Algonquin Park since the 1860s is reviewed and placed in the context of changes to the forest, weather, and parasitic disease. Deer seem to have been abundant in the late 1800s and early 1900s whereas Moose were also common but less so than deer. Deer declined through the 1920s as Moose probably increased. Deer had recovered by the 1940s when Moose seem to have been scarce. The deer population declined again in the 1960s, suffered major mortality in the early 1970s, and has never rec
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Bogdanova, Olga A. "Poetics and Textual Analysis of Dostoevsky’s Novel The Adolescent in the Studies of Russian Authors of the 1920s-1940s." Dostoevsky and World Culture. Philological journal, no. 4 (2021): 130–75. http://dx.doi.org/10.22455/2619-0311-2021-4-130-175.

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In the 1920s–1940s poetics became the main aspect of the study of The Adolescent both in the USSR and in Russian emigration. Of particular importance is the work on the handwritten corpus of the novel. The review examines the publications of the surviving manuscripts and the main studies devoted to their analysis. The stages of poetics studies and textual criticism on The Adolescent are traced in chronological order. The review consists of three sections: studies on the poetics and textual studies of The Adolescent in 1920s USSR (L.P. Grossman, N.P. Antsiferov, R.V. Ivanov-Razumnik, V.L. Komar
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Sit, Tsui, and Erebus Wong. "China’s modernization, rural regeneration and historical agency." Argumentum 5, no. 2 (2014): 139–66. http://dx.doi.org/10.18315/argumentum.v5i2.4952.

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Like most of the once down-trodden colonized nations, China’s key historical project of the last 150 years has been to enforce modernization. The aim and mechanism of modernization has generally been simplified as industrialization, a process China has pursued since the mid-19th century. Wen Tiejun portrays China’s development in the last 150 years as ‘the four phases of industrialization of a peasant state’ with the ultimate aim of becoming a powerful modern state to counter European and Japanese imperialism, and later the United States’ embargo during the Cold War. The first attempt was the
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ABREU, MARCELO DE PAIVA. "Foreign Debt Policies in South America, 1929-1945." Brazilian Journal of Political Economy 20, no. 3 (2000): 253–66. http://dx.doi.org/10.1590/0101-31572000-1082.

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ABSTRACT This paper examines the similarities and contrasts of strategies adopted by the larger South American economies - Argentina, Brazil and Chile - in dealing with the problems raised by the fall of their export revenues coupled with the almost complete interruption of the inflow of foreign capital in the late 1920s and early 1930s. The characteristics of foreign indebtedness of these countries in the late 1920s and the ways the external shock affected their balance of payments from 1928-29 to 1933-34 are also considered. Their differentiated adjustment processes including debt adjustment
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Moravčíková, Henrieta. "Building High Tatras: dilemma of form Architecture of 1960s and 1970s in the most famous Slovak mountain resort." Architectures of the Sun, no. 60 (2019): 58–64. http://dx.doi.org/10.52200/60.a.9yie08um.

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The High Tatra Mountains are the most prominent alpine center of recreation and sport in Slovakia. The development of this site dates back to the end of the 19th century. From the architectural point of view, the beginning of the 20th century, the 1920s, the 1930s and the post-war period of the 1960s and the 1970s should be considered the most interesting periods. At that time, the most important architectural works were created in the High Tatras, which in different ways dealt with the fundamental question: how to build in the mountains? Through the built results achieved in the region, it is
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Smith, Judith. "Reading the 1920s in the 1940s." Journal of Women's History 13, no. 3 (2001): 153–55. http://dx.doi.org/10.1353/jowh.2001.0075.

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Farrell-Beck, Jane, and Carol L. Hall. "Adolescent Consumers of Foundations, 1920s–1950s." Dress 31, no. 1 (2004): 49–56. http://dx.doi.org/10.1179/036121104805253171.

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47

Vanin Yu. V. "Soviet Union and Korea : 1920s–1930s." Journal of Northeast Asia Research 29, no. 2 (2014): 329–49. http://dx.doi.org/10.18013/jnar.2014.29.2.011.

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48

Orsini, Francesca. "World Literature, Indian Views, 1920s–1940s." Journal of World Literature 4, no. 1 (2019): 56–81. http://dx.doi.org/10.1163/24056480-00401002.

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Abstract “For any given observer,” David Damrosch argued in What is World Literature?, “even a genuinely global perspective remains a perspective from somewhere, and global patterns of the circulation of world literature take shape in their local manifestations.” Within world-system approaches that fix centres, peripheries and semiperipheries, or with approaches that consider world literature only that which circulates transnationally or “globally,” the relativizing import of this important insight remains inert or gets forgotten. As Indian editors and writers in the early decades of the twent
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Vovchuk, Liudmyla. "Foreign Consulates in Odesa (1920s – 1930s)." Eminak, no. 1(41) (April 13, 2023): 160–80. http://dx.doi.org/10.33782/eminak2023.1(41).628.

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The purpose of the research paper is to highlight the history of repatriation missions and consular institutions of Poland, Albania, Germany, Italy, Turkey, Japan and Spain in Odesa during 1922-1938, analysis of the main areas of activity within the consular district and the consular staff’s characteristics.
 The scientific novelty. The general picture of the foreign diplomatic presence in Odesa, represented by the repatriation missions of Turkey, Albania and Poland, as well as five consulates, has been reconstructed. Their personnel composition and key areas of activity are shown.
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50

Park, KyumPyo, and Chinyoung Kim. "Gandhi's Stubbornness-Satyāgraha and Durāgraha." Journal of Meditation based Psychological Counseling 32 (December 31, 2024): 99–110. https://doi.org/10.12972/mpca.20240016.

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This study explores Gandhi’s characteristics such as Satyāgraha(眞理把持, holding firmly to truth), stubbornness and conviction by analyzing his declaration to suspend the Non-Cooperation Movement in the 1920s, his opposition to separate electorates for Untouchables in the 1930s, and his prayer meetings for Hindu-Muslim unity in the 1940s. Gandhi’s conviction, as reflected in these activities, can be interpreted as follows: In the 1920s, his conviction aligned with the spirit of satyagraha. In the 1930s, regarding the political rights of Untouchables, elements of duragraha began to emerge alongsid
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