Relevant bibliographies by topics / 1912-13

Academic literature on the topic '1912-13'

Author: Grafiati
Published: 26 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "1912-13"

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Godden, Christopher. "Mark Hovell’s Letters from Leipzig, 1912–13." Bulletin of the John Rylands Library 94, no. 1 (March 2018): 14–32. http://dx.doi.org/10.7227/bjrl.94.1.2.

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During the academic year 1912–13, Mark Hovell studied and taught at Professor Karl Lamprecht’s Institut für Kultur- und Universalgeschichte (Institute for Cultural and Universal History) in Leipzig. During his time there, Hovell wrote regularly to his fiancée, Fanny Gately, and to his mentor, Professor Thomas Tout. This article focuses on several of Hovell’s letters held at the John Rylands Library, presenting his thoughts and observations on aspects of social, political and academic life in Germany shortly before the outbreak of the First World War.
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Berry, R. Stephen, Mitio Inokuti, and A. R. P. Rau. "Ugo Fano. 28 July 1912 — 13 February 2001." Biographical Memoirs of Fellows of the Royal Society 58 (January 2012): 55–66. http://dx.doi.org/10.1098/rsbm.2012.0030.

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Ugo Fano was a lively, challenging and creative physicist, known for his wide-ranging studies in atomic physics, radiological physics and radiation biology, and statistical physics and relaxation. He stimulated and guided a cadre of students, postdoctoral associates, and colleagues whose admiration and affection for him continued, as did their interactions with him, throughout his life.
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SECORD, ANNE. "Frederick Henry Burkhardt (13 September 1912–23 September 2007)." Archives of Natural History 35, no. 1 (April 2008): 176–79. http://dx.doi.org/10.3366/e0260954108000181.

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Leighten, Patricia. "Picasso's Collages and the Threat of War, 1912-13." Art Bulletin 67, no. 4 (December 1985): 653. http://dx.doi.org/10.2307/3050849.

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Leighten, Patricia. "Picasso's Collages and the Threat of War, 1912-13." Art Bulletin 67, no. 4 (December 1985): 653–72. http://dx.doi.org/10.1080/00043079.1985.10788297.

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Vere, Bernard. "Pedal-Powered Avant-Gardes: Cycling Paintings in 1912–13." International Journal of the History of Sport 28, no. 8-9 (May 2011): 1156–73. http://dx.doi.org/10.1080/09523367.2011.567769.

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Corman, Marvin L. "John Cedric Goligher March 13, 1912-January 18, 1998." Diseases of the Colon & Rectum 41, no. 4 (April 1998): 522–24. http://dx.doi.org/10.1007/bf02235770.

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Callaghan, Madeleine. "Wordsworth, Shelley, and Hardy: The Inheritance of Loss." ELH 91, no. 1 (March 2024): 181–206. http://dx.doi.org/10.1353/elh.2024.a922013.

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Abstract: This article calls for a revaluation of Thomas Hardy's Poems of 1912–13 , viewing them as in dialogue with William Wordsworth's Lucy poems and Percy Bysshe Shelley's Jane poems. Though Poems of 1912–13 has been favored with a great deal of criticism that aims to come to terms with its manifold influences, the Romantic influence upon Hardy's collection has been overlooked. This article considers how Hardy brings Wordsworth and Shelley's sequences into conversation with his elegies to argue that Hardy reimagines both poets' sequences to create his poetry of mourning.
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Wasti, Syed Tanvir. "The 1912–13 Balkan Wars and the Siege of Edirne." Middle Eastern Studies 40, no. 4 (July 2004): 59–78. http://dx.doi.org/10.1080/00263200410001700310.

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Ray, Sandeep. "Inadvertent Ethnography in Propaganda: J. C. Lamster's Films (1912–13)." Indonesia 106, no. 1 (2018): 137–56. http://dx.doi.org/10.1353/ind.2018.0018.

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Dissertations / Theses on the topic "1912-13"

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Baker, Susan Fortune Ron Morgan William Woodrow. "Thomas Hardy's "Figure in the carpet" a study of the "Poems of 1912-13" /." Normal, Ill. Illinois State University, 1996. http://wwwlib.umi.com/cr/ilstu/fullcit?p9720804.

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Thesis (D.A.)--Illinois State University, 1996.
Title from title page screen, viewed May 30, 2006. Dissertation Committee: Ronald Fortune, William W. Morgan (co-chairs), Janice Neuleib. Includes bibliographical references (leaves 152-159) and abstract. Also available in print.
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Cairo, Valentina Maria Martina, Pietro Pantano, Andrea Dell'Acqua, and Marco Schioppa. "Charged-particle distributions and material measurements in ps = 13 TeV pp collisions with the ATLAS Inner Detector." Thesis, 2017. http://hdl.handle.net/10955/1912.

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Dottorato di Ricerca in Scienze e Ingegneria dell'Ambiente, delle Costruzioni e dell'Energia. Ciclo XXIX
The Run 2 of the Large Hadron Collider, which began in Spring 2015, offers new challenges to the Experiments with its unprecedented energy scale and high luminosity regime. To cope with the new experimental conditions, the ATLAS Experiment was upgraded during the first long shutdown of the collider, in the period 2013-2014. The most relevant change which occurred in the ATLAS Inner Detector was the installation of a fourth pixel layer, the Insertable B-Layer, at a radius of 33 mm together with a new thinner beam pipe. The Pixel Services, located between the Pixel and SCT detectors, were also modified. Owing to the radically modified ID layout, many aspects of the track reconstruction programs had to be re-optimized. In this thesis, the improvements to the tracking algorithms and the studies of the material distribution in the Inner Detector are described in detail, together with the improvements introduced in the geometry model description in simulation as well as the re-evaluation and the reduction of the systematic uncertainty on the estimate of the track reconstruction efficiency. The results of these studies were applied to the measurement of Charged-Particle Multiplicity in proton–proton collisions at a centre-of-mass energy of 13 TeV. The chargedparticle multiplicity, its dependence on transverse momentum and pseudorapidity and the dependence of the mean transverse momentum on the charged-particle multiplicity are presented for various fiducial phase spaces. The measurements are corrected for detector effects, presented as particle-level distributions and are compared to the predictions of different Monte Carlo event generators. New sets of recommended performance figures along with the related systematic uncertainties were also derived for several aspects of the ATLAS tracking, such as track reconstruction efficiency, fake rate and impact parameter resolution. These recommendations provide information on appropriate working points, i.e. track selection criteria with wellunderstood performance. They apply to physics analyses using Inner Detector tracks in Run 2 data and are important inputs for other objects based on tracks, such as jets. A simulation-based method which uses the tracking recommendations to calibrate light-jets mis-tagged as b-jets it is also presented in the context of the measurement of the crosssection of the W-boson produced in association with b-jets at 13 TeV, together with an overview of the inclusiveW-boson cross-section analysis.
Università della Calabria
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Books on the topic "1912-13"

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Tzanos, Stephanos K. Hēmerologion Valkanikōn polemōn 1912-13. Thessalonikē: Ekdotikos Oikos K. & M. Ant. Stamoulē, 2016.

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M, Linoff Victor, ed. Illustrated mission furniture catalog, 1912-13. New York: Dover Publications, 1991.

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Papić, Radivoje. Četvrti puk u Balkanskim ratovima 1912/13. Užice: Narodni muzej, 2013.

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Thiemann, Ruth. Hoyerswerda, 13. Oktober 1912, Gründung der Domowina. Bautzen: Domowina, 1987.

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Congresso, internazionale "Totem e. tabù: psicoanalisi e. religione" (1993 Bolzano Italy). Totem e tabù (1912-13): Psicoanalisi e religione. Melpignano, Le: Media 2000, 1995.

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6

Kornrumpf, Hans-Jürgen. Fremde im osmanischen Reich 1826-1912/13: Bio-bibliographisches Register. Stutensee: Kornrumpf, 1998.

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Thomas, Hardy. Unexpected elegies: Poems of 1912-13, and other poems about Emma. New York: Persea Books, 2010.

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editor, Sprengel Peter 1949, ed. "Wie wortreich ist die Sehnsucht": Liebesbriefe an Christa Winsloe 1912/13. Berlin: Quintus, 2019.

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Finkbeiner, Uwe. Uruk: Analytisches Register zu den Grabungsberichten : Kampagnen 1912/13 bis 1976/77. Berlin: Gebr. Mann Verlag, 1993.

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Žežov, Nikola, and Mirjana Ninčovska. Hristo Černopeev: Dnevnici, spomeni i dokumenti od Balkanskite vojni 1912/13 godina. Skopje: Filozofski fakultet, 2013.

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Book chapters on the topic "1912-13"

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Reinke-Kunze, Christine. "Grönlanddurchquerung (1912/13)." In Alfred Wegener, 73–85. Basel: Birkhäuser Basel, 1994. http://dx.doi.org/10.1007/978-3-0348-6343-8_6.

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Carranza, Daniel. "»Die Verfluchten« (1912/13)." In Trakl-Handbuch, 315–19. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67323-2_49.

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Doyle, Charles. "Pound and H.D., 1912–13." In Richard Aldington: A Biography, 13–25. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10224-2_2.

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Stapleton, Julia. "July 13, 1912. The Break." In G K Chesterton at the Daily News, Part II, vol 8, 121–24. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003553519-36.

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Armstrong, Tim. "Thomas Hardy: Poems of 1912-13." In A Companion to Twentieth-Century Poetry, 357–68. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch28.

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Mallinson, Jonathan. "5. 1912–13: Breaking with Macintyre’s." In William Moorcroft, Potter, 93–114. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.05.

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This chapter gives the first detailed account of the closure of Moorcroft’s department and its consequences, drawing on the firm’s Minutes and on Moorcroft’s own notebooks, diary entries, and correspondence. As the rift deepened between Moorcroft and Watkin, the attitude of the Macintyre Directors to Moorcroft’s treatment was clearly ambivalent. Moorcroft’s decision to set up his own pottery (rather than to work as a designer in another firm) is a sign of his independent spirit and sense of vocation. In little more than six months, he developed a coherent business model, secured financial backing from Liberty’s, found a suitable site for his new works, and oversaw its design and construction. He also agreed a contract with Liberty’s which gave him the freedom to pursue his work as a potter, but which left Liberty’s free to withdraw their support after ten years if the enterprise was not commercially viable. It was a lifeline, but with strings attached. For all the challenges of this period, Moorcroft exhibited to great acclaim at the Ghent International Exhibition of 1913; the end of one phase of his career marked the beginning of another.
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Russell, Bertrand, John G. Slater, and Bernd Frohmann. "Nine Short Manuscripts on Matter [1912–13]." In The Collected Papers of Bertrand Russell, Volume 6, 96–111. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003557395-13.

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Stapleton, Julia. "January 13, 1912. The Fountain of Honour." In G K Chesterton at the Daily News, Part II, vol 8, 4–6. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003553519-3.

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Eldarov, Svetlozar, and Bisser Petrov. "Bulgarian Historiography on the Balkan Wars 1912–13." In The Balkan Wars from Contemporary Perception to Historic Memory, 219–48. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-44642-4_10.

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Green, Brian. "Poems of 1912–13 The Process of Mourning." In Hardy's Lyrics, 192–213. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230376779_11.

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Conference papers on the topic "1912-13"

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Tang, Chih-chun. "Fluid Mind and Kaleidoscopic Space in Thomas Hardy’s “Poems of 1912-13”." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312115.

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Бортников, Ф. М. "Результаты изучения видового разнообразия миксомицетов (Myxomycetes) в заповеднике «Кедровая Падь» в 2016–2020 годах." In III молодёжная всероссийская научная конференция с международным участием «PLANTAE & FUNGI». Botanical Garden-Institute FEB RAS, 2023. http://dx.doi.org/10.17581/paf2023.44.

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Миксомицеты — широко распространенная в наземных экосистемах группа хищных амебоидных протистов, систематика которых основана главным образом на морфологических признаках их макроскопических спороносящих стадий (спорокарпов), которые возможно обнаружить в полевых условиях невооруженным глазом или получить в лаборатории методом влажных камер. Первые сведения о миксомицетах Приморья содержатся в работе Н. А. Наумова [4], опубликованной по результатам экспедиции по Южно-Уссурийскому краю, осуществленной им в 1912 году. В советское время миксомицеты Приморья не становились предметом специального изучения, однако некоторые сообщения о них встречались в работах микологов А. А. Аблакатовой, И. А. Бункиной и Э. З. Коваль [1 и др.]. Позднее достаточно хорошо были исследованы миксомицеты Лазовского [2, 3] и Сихотэ-Алинского [5] заповедников. Сведения же о миксомицетах заповедника «Кедровая Падь» до последнего времени ограничивались списком из 19 видов, обнаруженных в 1955–1960 годах Э. З. Коваль [1]. Для более полноценного их изучения в 2016, 2017 и 2020 годах в заповеднике были осуществлены полевые исследования, в ходе которых было собрано 2147 образцов плодовых тел миксомицетов и 719 образцов различных субстратов: гнилой древесины, наземного опада и коры живых деревьев и кустарников 34 видов. В ходе камеральной обработки этих субстратов при помощи метода влажных камер было получено и собрано дополнительно 1554 образца спороношений миксомицетов. Всего в ходе исследований в заповеднике «Кедровая Падь» было выявлено 172 вида миксомицетов из 36 родов, 13 семейств и 9 порядков, что составляет 36% от числа видов, известных в России на данный момент. Из обнаруженных видов большинство (95%) были новыми для заповедника, 63 вида — новыми для Приморского края и 29 — для России. Семь видов из родов Diderma Pers., Licea Schrad. и Trichia Haller были описаны как новые для науки. Наиболее высокое разнообразие миксомицетов было выявлено в коренных хвойно-широколиственных сообществах, а в экологической группе кортикулоидных миксомицетов наибольшее число видов было отмечено на коре Abies holophylla Maxim., Quercus mongolica Fisch. ex Ledeb. и Chosenia arbutifolia (Pall.) A. Skvorts. (40, 40 и 27 видов, соответственно).
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van der Pol, J. A., E. G. Brilman, P. H. de Jong, A. E. Weel, J. M. Hazes, T. W. Huizinga, and C. F. Allaart. "OP0030 Corticosteroid bridging strategies with methotrexate monotherapy in early rheumatoid and undifferentiated arthritis; a comparison of efficacy and toxicity in the treach and improved studies." In Annual European Congress of Rheumatology, EULAR 2018, Amsterdam, 13–16 June 2018. BMJ Publishing Group Ltd and European League Against Rheumatism, 2018. http://dx.doi.org/10.1136/annrheumdis-2018-eular.1912.

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Stoica, Alina mihaela, and Daniela Aducovschi. "USING E-LEARNING SOFTWARE FOR DEVELOPING EURHYTHMY AS A MANNER OF ARTISTIC EXPRESSION FOR PUPILS AND STUDENTS." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-226.

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Generally speaking, eurhythmy can be defined as a harmonious combination of sounds, words, lines and proportions generating a compositional balance, which is very important for the artistic act. In the context of studying, with the purpose of reaching high interpretative and artistic competencies, eurhythmy is represented by: - developing human bodie's expresivity, the capacity of expresing temporal and spatial dimensions, the harmonious bonding between movement, rhythm, sound and colour; - realising the connexion between the body and the soul. Eurhythmy is an art that wants to express the language and sound through movements. It's first elements were first borned in 1911-1912 with the help of Rudolf Steiner, founder of anthroposophie. There are other sciences that developed during the past few years as the science developed itself in: scenic, pedagogical and curative/remedial eurhythmy. Scenic eurhythmy artistically introduces each new concepts or new skills to be discovered and developed. Eurhytmies itself is an art: it uses the body as a visual representation along with the language, the music and the singing that create the atmosphere. It points out the music intervals and tones and the sound through a falling expresive movement of the arms, hands and body in a dinamic structure. The second side is the didactical one that is willing to streghthen the child according to Waldorf's techniques. During eurhythmy classes, the children make up stories or happenings through meaningfull movements. As they grow up they aquire the ability of controlling their gestures and steps on specific rhythms and special moves. There is also a third domain developed from eurhythmy, which has its own concepts and figures that are used in treating different defficiencies.
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Reports on the topic "1912-13"

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HMAS Melbourne - On which a Savings Bank Agency was established in 1912-13. Reserve Bank of Australia, March 2022. http://dx.doi.org/10.47688/rba_archives_pn-001982.

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