Academic literature on the topic '1909-1942 Criticism and interpretation'
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Journal articles on the topic "1909-1942 Criticism and interpretation"
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Mikhailova, Maria, and Sofya Kudritskaya. "Mire’s Interpretation of the Tragic and Paradoxical World of Oscar Wilde." Literatūra 63, no. 2 (November 22, 2021): 70–87. http://dx.doi.org/10.15388/litera.2021.63.2.5.
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This article analyzes the reception of the figure of O. Wilde, the 19th-century English writer, and his works in the prose and criticism of Alexandra Mikhailovna Moiseeva (1874-1913), who entered the history of Russian literature of the Silver Age by the name of “Mire”. The study focuses mainly on her story Black Panther (1909), in which the author provides an original perspective on the tragic love episode in Wilde’s life. Attention is also paid to the thematic similarities between the works of Wilde and Mire in terms of genre, plot and literary image, as well as Mire’s interpretation of Wilde’s works in her critical reviews.
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Lestari, Fathia. "Perilaku Sehat Masyarakat Priangan Tahun 1911-1942." Historia Madania: Jurnal Ilmu Sejarah 4, no. 2 (September 17, 2020): 233–46. http://dx.doi.org/10.15575/hm.v4i2.9500.
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This study aims at describing the healthy lifestyle of residents in Priangan . Healthy lifestyle is one of the behavior aspects involving the activity of mother - children, pattern of maintaining the body health, pattern of healthy food and sanitation. This paper used the mass media as main sources to see healthy behavior in Priangan. Mass media used is to give illustration of the mindset of healthy in society. The research conducted uses a historical method which has four parts, namely heuristic, criticism, interpretation and historiography.Based the sources, there are several things to sum up as follows :Firstly, from the 1911 until 1942 there had been a change in health behavior within the community in Priangan; Secondly, the changes are due the contact with culture, religion, and social structure; Thirdly, the change in health behavior constitutes the impact of cultural socialization from local genius and European Culture; Fourthly, Mass media has played a vital role for communicating the healthy culture in society.
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Iryana, Wahyu. "PROTES SOSIAL PETANI INDRAMAYU MASA PENDUDUKAN JEPANG (1942-1945)." Patanjala : Jurnal Penelitian Sejarah dan Budaya 8, no. 3 (May 5, 2017): 285. http://dx.doi.org/10.30959/patanjala.v8i3.10.
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The background of the emergence of social protest of peasants in Indramayu during the Japanese occupation in 1944, originated from Syuuchokan mandate that imposes of obligations on the transfer of paddy 1 April 2603 until March 31, 2604. According to data contained in the newspaper Tjahaja, Rebo 12 Itigatu 2604, 11 Tahoen III, farmers are required to submit to the Japanese rice every harvest season. This study aims to determine public reaction to the policy of handing over rice Indramayu during the Japanese occupation. The theory that i use is the theory Mariasusai Dhavamony. The method used is the method of historical research that is heuristic, criticism, interpretation, historiography. The findings from this study that Indramayu farmers protested against the transfer of liability on the part of Japan, as they have confidence that rice is something sacred, rice is also extremely valuable for sustainable livelihood.
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Manurung, Cici Christina. "Peran Zending dalam Pelayanan Kesehatan di Tarutung, 1900-1942." MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial 6, no. 2 (August 26, 2022): 295–304. http://dx.doi.org/10.30743/mkd.v6i2.5597.
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This article aims to explain how the history of the development of health facilities in Tarutung in the 20th century. Tarutung in the past was used as the center of the Christianization movement by zendings from various countries. One of the zending organizations that plays a big role in health services in Tarutung is a German zending organization called Rheinische Missionsgesellscaft (RMG). This article uses a historical research method with four stages in its writing, namely: heuristics (collection of sources), verification (source criticism), interpretation, and historiography (writing). The results showed that zending plays a big role in improving the health and hygiene of the Batak people in Tarutung. The zendings also introduced modern methods of medicine that replaced traditional medicine by the Batak datu. In addition, zending also played a role in establishing various health facilities in Tarutung such as: hospitals, auxiliary hospitals, polyclinics, and nursing and midwifery schools.
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Saputra, Irwansya, Patahuddin Patahuddin, and Bahri Bahri. "Politik Etis Kerajaan Soppeng 1905-1942." Jurnal Pattingalloang 7, no. 1 (April 1, 2020): 68. http://dx.doi.org/10.26858/pattingalloang.v7i1.12513.
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Penelitian ini membahas mengenai latar belakang penerapan politik etis di Kerajaan Soppeng, bentuk penerapan dan dampak dari politik etis di Kerajaan Soppeng. Penelitian ini menggunakan metode penelitian sejarah yang terdiri dari empat tahapan, yaitu heuristik (mencari dan mengumpulkan sumber), kritik sumber (kritik intern dan ektern), interpretasi (penafsiran sumber) dan historiografi (penulisan sejarah). Metode pengumpulan data dilakukan dengan cara melakukan penelitian lapangan terdiri dari wawancara dan mengumpulkan sumber arsip serta literatur-literatur yang berhubungan. Berdasarkan hasil pelitian ini menunjukkan bahwa masuknya pengaruh Hindia Belanda di Kerajaan Soppeng pertama kali Pada tanggal 25 September 1905 dan menenpatkan diri sebagai penguasa di Kerajaan Soppeng. Semenjak berkuasa, Belanda Menerapkan kebijakan politik etis, dimana kebijakan ini meliputi pembangunan 14 sekolah dan dibangunya 12 irigasi di Wilayah Kerajaan Soppeng. Wilayah ini menjadi perhatian pihak Belanda karena kondisi masyarakat yang terbelakang dalam bidang pengetahuan dan potensi pertanahan dan pertanian yang subur di wilayah ini patut untuk dikembangkan. Dari hasil penelitian ini, dapat disimpulkan bahwa masuknya Belanda di Kerajaan Soppeng telah memeberikan dampak positif bagi kaum pribumi, hal ini dikarenakan masuknya Belanda telah mengajarkan konsep pendidikan formal serta tata cara mengelola pertanian dengan moderen seperti, membangun irigasi di Kerjaan Soppeng pada saat itu. Adapun dampak negatif ialah banyaknya kebiasaan lokal yang berubah. Kata Kunci : Politik, Etis, Kerajaan, dan Soppeng Abstract This research is discuss about the background of the application of Ethical Politics in the Kingdom of Soppeng, the terms of application and the impact of ethical politics in the Soppeng Kingdom. This research is using historical research method which consists of four stages, which is heuristics (searching and gathering sources), source criticism (internal and external criticism), interpretation (source interpretation) and historiography (history writing). The method of data collection is done by conducting field research consisting of interviews and collecting archives and related literatures. Based on the results of this research shows that the entry of the influence of the Dutch East Indies in the Kingdom of Soppeng was the first time on September 25th, 1905 and established itself as a ruler in the Kingdom of Soppeng. Since coming to power, the Netherlands has implemented an ethical political policy, which includes the construction of 14 schools and the construction of 12 irrigation systems in the Soppeng Kingdom Area. This region is concern to the Dutch because the backward condition of the community in the field of knowledge and the potential for fertile land and agriculture in this region deserves to be developed.From the results of this study, it can be concluded that the entry of the Netherlands in the Kingdom of Soppeng had a positive impact on the natives, this is because the Dutch entry had taught the concept of formal education and procedures for managing agriculture in a modern way, such as building irrigation in the Soppeng Work at that time. The negative impact is that many local habits have changed. Keyword : politics, Ethical, Kingdom, and Soppeng
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Aderoben, Andromeda, Ira Septiansi, and Syarifuddin Syarifuddin. "Ekonomi Perang Jepang di Palembang, 1942-1945." Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan 6, no. 1 (June 25, 2022): 13–28. http://dx.doi.org/10.29408/fhs.v6i1.4160.
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The essence in this writing is the treasury in the preservation of Palembang's local history that is minimal in the literature of the Japanese occupation. Studies in the field of the local economy in Palembang during the Japanese occupation are still few, for the existence of this writing can be a part of the wealth of local history. The main point of this research is the economy as a supporter of Japan's military war, not focusing on the economy of local communities. This paper uses historical research methods, namely heuristics, source criticism, interpretation, and historiography. Palembang's rich mineral resource potential became a supporter of the Great East Asian War by Japan in 1942-1945. This paper presents images and tables as simplifications in reconstruction results.Intisari dari penulisan ini adalah khazanah pelestarian sejarah lokal Palembang yang minim dalam literatur pendudukan Jepang. Kajian di bidang ekonomi lokal di Palembang pada masa pendudukan Jepang masih sedikit, agar keberadaan tulisan ini dapat menjadi bagian dari kekayaan sejarah lokal. Pokok dari penelitian ini adalah ekonomi sebagai pendukung perang militer Jepang, tidak terfokus pada ekonomi masyarakat lokal. Tulisan ini menggunakan metode penelitian sejarah, yaitu heuristik, kritik sumber, interpretasi, dan historiografi. Potensi sumber daya mineral Palembang yang kaya menjadi pendukung Perang Asia Timur Raya oleh Jepang pada tahun 1942-1945. Makalah ini menyajikan gambar dan tabel sebagai penyederhanaan dalam hasil rekonstruksi.
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Zubir, Zusneli. "SEJARAH PERKEBUNAN DAN DAMPAKNYA BAGI PERKEMBANGAN MASYARAKAT DI ONDERAFDEELING BANJOEASIN EN KOEBOESTREKKEN, KERESIDENAN PALEMBANG, 1900-1942." JURNAL PENELITIAN SEJARAH DAN BUDAYA 1, no. 1 (July 23, 2019): 79–101. http://dx.doi.org/10.36424/jpsb.v1i1.109.
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The purposeandobject ofthis paperisarelevancebetween the existence oflarge estates, Onderneming Europeandits impact on societyin Onderafdeeling Banjoeasinen Koeboestrekenthe colonial periodin1900-1942. The method usedin this studyis the historical method to reconstruct the history of the plantationand the implications forthe development of society in Onderafdeeling Banjoeasinen Koeboestrekken. Data collection techniques use drefersto the first stage in the history ofthe process of heuristic methods, finding and collecting historical sources. Data analysis techniques with regard to the second stage, third and fourth in the history covering methods of source criticism, and historiography interpretation. Based on the research results and conclusions, the opening rubber plantations in the colonial period Onder afdeeling Banjoeasinen Koeboe strekken highly correlated with the natural conditions of this area and also the political changeskonial, open the door. There are two big companies that invest heavily large plantations of rubber namely, first, Rubber Ondernemingen Melaniain 1909 the plantingand effort trubber massively from the east end of Marga Pangkalan Balai to the west endMarga Gasing and centered in Musi Landas. Secondly, plantation Oud Wassenaar, N.V. Oliepalmenen rubber Mijnsprawling in the gutter are as ranging northern Batang Hari Leko, Marga Rantau Bayur, toits northern Marga Suak Tape, Marga Betung and Tebenan area. The relevance of the opening of a large estate with acommunity in Onder afdeeling Banjoeasinen Koeboe strekkenseenin some ways. First, the change in the position of the local elite, the Pasirah, Kerio, others Marga council officials. Secondly, helped create the “repair” the public infrastructure facilities and infrastructures there. Third, encourage the development ofeconomic activity and providea tremendous impact in the dusun-dusun marga’s. Fourth, many builders connecting road for the purposes of transportation of rubber has abroad and profound impacton the pattern of a traditional society, not only for the Malays Banjoeasin, but also to aspects of the life of the Kubu’s Banjoeasin. They began the gradual assimilation are creating Kubu’s Banjoeasin with Malay Banjoeasin due to changes in the orientation of his thinking because it began opening their areas of influence of the outside world.
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Rambe, Sabda Firmansyah, Laila Rohani, and Abdul Karim Batubara. "Sejarah Kesultanan Bilah pada Masa Kolonial Belanda, 1865-1942." Warisan: Journal of History and Cultural Heritage 3, no. 1 (July 15, 2022): 25–32. http://dx.doi.org/10.34007/warisan.v3i1.1215.
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This article discusses the history and development of the Bilah Sultanate which is currently located in Labuhanbatu Regency. This sultanate is one of the influential sultanates in the East Sumatra region, especially Labuhanbatu. This sultanate became the conquered territory of the Siak Indrapura Sultanate which was supported by the Dutch. This article uses a historical research method with four steps, namely: heuristics, criticism, interpretation, and historiography. The author's data collection was done by directly visiting the locations of the former areas of the Bilah Sultanate, interviews with traditional leaders and descendants, as well as written data from archives, books, journals and so on. The results showed that the Sultanate of Bilah had a period of prosperity as a result of its cooperation with the Dutch Colonial. Plantation investments made by European businessmen in the Labuhanbatu region and its surroundings were the reason this sultanate became so prosperous. However, because of its proximity, the Sultanate of Bilah also became a victim of the ferocity of the anti-feudalism (social revolution) movement in 1946 which targeted the Malay aristocrats in East Sumatra. The tragedy marked the end of the existence of the Blade Sultanate in the Labuhanbatu region.
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Handayani, Sri Ana. "Geliat Ekonomi Masyarakat Priangan Era Pemerintahan Hindia Belanda 1900—1942." Lembaran Sejarah 13, no. 2 (February 27, 2018): 221. http://dx.doi.org/10.22146/lembaran-sejarah.33544.
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The aim of this research is to show the economic activity of the Priangan people during the rule of the Netherlands Indies Government between 1900-1940. The research focusses on the economic policies and discussions from the Netherlands Indies Government in reforming “native” economic life and its response by Priangan society. This study uses the historical method with four research stages, namely heuristic, criticism, interpretation, and historiography. The result of this research shows that state intervention in the local economic life was a failure, evidenced by the number of Priangan people in poverty. In the early twentieth century, sikep (landlord) became major reformers due to a new perspective that valued capital more than land . They succeeded to use their capital to develop micro industries, influencing the economic life of Priangan society. The society was able to creatively adapt to the new policy of economic liberalism. Based on their local wisdoms, the Priangan people created a new form of liberalism supported within their socio-cultural, economic, and political structures. This local liberalism formed the pattern of dynamic economic behaviour and nurtured the entrepreneurial spirit amongst the Priangan society.
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Firmansyah, Andang, Edwin Mirzachaerulsyah, and Novitasari Novitasari. "Pendudukan Jepang di Mempawah, 1942-1944." Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan 6, no. 1 (June 25, 2022): 1–12. http://dx.doi.org/10.29408/fhs.v6i1.3637.
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Japan entered West Kalimantan for the first time by controlling the administrative city, Pontianak. The control of the Mempawah area is vital because it is located between Pontianak City and Singkawang City, the administrative city of the Netherlands. This study aimed to determine the occupation of the Japanese army in Mempawah City, the entry of Japanese troops in Mempawah City, and the leadership of the Japanese military in Mempawah City. The research uses the historical method with four stages heuristics, source criticism, interpretation, and historiography. The results showed that the Japanese entered the city of Mempawah around the end of February 1942. At the beginning of the occupation, the Japanese immediately managed the local government by placing soldiers of the highest rank to lead the city of Mempawah. Japan also recorded and arrested several actual figures who endangered its power in Mempawah. The leadership of the Japanese government left after Japan surrendered to the allies and marked the end of Japanese rule in Mempawah.Jepang pertama kali masuk ke Kalimantan Barat dengan menguasai kota administratif Pontianak. Penguasaan kawasan Mempawah sangat vital karena terletak di antara Kota Pontianak dan Kota Singkawang, kota administratif Belanda. Penelitian ini untuk mengetahui pendudukan tentara Jepang di Kota Mempawah, masuknya pasukan Jepang di Kota Mempawah, dan kepemimpinan militer Jepang di Kota Mempawah. Penelitian ini menggunakan metode sejarah dengan empat tahapan heuristik, kritik sumber, interpretasi, dan historiografi. Hasil penelitian menunjukkan bahwa Jepang memasuki kota Mempawah sekitar akhir Februari 1942. Pada awal pendudukan, Jepang langsung mengatur pemerintahan daerah dengan menempatkan prajurit berpangkat tertinggi untuk memimpin kota Mempawah. Jepang juga mencatat dan menangkap beberapa tokoh nyata yang membahayakan kekuasaannya di Mempawah. Kepemimpinan pemerintah Jepang pergi setelah Jepang menyerah kepada sekutu dan menandai berakhirnya kekuasaan Jepang di Mempawah.
Dissertations / Theses on the topic "1909-1942 Criticism and interpretation"
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Vachon, Jean-Olivier. "L'artiste-passeur chez J. A. Loranger et G. Roy, et, La grange traversee." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32949.
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A thematic and formal analysis of Jean-Aubert Loranger's poetic tale "Le Passeur" [1920], and of Gabrielle Roy's novel La Montagne secrete [1962], shows that the construction of the two heroes' respective identity is directly related to the representation of small and large rivers in the two stories. Considering the generic difference between the two texts, these similarities---which are shaped up in a four steps "organizing scheme"---suggest the existence of a real structure in the construction of the modern identity (quebecoise). La Grande traversee, an historical novel about the massive Irish emigration of 1847, narrates the quest of identity of Seamus Doyle, while following the same four steps of this particular movement.
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Morin, Claude. "L'émergence de l'individualité dans les romans de Michel Tremblay." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60014.
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The subject matter of this thesis is concerned with a series of novels written by Michel Tremblay referred to as "Les Chroniques du Plateau Mont-Royal"; and more specifically, it is limited to the first four in the series. In these, Tremblay deals with the phenomena of human nature as it unfolds between birth and death. The gradual emergence of the wholeness and uniqueness of the individual during this process is a major theme developed sequentially in these four novels. This has been clearly demonstrated and critically evaluated in this thesis both somatically by using Ovid's Theory of Metamorphosis and psychologically by using Jung's Theory of Individuation. It has been concluded as a result of such analyses; firstly, that the unfolding process of human nature is a central theme, and secondly, these four novels are importantly interrelated in the development of this theme.
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Scherf, Kathleen Dorothy. "The collected poetry of Malcolm Lowry : a critical edition with a commentary." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/29384.
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Although his literary reputation rests primarily on his novels, Malcolm Lowry (1909-1957) considered himself a poet, and he composed an extensive poetic canon. No reliable edition of Lowry's poetry exists; increasing critical interest in all aspects of Lowry's life and work prompted the preparation of this complete edition of his poetry, in which the poems are located, identified, dated, arranged, collated, annotated, and explicated in biographical, critical, and textual introductions. The sections of Lowry's text are chronologically arranged to reflect his artistic development, and are preceded by short essays describing the specific issues raised by those poems. The opening section—Lowry's poetic juvenilia—reflects his fascination for the sea, as does the ensuing section, The Lighthouse Invites the Storm, his first collection of poetry, a sequence of related semi-autobiographical poems, which depicts the adventures of the characters Peter Gaunt and Vigil Forget. Lowry composed most of the Lighthouse in Mexico; following it in this edition is a small group of uncollected Mexican poems. The next two sections of text—"Dollarton 1940-54: Selected Poems 1947" and "Dollarton 1940-54: Uncollected Poems"—reflect and record the experience of Lowry's sojourn on the lower mainland, and its deep effect on him. A remarkably coherent group of love poems written between 1949 and Lowry's death in 1957 follows the Dollarton texts, and the appendices contain sections of song lyrics and undated fragments. This edition provides Lowryans with ready access to the latest determinable authorial versions of, and the textual histories for, the canon's four hundred and sixty-five poems, which range in date from 1925 to 1957.Arts, Faculty of
English, Department of
Graduate
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Fortier, Dominique 1972. "L'écriture comme paradoxe : étude de l'oeuvre de Gabrielle Roy." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82873.
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This thesis studies the works of Gabrielle Roy in an attempt to bring to light both the continuity and the evolution that characterize the novelist's writing. To do so, her works have been divided into four groupings. The first, composed of Bonheur d'occasion, La Petite Poule d'Eau and Alexandre Chenevert, identifies the poles of a paradox around which all of Roy's subsequent novels are articulated: disenchanted realism and idyllic chronicle are bridged, in an ironic mode, through the story of the Montreal bank teller.The second grouping, also governed by this principle of alternation whereby each book seems to be the contrary of the one that precedes it, examines works of autobiographical inspiration (Rue Deschambault and La Route d'Altamont) and allegorical, almost didactic narratives (La Montagne secrete, La Riviere sans repos).
The novels that form the third grouping no longer oppose each other but rather bear the signs of a reconciliation that will only be realised fully in Roy's autobiography, La Detresse et l'Enchantement. Cet ete qui chantait, Un jardin au bout du monde, Ces enfants de ma vie and De quoi t'ennuies-tu, Eveline? combine work of autobiographical inspiration and third-person narratives, eliminating the barriers between the realistic, ironic and idyllic universes.
To each distinct form chosen by the author correpond a particular voice and a specific style of writing, which, although differing from book to book, nonetheless share common elements: doubt and hesitation, oppositions, questionings and interrogations. These are indicative of a new paradox, lodged in the writing itself, and which reveals itself through the co-presence of opposing perspectives. The different voices and the points of views they express reappear in La Detresse et l'Enchantement and Le temps qui m'a manque, which make up the fourth and final grouping. In her autobiography, Roy integrates these voices in order not to merge them into one, but to allow them to express themselves in a first-person plural narrative.
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Simpson, Beverly Hurley. "Discovering the heart's truth : female initiation in the novels of Eudora Welty." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/546128.
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The female characters in four of Eudora Welty's five novels, The Robber Bridegroom (1942), Delta Wedding (1946), Losing Battles (1970), and The Optimist's Daughter (1972), undergo initiation experiences which are significant elements in the content and structure of the novels. Only in The Ponder, Heart (1954) is female initiation notably missing. This study identifies and interprets the patterns of female initiation in these novels, showing Welty's refining of her understanding and presentation of female initiation. While Welty embraces certain traditional elements of initiation, which this study identifies in anthropological, mythological, and psychological studies--the loss of innocence (discovery of evil), crisis and confrontation, the gaining of wisdom however painful, becoming an outcast, yet reuniting with the community--she also adds her own elements regarding female initiation-an underlying tension between males and females or between females and a shadowing of the Demeter/Persephone (Kore) myth. In addition, her female initiates lack the mentor traditionally found in male initiation. Also reflected in Welty's fiction is the separation involved in female initiation in primitive cultures, mythology, and psychology. Not all of Welty's female characters in these novels undergo initiation; someremain static and unchanging, while others are at the threshold, eagerly waiting to cross over. While Welty's initiates make the dark journey alone to gain knowledge of themselves and the world however painful, their initiation does not signify the end of their growth.Department of English
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Hong, Kimberly Yuen 1984. "Tear Down the Veils: Francis Bacon's Papal Variations 1946-1971." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9871.
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xiv, 141 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.Twentieth-century British figurative painter Francis Bacon (1909-1992) is perhaps best known for his near-obsessive series of papal paintings inspired by Diego Velazquez' renowned portrait Pope Innocent X (1650) and created over the course of Bacon's entire artistic career. The artist's working process plays a crucial role in understanding this celebrated and varied series. Bacon deliberately avoided Velazquez' "original" portrait, preferring instead to work with photographic reproductions of the piece alongside a large collection of seemingly disparate visual material in his chaotic studio at 7 Reece Mews (South Kensington, London, England). This thesis proposes that Bacon explored issues of mechanization, fragmentation, and repetition through these visual juxtapositions in order to offer a critique of artistic and religious institutions.
Committee in Charge: Dr. Kate Mondloch, Chair; Dr. Lauren G. Kilroy; Dr. Ellen Rees
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Loisel, Robert. "Figurines, suivi d'une, Etude de personnages." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30184.
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The first part of this master's thesis in French Literature is as a short story collection. Inspired by people's social and family situations, these short stories try to render the conflict that structures these situations and gives life to characters. In general, this conflict always takes place between real and imaginary worlds.The second part of this thesis is an analysis of two Stefan Zweig short stories. In my analysis, I try to determine at which moment a character passes from being simply a character on paper to a "living" character. Thereby, I hope to disprove Florence Goyet's theory that a short story character is merely subjugated to a structure. I use the theory of reception, as Vincent Jouve used it to study novels.
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彭依伊. "尋找蕭紅: 作家多重形象跨文本研究= In search of Xiao Hong: an intertextual study of a writer's multiple images." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/567.
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近年來，民國女作家蕭紅的形象在學界一直有被標籤化的趨勢，無外不出「女性主義作家」、「抗戰作家」等名號，在很大程度上束縛了蕭紅的形象，妨礙了在蕭紅身上挖掘其它特質的可能。面對這一現象，本文試圖突破以往常規視野下塑造蕭紅形象局限於傳統純文字文本，囿於「還原」作家真實面貌的做法，力圖展示出多面、立體、作者主觀化的蕭紅形象。從形象塑造者主觀的創作中提取信息以分類歸納，同時力圖構建出新的、隸屬研究者本身的思維方式。本文將純文字文本與跨媒介文本結合而談，通過共時與歷時縱橫相觀的方式，觀察不同文本中或相離或交叉的內容，從而尋找並探討蕭紅在不同類型文本中所具有的或普遍規範，或變幻無常的多重形象，構建作家形象在文學立場上的特殊意義。其中，純文字文本包括與蕭紅有關的傳記、書信集等；跨媒介文本則包括與蕭紅有關的歌劇、舞劇、電影。後者也是本文獨創之處，探討這些在蕭紅研究界較為新興的表現方式如何塑造蕭紅形象。理論方面，本文將以西方藝術史中以畢加索為代表的立體主義為基礎和支點，以茱莉亞•克里斯蒂娃提出的互文理論與巴赫金的文本對話理論為研究方法，探討文本之間如何相互作用，力爭展示在新的理論觀照之下的蕭紅形象，並進一步建立宏大、多面的形象審視體系。
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Dougherty, Karen. "Dorothy Livesay and William Blake : the situation of the self." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68083.
Full textAbstract:
This thesis traces the connections between Dorothy Livesay and William Blake, especially with respect to the construction and symbolization of the self. Models of influence relevant to Livesay and Blake are examined resulting in a contextual model of influence which considers artists' "anxiety" and the importance of gender issues. Archival documents supplement, and sometimes transform the implications of, Livesay's poetry and other published works in relation to Blake. The discussion moves from tracing the general points of intersection between Livesay and Blake (ancestors, traditions), to focusing on the different levels of influence that can be claimed between the two poets. The presence of Blake in Livesay's writings is examined closely, especially with respect to the imaginative states which each sets up to describe the self. Finally, Livesay's construction of the journey of her own life and her movement towards an ideal of self-completion which culminate in her celebratory late works are compared with Blake's ideal of the self as set forth in his Prophetic Works.
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Hyman, Mitchell. "The style of Daniel Fuchs /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65553.
Full textBooks on the topic "1909-1942 Criticism and interpretation"
1
Gérard, Vulliamy, ed. Gérard Vulliamy (1909-2005). Paris: Rmn-Grand Palais, 2011.
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2
Carlo, Carlo Di. Michelangelo Antonioni, 1942-1965. 2nd ed. [Rome?]: Ente autonomo di gestione per il cinema, 1988.
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3
Assis, Angelo, ed. Patativa do Assaré, 1909-2009. Fortaleza: Gabinete do Senador Inácio Arruda, 2009.
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4
Evelyn, Useda Miranda, Oles James, Museo Nacional de Arte (Mexico), and Instituto Nacional de Bellas Artes (Mexico), eds. Raúl Anguiano: Dos realidades, 1934-1942 = two realities, 1934-1942. México, D.F: Instituto Nacional de Bellas Artes, 2012.
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5
Fernand Léger cubista: 1909-1914. Padova: CLEUP, 2009.
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6
Bartorelli, Guido. Fernand Léger cubista: 1909-1914. 2nd ed. Padova: CLEUP, 2011.
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7
1929-, Grau-Garriga Josep, ed. Grau-Garriga: Dessins 1942-2000. Paris: Dilecta, 2011.
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8
1942-2006, Ramírez Arellano Gilberto, ed. Gilberto Ramírez Arellano: 1942-2006. [Morelia, Michoacán?]: Secretaría de Cultura de Michoacán, 2009.
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9
Echagüe, Antonio Ortiz. Antonio Ortiz Echagüe, 1883-1942. [Madrid]: Centro Cultural del Conde Duque, Ayuntamiento de Madrid, Concejalía de Cultura, 1991.
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10
Vr̥ṣabhēndrasvāmi, S. M. Taragatigaḷalli Kuvempu, taulanika kāvyamimāmse, 1941-1942. Maisūru: Pustaka Prakāśana, 2004.
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