Relevant bibliographies by topics / 1920s

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic '1920s'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "1920s"

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Duan, J., L. Wang, L. Li, and Y. Sun. "Tree-ring-inferred glacier mass balance variation in southeastern Tibetan Plateau and its linkage with climate variability." Climate of the Past 9, no. 6 (November 4, 2013): 2451–58. http://dx.doi.org/10.5194/cp-9-2451-2013.

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Abstract. A large number of glaciers in the Tibetan Plateau (TP) have experienced wastage in recent decades. And the wastage is different from region to region, even from glacier to glacier. A better understanding of long-term glacier variations and their linkage with climate variability requires extending the presently observed records. Here we present the first tree-ring-based glacier mass balance (MB) reconstruction in the TP, performed at the Hailuogou Glacier in southeastern TP during 1868–2007. The reconstructed MB is characterized mainly by ablation over the past 140 yr, and typical melting periods occurred in 1910s–1920s, 1930s–1960s, 1970s–1980s, and the last 20 yr. After the 1900s, only a few short periods (i.e., 1920s–1930s, the 1960s and the late 1980s) were characterized by accumulation. These variations can be validated by the terminus retreat velocity of Hailuogou Glacier and the ice-core accumulation rate in Guliya and respond well to regional and Northern Hemisphere temperature anomaly. In addition, the reconstructed MB is significantly and negatively correlated with August–September all-India monsoon rainfall (AIR) (r1871-2008 = −0.342, p < 0.0001). These results suggest that temperature variability is the dominant factor for the long-term MB variation at the Hailuogou Glacier. Indian summer monsoon precipitation does not affect the MB variation, yet the significant negative correlation between the MB and the AIR implies the positive effect of summer heating of the TP on Indian summer monsoon precipitation.
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Duan, J., L. Wang, L. Li, and Y. Sun. "Tree-ring inferred glacier mass balance variation in southeastern Tibetan Plateau and its linkage with climate variability." Climate of the Past Discussions 9, no. 4 (July 2, 2013): 3663–80. http://dx.doi.org/10.5194/cpd-9-3663-2013.

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Abstract. A large number of glaciers in the Tibetan Plateau (TP) have experienced wastage in recent decades. And the wastage is different from region to region, even from glacier to glacier. A better understanding of long-term glacier variations and their linkage with climate variability requires extending the presently observed records. Here we present the first tree-ring-based glacier mass balance (MB) reconstruction in the TP, performed at the Hailuogou Glacier in southeastern TP during 1865–2007. The reconstructed MB is characterized mainly by ablation over the past 143 yr, and typical melting periods occurs in 1910s–1920s, 1930s–1960s, 1970s–1980s, and the last 20 yr. After the 1900s, only a few short periods (i.e., 1920s–1930s, the 1960s and the late 1980s) is characterized by accumulation. These variations can be validated by the terminus retreat velocity of the Hailuogou Glacier and the ice-core accumulation rate in Guliya and respond well to regional and Northern Hemisphere temperature anomaly. In addition, the reconstructed MB is significantly and negatively correlated with August-September all-Indian monsoon precipitation (AIR) (r1871–2008= −0.342, p < 0.0001). These results suggest that temperature variability is the dominant factor for the long-term MB variation at the Hailuogou Glacier. Indian summer monsoon precipitation doesn't affect the MB variation, yet the significant negative correlation between the MB and the AIR implies the positive effect of summer heating of the TP on Indian summer monsoon precipitation.
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Horáček, Martin. "Czy to zawsze kwestia stylu? Problem właściwej terminologii architektonicznej w renowacjach zamków w Czechach i na Morawach od lat 90-tych XIX wieku do lat 20-tych XX wieku." Protection of Cultural Heritage, no. 18 (December 30, 2023): 35–59. http://dx.doi.org/10.35784/odk.3447.

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This study addresses castle renovations from the turn of the twentieth century up until the present, focusing on their stylistic aspect. Although castles (both ruined and inhabited) have been considered prominent subjects of heritage conservation since the beginning of the conservation movement, they require architectural additions to further their integration into contemporary life, even if a strictly conservationist approach is applied. In contrast to nineteenth-century European attitude to conservation, the twentieth- and twenty-first-century conservation professionals mostly recommend that the new elements comply with the preserved composition or scale, leaving the question of their style (i.e. a coherent architectural vocabulary) open. The study examines selected Czech examples that feature a substantial newly-added layer (Gothic in Bouzov, the 1890s–1900s; Art Nouveau and Art Deco in Nové Město nad Metují, the 1910s–1920s; Classical in Prague Castle, the 1920s–1950s; Technocratic in Lipnice, the 1970s–1980s; Romantic in Častolovice, the 1990s; Minimalist in Helfštýn, the 2010s). Drawing on these examples, the analysis raises the following questions: how should new additions relate to the authenticity and integrity of the renovated monuments and what variables influence this relationship? Should conservation authorities regulate the vocabulary of modern interventions?
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Eero, Margit. "Reconstructing the population dynamics of sprat (Sprattus sprattus balticus) in the Baltic Sea in the 20th century." ICES Journal of Marine Science 69, no. 6 (May 3, 2012): 1010–18. http://dx.doi.org/10.1093/icesjms/fss051.

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Abstract Eero, M. 2012. Reconstructing the population dynamics of sprat (Sprattus sprattus balticus) in the Baltic Sea in the 20th century. – ICES Journal of Marine Science, 69: 1010–1018 . Long time-series of population dynamics are increasingly needed in order to understand human impacts on marine ecosystems and support their sustainable management. In this study, the estimates of sprat (Sprattus sprattus balticus) biomass in the Baltic Sea were extended back from the beginning of ICES stock assessments in 1974 to the early 1900s. The analyses identified peaks in sprat spawner biomass in the beginning of the 1930s, 1960s, and 1970s at ∼900 kt. Only a half of that biomass was estimated for the late 1930s, for the period from the late 1940s to the mid-1950s, and for the mid-1960s. For the 1900s, fisheries landings suggest a relatively high biomass, similar to the early 1930s. The exploitation rate of sprat was low until the development of pelagic fisheries in the 1960s. Spatially resolved analyses from the 1960s onwards demonstrate changes in the distribution of sprat biomass over time. The average body weight of sprat by age in the 1950s to 1970s was higher than at present, but lower than during the 1980s to 1990s. The results of this study facilitate new analyses of the effects of climate, predation, and anthropogenic drivers on sprat, and contribute to setting long-term management strategies for the Baltic Sea.
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Didenko, К. "INVOLVEMENT OF THE THEORY OF SOCIAL CONSTRUCTION FOR CONSIDERATION OF ARCHITECTURAL AND CITY BUILDING PRACTICE." Municipal economy of cities 1, no. 154 (April 3, 2020): 185–91. http://dx.doi.org/10.33042/2522-1809-2020-1-154-185-191.

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Social aspects of the formation of architectural complexes in metropolian Kharkov have not yet been analyzed in homeland architectural theory. The study into "Kharkov constructivism", due to unfortunate historical ocurrence, is still in fact at the initial stage. Thesises of Kharkov authors illuminate this phenomenon in general or analyze some of the most significant sights. Approaches to the study of social aspects of architecture and urban development went through several stages. Architectural theory of the late 1940s- the beginning of 1950s was sharply critical of the architectural and urban planning experiments in the 1920s. The XXth century Soviet history of architecture in the 1960s and 1970s was marked by ideological rehabilitation of constructivism, including social experiments of the 1920s - early 1930s. A turn from apologetics of the 1960s - 1980s to critical analysis of the architecture and urban development of the avant-garde was indicated at the beginning of 2000s by the studies considering Soviet architectural and urban planning practice in the context of public behavior management as a tool for structuring general population to achieve political goals. Foreign studies into the Soviet avant-garde sprang up in the 1970s - early 1980s affected by Western sociology where architecture began to be viewed as a tool for managing social processes and new types of structures and models of urban planning organization- as “a transition from social to material”. Many studies highlighted the influence of Soviet architectural and urban planning programs of the 1920s and 1930s on the system and structure of public consciousness. There was established that large-scale housing, cultural and domestic construction was carried out as part of the capital's administrative and government center creation programs and the formation of an industrial complex. There were identified four conceptual approaches for housing construction, they were consistently implemented during the realization of the two above-mentioned programs: garden city, communal house, housing complex and social city. In these programs, the concepts of "garden city" and "communal houses" were practically tested and reasonably rejected, and the most productive models were residential complexes and social city. Keywords: social construction, architectural and urban concepts, soviet human, metropolian Kharkov.
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Krasilnikova, E. I. "Historical Past and Historical-Cultural Heritage of Buryats as Reflected in Journal ‘Sibirskie Ogni’ (1920s-1980s): Memory Politics Aspect." Nauchnyi dialog 13, no. 4 (May 25, 2024): 408–29. http://dx.doi.org/10.24224/2227-1295-2024-13-4-408-429.

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The aim of the article is to characterize representations of the history and historicalcultural heritage of the Buryats in the pages of the Sibirskie Ogni journal from the early 1920s to the late 1980s in the context of state memory politics. The methodological framework of the study was the field of “Memory Studies.” Conclusions were drawn about the intense ideologization of the historical past of the Buryats on the pages of the Sibirskie Ogni journal at all stages of the Soviet period, as well as the journal's disregard for Buryat heritage associated with the traditions of Buddhist East. Six stages of representation were identified. In the first stage (1920s), Buryat authors freely wrote in the journal about Buryat history, expressed historical grievances against Russia, and sought recognition of the value of Buryat historical-cultural heritage. In the second stage (1930s), only articles by Russian authors about Buryat history in a critical tone were published in the journal. In the third stage (1940s-1950s), Sibirskie Ogni journal printed articles with crushing criticism of inconvenient versions of Buryat history presented in national literature. In the fourth stage (1960s-1970s), Buryat history was not discussed at all in the journal. In the fifth stage (1980s), a flourishing of Buryat culture was proclaimed under the influence of Soviet leadership. After the collapse of the USSR, much was rethought and perceived as a historical mistake. The Sibirskie Ogni journal began publishing articles again on Buryat literary traditions, epic poetry, etc.
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Adom Getachew Talks to Ashish Ghadiali. "World makers of the Black Atlantic." Soundings 75, no. 75 (September 1, 2020): 180–98. http://dx.doi.org/10.3898/soun.75.11.2020.

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In Worldmaking After Empire, Adom Getachew challenges standard histories of decolonisation, which chart the story of a simple shift from empire to independent nationhood. She shows that supporters of decolonisation have always sought to create something much more than nationalisms: they have engaged in a dynamic and rival system of revolutionary worldmaking, seeking an alternative international system that could replace the old inequitable dispensation. She charts this decolonial project from its roots in the works of Black Atlantic thinkers like W.E.B. Du Bois and C.L.R. James in the 1920s and 1930s. The key events she tracks are the challenges the project faced in the United Nations in the 1940s and 1950s; attempts at regional federation in late 1950s and 1960s; and the emergence of the New International Economic Order in the 1960s and 1970s. This a twentieth century tradition now ripe to be reclaimed and revived.
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Zheng, Jingyun, Yingzhuo Yu, Xuezhen Zhang, and Zhixin Hao. "Variation of extreme drought and flood in North China revealed by document-based seasonal precipitation reconstruction for the past 300 years." Climate of the Past 14, no. 8 (August 9, 2018): 1135–45. http://dx.doi.org/10.5194/cp-14-1135-2018.

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Abstract. Using a 17-site seasonal precipitation reconstruction from a unique historical archive, Yu-Xue-Fen-Cun, the decadal variations of extreme droughts and floods (i.e., the event with occurrence probability of less than 10 % from 1951 to 2000) in North China were investigated, by considering both the probabilities of droughts/floods occurrence in each site and spatial coverage (i.e., percentage of sites). Then, the possible linkages of extreme droughts and floods with ENSO (i.e., El Niño and La Niña) episodes and large volcanic eruptions were discussed. The results show that there were 29 extreme droughts and 28 extreme floods in North China from 1736 to 2000. For most of these extreme drought (flood) events, precipitation decreased (increased) evidently at most of the sites for the four seasons, especially for summer and autumn. But in drought years of 1902 and 1981, precipitation only decreased in summer slightly, while it decreased evidently in the other three seasons. Similarly, the precipitation anomalies for different seasons at different sites also existed in several extreme flood years, such as 1794, 1823, 1867, 1872 and 1961. Extreme droughts occurred more frequently (2 or more events) during the 1770s–1780s, 1870s, 1900s–1930s and 1980s–1990s, among which the most frequent (3 events) occurred in the 1900s and the 1920s. More frequent extreme floods occurred in the 1770s, 1790s, 1820s, 1880s, 1910s and 1950s–1960s, among which the most frequent (4 events) occurred in the 1790s and 1880s. For the total of extreme droughts and floods, they were more frequent in the 1770s, 1790s, 1870s–1880s, 1900s–1930s and 1960s, and the highest frequency (5 events) occurred in the 1790s. A higher probability of extreme drought was found when El Niño occurred in the current year or the previous year. However, no significant connections were found between the occurrences of extreme floods and ENSO episodes, or the occurrences of extreme droughts/floods and large volcanic eruptions.
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Arekeeva, S. T., and L. P. Fedorova. "ROLE AND PLACE OF PERIPHERAL WRITERS’ ARTISTIC CREATION IN THE HISTORY OF UDMURT LITERATURE." Bulletin of Udmurt University. Series History and Philology 32, no. 4 (August 26, 2022): 889–94. http://dx.doi.org/10.35634/2412-9534-2022-32-4-889-894.

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The article studies the role and place of peripheral writers in the history of the development of Udmurt literature on the example of Tatarstan and Bashkortostan representatives. It highlights four generations of authors: a) generation of the 1900s-1920s, b) 1920s-1950s, c) 1950s-1970s, and d) 1980s-2010s. It identifies iconic figures of each period and studies the historical and cultural backgrounds that caused the phenomenon of their emergence. For the first time in the history of Udmurt literature, it attempts to make a comparative analysis of the socio-cultural factors that influenced the emergence of writers’ artistic personality among Udmurts of Zakamsk and Zavyatsk and caused the conceptual differences in their works in terms of understanding the world and human being. The article highlights and provides the general and specific features peculiar to the world perception and creative style of the authors that come from Tatarstan and Bashkortostan. It pays attention to specific creative personalities and their contribution to the development of Udmurt literature.
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Gracheva, Alla Mikhailovna. "N. V. GOGOL AND A. M. REMIZOV: AESTHETIC CONSTANT AND ANNIVERSARY VARIABLES." Russkaya literatura 4 (2022): 58–71. http://dx.doi.org/10.31860/0131-6095-2022-4-58-71.

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The article analyzes the evolution of the Gogol theme in the writer’s work. In the mid-1900s — early 1920s, Remizov followed in Gogol’s footsteps, creating his own version of the «Petersburg text». From the late 1920s and into the 1930s, he mythologized the personality of the author of the Dead Souls, treating him as a half-demon, «stuck» between the two circles of a mystical universe, and as a prophetic writer who could share his «insights» with the readers. For Remizov, Gogol was one of the writers who subscribed to the «Russian mode theory». In the late 1940s and 1950s, Remizov plunged into the new stage of his «creative discovery» of Gogol’s legacy, linking it with the main theme of his work of the time — speculations on the Christian dogma of the resurrection of the dead.
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Dissertations / Theses on the topic "1920s"

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Nachabe, Yasmine. "Marie al-Khazen's photographs of the 1920s and 1930s." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=107742.

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Marie al-Khazen was a Lebanese photographer who lived between 1899 and 1983. Her photographs were mostly taken between the 1920s and 1930s in the North of Lebanon. They were compiled by Mohsen Yammine, a Lebanese collector who later donated the photographs to the Arab Image Foundation. Her work includes a collection of intriguing photographs portraying her family and friends living their everyday life in Zgharta. Al-Khazen seized every opportunity to use her camera to capture stories of her surroundings. She not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her device by staging scenes, manipulating shadows and superimposing negatives to produce different effects in her prints. Within the borders of her photographs, bedouins and European friends, peasants and landlords, men and women, comfortably share the same space. Most of Marie al-Khazen's photographs, which are circulated online through the Arab Image Foundation's website, suggest a narrative of independent and determined Lebanese women. These photographs are charged with symbols that can be understood, today, as representative of women's emancipation through their presence as individuals, separate from family restrictions of that time. Images in which women are depicted smoking a cigarette, driving a car, riding horses and accompanying men on their hunting trips counter the usual way in which women were portrayed in 1920s Lebanon. The photographs can be read as a space for al-Khazen to articulate her vision of the New Woman or the Modern Girl as described by Tani Barlow in The Modern Girl Around the World. In this anthology, authors like Barlow point to the ways in which the modern girl "disregards the roles of dutiful daughter, wife and mother," in seeking sexual, economic and political emancipation. Al-Khazen's photographs lead me to pose a series of questions pertaining to the representation of femininity and masculinity through the poses, reasoning, and activities adopted by women and men in the photographs. The questions which frame this study have to do with the ways in which notions of gender, class and race are inscribed within Marie al-Khazen's photographs.
Marie al-Khazen est une photographe libanaise qui vécut entre 1899 et 1983. La plupart de ses photos furent prises dans les années vingt et trente dans la région de Zgharta au Nord du Liban. Ces photos font partie de la collection de Mohsen Yammine, un collectionneur libanais. Elles sont actuellement conservées dans les archives de la Fondation de l'image Arabe à Beyrouth et sont disponibles en ligne sur le site internet de la Fondation. Le corpus d'al-Khazen est constitué d'un ensemble de photographies captivantes qui représentent le quotidien de sa famille et de ses amis à Zgharta. Al-Khazen saisissait son milieu social grâce à son appareil photo. Néanmoins, elle ne se contentait pas de documenter ses excursions touristiques au Liban; elle explorait également les capacités techniques de son appareil photo en inventant des scènes photographiques et en manipulant les ombres dans l'espace photographique. Au travers de ses photos on retrouve les effets surréalistes qu'elle créait – peut-être intentionnellement – en faisant des tirages de deux négatifs superposés. Dans le cadre de ces images, on retrouve des bédouins et des Européens, des paysans et des bourgeois, des femmes et des hommes se partageant le même espace. La plupart des photos de Marie al-Khazen évoquent les destins de femmes indépendantes et engagées. Ces photos sont chargées de symboles qui suggèrent une représentation de la femme émancipée. A travers le corpus d'al-Khazen, des femmes apparaissent en train de fumer des cigarettes et de conduire des automobiles. On retrouve également des femmes qui accompagnaient les hommes dans leurs excursions de chasse. Ces photos semblent incompatibles avec la façon dont les femmes étaient représentées dans la presse des années vingt au Moyen Orient où les femmes, en général, évitaient de se montrer dans des endroits publiques. Je propose une lecture qui articule la façon dont al-Khazen a utilisé l'espace photographique pour manifester sa vision de la nouvelle femme: la femme moderne comme celle décrite par Tani Barlow et ses collègues dans The Modern Girl Around the World. Cette anthologie représente la "modern girl" qui, selon Barlow et ses collègues, "disregards the roles of dutiful daughter, wife and mother," en recherchant une émancipation sexuelle, économique et politique.Les photos d'al-Khazen m'incitent à interroger de façons multiples la représentation de la femininité et la masculinité à travers le comportement, le raisonnement, et les activités des femmes et des hommes dans ces photographies. Ces questions s'adressent à la sociologie de l'identité sexuelle et se proposent d'analyser la façon dont cette identité est évoquée dans les photos de Marie al-Khazen.
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Vujosevic, Tijana. "Architectures of the everyday in 1920s and 1930s Russia." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/61555.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 212-221).
This dissertation is an architectural history of Russian everyday life, or byt, in the first two decades after the October Revolution. In this period, the investigation and reform of byt was a project that vastly crossed the limits of the architectural profession. I survey ways in which the quotidian environment was understood, ordered and envisioned in a variety of practices: bureaucracy, literature, theatre, film, urbanism, and design. The dissertation explores the architecture of discrete geographies, sets of tactics and strategies, employed in mapping the terrain of the quotidian. It explores how the official rhetoric of labor and productivity was translated into ethics and aesthetics of existence. The study is ordered chronologically, and according to scale. In the first chapter I explore the manipulation and invention of the everyday object. The second chapter is about the performance of the everyday in Meyerholds's biomechanical theatre, its ties with the Central Institute of Labor, and the charting of the agitated body in action onto the space of the stage. The third chapter captures a moment in the development of the Soviet bathhouse, or banya, , in which the bath, resembling a factory, was conceived of as an efficient, working building, which processed citizens' bodies in their entirety, and in some cases, presented replicas of the world at large. In the fourth chapter I read collective workers' histories to reconstruct the aesthetic of the Moscow Metro and particular modes of perception needed to capture and behold its magnificence. The final chapter is about the efforts of wife-activists, or obshchestvennitsy, to represent a society of surplus and overproduction through their management of nature's bounty.
by Tijana Vujosevic.
Ph.D.
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Lane, Margaret. "Women and domestic life in Hull, 1920s to the 1960s." Thesis, University of Hull, 2011. http://hydra.hull.ac.uk/resources/hull:5374.

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Jang, Won-Jae. "Irish influences on Korean theatre during the 1920s and 1930s." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392423.

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Hamilton, Stephen Derek. "New Zealand English language periodicals of literary interest active 1920s-1960s." Thesis, University of Auckland, 1996. http://hdl.handle.net/2292/1146.

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The primary objective of this thesis is to provide an account of New Zealand literary magazine activity from the 1920s to the 1960s. While a focus is maintained on the fifteen year period between the appearance of the first issue of Phoenix in March 1932 and the advent of Landfall, the thesis examines several magazines whose issue runs extend well outside that period. The thesis is divided into two volumes, the first of which, in Chapters Two through Five, provides a detailed survey of the four most important periodicals published entirely within the period selected for this study: Phoenix (1932-1933), Tomorrow (1934-1940), Book (1941-1947), and New Zealand New Writing (1942-1945). Chapter Six concludes Volume One with a survey of the numerous university based periodicals, including several published entirely outside the focal period of the study. In Volume Two, Chapters Seven to Nine discuss, in order, the Auckland family magazine the Mirror (1922-1963), the national magazine of the arts Art in New Zealand (1928-1946), and the travel journal the Near Zealand Railways Magazine (1926-1940). All three of these publications are of significance as early sites for the development in New Zealand of the popular fiction genres of romance, adventure and mystery. Chapter Ten deals with a range of minor little magazines, including the New Zealand Mercury (1933-1936), Quill (1934-1948), Anvil (1945-1946), Chapbook (1945-1950), Oriflamme: A Literary Journal (1939-1942), and those edited, printed and published by Noel Farr Hoggard: Spilt Ink (1932-1937), New Triad (1937-1942), Letters (1943-1946), and Arena'(1946-1972). Appendix I supplies an annotated bibliography of the fifty-two periodicals discussed in the body of the thesis. These annotations are supplemented with author indexes for those periodicals not already indexed by earlier researchers. Appendix II compares the text of Allen Curnow's 1939 prose and poetry sequence Not in Narrow Seas with an early version of the sequence published in Tomorrow between June 1937 and August 1938.
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Ludwig, Jeff L. Breu Christopher. "Identity and flux American literary modernism of the 1920s & 1930s /." Normal, Ill. : Illinois State University, 2006. http://proquest.umi.com/pqdweb?index=0&did=1251817851&SrchMode=1&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1179419208&clientId=43838.

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Thesis (Ph. D.)--Illinois State University, 2006.
Title from title page screen, viewed on May 17, 2007. Dissertation Committee: Christopher D. Breu (chair), Charles B. Harris, Hilary K. Justice. Includes bibliographical references (leaves 277-294) and abstract. Also available in print.
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Holbrook, Joseph. "Catholic Student Movements in Latin America: Cuba and Brazil, 1920s to 1960s." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/1013.

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This dissertation examines the ideological development of the Catholic University Student (JUC) movements in Cuba and Brazil during the Cold War and their organizational predecessors and intellectual influences in interwar Europe. Transnational Catholicism prioritized the attempt to influence youth and in particular, university students, within the context of Catholic nations within Atlantic civilization in the middle of the twentieth century. This dissertation argues that the Catholic university movements achieved a relatively high level of social and political influence in a number of countries in Latin America and that the experience of the Catholic student activists led them to experience ideological conflict and in some cases, rupture, with the conservative ideology of the Catholic hierarchy. Catholic student movements flourished after World War II in the context of an emerging youth culture. The proliferation of student organizations became part of the ideological battlefield of the Cold War. Catholic university students also played key roles in the Cuban Revolution (1957-1959) and in the attempted political and social reforms in Brazil under President João Goulart (1961-1964). The JUC, under the guidance of the Church hierarchy, attempted to avoid aligning itself with either ideological camp in the Cold War, but rather to chart a Third Way between materialistic capitalism and atheistic socialism. Thousands of students in over 70 nations were intensively trained to think critically about pressing social issues. This paper will to place the Catholic Student movement in Cuba in the larger context of transnational Catholic university movements using archival evidence, newspaper accounts and secondary sources. Despite the hierarchy’s attempt to utilize students as a tool of influence, the actual lived experience of students equipped them to think critically about social issues, and helped lay a foundation for the progressive student politics of the late 1960s and the rise of liberation theology in the1970s.
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Irving, Claire. "Printing the West Indies : literary magazines and the Anglophone Caribbean, 1920s-1950s." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3406.

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This thesis uncovers a body of literary magazines previously seen as peripheral to Caribbean literature. Drawing on extensive archival research, it argues for the need to open up the critical consensus around a small selection of magazines (Trinidad, The Beacon, Bim and Kyk-over-al), to consider a much broader and more varied landscape of periodicals. Covering twenty-eight magazines, the thesis is the first sustained account of a periodical culture published between the 1920s and 1950s. The project identifies a broad-based movement towards magazines by West Indians, informed and shaped by a shared aspiration for a West Indian literary tradition. It identifies the magazines as a key forum through which the West Indian middle classes contributed to and negotiated the process of cultural decolonisation which paralleled the political movement to independence in the 1960s. Chapter One explores the broad ways in which the magazines envisioned a West Indian literary tradition, before focusing on the tensions between the oral folk tradition and emerging print culture. Chapter Two moves to a closer focus on the middle-class West Indians publishing the magazines and the Literary and Debating Society movement. It argues that through their magazines these clubs sought to intervene in the public sphere. Chapter Three considers the marginalised publications of three key women editors, Esther Chapman, Una Marson and Aimee Webster and identifies how the magazine form enabled these editors to pursue wider political agendas linked to their cultural aims. Chapter Four returns to a broader focus on the magazines’ paratextual elements including advertisements and commercial competitions, to explore the business of magazine publication and the ways in which this shaped their contents and compilation. Overall, the cultural and material history of the magazines mapped by this thesis sheds new light on what remains an under-explored but critical period of Caribbean literary history, on the cusp of cultural decolonisation and formal independence.
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Cicero, Anne Hinnant Amanda. "Messages of frugality and consumption in the Ladies' Home Journal 1920s-1940s /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/5345.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on December 22, 2009). Thesis advisor: Dr. Amanda Hinnant. Includes bibliographical references.
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Nambara, Makoto. "Economic plans and the evolution of economic nationalism." Thesis, SOAS, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286734.

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Books on the topic "1920s"

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Logemann, Jan, Gary Cross, and Ingo Köhler, eds. Consumer Engineering, 1920s–1970s. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4.

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Ruby, Jennifer. The 1920s and 1930s. London: B.T. Batsford, 1988.

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Bijutsukan, Himeji Shiritsu. Minshū no kaigaten, 1920s-1930s. Himeji-shi: Himeji Shiritsu Bijutsukan Tomo no Kai, 2002.

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Meade, Martin. Tour of 1920s & 1930s Paris. London: The Thirties Society, 1989.

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1957-, Rosso Lucien, and Bilanges Thomas, eds. French Riviera: 1920s and 1930s. Paris: Telleri, 1999.

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A, Kazusʹ I., ed. Soviet architectural competitions, 1920s-1930s. London: Phaidon, 1992.

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Heuberger, Daniel, and Gia Maniero. Regional plan: 1 2 3 4 : 1920s, 1960s, 1990s, 2017. [New York, N.Y.]: Dattner Architects, 2017.

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Stewart, Gail. 1920s. New York: Crestwood House, 1989.

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Sharman, Margaret. 1920s. Austin, Tex: Raintree Steck-Vaughn, 1993.

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Mendenhall, John. British trademarks of the 1920s & 1930s. San Francisco: Chronicle Books, 1989.

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Book chapters on the topic "1920s"

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Jackson, Stephen. "History's Orphan, 1920s–1970s." In The Patchwork of World History in Texas High Schools, 32–60. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003323785-2.

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Schildcrout, Jordan. "1920s." In In the Long Run, 24–37. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429265372-3.

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Logemann, Jan, Gary Cross, and Ingo Köhler. "Beyond the Mad Men: Consumer Engineering and the Rise of Marketing Management, 1920s–1970s." In Consumer Engineering, 1920s–1970s, 1–17. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_1.

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Köhler, Ingo. "Imagined Images, Surveyed Consumers: Market Research as a Means of Consumer Engineering, 1950s–1980s." In Consumer Engineering, 1920s–1970s, 191–212. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_10.

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Husz, Orsi, and Karin Carlsson. "Marketing a New Society or Engineering Kitchens? IKEA and the Swedish Consumer Agency." In Consumer Engineering, 1920s–1970s, 215–43. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_11.

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Rick, Kevin. "“The Consumer Crusader”—Hugo Schui and the German Consumers Association." In Consumer Engineering, 1920s–1970s, 245–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_12.

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Nath, Giselle. "Consumer Engineering by Belgian Consumer Movements: From Modern Marketing with a Transnational Touch to Late-Modern Insecurities, 1957–2000." In Consumer Engineering, 1920s–1970s, 263–86. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_13.

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Logemann, Jan. "Professional Marketing as “Consumer Engineering”? A Concept in Transatlantic Perspective." In Consumer Engineering, 1920s–1970s, 21–45. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_2.

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Cross, Gary. "What Does “Fast Capitalism” Mean for Consumers? Examples of Consumer Engineering in the United States." In Consumer Engineering, 1920s–1970s, 47–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_3.

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Godley, Andrew, and Keith Heron. "A Theoretical Exploration of Consumer Engineering: Implicit Contracts and Market Making." In Consumer Engineering, 1920s–1970s, 63–75. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14564-4_4.

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Conference papers on the topic "1920s"

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Gorbunova, Natalia. "Time out for Scriabin (the composer’s image in the soviet music journal of the stalinist era)." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.10.

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During the Stalin era, interest in the composer Scriabin noticeably weakened compared to the 1910s and 1920s. Nevertheless, the discussion of his works and personality continued. Particularly, in the 1930s and 1940s, his role in the Soviet vision of world art was formed. In the specialized music journal „Soviet Music” during those years, the Soviet myth of Scriabin was constructed. For this purpose, the epistolary heritage and early writings were studied, his work and the influence of Russian culture on him were discussed — as a result, the image of a deluded genius was created.
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Игнатькова, А. Д., and Н. Н. Мутья. "ARTISTIC AND STYLISTIC FEATURES OF SUBJECT TEXTILE DRAWINGS IN DOMESTIC PRINTED FABRICS OF THE 1920s — 1930s." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.37.

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Анализ специфики сюжетных рисунков отечественных набивных тканей 1920–1930-х гг. позволяет выделить художественно- стилистические особенности и выявить тематику композиций, варианты колористических решений и приемы композиционного построения. Поиск новых художественных решений на основе творческих идей текстильных художников 1920–1930-х гг. находит свое отражение в практике современных дизайнеров и студентов текстильных вузов, являясь актуальной частью учебных программ и конкурсных заданий. Analysis of the specifi cs of plot designs of domestic printed fabrics of the 1920s — 1930s allows you to highlight artistic and stylistic features and identify the themes of compositions, options for coloristic solutions and methods of compositional construction. Search for new artistic solutions based on the creative ideas of textile artists of the 1920s — 1930s is refl ected in the practice of modern designers and students of textile universities, being a relevant part of educational programs and competitive assignments.
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Semushev, I. N. "A.V. BURDUKOV ABOUT MONGOLIA IN THE 1910S-1920s." In Россия и Монголия в ХХ-XXI вв.: к 100-летию монгольской революции и установления дипломатических отношений. Новосибирск: Сибирское отделение РАН, 2021. http://dx.doi.org/10.53954/9785604607886_99.

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Yusupova, T. I. "RUSSIAN-MONGOLIAN SCIENTIFIC COOPERATION (1920s-1960s): CONTEXTS, MOTIVATIONS, PERSONALITIES." In Россия и Монголия в ХХ-XXI вв.: к 100-летию монгольской революции и установления дипломатических отношений. Новосибирск: Сибирское отделение РАН, 2021. http://dx.doi.org/10.53954/9785604607886_67.

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Zaichenko, N. I. "LORENZO LUZURIAGA’S LECTURE DISCOURSE IN THE 1910S AND 1920S." In PEDAGOGY AND PSYCHOLOGY IN THE MODERN WORLD: INTERACTION VECTORS. Izdevnieciba “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-332-3-9.

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Shamets, A. A. "NEOCLASSICS IN THE ARCHITECTURE OF NOVOSIBIRSK 1920s – early 1940s." In Regionalnie arhitekturno-hudogestvennie shkoli. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-281-3-2020-1015.

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Shamets, A. A. "NEOCLASSICS IN THE ARCHITECTURE OF NOVOSIBIRSK 1920s – early 1940s." In Regionalnie arhitekturno-hudogestvennie shkoli. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-275-2-2020-1015.

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N., ZHOGOVA, BUSOVA V., and SEMENOV A. "HISTORY OF STUDY AND THE PRESENT STAGE RESEARCH INTO THE BRONZE - EARLY IRON AGE SITES OF TUVA." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.07.

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The article considers the historiographical aspect of the study of settlements of the Bronze Age and Early Iron Ages of Tuva which can be divided into three stages. The initial stage (late 1920s - early 1960s) is associated with the works by S.A. Teploukhov and L.R. Kyzlasov who discovered the first dune sites in the basin of the Upper Yenisei river and Northern Tuva. At the second stage (mid-1950s - 1980s) excavations began at separate sites in the Todzha region on the shores of the lake Azas and the river Toora-Khem (S.I. Vainshtein, M.A. Devlet, S.V. Studzitskaya, Vl.A. Semenov). Vl.A. Semenov started excavations around and inside of the Sayan Canyon which will become a flooding part of the Sayan-Shushenskoye Reservoir. At the present, third stage (early 2000s till present) there is an increased interest in the study of ancient sites, targeted explorations and excavation of sites in various landscape and regions of the Republic of Tuva.
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Naumov, Igor V. "Social-Economic And Cultural Development Of Siberia In The 1920s-1990s." In Conference on Land Economy and Rural Studies Essentials. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.07.70.

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Ulyanova, Svetlana. "Gto Concept: Design And Implementation In Ussr In Late 1920s-Early 1930s." In 18th PCSF 2018 - Professional Сulture of the Specialist of the Future. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.12.02.201.

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Reports on the topic "1920s"

1

Gordon, Robert. The 1920s and the 1990s in Mutual Reflection. Cambridge, MA: National Bureau of Economic Research, November 2005. http://dx.doi.org/10.3386/w11778.

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Loeb, Susanna, and John Bound. The Effect of Measured School Inputs on Academic Achievement: Evidence from the 1920s, 1930s and 1940s Birth Cohorts. Cambridge, MA: National Bureau of Economic Research, November 1995. http://dx.doi.org/10.3386/w5331.

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White, Eugene. Bubbles and Busts: The 1990s in the Mirror of the 1920s. Cambridge, MA: National Bureau of Economic Research, April 2006. http://dx.doi.org/10.3386/w12138.

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Velychko, Zoriana, and Roman Sotnyk. LINGUISTIC PRESENTATION AND TERMINOLOGICAL ASPECTS OF THE HOLODOMOR OF THE 1920s AND 1930s. Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12166.

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The article reveals and analyses a wide range of terms for the Holodomor of the 1920s and 1930s in Ukraine. The main objectives of the study are to find out the peculiarities of the linguistic presentation of the Holodomor phenomenon in scientific, popular science, and journalistic discourses, and to reveal semantic differences in the use of various terms for the Holodomor used in different languages. The main methodological bases of the study are linguistic analysis, socio-cultural method, qualitative content analysis, comparative method, etc. The method of retrospection must be used to substantiate the hypothesis. Thus, the reasons for the formation of the semantic contours of the terms “Holodomor”, “Famine”, “Great Famine”, “Terror by Famine”, “Big Hunger”, etc. were clarified. At the same time, the semantic nuances of word use are identified. As a conclusion, the authors substantiate the fundamental importance of using the term “Holodomor-genocide” in scientific circulation as the one that most accurately represents the essence of the historical phenomenon of the Holodomor. Based on the analysis of the documents, the content of the term “genocide” is formulated. It is explained that the Holodomor is genocide of the Ukrainian people, just as the Holocaust is genocide of the Jewish people. The authors prove the anti-Ukrainian orientation of the consistent and deliberate policy of Stalin and his followers against the Ukrainian nation, which culminated in the murder by starvation. These research findings are significant not only for the development of Ukrainian terminology or international terminology. They are also of great importance for modern politics, political science and historiography, and jurisprudence, especially in the context of a new genocide – the Russian Federation’s full-scale war of aggression against Ukraine. Keywords: Holodomor; genocide; Ukraine; Stalin’s terror; terminology.
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White, Eugene, and Peter Rappoport. The New York Stock Market in the 1920s and 1930s: Did Stock Prices Move Together Too Much? Cambridge, MA: National Bureau of Economic Research, January 1994. http://dx.doi.org/10.3386/w4627.

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Wheelock, David C. Government Policy and Banking Market Structure in the 1920s. Federal Reserve Bank of St. Louis, 1992. http://dx.doi.org/10.20955/wp.1992.007.

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Francisco, Katie Elizabeth, and Claire Nicholas. Lingerie and Sexuality: Cultural Influences on the 1920s Woman. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1825.

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Dornbusch, Rudiger. Stopping Hyperinflation: Lessons from the German Inflation Experience of the 1920s. Cambridge, MA: National Bureau of Economic Research, August 1985. http://dx.doi.org/10.3386/w1675.

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Goldin, Claudia. Maximum Hours Legislation and Female Employment in the 1920s: A Reasse ssment. Cambridge, MA: National Bureau of Economic Research, June 1986. http://dx.doi.org/10.3386/w1949.

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Sun, Lushan, and Melody LeHew. 70 Years of Fashion in the Chinese Dress—Exploring Sociocultural influences on Chinese Qipao’s Hemline Height and Waistline Fit in 1920s-1980s. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-622.

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