Relevant bibliographies by topics / 1914-1918 Literature and the war

Academic literature on the topic '1914-1918 Literature and the war'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "1914-1918 Literature and the war"

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Vanhaesebrouck, Karel. "Theatre of War: Commemorating World War I in Belgium." TDR/The Drama Review 61, no. 4 (December 2017): 40–58. http://dx.doi.org/10.1162/dram_a_00691.

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Every town and village throughout Flanders is commemorating the gruesome events of 1914–1918 with a range of activities. Some of these propose intelligent and thoroughly researched perspectives on WWI, while others are just simple tourist entertainments. Flemish theatre artists enthusiastically contribute to this frenzy, although some choose to deconstruct the folkloric myths to comment on the economics of the commemoration industry or on present-day atrocities.
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Reis da Silva, Sara. "A Selection of Relevant Portuguese Children’s Literature Published in the Period of World War I." Libri et liberi 7, no. 2 (May 3, 2019): 247–59. http://dx.doi.org/10.21066/carcl.libri.7.2.4.

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The systemic singularities of children’s literature seem to have determined the relative inconsistency of critical approaches based on historiography, where the “nodal points” are mainly of a temporal, topographical, institutional and figurative nature. One of the historical periods whose “historiographical reading” of literary outlines is incomplete and unsystematised corresponds to the timeframe between the beginning and the end of World War I. We will revisit some Portuguese authors and their works: O Navio dos Brinquedos [The Toy Ship] (1914) by António Sérgio, Era uma Vez[Once Upon a Time] (1916) by Maria Sofia Santo Tirso, and the “Polichinelo” [Punchinello] series (1918–1921) by Emília de Sousa Costa, published between 1914 and 1918, in an attempt to elucidate their technical singularities, and their most relevant ideothematic lines. Falling under the category of First Republic literature, these texts betray aesthetic sensibilities and very different ideologies, showing what was written for children and what young readers read in wartime.
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Mcguire, Michael. "A Fractured Service: Frances Webster and The Great War, 1914–1918." New England Quarterly 91, no. 2 (June 2018): 307–30. http://dx.doi.org/10.1162/tneq_a_00671.

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Born to privilege in Boston, Frances Webster, like her peers volunteered overseas with the American Red Cross as a nurse's aide. Where the activities of other Americans during the First World War is characterized as a “culture of coercive volunterism,” Webster's reflected a more complex mixture of altruism and tourism. Her history of participation in the First World War suggests historians need more multifaceted frameworks to explain Americans' First World War service.
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Isherwood, Ian. "Book Review: Literature and the Great War, 1914–1918 by Randall Stevenson." War in History 21, no. 3 (June 4, 2014): 381–82. http://dx.doi.org/10.1177/0968344514526634c.

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Hutton, Clare. "Yeats, Pound, and the Little Review, 1914-1918." International Yeats Studies 3, no. 1 (November 1, 2018): 33–48. http://dx.doi.org/10.34068/iys.03.01.03.

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Yeats made a small but interesting set of contributions to the avant-garde US periodical the Little Review, a journal for which Ezra Pound acted as ‘Foreign Editor’ and an important locus for modernist literature. My essay explores the range of Yeats’s contributions, and Pound’s rationale for being editorially involved. It examines editorial attitudes to the First World War, particularly in 1917, and the version of ‘In Memory of Robert Gregory’ which Yeats placed in the journal. By focusing on such specific moments and small textual details, the essay close reads what Sean Latham has described as “emergence,” “a particular kind of complexity that arises not from the individual elements of a system, but only from their interaction.”
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Laskier, Michael M. "Egypt and Beyond: The Jews of the Arab Countries in Modern Times - Gudrun Krämer. The Jews in Modern Egypt, 1914–1952. Seattle: University of Washington Press, 1989. x, 319 pp." AJS Review 16, no. 1-2 (1991): 199–210. http://dx.doi.org/10.1017/s0364009400003172.

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Gudrun Krämer's study on the Jews of Egypt is divided into five sections: Communal Structure and Composition; Communal Organization; Socioeconomic and Political Change (1914–1918); Jewish Reactions to Political Change: Egyptian Patriotism, Communism, and Zionism; and The Beginning of the End: Egyptianization, the Arab-Israeli War, and the Burning of Cairo.
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Reynaud, Daniel, and Emanuela Reynaud. "‘A kind of useless man’? An evaluation of AIF cooks and cookery, 1914–1918." War in History 29, no. 2 (April 2022): 385–405. http://dx.doi.org/10.1177/09683445211002554.

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While the Australian Imperial Force of 1914–1918 experienced a significant shift from amateurism to professionalism over the course of the war in most areas, one crucial role not yet examined in the literature on the Australian Imperial Force is that of army cook. This article argues that their role was not taken sufficiently seriously during the Great War, leaving them effectively still amateurs at the end of the war. It explores the regulations for army cooks, the processes of selection, training and monitoring, as well as their performance in camps and in the field, and draws the conclusion that the army failed to professionalize role.
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Holman, Brett. "William Le Queux, the Zeppelin Menace and the Invisible Hand." Critical Survey 32, no. 1-2 (June 1, 2020): 99–118. http://dx.doi.org/10.3167/cs.2019.112605.

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In contrast to William Le Queux’s pre-1914 novels about German spies and invasion, his wartime writing is much less well known. Analysis of a number of his works, predominantly non-fictional, written between 1914 and 1918 shows that he modified his perception of the threat posed by Germany in two ways. Firstly, because of the lack of a German naval invasion, he began to emphasise the more plausible danger of aerial attack. Secondly, because of the incompetent handling of the British war effort, he began to believe that an ‘Invisible Hand’ was responsible, consisting primarily of naturalised Germans. Switching form from fiction to non-fiction made his writing more persuasive, but he was not able to sustain this and he ended the war with less influence than he began it.
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Senjavskaja, E. S. "Historical Memory of the First World War: Notes on its Shaping in Russia and in the West." MGIMO Review of International Relations, no. 2(5) (April 28, 2009): 31–36. http://dx.doi.org/10.24833/2071-8160-2009-2-5-31-36.

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The article deals with the reasons, why the First World War didn’t leave stable heroic symbols in the historical memory of the Russians and occupied only marginal place. The influence of ideological and political background on the interpretation of the past, the role of the power elite in shaping the aims of the retrospective propaganda. The picture of the military events of 1914 – 1918 in Russian and foreign fiction literature has been given on the comparative basis.
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Wierzejska, Jagoda. "Toward the Idea of Polishness: Implications of 1918 for the Former Eastern Galicia, 1918–1939." Przegląd Humanistyczny 62, no. 4 (463) (May 24, 2019): 71–94. http://dx.doi.org/10.5604/01.3001.0013.2774.

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The paper analyzes the Polish literary discourse on the former Habsburg province of Galicia, developing after the restoration of Poland’s independence (1918) and the Polish victory in the Polish-Ukrainian War of Eastern Galicia (1918–1919). Before WWI, especially before the epoch of Galician autonomy (1867–1914), the prevailing discourse on the province was imbued by the idea of multi- and transnationalism grounded upon the Habsburg political culture. After the war, when Galicia became a part of the reborn Poland, the discourse pertaining to the region underwent a fundamental change. In the interwar Polish literature, the idea of multi- and transnational Galicia was a subject of specific transfers: sometimes in a continuative, usually, however, in a deconstructive version. Namely, it was disassembled and its components, referring to a revised political context, were ideologically used to strengthen the representation of reality from the exclusive, Polish point of view. The paper focuses on literary representations of the Polish-Ukrainian War of Eastern Galicia. It discusses the stages of the aforementioned disassemblement, from the idea of Polish-Ruthenian “brotherhood” to the vision of Polish-Polish brotherhood, i.e. the homogenous Polish nation, from which the Others (Ukrainians, Jews and Austrians), depicted as enemies, were excluded with no exception. Such a vision prevailed in the Polish literature up until 1939; it has also had its continuations nowadays.
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Dissertations / Theses on the topic "1914-1918 Literature and the war"

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Díaz-Cristóbal, Marina B. "Modernism and the generation of 1914 in Spain, 1914-1918 /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2003.

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Thesis (Ph.D.)--Tufts University, 2003.
Adviser: Jose Alvarez-Junco. Submitted to the Dept. of History. Includes bibliographical references. Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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Rennie, David Alan. ""Varying offensives" : American writers' representations of World War I." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=233979.

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Over the past thirty years the dominant trend in studies of American World War I literature has been to recognise the plurality of experience represented in American writing connected with the First World War, beyond that registered in the canonical works of white male modernists. Scholars have identified literary representations of the various gendered, political, intellectual, and racial subgroups that were affected by World War I in America. This growing interest in the experiences of diverse socio-political constituencies has, unfortunately, often reductively classified authors as belonging to a particular category of identity. Accordingly, the present work challenges this trend in three distinct ways. I argue, firstly, that individual authors held and represented complex and nuanced responses to the war. I propose, secondly, that writers expressed these views not just in the key works for which they are remembered, but across multiple literary media, including novels, magazine fiction, film scripts, book reviews, history works, prefaces, and autobiographies. Finally, I maintain a focus throughout on the provisionality of authors' responses to the war, arguing that these changed over time as a consequence of authors' intellectual and professional developments.
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Blazek, William. "The Norton-Harjes Ambulance Corps and American literature of World War I." Thesis, University of Aberdeen, 1986. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=228965.

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The Norton-Harjes Ambulance Corps numbered among its members some of the most important American writers of World War I, Including E. E. Cummings and John Dos Passos. What is less well-known is that the ambulance corps had strong tIes to a pre-war generation of American expatriates, whose participation first created the elite aura of the unit known as the "gentlemen volunteers." Henry James served as chairman until his final illness, and the family of the late Charles Eliot Norton operated the organization in France and America. This study, making use of unpublished archival material, outlines the history of the Norton-Harjes during the war, from its beginnings in Paris and London, to its activities on the Western Front, and its dissolution in late 1917. Around this historical context, the foundations of the unit are traced to Harvard University and an ideal of humanitarian service and social duty drawing from the late nineteenth-century concept of the gentleman. The war writings of the Norton-Harjes authors are examined in view of this historical and cultural evidence. Affirmation of the artist's role in society and criticism of American industrial-commercialism feature in the work of the authors connected with the unit, themes which gained new impetus from the war. A discussion of Charles Eliot Norton's moral aestheticism, expatriation, teaching at Harvard, and attitudes towards war, along with an outline of the Harvard careers of Norton's sons Eliot and Richard and of the future Norton-Harjes writers Cummings, Dos Passos, and Robert Hillyer, make up the chapter following the Introduction, which establishes the background of early American involvement in the war. Henry James' work for the ambulance corps and his move from intense observer to direct participant in war-time is explored in the third chapter. The fourth chapter presents the bulk of the historical information about the unit's war activities while examining the career and writings of Richard Norton, founder and leader of the corps. The succeeding three chapters are devoted to the ambulance volunteers who studied together at Harvard. E. E. Cummings' The Enormous Room is interpreted in light of the author's whole experience with the Norton-Harjes, emphasizing his use of primitivism in support of aesthetic individualism. Robert Hillyer's traditionalism stands opposed to Cummings' Modernist experimentation, but the Harvard professor-poet was equally critical of American industrialism. John Dos Passos' war novels attack the commercial basis of American culture and present as alternatives the rural culture of Spain and the ideal of the gentlemen volunteers as represented by Richard Norton. A brief Epilogue describes the last stage of Norton's war career and the post-war attempts to organize former volunteers into an association and to produce a history of the ambulance service.
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Herron, Stefanie. "Willa Cather's argument with modernism unearthing faith amid the ruins of war /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 228 p, 2007. http://proquest.umi.com/pqdweb?did=1650498641&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Potter, Jane Elizabeth. "Boys in khaki, girls in print : women's literary responses to the Great War, 1914-1918." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286947.

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Martins, Luciana de Lima. "História, Literatura e Memória: reflexões sobre a Grande Guerra (1914-1918)." Universidade Federal da Paraí­ba, 2008. http://tede.biblioteca.ufpb.br:8080/handle/tede/6032.

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Made available in DSpace on 2015-05-14T12:23:20Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 728476 bytes, checksum: 13adb5493116b5cb3d2115266d73c83a (MD5) Previous issue date: 2008-06-27
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This dissertation thesis reflects upon the Great War (1914 1918), from the Historiography, analyzing the romances All Quiet on the Western Front, written by Erich Maria Remarque and A Farewell to Arms, written by Ernest Hemingway, and, consequently, their constructed memories. Both the Historical and the Literary knowledge relates to group and individual experiences from the present and the past. Since they reflect upon the past, they contribute to the construction of historical cultures. The extension, the length and the brutality of the First World War, characterized as a paradigmatic moment in the 20th century, has contributed for the construction of historical cultures that, aside their ifferences, question and search for a comprehension of the historical moment.
Este trabalho consiste em uma reflexão sobre a Grande Guerra (1914-1918), a partir da historiografia, dos romances Nada de Novo no Front, de Erich Maria Remarque e Adeus às Armas, de Ernest Hemingway e, conseqüentemente, das memórias engendradas por eles. Tanto o conhecimento histórico quanto o literário se relaciona com experiências individuais e coletivas do presente e do passado. Na medida em que ambos refletem sobre o passado, contribuem para a construção de culturas históricas. A Primeira Guerra Mundial se caracteriza como um momento paradigmático, do século XX, no qual a extensão, a duração e a brutalidade do conflito colaboraram para a construção de culturas históricas, que independentemente dos caminhos percorridos, questionam e procuram compreender este momento.
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Isherwood, Ian Andrew. "The greater war : British memorial literature, 1918-1939." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3462/.

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This thesis concerns non-fiction ‘war books’ published in the inter-war period. War books were mostly written by participants in the First World War who contributed to Britain’s memory culture afterwards through the publication of their accounts. The war books catalogue represents diversity in terms of the experiences depicted and the geographic locations represented. Though they went through distinctive periods of popularity, war books were published throughout the inter-war period, and in great numbers. The publishing industry was receptive to martial literature and encouraged its publication. The breadth of the war books catalogue challenges the cultural uniformity of an ‘age of disillusionment’ by demonstrating the different ways that the war was remembered by its participants. War books had widespread interpretative breadth on the meaning of the war to veterans/participants in the years afterwards.
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McDonald, Jessica J. "(In)sane dissolution of illusion trauma, boundary, and recovery in Virginia Woolf's Mrs. Dalloway /." Diss., Connect to the thesis, 2006. http://hdl.handle.net/10066/637.

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Piep, Karsten H. "Embattled homefronts politics and representation in American World War I novels /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1109634736.

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Chan, Lai-on, and 陳麗安. "New enemies: women writers and the First World War." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38628703.

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Books on the topic "1914-1918 Literature and the war"

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World War I: 1914-1918. New York, NY: AV2 by Weigl, 2014.

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Turner, Jason. World War I, 1914-1918. Redding, Conn: Brown Bear Books, 2009.

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Ivanov, Anatoliĭ Ivanovich. Pervai︠a︡ mirovai︠a︡ voĭna v russkoĭ literature 1914-1918. Tambov: Tambovskiĭ gosudarstvennyĭ universitet, 2005.

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Dotoli, Giovanni. Guerre et poésie, 1914-1918. Paris: Éditions du Cygne, 2014.

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World War I: The cause for war. New York: Crabtree Publishing Company, 2014.

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World War I. Vero Beach, Fla: Rourke Pub., 2003.

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World War I. New York: Children's Press, 2012.

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1950-, Gay Martin, ed. World War I. New York: Twenty-First Century Books, 1995.

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I, Ivanov A. Pervai︠a︡ mirovai︠a︡ voĭna v russkoĭ literature 1914-1918 gg.: Monografii︠a︡. Tambov: Izd-vo TGU, 2005.

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The Great War: The First World War, 1914-18. Harlow: Longman, 1985.

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Book chapters on the topic "1914-1918 Literature and the war"

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Blamires, Harry. "The first world war (1914–1918)." In Twentieth-Century English Literature, 66–87. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18511-5_4.

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Birkett, Jennifer, and James Kearns. "The First Inter-War Years, 1871–1914." In A Guide to French Literature, 158–82. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25758-4_7.

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Hopkins, Chris. "Beyond Fiction? The Example of Winged Warfare (1918)." In The Literature of the Great War Reconsidered, 9–23. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599895_2.

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Onions, John. "Ford: Literature Meets History." In English Fiction and Drama of the Great War, 1918–39, 116–34. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20620-9_8.

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Laurie-Fletcher, Danny. "The Early War Spy Scare and ‘The Hidden Hand’." In British Invasion and Spy Literature, 1871–1918, 97–135. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03852-6_4.

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Meyer, Jessica. "The Not Dead: War Disability in Film and Literature from the First World War to the Present." In Gender and Conflict since 1914, 98–109. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-03027-6_8.

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Laurie-Fletcher, Danny. "‘The Most Dangerous Woman on Earth’: Sexuality in British Spy Literature During World War I." In British Invasion and Spy Literature, 1871–1918, 199–221. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03852-6_7.

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Laurie-Fletcher, Danny. "The Portrayal of British Women in Wartime Occupations in British Spy Literature During World War I." In British Invasion and Spy Literature, 1871–1918, 167–98. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03852-6_6.

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Wilkinson, Glenn R. "Literary Images of Vicarious Warfare: British Newspapers and the Origin of the First World War, 1899–1914." In The Literature of the Great War Reconsidered, 24–34. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599895_3.

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Brumby, Alice. "Tommy Talk: War Hospital Magazines and the Literature of Resilience and Healing." In The Palgrave Handbook of Artistic and Cultural Responses to War since 1914, 63–79. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96986-2_4.

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Conference papers on the topic "1914-1918 Literature and the war"

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Rohrbach, Wolfgang. "WECHSELBEZIEHUNGEN ZWISCHEN DER UNTERGEHENDEN DONAUMONARCHIE, ÖSTERREICH UND DEM SHS-KÖNIGREICH." In 100 GODINA OD VIDOVDANSKOG USTAVA. Faculty of law, University of Kragujevac, 2021. http://dx.doi.org/10.46793/zbvu21.353r.

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Much of the literature that emerged in the 20th century about relationships between Serbia and the Republic of Austria, is marked by emotional guilt assigning and political or nationalist influences. That is why, since the beginning of the 21st century, a group of European historians researched events in the Balkans in the first third of the 21st century. The results of this research are partly contrary to all previous theses on the completion of the First World War II and its influence on the creation of Yugoslavia. In addition to South Slavic experts, the authors of this paper also belong to this group of researchers. Our own analyzes and conclusions, as well as quotes from colleagues show how often partial information were consciously taken from archival material, from which (sometimes voluntarily), distorted overall picture were made. This article tries to, through additional source material and contemporary literature on the years 1914-2021, acts enlightening in areas where percepciones of Austrian and Serbian authors differ in most cases.
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TUĞLUK, Mehmet Emin. "A COMPETITION TO FIND AN EQUAL TO THE TWELVE FOREIGN WORDS ORGANIZED BY THE ŞEHBÂL MAGAZINE (1909-1914)." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-4.

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One of the important magazines of the Second Constitutional period was the magazine Şehbâl, which was published between 14 March 1909 and 14 July 1914. Political events and comments in Şehbâl magazine; culture, literature, music; painting, sculpture, architecture; health,sport; inventions and inventions, discoveries, accounting, humor, fashion, make-up, embroidery, housework; articles on many subjects such as information about new publications and selections from English, French, German and American magazines have been published. Another important feature of Şehbâl magazine is that it organizes competitions on various subjects. One of these competitions organized by the Magazine is The Competition to Find an Equal to The Twelve Foreign Words In this competition, it was requested to find the equivalents of the words bibliographie, boycottage, caprice, caricature, clup, conference, concert, decor, monologue, paradoxe, surprise, taximetre. Various words were suggested to this competition by 517 people. However, none of the suggested words are used in standard Turkey Turkish instead of the desired word. However, this competition is important in terms of showing the influence of foreign languages on Turkish and the awareness and resistance shown against this influence. Key words: Şehbâl Magazine, Competition, Second Constitutional, Foreign Languages, Turkish Equivalent.
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Martynov, Dmitry. "LIU RENHANG AND HERBERT G. WELLS." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.30.

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Liu Renhang (1885–1938) was known as a Shanghai publicist and propagandist of Buddhism, vegetarianism and non-violence. Having been educated in Japan, he could not establish relations with Zhang Xun and Yan Xishan. He made a long journey to India and Indochina, talked with Rabindranath Tagore. In the 1920s and 1930s, Liu Renhang published over 30 books, mostly translated from Japanese and English. He published translations of L. N. Tolstoy’s short stories, books on hydrotherapy and yoga, and founded the Institute for the Cultivation of Joy in Shanghai (乐天 修养 馆). The main work of his life was Dongfang Datong Xuean in 6 juan, the creation of which was carried out in 1918–1924. The treatise was fully published in Shanghai in 1926, and was reprinted in 1991 and 2014. Its main content was to consider the classical ideals of Xiaokang and Datong, and the possibility of combining ideals with the realities of the modern world. Liu Renhang believed that the ideal of Datong Confucius and Kang Yuwei is fully compatible with Buddhist teachings. During the fifth session of the Central Election Commission of the Kuomintang of the fourth convocation (1934), he tried to announce at the meeting a petition on the introduction of the principle of Great Unity in international relations. In 1938, he created the utopian commune Datong in his native village, and tried to interest Zhou Enlai and Dong Biu with his theories. In the Dongfang Datong Xuean treatise, Liu Renhang introduced the “history of the future”, which was influenced by H. G. Wells’ globalist and Fabian ideas. Liu Renhang directly referred to his novel The War in the Air in conclusion to his own treatise. Like Wells, Liu looked with pessimism on the prospects of modern mankind, and called for the emergence of a “modern Genghis Khan”, who would ruin the world, on the ashes of which the sprout of a new Great Unity would rise.
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Yamada, Toru, Chungpyo Hong, Otto J. Gregory, and Mohammad Faghri. "Fluid Flow Characteristics in Microchannels With Rib-Patterned Surface." In ASME/JSME 2011 8th Thermal Engineering Joint Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/ajtec2011-44631.

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The effects of rib-patterned surfaces and surface wettability on liquid flow in microchannels were experimentally investigated in this study. Microchannels were fabricated on single-crystal silicon wafers by photolithographic and wet-etching techniques. Rib structures were patterned in the silicon microchannel, and the surface was chemically treated by trichlorosilane to create the hydrophobic condition. Experiments with water as the working fluid were performed with these microchannels over a wide range of Reynolds number between 110 and 1914. The results for the rib-patterned microchannels showed that the friction factor with the hydraulic diameter based on the rib-to-upper-wall height was lower than that for the incompressible theory with the same height. The friction factor-Reynolds number products for the hydrophobic condition increased as Reynolds number increased in the laminar flow regime. The experimental results were also compared with the predictive expressions from the literature, and it was found that the experimental data for the small rib/cavity geometry was in good agreement with those in the literature.
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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.
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Reports on the topic "1914-1918 Literature and the war"

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Donaghey, S., S. Berman, and N. Seja. More Than A War: Remembering 1914-1918. Unitec ePress, May 2016. http://dx.doi.org/10.34074/emed.035.

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More Than a War: Remembering 1914-1918 presents a creative juxtaposition of digital platforms—a combination of audio, video, archival images, soundscapes, and social media, among others—to tell the stories from 1914–1918 a century later. Led by Sara Donaghey, Sue Berman and Nina Seja, the transmedia project brings together staff and students from Unitec Institute of Technology’s Department of Communication Studies and Auckland Libraries to provide a unique oral contribution to recording the history of Aotearoa New Zealand in The First World War.
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Lathrop, Daniel T. How did the Advancement in Weapons Technology Prior to World War One Influence the Rapid Evolution of German Infantry Tactics from 1914 to 1918? Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada403975.

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Strand branch, London - Military Department staff at work during First World War, 1914-1918. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-002149.

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