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Dias, Fernando Paulo Leitão Simões Rosa. "Ecos expressionistas na pintura portuguesa (1910-1940)." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1996. http://dited.bn.pt:80/29877.
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Stair, Julian F. "Critical writing on English studio pottery, 1910 - 1940." Thesis, Royal College of Art, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422528.
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Newcomb, David Ray. "Land-Use in Richmond, Virginia, 1880, 1910, 1940." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625555.
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Bentes, Dorinethe dos Santos. "Outras faces da história: Manaus de 1910-1940." Universidade Federal do Amazonas, 2008. http://tede.ufam.edu.br/handle/tede/3942.
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Previous issue date: 2008-12-15<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>In this research, we analyze Manaus city history within the time 1910-1940, through
its physical structure, considering the buildings, the streets, the districts, the bridges, the
roads and others, as moments and parts of all the city is, because it only becomes
comprehensible by means of study about its several manifestations and behaviors. For
developing our investigation about the city, the theorical and methodological part more
adapted for our purposes was the new cultural history, because it is the history interpretation
perspective that enables the addition of other theorical standards, integrating the general and
the particular. Through this analysis, we intend give voice to official documentation issued by
municipal governors and councilmen, such as governmental message sent to State
Legislative Assembly, the Expositions sent to Federal Government, the Council reports sent
to Municipal Chamber and the municipal messages sent to State Government. We
appreciate the cross of these informations with the provided communications by other
origins: periodicals and yearbooks, albums and almanacs made within the investigated time
and the bibliography concerned to the subject. We conclude this research, noting Manaus
from 1910 to1940 was a city in boiling: small and large constractions, population growth, the
physical space of the city in expansion. And more, the public power, pressioned by different
social interests, no longer could hear only the elite, it was obliged, by virtue of economic
circumstances and socio cultural, to give answers to the demands of the residents of the
suburbs and agricultural areas of the city.<br>Neste trabalho, analisamos a história da cidade de Manaus no período de 1910 -1940, por meio de sua forma física, considerando os edifícios, as ruas, os bairros, as pontes, as estradas entre outros, como momentos e partes de um todo que é a cidade, porque ela só se torna compreensível mediante o estudo de suas diversas manifestações e comportamentos. Para desenvolver nossa investigação sobre a cidade, a linha teórica e metodológica que mais se ajustou aos nossos objetivos foi a da Nova História Cultural, por ser a perspectiva de interpretação da história que possibilita a soma de outros dos modelos teóricos, integrando o geral com o particular. Por meio dessa análise, pretendemos dar voz à documentação oficial emitida pelos governadores e superintendentes municipais; tais como as mensagens governamentais enviadas à Assembléia Legislativa do Estado, as Exposições enviadas ao Governo Federal, aos relatórios da Intendência enviados à Câmara Municipal, as mensagens municipais enviadas ao governo do Estado. Sem deixar de valorizar o cruzamento dessas informações com os dados fornecidos por outras fontes: periódicos e anuários, álbuns e almanaques produzidos no período em investigação e a bibliografia referente ao tema. Concluímos esse trabalho, constatando que a Manaus de 1910 a 1940 era uma cidade em ebulição: pequenas e grandes obras, crescimento
populacional, o espaço físico da cidade em expansão. E mais ainda, o poder público, acuado por diferentes interesses sociais, não mais poderia dar ouvido somente à elite, ele era obrigado, por força das circunstâncias econômicas e sócio-culturais, a dar respostas às
demandas dos moradores dos subúrbios e das zonas agrícolas do Município.
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Pouliot, Amber Theresa. "The cultural significance of the Brontës, c. 1910-1940." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/6808/.
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This thesis explores the fictionalization of the Brontës by focusing on their cultural significance during the interwar period, when members of the family were first appropriated as characters in works of drama, poetry, and prose fiction. This interwar fictionalization occurred in England and the United States, where the family was widely discussed in journalism, fiction, and literary criticism. Yet, the process of their fictionalization began in the mid-nineteenth century, almost simultaneously with the sisters’ second foray into print with the publications of Jane Eyre, Wuthering Heights, and Agnes Grey. Thus, this thesis has a dual focus. It analyzes Brontë fictional biography as an interwar phenomenon, exploring its engagement with salient interwar discourses. However, it also traces some of the key preoccupations of Brontë fictional biography to the semi-fictional construction of the family in the nineteenth century. It explores the reasons for the emergence and sustained popularity of Brontë fictional biography during the interwar period, tracing the development of this subgenre of neo-Victorian fiction from the 1847 publication of Jane Eyre to 1939. Chapter One provides an overview of Brontë fictional biography’s intersection with interwar discourses surrounding gender relations and women’s employment, family structures, national identity in the wake of the First World War, economic crises, interest in psychology, psychoanalysis, and heredity. Chapter Two discusses the significance of the ghost motif to fictionalizations of the Brontë family, focusing on fictional biography’s antecedents in the nineteenth century. Chapter Three discusses the use of psychology and, especially, psychoanalysis in interwar attempts to understand the Brontës’ identities. Chapter Four focuses on the motif of the Brontë group portrait in interwar fictional biography, and its use as a lens to explore the psychology of the family. The thesis concludes with a consideration of the ethics of this biographical appropriation.
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Coudreau, Marin. "Guerre et lutte contre les nuisibles en URSS, 1910-1940." Thesis, Nantes, 2017. http://www.theses.fr/2017NANT2053.
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Cette recherche explore les interrelations entre la guerre et la destruction de l’environnement à travers les croisements des politiques de contrôle chimique des nuisibles à l’agriculture et de préparation à la guerre. Le premier chapitre s’organise autour de l’institutionnalisation de l’entomologie appliquée, et du télescopage de la guerre et des « catastrophes naturelles » jusqu’au début des années 1920. Le second chapitre est centré sur les collaborations entre chimistes, industriels, militaires et entomologistes qui organisent grâce à des transferts de technologie dans l’agriculture, une politique du double usage de la recherche et de la production sur le modèle de l’économie de guerre allemande. L’introduction des gaz de combat et de l’épandage dans l’agriculture est facilitée par l’appui apporté par l’armée dans le contexte d’une promotion transnationale de l’ aérochimie militaire. Les régions du sud-est dans les années 1920 fait l’objet du troisième chapitre, la zone voit ser superposer risques humains et non humains avec une intensité particulière contribuant à forger des conceptions militarisées du contrôle des nuisibles. Le quatrième chapitre retrace la construction d’un appareil hyper-centralisé de contrôle des nuisibles par une nouvelle élite de promus et de « technologies brutales » durant le premier plan quinquennal. Le cinquième et dernier chapitre porte sur les articulations et interdépendances entre la colonisation interne de l’URSS, la lutte contre les nuisibles, et la dékoulakisation pendant la crise de la collectivisation complète, de la famine et la préparation à la guerre. L’année 1933 représentant l’acmé d’une destruction du vivant et la matrice de nouvelles pratiques organisationnelles pour le reste de la décennie<br>This research explores the interrelations between war and the destruction of the environment through the entanglements of the soviet policy of chemical struggle against agricultural pest and the preparation for war. The first chapter is organized around the institutionalization of applied entomology and the telescoping of war and « natural disasters » until the early 1920s. The second chapter focuses on the collaborations between military, industrial chemists and entomologists for the transfer of technologies to agriculture and the policy of the establishment of the double standard policy of the German war economy. The introduction of war gas and plane dusting in agriculture is supported by the military sector organizing the promotion of a new « aerochimical » weapon. The third chapter focuses on the regions of the South East in the 1920s where intertwined human and nonhuman risks cross-fertilized and where warlike modes of struggle against pest are forged. The fourth chapter relates to the creation of a hyper centralized and planned system of struggle against pest stimulated by the mass proliferations of the Great Turn and to the promotion of “brute force technologies” for pest control during the first Five Year Plan. The fifth chapter focuses on the interdependencies of the internal colonization of the USSR, the struggle against pest and dekulakization during the crisis of the collectivization, the famine and preparation for war. In 1933, the intertwined destruction of life reaches an apogee. New organizational practices emerge during this period for the whole decade
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Dufour, Valérie. "Stravinski et les exégètes: positions critiques et stratégies discursives, 1910-1940." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211125.
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Hamilton, P. T. "The role of Futurism, Dada and Surrealism in the construction of British Modernism 1910-1940." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.232965.
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Nogueira, Helena de Cássia. "As primeiras décadas da eletricidade e do saneamento básico na capital paraibana , 1900-1940." Universidade Federal da Paraíba, 2005. http://tede.biblioteca.ufpb.br:8080/handle/tede/5518.
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Previous issue date: 2005-01-25<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This dissertation discusses the early decades (1900-1940) of the history of three public utilities
provision of electricity, water supply and sewage disposal in the capital of the State of Paraíba,
Brazil. Their introduction took place quite late in comparison with many Brazilian towns and cities
(only in 1912 and 1924) and was preceded by some unsuccessful attempts. It was thanks to the
determination of Governor João Machado that Parahyba do Norte, then small and backward, could
have access to piped water and electricity, which ensures him an outstanding place in the modern
history of the town. Assigned to an inefficient private company from São Paulo, electricity supply
represented a problem until it became a State service, in 1933. Better results were achieved in the
two other utilities, operated since the beginning by the State administration, as the best Brazilian
expert in their field, Saturnino de Brito, conceived and executed both the extension of the water
supply system and the sewerage system, assuring them modern and appropriate characteristics<br>Esta dissertação discute as primeiras décadas (1900-1940) da história de três infra-estruturas
urbanas fornecimento de eletricidade, abastecimento d água e esgotamento sanitário na capital
paraibana. A implantação delas teve lugar tardiamente em relação a muitas cidades brasileiras
(apenas em 1912 e 1924) e foi precedida de algumas tentativas frustradas. Foi graças à
determinação do presidente estadual João Machado que a então pequena e atrasada Parahyba do
Norte pôde ter acesso à energia elétrica e à água encanada o que lhe garante um lugar de destaque
na história moderna da cidade. Entregue a uma ineficiente empresa privada de São Paulo, o
fornecimento de eletricidade constituiu um problema até sua encampação pelo governo estadual,
em 1933. Melhores resultados foram obtidos com os dois outros serviços, operados desde o começo
pelo Estado, uma vez que o maior especialista brasileiro nessas duas áreas, Saturnino de Brito,
projetou e executou tanto a expansão do abastecimento d água como a implantação da rede de
esgotos, garantindo aos dois sistemas características modernas e apropriadas
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Lewis, Su Lin. "Asian urbanites and cosmopolitan cultures in Bangkok, Penang and Rangoon, 1910-1940." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/252230.
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Rietzler, K. E. "American foundations and the 'scientific study' of international relations in Europe, 1910-1940." Thesis, University College London (University of London), 2009. http://discovery.ucl.ac.uk/18726/.
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This thesis deals with the role of American philanthropic foundations in promoting an expert-led approach to international politics in Europe between the two world wars. Harking back to earlier forms of transatlantic elite internationalism, American foundations financed a number of institutions for the ‘scientific’ study of international relations, and constructed a transnational network of international relations specialists. The organisations at the heart of this study, the Rockefeller Foundation and the Carnegie Endowment for International Peace, funded a variety of think tanks, academies and research institutes, some of which had international and some of which had national constituencies. Institutions supported by the foundations included the Hague Academy of International Law, the Geneva Graduate Institute of International Studies, the Royal Institute of International Affairs and the Deutsche Hochschule für Politik. Efforts to promote the cooperation between these institutions culminated in the funding of the International Studies Conference, a federation of institutes for the study of international relations organised under the auspices of the League of Nations in 1928. The philanthropic project to promote a ‘scientific’ approach to international relations turned the foundations into actors in a new international politics which they sought to rationalise at the same time. This new international politics was marked by the post- 1919 intertwining of governmental, intergovernmental and nongovernmental structures. Adopting a transnational approach which avoids conventional bilateral perspectives, this dissertation explores foundation activity in a variety of contexts. It analyses the foundations’ role as promoters of international expert exchange and internationalist education; as protagonists of American cultural diplomacy and targets of the cultural diplomacy of other countries; and finally, as nongovernmental organisations which undermined intergovernmental structures. Ultimately, this thesis contributes to the transnational history of American philanthropic foundations and sheds light on the role of nongovernmental organisations as actors in 20th century international politics.
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Edenholm, Josefine. "Arboga Mekaniska Verkstad och Arboga stad : om samarbetet mellan parterna år 1910-1940." Thesis, Uppsala universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-207895.
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The main purpose of this essay is to study how a business and a city government can cooperate. The study uses the town of Arboga and the company Arboga Mechanism Engineering (Arboga Mekaniska verkstad) to study this on a local basis. The study takes place between 1910 and 1940. The study shows that their willingness to cooperate is based on their ability to gain some kind of advantage out of the cooperation. The study also shows that the changes that took place in the society at that time reflect on Arboga Mechanism Engineering and the city government cooperation.
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Bourdieu, Jérôme. "Ressources non renouvelables et raréfaction : le cas du marché pétrolier américain : 1910-1940." Paris, EHESS, 1993. http://www.theses.fr/1993EHES0037.
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Cette these tente de confronter d'un point de vue theorique et historique la pertinence de l'analyse economique du petrole en termes de non renouvelabilite. En choisissant d'etudier le marche petrolier americain dans l'entre-deux-guerres on montre comment la question de la non renouvelabilite du petrole s'est constituee pendant cette periode, empiriquement et theoriquement, avec l'article fondateur de hotelling qui parait en 1931. Cependant, cette propriete, en meme temps qu'elle impose une contrainte structurante sur le fonctionnement du marche petrolier, n'est pas le principe du xhoix des agents. Une analyse precise des conditions techniques, economiques et juridiques concretes fait apparaitre pourquoi elle ne peut etre consideree comme explicative des pratiques. Pour analyser l'histoire du marche petrolier americain, il faut substituer a la notion d'allocation intertemporelle des ressources celle de rarefaction, comme resultant de choix economiques, qui tout a la fois, ignorent et affrontent la non renouvelabilite<br>This thesis challenges the relevance of exhaustible resource economics to understand the oil market on a theoretical and historical basis. It shows that, during the interwar, exhaustibility became a major phenomenon. Uncoincidentally, hotelling then published is seminal paper. However, exhaustibility, although being a structuring constraint, is not the main motive of choices, as shown by an accurate scrutiny of economic, technological and legal conditions of choice. To understand the behavior of the oil market, one must leave aside the idea of intertemporal allocation, and use the concept of rarefaction, taken as the dynamic resolution of contradicting choices, as the same time produced by non renewability and ignoring it
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Pulelli, Lorena <1980>. "Architettura delle centrali idroelettriche italiane 1910-1940. L'esperienza di Giovanni Muzio e Piero Portaluppi." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/1500/.
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Oggetto della ricerca è il tema dello spazio delle centrali idroelettriche costruite nella prima metà del Novecento dagli architetti Giovanni Muzio e Piero Portaluppi.
L’individuazione del tema sorge dalla volontà di indagare quali siano stati gli sviluppi dal punto di vista architettonico all’interno di un genere così specifico durante un periodo di tempo in cui gli stili architettonici e le tendenze hanno subito stravolgimenti ed evoluzioni che ancora oggi trovano una difficile connotazione e definizione precisa.
L’analisi dell’architettura delle centrali idroelettriche, effettuata ripercorrendo le principali vicende del settore idroelettrico dalla fine del secolo scorso al secondo dopoguerra, oltre a considerare il rapporto con il contesto territoriale e culturale del nostro Paese vuole prendere in considerazione anche il particolare rapporto che in più casi si è venuto a creare tra committenti e progettisti.
Compito della tesi è rileggere un settore poco indagato finora e capire se vi sia stata effettivamente una evoluzione architettonica dal punto di vista tipologico o se la centrale sia stata sempre affrontata come semplice esercizio di “vestizione” di un involucro precostituito da precise esigenze tecniche.
La ricerca infatti si pone come obiettivo lo studio delle centrali non solo dal punto di vista tipologico e spaziale dei suoi principali elementi, ma si pone come obiettivo anche lo studio della loro distribuzione nel sito in cui sono sorte, distribuzione che spesso ha portato alla formazione di una sorta di vera e propria “città elettrica”, in cui la composizione dei vari elementi segue una logica compositiva ben precisa.
Dal punto di vista del contributo originale la ricerca vuole proporre una serie di riflessioni ed elaborati inerenti alcune centrali non ancora indagate.
Nel caso specifico di Portaluppi l’apporto originale consiste nell’aver portato alla luce notizie inerenti centrali che sono sempre state poste in secondo piano rispetto le ben più note e studiate centrali della Val d’Ossola.
Nel caso invece di Muzio il contributo consiste in una analisi approfondita e in una comparazione di documenti che di solito sono sempre stati pubblicati come semplice apparato iconografico, ma che messi a confronto danno una lettura di quelle che sono state le fasi e le elaborazioni progettuali apportate dall’autore.
Il tema della ricerca è stato affrontato poi attraverso una lettura delle fonti dirette relative agli scritti degli autori, con una contemporanea lettura di testi, articoli e interventi tratti dalle riviste appartenenti al periodo in esame per comprendere al meglio il panorama culturale e architettonico che hanno fatto da scenario alle esperienze di entrambe le figure oggetto di studio.
Infine la ricerca si è concentrata sull’analisi di alcune opere in particolare - due centrali idroelettriche per ciascun autore oggetto della tesi - scelte perché considerate rappresentative sia per impianto spaziale e tipologico, sia per le scelte compositive e stilistiche adottate. La lettura dei manufatti architettonici scelti è stata condotta con l’analisi di copie di elaborati grafici originali, foto d’epoca e altri documenti reperiti grazie ad una ricerca condotta in vari archivi.
Le centrali scelte nell’ambito delle esperienze maturate da Muzio e Portaluppi sono state individuate per rappresentare il quadro relativo allo sviluppo e alla ricerca di un nuovo linguaggio formale da adottare nell’ambito dell’architettura di questi manufatti. Per entrambi i protagonisti oggetto della ricerca sono state individuate due centrali in grado di dare una visione il più possibile completa dell’evoluzione della tematica delle centrali idroelettriche all’interno della loro esperienza, prendendo in considerazione soprattutto gli aspetti legati all’evoluzione del loro linguaggio compositivo e stilistico. L’individuazione delle centrali da analizzare è stata dettata prendendo in considerazione alcuni fattori come il tipo di impianto, le relazioni e confronto con il contesto geografico e naturale e le soluzioni adottate.<br>Object of the search is the theme of the space of the hydroelectric plants built in the first half of the Twentieth century by the architects Giovanni Muzio and Piero Portaluppi.
The individualization of the theme rises from the wish to investigate which developments have been from the architectural point of view inside such a specific kind during a period of time in which the architectural styles and the tendencies have suffered contortions and evolutions that still today they find a difficulty connotation and precise definition.
The analysis of the architecture of the hydroelectric plants, effected through the principal stories of the hydroelectric sector from the end of the last century to the second postwar period, besides considering the relationship with the territorial and cultural context of our Country wants to also consider the particular relationship that in more cases has come to create between buyers and planners.
Assignment of the thesis is to reread a sector not much investigated until now and to understand if has been indeed an architectural evolution of their typology or if the hydroelectric plants has always been faced as simple exercise of “clothing” of a pre-arranged wrap from precise technical demands.
Besides to the study of the typology of the plants and the analysis of their spatial elements, the objective of the search is also the study of their distribution in the site in which they have risen, distribution that has often brought to the formation of a sort of real “electric city”, in which the composition of the various elements follows a precise composition.
From the point of view of the original contribution the search wants to propose a series of reflections and materials inherent some central already not investigated.
In the specific case of Portaluppi the contribution consists into an analysis of two plants that have always been mails in a second level respect the well most known and studied central of the Val d’Ossola.
In the case instead of Muzio the contribution consists in a deepened analysis and in a comparison of the plants of Isollaz and Vizzola, rebuild thanks to many documents that have usually been published always as simple iconographical apparatus.
The theme of the search has been faced then through a reading of the direct sources related to the writings of the authors, with a contemporary reading of texts, articles and interventions drawn by the belonging magazines to the period in examination to understand the cultural and architectural panorama that they have served as scenery to the experiences of both the figures object of study.
The search is finally assembled particularly on the analysis of some works - two hydroelectric plants for every author object of the thesis - choices because considered representative both for typological and spatial plant, and for the choices compositive and stylistic adopt.
The reading of the select architectural manufactured articles has been conducted with the analysis of copies of elaborate graphic original, photo of epoch and other retrieved documents thanks to a search conducted in various archives.
The select plants in the circle of the experiences matured by Muzio and Portaluppi are been individualized for representing the picture related to the development and to the search of a new formal language to adopt within the architecture of these manufactured articles. For both the protagonists object of the search are been individualized two central able to give a vision the more possible completes of the evolution of the thematic connected to the hydroelectric plants inside their experience, considering above all the tied up aspects to the evolution of their compositive’s and stylistic’s. The individualization of the plants to be analyzed has been dictated considering some factors as the type of plant, the relationships and comparison with the geographical and natural context and the adopted solutions.
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Blomberg, Eva. "Män i mörker : arbetsgivare, reformister och syndikalister : politik och identitet i svensk gruvindustri 1910-1940." Doctoral thesis, Stockholms universitet, Historiska institutionen, 1995. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-80969.
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Gutenberg, Andrea. "Körper, Sexualität und Moral : die Auseinandersetzung mit Degenerationsvorstellungen in englischer Literatur und Kultur 1910-1940 /." Trier : WVT Wissenschaftlicher Verlag Trier, 2009. http://www.wvttrier.de.
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Pierce, Gretchen Kristine. "Sobering the Revolution: Mexico's Anti-Alcohol Campaigns and the Process of State-Building, 1910-1940." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/194341.
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This dissertation examines the intimate connection between the State-building process and the temperance movement and asserts that neither project was merely imposed from the top down, but rather, involved input from a variety of actors. As presidents worked to rebuild the federal government during the Mexican Revolution of 1910 to 1940, they also strove to rid the country of alcoholism. In particular, utilizing prejudiced notions of class, ethnicity, and gender, they targeted working-class and indigenous men, who they tried to transform into pacifistic patriarchs, efficient workers, and sober, responsible citizens. However, the case study of Sonora demonstrates that this federal project did not go uncontested. Presidents relied on governors and legislators to mandate temperance, mayors to enforce these laws, and citizens to follow them, but these people did not always willingly comply and thus policies often had to be modified. In other instances, ordinary people supported the anti-alcohol campaign, creating unofficial temperance leagues, petitioning the president to close more cantinas, or demanding that corrupt authorities obey alcohol legislation. Governors', mayors', and especially citizens' contributions to the anti-alcohol campaign and the State-building process may not have been equal to those of federal leaders, but both projects certainly benefited from the input of a diverse cross-section of society.This present research adds to and combines three historiographical fields on the history of alcohol, State-building, and the social and cultural components of revolutions. It is the first, full-length study of the anti-alcohol campaign during the Mexican Revolution and the only work about Mexico as of yet to examine temperance from the national, state, municipal, and popular perspective. This work also corroborates the argument of recent political scholars, demonstrating that the process of State formation was shaped by input from individuals on a variety of planes. Finally, this dissertation shows that the government's cultural policies, which included promoting high art, distributing propaganda, and carrying out campaigns such as the temperance movement, should not be seen as trivial. Rather, attempts to form a new, modern citizenry through these projects were a vital part of the State-building process and of social revolution in general.
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Blomberg, Eva. "Män i mörker arbetsgivare, reformister och syndikalister : politik och identitet i svensk gruvindustri 1910-1940 /." [Stockholm] : Almqvist & Wiksell International, 1995. http://catalog.hathitrust.org/api/volumes/oclc/33629809.html.
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Gutenberg, Andrea. "Körper, Sexualität und Moral die Auseinandersetzung mit Degenerationsvorstellungen in englischer Literatur und Kultur 1910-1940." Trier Wiss. Verl. Trier, 2008. http://www.wvttrier.de.
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Silva, Aldemir Barbosa da. "As evidências do ratio studiorumnos manuais escolares de filosofia nas décadas de 1910 a 1940." Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1031.
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Previous issue date: 2015-09-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The presented dissertation discusses the evidence of Jesuit
Pedagogical Method, in the philosophy educational textbooks,
between the decades 1910 and 1940, in Brazil. The analysis
favor the understanding about the importance of educational
organization of the Jesuit in the building process of the Ratio
Studiorum and its universalization in Catholics countries, being
directed to the education of lay Catholic elites, among their
representatives in the political scenarios in respective nations.
Following this logical, the presented research presupposes the
materiality, and the representation of the Ratio Studiorum,
between "the themes of philosophical curriculum, permanent
use of Latin and Greek, the intensity of Aristotelianism and
Thomism discussions, and combat the philosophical sects" in
the manuals: Notions of Philosophia History (1921) Father
Leonel Franca; Philosophy (1934) P. J. Castro Nery; and
History of Philosophy (1944) Jonathan Serrano. Were
analyzed, in the specific period of time of this research, the
decrees that approve the Philosophy s textbooks, by the
Textbook National Commission, of Educational Reform in this
period, and finally the disputes in this educational setting,
between Catholic reaction and the Pioneers of New Education
Movement. In this context, the Brazilian educational system
represents a political scenario of intense discussions, emerging
conservative and renewing positions that can modify and
interfere the foundation of a nation. In the survey, we tried to
show some evidence of the Ratio Studiorum in their respective manuals, as marks of a school culture, during the intense
disputes that underlie institutionalized scenarios, of
ecclesiastical interests, in the formation of elites.<br>A dissertação apresentada problematiza as evidências do
Método Pedagógico Jesuítico nos manuais escolares de
Filosofia entre as décadas de 1910 e 1940 no Brasil. As
análises privilegiam a compreensão da importância da
Companhia de Jesus na edificação do Ratio Studiorum e sua
universalização nos países católicos, sendo direcionados para
formação das elites católicas leigas, entre seus representantes
nos cenários políticos, nas respectivas nações. Nesse sentido, a
pesquisa apresentada tem como pressuposto a materialidade e a
representação do Ratio Studiorum entre os temas do currículo
filosófico, uso permanente do latim e grego, intensidade nas
discussões do aristotelismo e tomismo, e o combate das seitas
filosóficas nos manuais Noções de Historia da Philosophia
(1921) - Pe. Leonel Franca; Filosofia (1934) - P. J. Castro
Nery; e História da Filosofia (1944) - Jonathas Serrano. Foram
analisados, no recorte temporal dessa pesquisa, os decretos que
aprovam os livros didáticos de Filosofia pela Comissão
Nacional do Livro Didático, de Reformas Educacionais nesse
período e, finalmente, as disputas nesse cenário educacional
entre Reação Católica e o Movimento dos Pioneiros da
Educação Nova. Nesse viés, o sistema educacional brasileiro
representa um cenário político de intensas discussões,
marcando posicionamentos conservadores e renovadores na
constituição dos fundamentos que permeiam a formação da
nação. Na pesquisa, procura-se demonstrar algumas evidências
do Ratio Studiorum nos respectivos manuais como marcas de uma cultura escolar nas intensas disputas que permeiam os
cenários institucionalizados, de interesses eclesiásticos, na
formação das elites.
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Remy, Julien. "La représentation des genres comiques et tragiques dans les écritures surréalistes entre 1910 et 1940." Thesis, Université Côte d'Azur (ComUE), 2017. http://www.theses.fr/2017AZUR2036/document.
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Les écritures et représentations surréalistes offrent, à partir de 1919, des visions nouvelles de la réalité, tributaires d’un ressenti original. S’éloignant de l’académisme et de l’imitation, celles-ci explorent l’inconscient, ouvert par le champ psychanalytique freudien, afin de tenter de cerner les pensées cachées. Le résultat des expérimentations et des jeux sémantiques des surréalistes laisse ainsi entrevoir des représentations absurdes où objets et définitions ne coïncident plus. C’est à partir de cette dissociation entre l’idée de la chose et de sa représentation que naissent certaines dimensions comiques et tragiques, réelles ou irréelles. Le surréalisme transcende et transgresse alternativement les normes communément admises par la société. Grâce à cette subversion, apparaissent des images novatrices. La poésie surréaliste cherche à dévoiler une réalité intérieure créée par l’imagination et une réalité extérieure formée par la pensée consciente. Un déséquilibre surgit alors et des indices sémiotiques nous laissent découvrir la vraie nature de chaque représentation. Tantôt burlesque, tantôt sublimée, la représentation de la vie et de la mort, prend une signification encore méconnue du grand public. En entrant dans le labyrinthe de l’analyse psychanalytique, les surréalistes ont créé une voie et se sont affranchis des courants artistiques précédents<br>Starting 1919, the surrealistic writings and representations offer new visions of reality, dependent from an original perception. Moving away from academism and imitation, they explore the unconscious, open by a psychanalytic Freudian field in order to express hidden thoughts of their consciousness. The result of their experimentations and of their semantic games allow leeway for absurd representations where objects and their definitions do not coincide anymore. It is from this dissociation between the idea of the object and its representation that comic and tragic dimensions are born, from the real and the unreal. Surrealism transcends and transgresses alternatively the norms commonly adopted by society. It is from this subversion that new images appear. Surrealistic poetry reveals an interior reality that is created by the imagination and by an exterior reality shaped by unconscious thoughts. Thus an imbalance arises and semiotic hints allow one to discover the real nature of each representation. Sometimes burlesque sometimes sublime, the representation of life and death takes on a significance still unknown by the grand public. By entering the maze of the psychanalytic analysis, the surrealists created a pathway and emancipated themselves from previous artistic movements
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Jacobs, Benjamin Marc. "The (trans)formation of American Jews : Jewish social studies in progressive American Jewish schools 1910-1940 /." Ann Arbor, MI : University Microfilms, 2005. http://proquest.umi.com/dissertations/preview/3188751.
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Krome-Lukens, Anna L. Hall Jacquelyn Dowd. "A great blessing to defective humanity women and the eugenics movement in North Carolina, 1910-1940 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2340.
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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History." Discipline: History; Department/School: History.
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Delon, Francis. "La Grande Loge Nationale Indépendante et Régulière pour la France et les Colonies Françaises (1910-1940)." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30012.
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Créée le 5 novembre 1913, la Grande Loge Nationale Indépendante et Régulière (GLNIR) occupe une place particulière dans le paysage maçonnique français. En effet, à la différence du Grand Orient de France et de la Grande Loge de France fortement impliqués dans les problèmes de société, elle s’attache essentiellement à la formation morale de ses membres à partir d’une approche symbolique. L’accent sera plus particulièrement mis sur les points suivants : - la notion de « régularité maçonnique » définie par la Grande Loge Unie d’Angleterre. - les raisons de l’absence d’une Grande Loge « régulière » en France, malgré la création de deux Ateliers francophones à Londres. - l’évolution de la Loge anglophone « « Anglo-Saxon Lodge » n°343, créée en 1899 par des Maçons anglais et américains au sein de la Grande Loge de France, non reconnue également par Londres bien qu’elle exige de ses membres la croyance au « Grand Architecte de l’Univers ». - l’influence méconnue du courant maçonnique spiritualiste du lyonnais Jean Bricaud. - l’échec de Ribaucourt et de sa Loge « Le Centre des Amis » conduits à former cette nouvelle structure en raison de l’opposition du Grand Orient de France à la présence d’un rite chrétien, le Régime Écossais Rectifié. - la création de Loges militaires anglaises et le non ralliement escompté d’autres Ateliers du Grand Orient de France pendant la Première Guerre Mondiale. - la spécificité de la GLNIR (prépondérance britannique, problèmes de conscience des francs-maçons catholiques, évolution de ses 34 Ateliers et rôle pionnier de ses deux Loges de recherches). - les relations avec la Grande Loge Unie d’Angleterre et les autres Grandes Loges « régulières » et l’impact de la Déclaration de 1929 définissant strictement les principes de la « Régularité »<br>Founded on November 5th 1913, the Regular National Grand Lodge of France plays a specific role in French Freemasonry. Indeed, unlike the Grand Orient of France and the Grand Lodge of France which are strongly committed to social issues, it focuses on the moral formation of its members and has a a symbolical approach. The following points will be emphasized: - the notion of “Masonic Regularity” defined by the United Grand Lodge of England ; - the reasons for the absence of a “regular” Grand Lodge in France in spite of the foundation of two French speaking lodges in London ; - the evolution of the English speaking Lodge “Anglo-Saxon” n°343 founded in 1899 by several English and American Masons under the Jurisdiction of the Grand Lodge of France but not recognized by London although it required its members to believe in the Great Architect of the Universe ; - the underestimated influence of the spiritualist Masonic current of Jean Bricaud, the mason from Lyon; - the failure of Bro. De Ribaucourt and his Lodge “Centre des Amis” to form this new structure because of the opposition of the Grand Orient of France to the presence of a Christian Rite: the Rectified Scottish Rite ; - the setting of British Military Lodges and the failure to rally several other Lodges of the Grand Orient of France during World War I ; - the specificity of the Regular National Grand Lodge of France (British predominance, the moral qualms of catholic Freemasons and the pioneer role of its two Lodges of Research) ; - the relations with the United Grand Lodge of England and the other “Regular” Grand Lodges, and the impact of the Declaration of 1929 promulgating the Basic Principles for Grand Lodge Recognition
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Azevedo, Ana Lucia de Faria e. "Fora do quadro: discursos sobre educação e cinema (Argentina e Brasil- 1910/1940 e 1990/2010)." Universidade Federal de Minas Gerais, 2014. http://hdl.handle.net/1843/BUOS-9TDHRF.
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This theory carried out in the landmarks of the Latin-American Doctorate in Education, analyses the conceptions and possibilities related to the relations between cinema and education, contained in pedagogic speeches produced by Brazilian and Argentinian intellectuals at two moments of the century XX: from 1910 to 1940 and from 1990 to 2010.. The choice of time frame is due to the fact that, in these two periods, the settings of these discourses assume distinct and significant features. From the methodological point of view, we chose a research approach that especially considers the socio-historical nature of discourses, focusing on its elements and content, as well as their contexts of enunciation, rather than the linguistic aspects. It is about taking into account the importance of studying the discursive issues relating to the social conditions in which these texts were produced, since they constitute spaces of conflicts of interest and conceptions, expressing different positions involved in these clashes. In the conduct of research we decided to analyze firstly the discourse on education and cinema in Argentina and Brazil, through a literature review of previous studies, examining and contrasting the reality of one and another country. Following, we prepared a similar analysis for the period 1990-2010. Therefore, individual, semi-structured interviews were carried out, with six academic intellectuals who discuss the relation between cinema and education, complemented with lifting and documentary analysis. Of this corpus there were extracted some elements and categories which they pointed out in their respective pedagogic speeches. At the end of the work, we conclude that in the first period investigated, the education through cinema was considered a promising innovation in terms of educational resource, even under the condition of being subjected to intense surveillance and censorship, thought compatible with the ideals of modernization of society and education in particular. The cinema was appreciated in educational terms, largely because it is considered a technically effective teaching resource for the transmission of scientific knowledge considered neutral, patriotic values and civilizing customs that could be more easily memorized and incorporated in individuals, through images and through the images understood like loyal registers of the reality. In the second period we realize, on the whole, that a varied cinematography reaches the classrooms, in which the pedagogic activities with movies try to favor the existence of experiences most opened regarding the art and less limited to the codes of the school traditional practices. At this moment the movies appear in the speeches analyzed like instrument of formation of active, reflexive, critical subjects and transformers. Is still observed in these discourses of the second stage a major concern with the teacher, and applicant a thematic highlighted in the statements of 1990-2010, which strongly advocate the training of teachers as a key strategy for the realization of projects for film education training.<br>Nesta tese, realizada nos marcos do Doutorado Latino-Americano em Educação, são analisadas as concepções e possibilidades concernentes às relações entre cinema e educação, contidas em discursos educacionais produzidos por intelectuais brasileiros e argentinos em dois momentos do século XX: de 1910 a 1940 e de 1990 a 2010. O recorte espacial justifica-se por serem o Brasil e a Argentina países sul-americanos, nos quais, desde o início do século XX, ocorre uma mobilização de setores sociais pela integração do cinema às práticas pedagógicas nas escolas. Quanto à escolha do recorte temporal, deve-se ao fato de que, nesses dois períodos, as configurações desses discursos assumem características distintas e significativas. Metodologicamente, o, optamos por uma abordagem de investigação da natureza histórico-social dos discursos, focalizando conteúdos e contextos de enunciação. Primeiramente analisamos o discurso sobre educação e cinema nesses países, através de análise bibliográfica, enfatizando a realidade de um e outro país. Na sequência, elaboramos uma análise semelhante relativa ao período de 1990 a 2010. Para tanto, foram realizadas entrevistas individuais, semiestruturadas, com seis intelectuais da educação que discutem a relação cinema/educação, complementadas com levantamento e análise documental, extraindo elementos e categorias que salientaram em seus respectivos discursos educacionais. Concluímos que, no primeiro período investigado, a educação pelo cinema foi considerada uma novidade promissora em termos de recurso educacional, sendo que o cinema foi apreciado em termos educativos, em grande parte, por ser considerado um recurso didático tecnicamente eficaz para a transmissão de conhecimentos científicos considerados neutros, valores patrióticos e costumes civilizadores que poderiam ser mais facilmente memorizados e incorporados aos indivíduos.. Quanto ao segundo período (1990/2010) constatamos, de modo geral, a presença de recomendações a fim de incentivar a presença de uma cinematografia variada nas salas de aula e atividades pedagógicas com filmes que procurassem favorecer a vivência de experiências mais abertas em relação à arte e menos restritas aos códigos das práticas escolares tradicionais e uma grande preocupação com a formação docente, uma temática destacada e recorrente nos enunciados de 1990-2010, que defendem enfaticamente a formação de professores como uma estratégia fundamental para a efetivação dos projetos de educação cinematográfica.
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Abé, Kuniko. "L’architecture théâtrale et son décor en France 1910-1940 : du rêve antique à la modernité lumineuse." Paris 4, 2007. http://www.theses.fr/2007PA040151.
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L’architecture théâtrale française de 1910 à 1940 présente une évolution formelle importante : renonçant à l’esthétique éclectique, elle se régénère sur le plan idéologique, structurel et esthétique, grâce au mouvement de retour aux principes de l’Antiquité. Le théâtre devient un haut lieu d’expérimentation de l’organisation spatiale, de l’optique, de l’acoustique ou de l’éclairage. Le théâtre des Champs-Elysées, oeuvre d’avant-garde de 1913, s’impose comme un pur modèle en béton armé. Si le « classicisme structurel » d’Auguste Perret quête la « noble simplicité » intemporelle dans une parfaite adaptation de l’organe à sa fonction, la poétique de l’illusion de Charles Siclis établit un parcours initiatique, dans une architecture lumineuse, dynamique et émotionnelle. De la salle ronde hiérarchisée à la salle trapézoïdale du théâtre du palais de Chaillot en 1937, la plupart des « salles Art déco » sont richement décorées malgré un parti pris de dépouillement architectural. Formant une unité esthétique caractéristique de l’époque, ces théâtres demeurent un type de théâtre–palais où les protagonistes des arts décoratifs s’y rencontrent munis d’un langage néo-classique « vivant »<br>In France, theatrical architecture during the period 1910-1940 shows a significant formal evolution : against an eclectic aesthetic, this architecture regenerates itself by returning to the ideological, structural and aesthetic principles of Antiquity. Theatre design becomes an important place for experimentation in the domains of space organisation, optics, acoustics, and lighting. The Théâtre des Champs-Elysées, an avant-garde work of 1913, stands out as a pure model in reinforced concrete. If the « structural classicism » of Auguste Perret searches for the un-temporal « noble simplicity » in a perfect adaptation of the organ to its function, then the poetic illusion of Charles Siclis establishes an initiatory voyage through a spectacular luminous architecture. From the hierarchical circular auditorium to the fan-shaped auditorium adopted for the Théâtre du palais de Chaillot, the majority of these « Art déco theatres » are richly decorated despite the choice for asceticism. With an aesthetic similarity characteristic of the time, these theatres remain « palace theatres » where decorative arts and « living » neo-classicism meet
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Santos, Francieli Lunelli. "Arranjos fotográficos, arranjos familiares : representações sociais em retratos de família do Foto Bianchi (Ponta Grossa 1910 – 1940)." UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2009. http://tede2.uepg.br/jspui/handle/prefix/293.
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Previous issue date: 2009-07-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The picture of family groups, as well as other groups, is one way to spread Imaging speeches and emphasized social relations that were frozen at the moment there portrayed. The practice of families of using the photographer to get group pictures remained for much of the 20th century in the city of Ponta Grossa. It is understood that the families that put a pose for the photographer constructed an idealized image of the group for the picture. Performed thus a representation, a social production, which consolidated the way the family would be recognized. Thus, studying the social
representations of family portraits in the period 1915-1940, means building not only possible interpretations for the family, but to social groups in general, in that period. Based on the issues mentioned above, this dissertation aimed to reconstruct meanings and practices in social representations related to the act of photographing families, in Ponta Grossa, in the period cited. This work is divided into three chapters. The first deals with the theoretical concepts that give support to work. They are: family, social representations and social roles. In the second chapter sets up the city, the Bianchi´s family and the installation of their photo studio, where it gave rise to images of families. The final chapter is devoted to the analysis of iconography and iconology pictures, its constituent elements and symbols that pervade the representations of their characters.<br>A fotografia de grupos familiares, assim como de outros grupos, constitui-se em um meio imagético para se disseminar discursos e ressaltar relações sociais que ali ficaram
congeladas no instante retratado. A prática das famílias recorrerem ao fotógrafo para obterem retratos em grupos manteve-se durante boa parte do século XX na cidade de
Ponta Grossa. Entende-se que as famílias que se colocavam a posar para o fotógrafo construíam uma imagem idealizada do grupo para o retrato. Realizava, dessa forma, uma representação, uma encenação social, que consolidava a maneira como a família gostaria de ser reconhecida. Assim, estudar as representações sociais nos retratos de
família do período compreendido entre 1915-1940 significa construir interpretações possíveis não apenas para a família, mas para os grupos sociais de maneira geral, no referido período. Com base nas questões acima apontadas, a presente dissertação objetivou reconstruir significados e práticas nas representações sociais ligadas ao ato de fotografar famílias, em Ponta Grossa, no período citado. Este trabalho está dividido em três capítulos. No primeiro abordam-se os conceitos teóricos que dão sustentação ao trabalho. São eles: família, representações sociais e papéis sociais. No segundo capítulo apresenta-se a cidade, a família Bianchi e a instalação de seu estúdio fotográfico, onde se deu origem às imagens de famílias. O último capítulo destina-se à análise iconográfica e iconológica dos retratos, seus elementos constitutivos e símbolos que permeiam as representações dos seus personagens.
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Maziviero, Maria Carolina. "Privatismo e gestão pública na urbanização de Santos, continuidades e mudanças: décadas de 1910 , 1940 e 2000." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-14082013-104914/.
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Esta tese focaliza a relação entre o conceito de privatismo, ainda pouco usual no Brasil, e o processo de transformação da cidade de Santos, avaliando sua aplicabilidade à análise do planejamento urbano no país. Amplamente difundido nos Estados Unidos e em alguns países da Europa, o conceito designa uma lógica restrita e particularista associada à política urbana no sentido de justificar e promover o crescimento dos investimentos privados nas cidades. A centralidade deste conceito para a tese decorre da hipótese da recorrência desta lógica, socialmente perversa e economicamente privilegiante, na regulamentação e na aplicação de políticas urbanas municipais e estaduais na cidade de Santos, desde a virada do século XIX para o XX até o tempo presente. Assim, procurou-se verificar a suposição de que a política urbana santista permanece regida há mais de século por interesses de ordem particularista, culminando em processos de exclusão de alguns grupos economicamente fragilizados para fora do seu limite administrativo. Para isso, focalizamos três recortes, no espaço urbano e no tempo, considerados vetores de expansão dentro do desenvolvimento urbano da cidade ao longo de um século. Correspondem, assim, a três etapas do desenvolvimento de Santos em que percebo a aceleração das transformações urbanas, com alterações nas regulamentações de uso e ocupação do solo, a fim de atender as necessidades do capital privado. Pela comparação histórica proposta, o trabalho debate a atual estratégia do planejamento urbano da cidade porquanto parece, no início de um novo milênio, reproduzir vícios do passado ao novamente, através de ações coordenadas pelo Estado, reduzir o escopo da gestão urbana à mera garantia da reprodutibilidade do capital. Defende-se aqui a posição de que hoje esta lógica, embora apresente rupturas significativas àquelas do passado, tenha como resultado final a mesma exclusão de alguns grupos das melhorias promovidas na cidade legalizada, tal qual vem ocorrendo há um século.<br>The following research analyzes the relationship between the concept of privatism, still unusual in Brazil, and the process of transformation of Santos city by evaluating its applicability to the analysis of urban planning in the country. This concept, which that is widespread in the United States and in some European countries, it designates a limited and particularistic logic associated with urban policy in order to justify and promote the growth of private investment in cities. The centrality of this concept for this work stems from the possibility of the recurrence of this logic, socially perverse and and ensuring economic privilege to some groups, in the urban regulation of Santos, since the turn of the nineteenth to the twentieth century up to the present time. So, we tried to verify the assumption that Santos urban policy remains driven by particularistic interests, and it has culminated in processes of exclusion of economically vulnerable groups out of their administrative boundary. For that, I compared three cuts, both in urban space and in time, which we considered as vectors of expansion within the urban development of the city over a century. By this historical comparison, the research discusses the current strategy of the urban policy in Santos because it seems to reproduce the vices of the past to the extent that it assures the reproducibility of the capital and excludes some social groups of the improvements in the legalized city, through actions coordinated by the state.
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AZEVEDO, Felipe Moreira. "A Linguagem Arquitetônica Tradicionalista: estudo das residências neocoloniais no bairro de Nazaré, em Belém do Pará (1910-1940)." Universidade Federal do Pará, 2015. http://repositorio.ufpa.br/jspui/handle/2011/6697.
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Previous issue date: 2015<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>O estudo da arquitetura Neocolonial presente em Belém - PA consiste em analisar a história arquitetônica paraense, a partir daquela, compreendendo a intencionalidade nas suas formas e retórica que marcam um momento considerado importante para o Brasil. Buscar suas referências, os projetistas destas residências, assim como o período de suas construções, será uma das formas de conhecer mais sobre esta fase da arquitetura brasileira que, nesta cidade, ganhou número considerável de adeptos, legando a “busca pela liberdade” que a arquitetura moderna ansiava alcançar. Tem-se por objetivo identificar a diversidade estilística do Neocolonial na sua produção no bairro de Nazaré, em Belém, relacionando as transformações morfológicas ocorridas nestes prédios edificados inicialmente para “arquitetura residencial”, através das práticas dos métodos: etnográfico e estratigráfico, aos três objetos de estudo selecionados, bem como analisar a gramática compositiva e a morfologia nas residências Neocoloniais no bairro de Nazaré e as mudanças ocorridas e os grandes impactos, intervenções e perdas nos três prédios Neocoloniais escolhidos, assim como a sua relevância para o patrimônio arquitetônico paraense e brasileiro, a partir da discussão sobre a sua preservação.<br>The study of the Neocolonial architecture that is present in Belém – PA consists of analyze Pará’s architectural history, from that, understanding the intention on its shapes and rethoric which set an important moment for Brazil. Seak for its references as well as for designers of those type of residencial buildings and its periods of constructions, will lead to another way to achieve acknowledge about that architectural phase which, at this city, have gained considerable number of supporters, bequeathing the “quest for freedom” that modern architecture longed to accomplish. This analysis has, by purpose, identify Neocolonial’s stylistic diversity on its production in Nazaré neighborhood at Belém, relating morphological changes occurred in these buildings originally built for residential purposes, through ethnographic and stratigraphical methods practice on each one of three selectioned objects of study, just as well as analyze the compositional grammar and neocolonial buildings morphology in Nazaré neighborhood. Also, it aims to analyze occurred changes, huge impacts, interventions and losses present on the three chosen neocolonial buildings, as well as its relevance to the architectural heritage of Pará and Brazil, from the discussion about its preservation.
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Carvalho, Jóice Anne Alves. "O discurso sobre o “ser mulher” e seus outros na construção do Projeto de Brasil Eugênico 1910-1940." Universidade Federal de Santa Maria, 2015. http://repositorio.ufsm.br/handle/1/12316.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This dissertation was developed with the Research Line Fronteira, Política e Sociedade at the Graduate Program in History at the Federal University of Santa Maria. And it is linked to the research project "História Intelectual, Historicidade e Processos de Identificação Cultural" as well as to the CNPQ Research Group "História Intelectual nos Séculos XIX e XX: Filosofia, Cultura, Política". The work counted with the funding of CAPES - Social Demand. During the analysis, reflections were made about the eugenize process of Brazilian society, its scientific influences and its delimitations to build a national eugenic community, and in the process, the discourse about "being woman" and its peripherals constituent. During the problematizations was taken into consideration the fact that the constitution of "being ideal" did not interfere only in physical / biological patterns, but also in moral and social behavior patterns, determining thereby the boundaries of belonging to the national community imagined. In this sense, was addressed the construction project of eugenic nation and the individual's role in society, ie who composes and who should be out of Brazil's social structure in the "I nation" organism to eugenicists intellectuals of the first half of XX century. From the analysis of some theses and publications related to eugenics in the period, using the methodology proposed by the Intellectual History, it was realized that, eugenicists sought to control, especially the biological constitution of the individual through interference for reproduction. This reflected directly on marriages being avoided marriages between the "degenerates" as well as in educational programs, often guided by eugenic purposes. Thus, the eugenic guidelines were placed as preventive actions related to health and well-being of society. We can then assert that the definitions of "being" between woman / man / individual in the construction process of the Brazilian national identification are correlated so that identification processes complement each other.<br>Esta dissertação foi desenvolvida junto à Linha de Pesquisa Fronteira, Política e Sociedade do Programa de Pós-Graduação em História da Universidade Federal de Santa Maria. E encontra-se vinculada ao Projeto de Pesquisa ―História Intelectual, Historicidade e Processos de Identificação Cultural‖, bem como ao Grupo de Pesquisa CNPQ ―História Intelectual nos Séculos XIX e XX: Filosofia, Cultura, Política‖. A elaboração do trabalho contou com financiamento CAPES – Demanda Social. No decorrer da análise, foram realizadas reflexões acerca do processo de eugenização da sociedade brasileira, suas influências científicas e suas delimitações para a construção de uma comunidade eugênica nacional, e, neste processo, o discurso sobre o ―ser mulher‖ e seus constitutivos periféricos. No decorrer das problematizações foi levado em consideração o fato de que a constituição do ser ideal não interferia apenas em padrões físico/biológicos, mas também, em padrões morais e comportamentos sociais, determinando-se assim, as fronteiras de pertencimento à comunidade nacional imaginada. Neste sentido, foi abordado o projeto de construção da nação eugênica e o papel do indivíduo na coletividade, ou seja, quem compõe e quem deve estar fora da estrutura social do Brasil no organismo do ―eu nacional‖ para os intelectuais eugenistas da primeira metade do século XX. A partir da análise de algumas teses e publicações relacionadas à eugenia no período, por meio da metodologia proposta pela História Intelectual, percebeu-se que, os eugenistas visavam o controle, sobretudo da constituição biológica do indivíduo através da ingerência à reprodução. Isso refletia diretamente sobre os casamentos, sendo evitados os matrimônios entre os ―degenerados‖, assim como nos programas educacionais, muitas vezes pautados pelos propósitos eugênicos. Dessa forma, as diretrizes eugênicas eram colocadas como ações preventivas ligadas à saúde e ao bem-estar da sociedade. Pode-se então, afirmar que as definições de ―ser‖ entre mulher/homem/indivíduo no processo de construção da identificação da nação brasileira se correlacionam de modo que, os processos de identificação se complementam.
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Smith, Rupert James Buchanan. "The influence and effect of German expressionist drama on theatrical practice in Britain and the United States, 1910-1940." Thesis, Royal Holloway, University of London, 1987. http://repository.royalholloway.ac.uk/items/029505a4-509f-4f19-a34f-48048816d96b/1/.
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The thesis will consider the impact of German expressionist theatre in Britain and America in the period 1910 to 1940, concentrating on developments in writing, design, criticism and theatrical organisation. An introductory chapter will provide a resume of the major trends in European and American theatre in the period, leading to an examination of the detailed aspects of German Expressionism to be pursued in the following chapters. This will be followed by the two major sections of the thesis, dealing with the British and American theatrical scene respectively. The former will concentrate on the growth of the provincial theatre and its response to Expressionism, and on examples of the specialised interest in the style in some British theatres. The latter will concentrate on the genesis of the American literary theatre in groups such as the Washington Square Players, the Provincetown Players and the Theatre Guild, and will also concentrate on the extent to which an expressionist influence in stage design ran alongside the absorption of literary techniques. This will be followed by a consideration of the influence of Expressionism in the sphere of political theatre, through an examination mainly of the work of two groups, the American New Playwrights Theatre and the British Group Theatre. Generally the thesis will present an analysis of primary sources from the period, and will largely limit itself to a consideration of the effects of Expressionism within the stated countries and period, rather than extending to a consideration of developments after the Second World War or outside Britain and America.
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Victor, Silva Lucas. "O carnaval na cadência dos sentidos : uma história sobre as representações das folias do Recife entre 1910 e 1940." Universidade Federal de Pernambuco, 2009. https://repositorio.ufpe.br/handle/123456789/7592.
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Previous issue date: 2009<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>Ao analisar o período compreendido entre a realização do Primeiro Congresso Carnavalesco em 1910 e a publicação do Anuário do Carnaval Pernambucano pela Federação Carnavalesca do Recife em 1938, esta pesquisa abordou a emergência de uma nova representação do carnaval do Recife e suas manifestações. Nesta tese, optamos por realizar um inventário sobre as imagens da folia recifense em diversos registros documentais da época: a literatura (real-naturalista, modernista e regionalista e romance de trinta), a imprensa (Diário de Pernambuco, Jornal Pequeno, Jornal do Recife, A Província, Jornal do Commércio e Diário da Manhã), o folclore (Pereira da Costa), a sociologia (Gilberto Freyre), o discurso da Federação Carnavalesca e a música carnavalesca pernambucana. A consulta a este acervo documental permitiu que investigássemos a festa urbana enquanto instrumento das tentativas de instituição de uma nova governamentalidade e de uma nova representação da nacionalidade na ordem republicana e no regime pós-trinta. Neste trabalho, sejam entendidas como folk-lore no final do século XIX, ou como cultura popular a partir da década de 1920, as manifestações populares são tomadas como invenções de eruditos, sujeitos do dispositivo da nacionalidade. Nesta época, o estudo e o registro do carnaval implicaram na idealização de uma certa imagem do povo divulgada como o objetivo de procurar silenciar as reivindicações políticas e controlar a resistência dos grupos urbanos menos abastados do Brasil Republicano. A imagem carnavalizada do país serviu, portanto, a busca da naturalização das hierarquias sociais e da demonstração da coesão nacional e da unidade do repertório cultural do país e do Recife
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Gautreau, Marion. "Les photographies de la Révolution Mexicaine dans la presse illustrée de Mexico (1910-1940) : de la chronique à l’iconisation." Paris 4, 2007. https://hal-univ-tlse2.archives-ouvertes.fr/tel-01656902.
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La présente recherche se fonde sur le constat suivant : les photographies de la Révolution Mexicaine qui continuent à circuler abondamment aujourd’hui sont peu nombreuses et peu représentatives de la réalité et la complexité du conflit. L’objectif de ce travail est de comprendre comment s’est opérée la décantation du corpus originel de photographies de la Révolution Mexicaine à travers l’étude d’un des supports de diffusion de cette iconographie, la presse illustrée. À partir d’une analyse comparée des photographies de la guerre civile publiées pendant la Révolution (1910-1920) puis lors de la Post-Révolution (1921-1940), nous tentons d’expliquer la disparition progressive de certains types d’images et, parallèlement, la transformation de photographies très spécifiques en « images-icônes ». Nous mettons ainsi en lumière le rôle de la presse illustrée dans la consolidation de l’idéologie post-révolutionnaire, grâce à une iconographie ciblée et symbolique qui rend uniquement visible au public certains événements et personnages clefs de la Révolution<br>This study is based on the following observation : among the few photographies of the Mexican Revolution that still circulate abundantly nowadays, most are hardly representative of the events’ complexity. Our aim is to understand how the original corpus of photographies has been constantly reduced. In the present work, we analyze one of the main vectors of this iconography : the illustrated press. Comparing photographies of the Civil War published during the Revolution (1910-1920) with photographies of the Post-Revolution (1921-1940), this study shows how certains types of images disappeared while others became « imagesicons». Emphasizing selected key events and figures of the evolution, the illustrated press actually reinforced post-revolutionnary ideology through a well-targeted and symbolic iconography
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Heslault, Nicolas. "Le personnage du scientifique et la crise de l’identité masculine dans la littérature narrative de langue allemande (1910-1940)." Strasbourg, 2009. http://www.theses.fr/2009STRA1032.
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L’intérêt que revêt l’étude du personnage du scientifique dans la littérature de langue allemande au début du vingtième siècle est double : cette figure est, d’une part, le symbole du dialogue existant entre science et littérature et elle est, d’autre part, caractéristique de la crise identitaire que subit l’identité masculine durant cette période. Par conséquent, l’analyse des relations entre les identités sexuées et celle de leur rapport au savoir est révélatrice des enjeux de ce travail de recherche pluridisciplinaire. Mettant en scène des protagonistes physiciens, astronomes, mathématiciens ou médecins, le corpus de textes littéraires étudiés est composé de deux romans d’Ernst Weiß (1882-1940) : La Galère (1915) et Georg Letham, médecin et meurtrier (1931), d’une nouvelle d’Arthur Schnitzler (1862-1931) : La Nouvelle rêvée (1925), ainsi que de deux romans de Hermann Broch (1886-1951) : La Grandeur inconnue (1933) et Le Tentateur (1936). Les trois grands axes de ce travail, dont le fil conducteur est le thème de la crise, sont la représentation littéraire des identités sexuées et leur rapport au savoir, l’image donnée par les auteurs de la science et leur conception de la connaissance, et enfin le rôle joué par la littérature dans l’élaboration de nouveaux savoirs<br>At the beginning of the 20th century, German narrative literature is marked by the influence of natural science (particularly in medicine, physics, astronomy and psychoanalysis) on the one hand and by gender issues on the other, i. E. The relationship between sexes and the type of knowledge each one possesses. Therefore, the character of the scientist is a symbol of both: the dialogue between science and literature and the crisis that masculine identity goes through during this period. The corpus of narrative texts the dissertation analyzes consists of two novels by Ernst Weiß (1882-1940): The Galley (1915) and Georg Letham, Doctor and Murderer (1931), of one short story by Arthur Schnitzler (1862-1931): Dream Story (1925), and of two novels by Hermann Broch (1886-1951): The Unknown Quantity (1933) and The Spell (1936). The dissertation’s main issues are firstly the literary representation of sexual identities and the way they relate to the question of knowledge, secondly the authors’ representation of scientific knowledge and finally, the part played by these narrative texts in the development of what we come to understand as literary knowledge
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Ramsey, David Clifton. "The architecture of Leila Ross Wilburn : an investigation into the plan book process and ideology in Atlanta from 1910-1940." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23105.
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Johnson, Benjamin A. "Fundraising and Endowment Building at a Land Grant University During the Critical Period, 1910-1940: The Failure of Ohio State." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386057443.
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Fyskatoris, Anthoula. "O varejo de moda na cidade de São Paulo (1910-1940): a democratização da moda e a inserção do consumo de baixa renda." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/12954.
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Previous issue date: 2006-05-23<br>During the 1st half of the 20th century São Paulo consolidated itself as an urban
center in which an important textile industry grew and caused important social
transformations - not only in the retail market but algo in women manners and
fashion. Some characteristics of the fashion retail and the social clothing universe in
São Paulo during this period are the focus of this study. Through investigations it was
possible to realize how this subject is full of aspects that sometimes do not converge,
such as: fashion - more specifically retail fashion, trade features - including urban life,
the press, the perception of elegance, life style, comfort or poverty. Besides that, the
commercial establishments and retail dealers had an important status on the
transformation of São Paulo into a metropolis, modulating the consumption of the
growing population. These business men algo contributed to spread the irriage of a
modern city (even more than it truly was). At that time, in the capital of São Paulo, the
store window displays showed fashionable items desired by the elite. Somehow this
provoked a sensation of closeness or a great distance among poor consumers
regarding the foreign references from Paris, London and New York. Simultaneously,
the analysis of fashion retail granted the knowledge of socio- economic changes in
the city during the first decades of the last century, and further, it evidenced the lower
class consumer's habits in clothing commerce. Due to the lack of official documents,
this study is grounded on the dialogue among the press media, especially, the
advertisement released in the magazine A Cigarra and the newspapers O Diário de
São Paulo, Folha da Noite and Estado de S. Paulo. Other bibliographic references
are books, theses, publications and documents available on the Internet. Additional
documentation was also provided by Casas Pernambucanas. This abstraction aims
to comprehend the fashion democratization and the beginning of consumption in this
market throughout 1910 and 1940. The sources revealed that the fashion retail,
through demand and supply of products (from stores and outdoors) that reflected the
modernity - usually European, American or even similar - corroborated to widen the
esthetical and cultural values. The fashion retailers, using the publicity of their stores
and products as additional resource made possible to "sell" the images and foreigner
manners, recognized by the residents of São Paulo as a symbol of distinction and
social identification<br>Durante a primeira metade do século XX, São Paulo consolidou-se como centro
urbano no qual se expandiu uma significativa indústria têxtil provocando
transformações sociais relevantes não só para o varejo, como também para o
comportamento feminino e a moda. Algumas características do varejo de moda e do
universo social das vestimentas dos paulistanos neste período formam o eixo central
desta pesquisa. Ao longo das investigações realizadas, foi possível perceber o
quanto este campo temático é repleto de histórias que nem sempre são
convergentes: história da moda e, em particular, do varejo, mas, também, história do
comércio, da vida urbana, da imprensa escrita e das noções de elegância, bem
viver, conforto ou pobreza. Além disso, a função dos estabelecimentos comerciais e
de seus comerciantes ocupou um lugar importante na história da transformação de
São Paulo em metrópole e na modificação dos padrões de consumo da crescente
população paulistana, contribuindo, ainda, para que estes percebessem a cidade
como mais moderna do que em seus tempos passados (e até mais moderna do que
realmente era). Nesse momento, na capital paulista, as vitrinas exibiam os objetos
de desejos das elites, provocando, em certa medida, uma sensação de proximidade
ou de terrível distância entre os consumidores mais pobres e as referências vindas
de capitais estrangeiras como Paris, Londres e Nova York. Ao mesmo tempo, a
análise do varejo de moda possibilitou o conhecimento de algumas mutações
socioeconômicas da cidade de São Paulo nas primeiras décadas do século
passado, além de fornecer indícios sobre 0$ hábitos dos consumidores de baixa
renda no comércio de roupas. Diante da escassez de documentos oficiais
significativos, este estudo tem como fio condutor o diálogo entre a imprensa, em
especial, a publicidade veiculada pela revista A Cigarra e pelos jornais - O Diário de
São Paulo, Folha da Noite e Estado de S. Paulo - e as demais referências
bibliográficas - livros, teses, periódicos e documentos disponibilizados na Internet -
além da documentação fornecida pelas Casas Pernambucanas, objetivando a
compreensão da democratização da moda e a inserção do consumo de baixa renda
entre os anos 1910 e 1940. As fontes pesquisadas revelaram que o varejo de moda,
através da demanda e da oferta nas lojas (e fora das lojas) de produtos que
traduziam a modernidade - bens de origem européia ou americana, ou à
semelhança de -, corroborou para a propagação de valores estéticos e culturais, em
que os varejistas de moda, tendo como recurso adicional a publicidade de seus
estabelecimentos e produtos, colaboraram para a "venda" de imagens e
estrangeirismos, reconhecidos pela população paulistana como símbolos de
distinção e identificação social
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Salvador, Luján Nuria. "Las colonias obreras de las primeras décadas de HIDROLA, 1910-1940. Adoptando modelos utópicos del s.XIX; aportando soluciones de vivienda obrera del s.XX." Doctoral thesis, Editorial Universitat Politècnica de València, 2014. http://hdl.handle.net/10251/39345.
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El trabajo que a continuación se expone tiene el interés de ser la única investigación que recoge la aportación a la vivienda obrera española realizada en las colonias industriales impulsadas durante las primeras décadas de vida de la empresa Hidrola (Hidroeléctrica Española o HE) concretamente en la etapa comprendida entre los años 1910 y 1940, abordando el estudio de las tres unidades situadas a lo largo del Sistema Hidrográfico del río Júcar, en la Comunidad Autónoma de Castilla-la Mancha: El Molinar (1910, Villa de Ves), Lucas Urquijo (1914, Enguidanos) y El Tranco del Lobo (1925, Casas de Ves), proyectos de los ingenieros en plantilla de la empresa, principalmente Manuel Cominges y Oscar Laucirica.
De entre las soluciones aportadas en estos modestos y autosuficientes asentamientos destaca la ordenación espacial, así como el proyecto de algunos tipos edificatorios, teniendo un especial interés, por sus rasgos de modernidad, la construcción de vivienda colectiva para obreros en la colonia Lucas Urquijo: un bloque lineal exento de viviendas con acceso por escaleras y corredores exteriores de la primera mitad de la década de los años treinta.
Se ha realizado un análisis comparativo con otros ejemplos europeos, considerados paradigmáticos y que gozan de reconocimiento internacional, con el fin de reconocer el valor -no sólo arquitectónico, sino también histórico, social y cultural- de las actualmente olvidadas colonias objeto de esta investigación, constituyendo un primer paso hacia su merecida conservación.<br>Salvador Luján, N. (2014). Las colonias obreras de las primeras décadas de HIDROLA, 1910-1940. Adoptando modelos utópicos del s.XIX; aportando soluciones de vivienda obrera del s.XX [Tesis doctoral]. Editorial Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/39345<br>Alfresco
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Silva, Caio Pedrosa da 1984. "Soldados de Cristo Rey : representações da Cristera entre a historiografia e a literatura (Mexico, 1930-2000)." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278666.
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Previous issue date: 2009<br>Resumo: "Cristera" é como ficou conhecida a guerra em que camponeses e organizações católicas lutaram contra as posições anticlericais do Estado mexicano, contestando assim o regime revolucionário instituído. Essa guerra (1926-1929), que só foi considerada um tema importante para os estudos historiográficos a partir da década de 1960, foi antes representada na literatura, especialmente novelas nas quais não era apenas um pano de fundo para a trama, mas o próprio motivo da escrita. Dessa maneira, alguns textos literários foram produzidos com o intuito de justificar a guerra, do ponto de vista de revolucionários ou de católicos. No presente trabalho pretende-se investigar as maneiras como se entrelaçam as representações literárias da Cristera e aquelas realizadas pelos historiadores, tendo em vista como os pesquisadores utilizaram o material literário como fonte histórica, quais desafios e temáticas a respeito da Cristera essa literatura lança para os estudos históricos, e as diferenças com que literatura e historiografia trataram o mesmo tema histórico. Para tanto, utilizaremos como material de análise textos historiográficos e de crítica literária que trataram das novelas cristeras, assim como a novela Héctor de Jorge Gram, que tem como um dos motivos principais da sua escrita justificar a participação dos católicos na guerra.<br>Abstract: "Cristera" is the name by which it became known the war in which peasants and Catholic organizations fought against the anticlerical statements of the Mexican State, thus challenging the established revolutionary regime. This war (1926-1929), which was considered an important issue for historiographic studies only in the 1960s, was before that represented in literature, especially in novels in which it was not merely a backdrop to the plot, but the very reason for writing. Thus, some literary texts were produced in order to justify the war, from the point of view of revolutionaries or of Catholics. This work aims to investigate the ways by which the literary representations of the Cristera and those made by historians intertwine, paying particular attention to how the researchers used the literary material as historical source, to which challenges and issues concerning the Cristero this literature casts for historical studies, and to the differences with which literature and historiography treated the same historical theme. Therefore, we will employ, as material for analysis, texts of historiography and literary criticism which deal with Cristero novels, as well as the novel Héctor, by Jorge Gram, which counts, as one of the main reasons to its the writing, justifying the participation of Catholics in the war<br>Mestrado<br>Historia Cultural<br>Mestre em História
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Kiddle, Amelia Marie. "La Politica del Buen Amigo: Mexican-Latin American Relations during the Presidency of Lazaro Cardenas, 1934-1940." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/193655.
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Lazaro Cardenas (1934-1940) did more than any other president to fulfill the goals of the Mexican Revolution of 1910, by nationalizing the oil industry, establishing rural schools, distributing an unprecedented amount of land to peasants, and encouraging the organization of workers. To gain international support for this domestic reform programme, the Cardenas government promoted these accomplishments to other Latin American nations. I argue that Cardenas attempted to attain a leadership position in inter-American relations by virtue of his pursuit of social and economic justice in domestic and foreign policy. I investigate the Cardenas government's projection of a Revolutionary image of Mexico and evaluate its reception in Latin America. In doing so, this dissertation expands the analysis of foreign policy to show that Mexico's relations with its Latin American neighbours were instrumental in shaping its foreign relations. I argue that the intersections between culture and diplomacy were central to this process.
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Sicard, Hélène. "Réflexions et regards sur la douleur à travers Tolstoï et Le Clézio." Bordeaux 2, 1997. http://www.theses.fr/1997BOR2M134.
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Lillo, Poblete Valentina. "La versatilidad de la sombra como recurso visual : un estudio del uso de la sombra en el género cinematográfico de terror entre 1910 y 1940." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143554.
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Hatch, John George. "Nature's laws and the changing image of reality in art and physics : a study of the impact of modern physics on the visual arts, 1910-1940." Thesis, University of Essex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261131.
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Ramos, Horacio. "Ramón Joffré, Gabriel. El neoperuano. Arqueología, estilo nacional y paisaje urbano en Lima, 1910-1940. Lima: Municipalidad Metropolitana de Lima y Sequilao Editores, 2014, 119 pp., ilustr." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/122207.
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Mann, Georgia A. "John Buchan (1875-1940) and the First World War: A Scot's Career in Imperial Britain." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2274/.
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This dissertation examines the political career of Scottish-born John Buchan (1875-1940) who, through the avenue of the British Empire, formed political alliances that enabled him to enter into the power circles of the British government. Buchan's involvement in governmental service is illustrative of the political and financial advantages Scots sought in Imperial service. Sources include Buchan's published works, collections of correspondence, personal papers, and diaries in the holdings of the National Library of Scotland, Edinburgh. Letters and other documents pertaining to Buchan's life and career are also available in the Beaverbrook papers, Lloyd George papers, and Strachey papers at the House of Lords Record Office, London, and in the Liddle Hart Collection at King's College, London. Documents concerning Buchan's association with the War Cabinet, the Foreign Office, and the Department of Information are among those preserved at the Public Record Office, London. References to Buchan's association with the British Expeditionary Force in France are included in the holdings of the Intelligence Corps Museum, Ashford, Kent. The study is arranged chronologically, and discusses Buchan's Scottish heritage, his education, his assignment on Lord Alfred Milner's staff in South Africa, and his appointment as Director of the Department of Information during World War I. The study devotes particular attention to Buchan's leadership of the Department of Information, a propaganda arm of the British government during the First World War. Buchan consolidated independent branches of propaganda production and distribution, and coordinated the integration of information provided by the British Foreign Office, War Office, and the Department of Information's Intelligence Bureau to forward Britain's propaganda effort. The study also considers his literary contributions, his Parliamentary service, and, when raised to the peerage as Lord Tweedsmuir of Elsfield, his royal commission as Governor-General of Canada. This dissertation concludes that, while pursuing an imperial career, John Buchan established a relationship with a powerful clique that enabled him to become part of the machinery of state.
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Joubert, Marie-Agnès. "La Comédie-Française sous l'occupation (1940-1944)." Paris 10, 1995. http://www.theses.fr/1995PA100169.
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Septembre 1940 : la Comédie-Française rouvre ses portes dans paris occupé. Administrateur par intérim après la retraite forcée d'Edouard Bourdet, Jacques Copeau assume la délicate tâche de maintenir intact en cette période particulièrement troublée le prestige de la première scène nationale. Mais les divisions de plus en plus aiguës au sein de la troupe, et la suspicion dont il fait l'objet de la part des autorités allemandes, précipitent son départ en décembre 1940. Choisi par les sociétaires eux-mêmes, son successeur, Jean-Louis Vaudoyer, affiche tout de suite des projets très ambitieux. Apres avoir obtenu la promesse d'un relèvement spectaculaire du montant de la subvention, il propose une réforme du comité d'administration, de l'assemblée générale et de la régie de la mise en scène, procède a une refonte de la troupe et contribue à la création de "la reine morte" et du "soulier de satin". L'état français apporte un soutien matériel et financier presque inconditionnel à la Comédie-Française, qui satisfait à un double désir : contrôler la gestion administrative et encourager une vie artistique brillante. Le théâtre vit également sous un autre regard : celui de l'occupant allemand, qui exerce une surveillance sans relâche sur l'administration et les pièces représentées. Malgré toutes ces contraintes, la Francais progresse dans le sens de la rénovation<br>September 1940: the Comedie-Française reopens in an occupied Paris. Jacques Copeau, acting administrator after the forced retirement of Edouard Bourdet, takes on, in particularly agitated times, the delicate task of maintaining as intact as before the prestige of the first national scene. Nevertheless, subject to growing divisions in the company as well as a suspicion from German authorities, he is urged to leave in December 1940. His successor, Jean-Louis Vaudoyer, is designated directly by the members of the society and sets forth highly ambitious projects. After obtaining the promise for a spectacular subsidy increase, he proposes a reform of the board of directors, the general assembly and the stage management. He also reorganizes the troupe and contributes to the creation of “la reine morte” and “le soulier de satin”. The French government provides the Comedie-Française with a material and financial support, almost unconditionally and with a twofold objective: controlling the administrative management and favoring an outstanding artistic life. The theater is also controlled by the German occupier who keeps a permanent eye on the administration and on performed plays. Despite all these restraints, the Comedie-Française progresses in the way of renovation
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OLIVEIRA, Gerciane Maria da Costa. "Chico da Silva: estudo sociológico sobre a manifestação de um talento artístico." http://www.tede.ufc.br, 2010. http://www.repositorio.ufc.br/handle/riufc/1205.
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OLIVEIRA, Gerciane Maria da Costa. Chico da Silva: estudo sociológico sobre a manifestação de um talento artístico. 2010. 126f. Dissertaçao (Mestrado em Sociologia) - Universidade Federal do Ceara, Departamento de Ciências Sociais, Programa de Pós-Graduação em Sociologia, Fortaleza-CE, 2010.<br>Submitted by GLAUBENILSON CAVALCANTE (glaubenilson@yahoo.com.br) on 2011-11-21T18:27:43Z
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Previous issue date: 2010<br>O presente trabalho tem como intuito principal compreender, sob a perspectiva sociológica, a manifestação do pintor naif Chico da Silva no contexto artístico cearense dos anos 40. Nascido no Alto do Tejo, cidade do Acre, Francisco Domingos da Silva, filho de pai indígena e mãe cearense chega a Fortaleza em meados dos anos 30. Tendo seus trabalhos muralistas “descobertos” pelo crítico e pintor suíço Pierre Chabloz, em 1943, Chico passa a produzir telas, sob a interferência e orientação do estrangeiro, que levadas aos circuitos locais, nacionais e internacionais despertam grande interesse e admiração dos pares, da crítica e do público. Contudo, tal aceitação local não se deve, exclusivamente, aos valores e propriedades intrínsecas à suas obras, mas ao espaço dos possíveis objetivamente inscrito, que se delineia no modernismo tardio e no processo de autonomização do campo artístico cearense dos anos 40. A ruptura com os padrões artísticos europeus advindos principalmente da França e as afinidades formais e de idéias que se tecem nessa configuração entre arte “moderna” e arte “primitiva” viabilizam a paradoxal inscrição dos trabalhos independentes de Chico da Silva no campo artístico cearense, que no seu estado de autonomização não oferece lugar aqueles que renegam e desconhecem sua história.
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Calderòn, Tatiana Tamara. "Le principe de l'iceberg : écriture et allusion (Francisco Coloane, Ernest Hemingway, Jean-Marie Gustave Le Clézio)." Paris 13, 2007. http://www.theses.fr/2007PA131021.
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Emprunt partiel et indirect, figure de l’implicite, l’allusion témoigne d’un texte en coprésence et instaure un jeu énigmatique avec le lecteur. Montagne de glace errante, matière compacte et image-concept, l’iceberg peut être envisagé comme un véritable principe d’écriture théorisé par Ernest Hemingway (1899-1961) (the iceberg theory), progressivement mis en œuvre par Jean-Marie Gustave Le Clézio (1940) et employé par Francisco Coloane (1910-2002). L’écriture régie par le principe de l’iceberg est marquée par la présence d’allusions potentielles que le lecteur doit détecter pour dénouer la tension du récit. L’allusion est un procédé de compensation qui permet de conjuguer une écriture plurivoque et ouverte aux lectures de l’interprétant, et un idéal d’écriture tendant vers la plus grande simplicité. Elle répond également à la volonté de réunir une écriture incantatoire qui se veut atemporelle, et un texte source dont l’écriture est historiquement datée. Notre démarche intègre deux approches parallèles : l’analyse de l’œuvre des trois auteurs pour mettre en lumière certaines fonctions de l’allusion dans la littérature, d’une part ; d’autre part, le dévoilement, par le biais de l’analyse des allusions, du message poétique des textes étudiés. Dans un premier temps, nous abordons l’allusion dans son environnement théorique contemporain et nous établissons une typologie de ses modalités d’apparition et de ses fonctions dans le corpus. Puis, nous nous intéressons à la fonction poétique des allusions<br>Allusion is an indirect and partial borrowing, an implicit figure which plays an enigmatic game with the reader. Wandering ice mountain, compact mass, and image-concept, the iceberg may be considered as a genuine writing principle theorized by Ernest Hemingway (1899-1961) (the iceberg theory), gradually carried out by Jean-Marie Gustave Le Clézio (1940) and used by Francisco Coloane (1910-2002). This writing principle contains potentials allusions that the reader must detect in order to unravel the narration strain. Allusion is a compensation device combining a polysemic writing open to multiples readings, and an extremely sober writing. Allusion allows as well the binding of an incantatory and timeless writing to a source text historically determined. Our method mingle two parallels approaches : analysis of the three authors’ work so as to underline some allusion’s functions in literature, and the unveiling of the poetic message through the allusion analysis. First, we delineate the theoritical background of allusion and we elaborate a typology of its appearance modalities. Then, we concentrate on the poetic function of the allusions in the corpus
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Silva, Caio Pedrosa da 1984. "Mártires de Cristo Rey : revolução e religião no México (1927-1960)." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281166.
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Orientador: José Alves de Freitas Neto<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-27T07:58:10Z (GMT). No. of bitstreams: 1
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Previous issue date: 2015<br>Resumo: Entre as décadas de 1910-1940, diversos sacerdotes católicos foram fuzilados por tropas revolucionárias mexicanas. Alguns desses personagens foram constantemente lembrados nas décadas posteriores como mártires da "perseguição religiosa". O mais conhecido dos mártires foi o sacerdote jesuíta Miguel Agustín Pro (padre Pro), que terminou fuzilado em 1927 na capital mexicana. A história do padre Pro foi escrita em diferentes contextos como forma de afirmar o lugar do catolicismo na nação mexicana, porém esse lugar não era, de forma alguma, ponto pacífico entre aqueles que se definiam como católicos. O presente trabalho analisa a história dos textos sobre os mártires católicos ¿ em especial o padre Pro ¿ pensando na maneira como eles forneciam uma visão católica para o período revolucionário que contrastava com as construções narrativas que enalteciam a revolução. A elaboração de uma narrativa da Igreja como mártir para o período revolucionário mexicano, realizada entre 1927 e 1960, serviu como antídoto para as narrativas pátrias produzidas por liberais e revolucionários que marginalizavam a importância da Igreja católica na formação nacional, ou mesmo apresentavam-se como abertamente anticlericais<br>Abstract: Between the decades of 1910-1940, a number of Catholic priests were executed by Mexican revolutionary troops. Quite often, these characters were reminded in the following decades as martyrs of the "religious persecution". The best known of this martyrs was the Jesuit priest Miguel Agustín Pro (padre Pro), killed in front of a firing squad in Mexico City in 1927. Catholics wrote the history/story of padre Pro in different contexts as a way of defining the place of Catholicism in the formation of Mexico as a country. However, this place was not taken for granted among those who defined themselves as Catholics. This dissertation examines the history of the texts about the Catholic martyrs - especially padre Pro - aiming to discuss how they provided a Catholic vision for the revolutionary period that contrasted to the narrative built to praise the revolution. The development, between 1927 and 1960, of a narrative of the Church as a martyr in the Mexican revolutionary period served as an antidote to the narrative produced by liberal and revolutionary authors that marginalized the importance of the Catholic Church in the national formation, or that even presented themselves as openly anti-clerical<br>Doutorado<br>Politica, Memoria e Cidade<br>Doutor em História
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Kersaudy, François. "La Grande-Bretagne et la Norvège de 1920 à 1945 : diplomatie et stratégie." Paris 1, 1986. http://www.theses.fr/1986PA010526.
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